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Waterloo Anthonie

"Traveller Near a Wood" original etching
By Anthonie Waterloo
Located in Henderson, NV
from the original Anthonie Waterloo plate. Plate size: 4 3/4 x 5 5/8 inches; 117 x 145mm. Not signed.
Category

1860s Landscape Prints

Materials

Etching

Hermitage
By Anthonie Waterloo
Located in Middletown, NY
Etching on cream laid paper, 4 x 4 3/4 inches (100 x 120 mm) narrow margins. In very good condition with a number of inscriptions in pencil on the verso. Also on the verso there is a...
Category

Early 19th Century Flemish School Landscape Prints

Materials

Laid Paper, Etching

Hermitage
Hermitage
H 4 in W 4.75 in
The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category

17th Century Old Masters Landscape Prints

Materials

Laid Paper, Etching

The Hermitage
By Anthonie Waterloo
Located in Chicago, IL
2nd State of three States
Category

17th Century Landscape Prints

Materials

Etching

The Little Wooden Bridge
By Anthonie Waterloo
Located in Chicago, IL
A fine and rare 2nd State impression, before the address of Ottens
Category

17th Century Landscape Prints

Materials

Etching

The Great Landscapes III
By Anthonie Waterloo
Located in Chicago, IL
3rd State Watermark: Gekrontes Wappen. Similar to: Paschal Lamb on Shield, Ash & Fletcher no 29 B’a, dating this sheet to about 1651.
Category

Mid-17th Century Landscape Prints

Materials

Etching

The Great Landscapes II, (4th State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark: Schellenkappe (Foolscap) Similar to Churchill no. 340
Category

17th Century Old Masters Landscape Prints

Materials

Etching

The Great Landscapes VI (2nd State)
By Anthonie Waterloo
Located in Chicago, IL
Watermark: Wappen von Amsterdam mit Nebenmarke
Category

17th Century Old Masters Landscape Prints

Materials

Etching

People Also Browsed

The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Fr...
Category

16th Century Old Masters Figurative Prints

Materials

Laid Paper, Engraving

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4 x 4 1/8 inches (120 x 105 mm), ...
Category

18th Century Old Masters Figurative Prints

Materials

Handmade Paper, Etching, Laid Paper

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
By Francisco Goya
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
Category

1790s Old Masters Figurative Prints

Materials

Engraving, Paper, Etching, Aquatint

The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category

Mid-17th Century Old Masters Figurative Prints

Materials

Drypoint, Laid Paper, Etching

Guardians of the Spire; Amiens Cathedral Number 2
By John Taylor Arms
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 x 9 7/8 inches (171 x 252 mm...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Banquet Attrib to Van Den Hoecke Religious Oil on Table Old Master 17th Century
By Gaspar van den Hoecke (Antwerp, 1585 - 1648)
Located in Riva del Garda, IT
Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the...
Category

17th Century Old Masters Paintings

Materials

Oil

Self Portrait with Saskia
By Rembrandt van Rijn
Located in New York, NY
A very good, dark and evenly-printed impression of this etching with strong contrasts. Biörklund's second state (of 3); Usticke's third state (e) (of 6), with the vertical scratch th...
Category

1630s Baroque Portrait Prints

Materials

Etching

Adriaen Frans Boudewyns After Adam-François Van Der Meulen, Etching
Located in Cheltenham, GB
This 17th-century engraving by Flemish draughtsman Adriaen Frans Boudewyns (1644-1719) is after a painting by Adam-François van der Meulen (1632-1690). It depicts the French calvary ...
Category

17th Century Old Masters Landscape Prints

Materials

Paper, Etching

River Landscape Village Paint oil on canvas 17th Century
Located in Riva del Garda, IT
River landscape with popular life scene Oil painting on canvas 62 x 98 Framed 74 x 110 cm. We present this vast and harmonious composition, where a characteristic river landscape ac...
Category

17th Century Old Masters Paintings

Materials

Canvas, Oil

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian
Located in Cirencester, Gloucestershire
The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenan...
Category

Early 18th Century Old Masters Landscape Paintings

Materials

Oil, Canvas

Dughet Woodland Landscape Old master Paint Oil on canvas 17th Century Italy Art
By Gaspard Dughet, called Gaspard Poussin (Rome 1615 - 1675)
Located in Riva del Garda, IT
Gaspard Dughet, called Gaspard Poussin (Rome 1615 - 1675) - attributable to Wooded landscape of the Roman countryside with the Archangel Raphael and Tobiolo oil painting on canvas s...
Category

17th Century Old Masters Paintings

Materials

Oil

Avanzo del Pronao del Tempio di Giove Tonante, from Le Antichità Romane
By Giovanni Battista Piranesi
Located in Middletown, NY
Etching on buff laid paper with a partial indiscernible watermark, full margins. In very good condition with some minor scattered spots of foxing in the margins. Some pencil notatio...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Etching

Landscape Village Market Paint Oil on canvas Old master 18th Century Flemish Art
By Circle of Pieter van Bredael (Antwerp 1629 - 1719)
Located in Riva del Garda, IT
18th century Dutch school (circa 1700.) - Circle of Pieter van Bredael (Antwerp 1629 - 1719) A village square with a market scene oil on canvas, 78 x 108 cm., Framed 94 x 121 cm. Q...
Category

18th Century Old Masters Paintings

Materials

Oil

The little waterfall (Der kleine wasserfall), from Four Landscapes.
By Herman van Swanevelt
Located in Middletown, NY
Etching with engraving on cream laid paper, 7 x 10 3/4 inches (184 x 273 mm), thin margins. Printing anomaly in the lower left quadrant with associated fold. Scattered handling wear...
Category

Early 17th Century Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching

Venus Lamenting over the Death of Adonis
By Herman van Swanevelt
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Il tempio del Sole
By Israel Silvestre
Located in Middletown, NY
Etching on hand made cream laid paper, 2 7/8 x 6 1/4 inches (72 x158 mm), 1/4 inch margins. In very good condition with minor edge wear. Adhered with adhesive along the left top shee...
Category

Early 17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Recent Sales

Untitled - Wilderness covered with rocks.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
(Lugt 1092a) and Chevalier de Camberlyn (Lugt 514). Made by A. Waterloo. Anthonie Waterloo (1610-1690
Category

17th Century Landscape Prints

Materials

Etching

Untitled - Barren rocks.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
. Anthonie Waterloo (1610-1690) had a long life, in which he was active not only as an artist, but also as a
Category

Mid-17th Century Landscape Prints

Materials

Etching

Untitled - Landscape with a road between trees.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
of 3. Reference: Hollstein 67 Made by Anthonie Waterloo after own design. Anthonie Waterloo (1610
Category

1650s Landscape Prints

Materials

Etching

Untitled - Landscape with a stream near some trees.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
Anthonie Waterloo after own design. Anthonie Waterloo (1610-1690) had a long life, in which he was active
Category

1650s Landscape Prints

Materials

Etching

Untitled - Landscape with a mule driver next to a river.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
state. Reference: Hollstein 48. Made by Anthonie Waterloo after own design. Anthonie Waterloo (1609
Category

Mid-17th Century Landscape Prints

Materials

Etching

Untitled - Landscape with a bridge with a cross. Lettered B.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
state. Reference: Hollstein 78. Made by Anthonie Waterloo after own design. Anthonie Waterloo (1609
Category

17th Century Landscape Prints

Materials

Etching

Plate: Landscape with 2 hunting men and their dogs.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
family earliest 1717. This plate was etched by Anthonie (Anthony) Waterloo. Although etched he is known
Category

17th Century Landscape Prints

Materials

Etching

Untitled - Landscape with a group of tree near a lake.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
: Anonymous (not in lugt), J. R. Voute (not in Lugt). Made by Anthonie Waterloo after Jacob Esselens
Category

17th Century Landscape Prints

Materials

Etching

Untitled - Three boys and their dogs.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
Frauenholz (Lugt 1458). Anthonie Waterloo (1609-1690) was born in Lille, but his family moved to Amsterdam
Category

17th Century Landscape Prints

Materials

Etching

Untitled - A village church on the bank of a river.
By Anthonie Waterloo
Located in Zeeland, Noord-Brabant
Heydeck (Lugt 2519) and Nathaniel Smith (Lugt 3617). Anthonie Waterloo (1609-1690) was born in Lille, but
Category

17th Century Landscape Prints

Materials

Etching

Le Pont de Waterloo, a Londres
By John Postle Heseltine
Located in Saint Augustine, FL
An original etching by British artist John Postle Helsetine (1843-1929) titled "Le Pont de Waterloo
Category

Late 19th Century Impressionist Landscape Prints

Materials

Etching

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Waterloo Anthonie For Sale on 1stDibs

You are likely to find exactly the waterloo anthonie you’re looking for on 1stDibs, as there is a broad range for sale. Finding the perfect waterloo anthonie may mean sifting through those created during different time periods — you can find an early version that dates to the 17th Century and a newer variation that were made as recently as the 18th Century. On 1stDibs, the right waterloo anthonie is waiting for you and the choices span a range of colors that includes beige, gray, brown and black. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in etching can add an especially memorable touch.

How Much is a Waterloo Anthonie?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a waterloo anthonie in our inventory may begin at $266 and can go as high as $2,600, while the average can fetch as much as $603.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.