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1940s Landscape Prints

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Period: 1940s
Degas, Cafe-Concert, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.375 x 8.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
Category

Impressionist 1940s Landscape Prints

Materials

Engraving

Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Original Le Puy En Velay, SNCF vintage travel poster
Located in Spokane, WA
Admiring the Original "Le Puy En - Velay" Vintage Poster The exquisite vintage poster for the old city of Le Puy En - Velay has inspired many art aficionados. ...
Category

Academic 1940s Landscape Prints

Materials

Lithograph

Original "Wake of the Red Witch" vintage Belgium movie poster
Located in Spokane, WA
Original “Wake of the Red Witch” vintage movie poster: Staring John Wayne and Gail Russell. Original linen backed small format poster. Wake of the Red...
Category

American Modern 1940s Landscape Prints

Materials

Offset

'Bert, Bob and Betsy', Paris, Salon d'Automne, New York, ASL, Corcoran, PAFA
Located in Santa Cruz, CA
A stone lithograph titled 'Bert, Bob and Betsy' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A bright and fres...
Category

1940s Landscape Prints

Materials

Paper, Lithograph

Childhood Memory - Woodcut Print by L. Spacal - 1940
Located in Roma, IT
Childhood Memory is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original B/W woodcut on cardboard. Excellent conditions. Lojze Spacal...
Category

1940s Landscape Prints

Materials

Woodcut

Hans Jean Arp, Composition on a Blue Background, from Derriere le miroir, 1949
Located in Southampton, NY
This exquisite lithograph by Hans Jean Arp (1886–1966), titled Composition sur fond bleu (Composition on a Blue Background), from the folio Derriere le miroir, L’art abstrait, No. 21...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Composition - Original Color Lithograph by Antoni Clavé - 1943
Located in Roma, IT
Hand signed and dated. Signed on plate. Very good conditions Passepartout included : 49 x 34 cm Image Dimensions : 25 x16 cm This artwork is shipped from Italy. Under existing legis...
Category

Surrealist 1940s Landscape Prints

Materials

Lithograph

Andre Derain, The Feast at Simon’s House, from Verve, Revue Artistique, 1940
Located in Southampton, NY
This exquisite lithograph by Andre Derain (1880–1954), titled Le Repas chez Simon (The Feast at Simon’s House), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Andre Derain, The Dinner, from Verve, Revue Artistique et Litteraire, 1940
Located in Southampton, NY
This exquisite lithograph by Andre Derain (1880–1954), titled Le Diner (The Dinner), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publis...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Southampton, NY
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category

Modern 1940s Landscape Prints

Materials

Etching, Engraving, Drypoint

Original "Our America, Transportation Creates New Wonders" 1943 vintage poster
Located in Spokane, WA
Original OUR AMERICA TRANSPORTATION #4, horizontal vintage WWII time frame Transportation creates new wonders. Professional acid-free archival linen backed mint condition. This #4 for Transportation has two variations produced by Coca-Cola to feature the future of modern air travel. This is a rare variation of the Coca-Cola Our America transportation series. This poster #4 for transportation is the only Coca-Cola Our America poster that had two different versions. This poster is in excellent condition. The initially issued fold narks were flattened, and the touch-up work is exceptionally well done. So well done, you would have to look to find them! As mint as this poster can be! A futuristic plane design is shown as "transportation creates new wonders' as the double-decker plane with lower and upper passenger loading. You can stop and drop off passengers directly at the plane from your car! You can arrive by boat or water taxi or by using the new suspended freeways. The scene has semi-delivery trucks driving directly to the loading bays. The airplane engines...
Category

American Modern 1940s Landscape Prints

Materials

Offset

Kawase Hasui -- Rain at Yasuniwa (Nagano)
Located in BRUCE, ACT
Kawase Hasui Rain at Yasuniwa (Nagano), 1946 woodcut in colours Signed on the block, sealed, titled and dated in ink Publisher: Shozaburo Watanabe, with his 6mm seal The first state ...
Category

1940s Landscape Prints

Materials

Woodcut

Vintage "Cycles Alphonse Thomann", 50th Anniversary bicycle poster 1949 lithog
Located in Spokane, WA
Original “Cycles Alphonse Thomann” 50th Anniversary vintage poster. Printed in 1949. Artist: Pier Gobbe. Printer: Imp. Lafayette, Paris, France. Archival linen backed and ready to frame. The color palate of this vintage poster is mainly light blue and orange. The paper is unbleached natural cotton paper with a tan tone. You can feel the speed of this bicycle as it is racing downhill. A set of wings in the center tire allows it to fly along the road. Perfect for any bicycle poster...
Category

American Modern 1940s Landscape Prints

Materials

Lithograph

Original NEXT! 6th War Loan vintage 1944 poster World War 2
Located in Spokane, WA
Original World War II poster: NEXT!. 6th War Loan. Original World War 2 government issued poster. Linen backed with original fold marks restored. T...
Category

American Modern 1940s Landscape Prints

Materials

Offset

The Band, Impressionist Lithograph by Raoul Dufy
Located in Long Island City, NY
Artist: Raoul Dufy, French (1877 - 1953) Title: The Band Year: 1949 Medium: lithograph, signed in the plate Size: 19 x 29.5 inches Frame Size: 25.5 x 36 inches Printed by Baynard Pr...
Category

Impressionist 1940s Landscape Prints

Materials

Lithograph

Kollwitz, Death Seizes a Woman (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Marie Laurencin, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Marie Laurencin, Anxious Young Woman, from Antares, 1944
Located in Southampton, NY
This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme inquiète (Anxious Young Woman), from the album Antares, eaux-fortes originales de Marie Laurencin (Antares, ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Lithograph

Picasso, Femme de Face (Bloch 372; Baer 700; Cramer 41) (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Rembrandt, Composition, Rembrandt, Drawings from the Bible (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...
Category

Baroque 1940s Landscape Prints

Materials

Lithograph

Paris - Original Etching by A. Buratti - 1947
Located in Roma, IT
Image dimensions: 24 x 27 cm. Paris is an original artwork realized in 1947 by Armando Buratti. Original black and white etching. Hand-signed and dated in pencil on lower right. N...
Category

Contemporary 1940s Landscape Prints

Materials

Etching

Gauguin, Offerings of Gratitude (Maruru), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Landscape - Original Etching by O.B. de Kat - 1944
Located in Roma, IT
Landscape is an original etching, realized by Otto B. De Kat in 1944, signed and dated on the lower left. The State of preservation is good. Included a Passepartout: 50x 32.5 cm. ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Francois Auguste Rene Rodin, Untitled, from The Varende, 1944 (after)
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph, Stencil

Rembrandt, Composition, Rembrandt, Drawings from the Bible (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...
Category

Baroque 1940s Landscape Prints

Materials

Lithograph

Roger Vieillard, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Roger Vieillard (1907–1989), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Léger, Composition, Cahiers d'Art (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Vuillard, Une Galerie au Gymnase, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Lithograph

Picabia, Composition, Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

Modern 1940s Landscape Prints

Materials

Drypoint

'David, Walter & Blake', Woman Artist, Art Deco, Children, Walker Art Center
Located in Santa Cruz, CA
A stone lithograph titled 'David, Walter and Blake' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A crisp and f...
Category

1940s Landscape Prints

Materials

Paper, Lithograph

Kollwitz, Call of Death (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

The Man in the Well - Original Lithograph By A. Savinio - 1945
Located in Roma, IT
The man in the well is an original modern artwork realized by Alberto Savinio on a text by Lorenzo Montano Good conditions except for some folds, foxings and yellowing of paper. Ed...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Gauguin, Be in Love and You will be Happy, Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Superlative Sunrise - Original etching, 1943
Located in Paris, IDF
Jean FRELAUT Superlative Sunrise Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition
Category

Modern 1940s Landscape Prints

Materials

Etching

Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Churches of Lalibelà - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Churches of Lalibelà  is a modern artwork realized by Lino Bianchi Barriviera in 1948.. Black and white etching. Signed and dated on plate. Plate n.58 (as reported on the higher m...
Category

Modern 1940s Landscape Prints

Materials

Etching

Rembrandt, Composition, Rembrandt, Drawings from the Bible (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...
Category

Baroque 1940s Landscape Prints

Materials

Lithograph

Cambridge Map, Original Vintage Poster by Kerry Lee
Located in London, GB
To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find th...
Category

Realist 1940s Landscape Prints

Materials

Lithograph

Rembrandt, Composition, Rembrandt, Drawings from the Bible (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...
Category

Baroque 1940s Landscape Prints

Materials

Lithograph

Hotel de Sous, Signed Impressionist Etching by Charles Forget
Located in Long Island City, NY
Hotel de Sous Charles Forget, French (1886–1960) Date: 1949 Etching, signed and dated in the plate, and signed and numbered in pencil Edition of AP Image Size: 11.25 x 7.5 inches Siz...
Category

Impressionist 1940s Landscape Prints

Materials

Etching

20th century lithograph black and white landscape print trees lake signed
Located in Milwaukee, WI
"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...
Category

Realist 1940s Landscape Prints

Materials

Lithograph

Touchagues, Jours de gloire, Histoire de la libération de Paris (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Dignimont, Jours de gloire, Histoire de la libération de Paris (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Metzinger, Femme à sa Toilette (Metzinger, AM-18-013), Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

Modern 1940s Landscape Prints

Materials

Drypoint

Daragnès, Jours de gloire, Histoire de la libération de Paris (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Lithograph

Dignimont, Jours de gloire, Histoire de la libération de Paris (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Dignimont, Jours de gloire, Histoire de la libération de Paris (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Les Manifestes du Surrealisme, Surrealist Two Etchings by Roberto Matta
Located in Long Island City, NY
Roberto Matta, Chilean (1911 -2002) - Les Manifestes du Surrealisme Diptych, Year: 1946, Medium: Two Etchings, titled in the plate, Edition: 58, Image Size: 5.5 x 4 inches, Size:...
Category

Surrealist 1940s Landscape Prints

Materials

Etching

Picasso, L'Homme au chapeau (Bloch 29; Baer 42; Cramer 46), Du cubisme (after)
Located in Southampton, NY
Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...
Category

Modern 1940s Landscape Prints

Materials

Etching

Valentin Hugo, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Valentine Hugo (1887–1968), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier,...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Touchagues, Jours de gloire, Histoire de la libération de Paris (after)
Located in Southampton, NY
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Trout Fishing on the Gunnison (Colorado)
Located in Fairlawn, OH
Trout Fishing on the Gunnison (Colorado) Lithograph, 1941 Signed and dated '42 in pencil lower right Annotated lower left: "40 Prints-The Gunnison River, Colorado-For Anne & Jack" Ed...
Category

American Modern 1940s Landscape Prints

Materials

Lithograph

Bonnard, Composition (Terrasse 54), Pierre Bonnard Correspondences (after)
Located in Southampton, NY
Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Vuillard, Sur le Pont de l´Europe, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Lithograph

Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Bonnard, Composition (Terrasse 54), Pierre Bonnard Correspondences (after)
Located in Southampton, NY
Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

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