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Period: 1940s
Composition, Alternance, Jacques Villon
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Rodin, Composition, La Varende, Rodin (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph, Stencil

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

Impressionist 1940s Landscape Prints

Materials

Lithograph

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Bonnard, Composition (Terrasse 54), Pierre Bonnard Correspondences (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

'Vermont Quarry', Kansas City Art Institute, New York, Art Students League, WPA
Located in Santa Cruz, CA
Signed lower right, 'Guy Maccoy' (American, 1904-1981), dated 1941 and titled, lower left, 'Vermont Quarry'. Serigrapher, muralist and teacher, Guy Maccoy...
Category

1940s Landscape Prints

Materials

Paint, Paper, Screen

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Rodin, Composition, La Varende, Rodin (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph, Stencil

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...
Category

Impressionist 1940s Landscape Prints

Materials

Lithograph

Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category

Modern 1940s Landscape Prints

Materials

Drypoint

Hotel de Sous, Signed Impressionist Etching by Charles Forget
Located in Long Island City, NY
Hotel de Sous Charles Forget, French (1886–1960) Date: 1949 Etching, signed and dated in the plate, and signed and numbered in pencil Edition of AP Image Size: 11.25 x 7.5 inches Siz...
Category

Impressionist 1940s Landscape Prints

Materials

Etching

Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category

Modern 1940s Landscape Prints

Materials

Etching, Engraving, Drypoint

Kollwitz, Prisoners Listening to Music (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Fisherman's Haven, Realist Lithograph by Gordon Grant
Located in Long Island City, NY
Artist: Gordon Grant, American (1875 - 1962) Title: Old Coaster Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40.6...
Category

American Modern 1940s Landscape Prints

Materials

Lithograph

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Rouault, Composition, Georges Rouault, Stella Vespertina (after)
Located in Auburn Hills, MI
Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

LOTUS FLOWER - Provincetown Style
Located in Santa Monica, CA
MARY TRAVIS (1893-1976)) LOTUS FLOWER c. 1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 9 ¾” x 7 7/8”. Full sheet. Some creasing in the margins. Travis worked in Berkeley, California and was probably a follower of William S...
Category

American Modern 1940s Landscape Prints

Materials

Woodcut

Original 'Map of the United States as Californians See It' vintage map poster
Located in Spokane, WA
Original vintage poster: "Map of the United States as Californians See It". 1947, artist: Oren Arnold. Size: 16.5" x 20.5", R. H. MOEBUS COMPANY This poster is not linen-backed. This poster is in very good fine condition, ready to frame. A humorous satirical pictorial map from 1947 with the golden sun on the upper left, gives a detailed depiction of California, its relative size to the rest of the United States, showing Florida as "Death Valley", the rest of the United States as "Unexplored" 'Unimportant anyway, not in California". The image has your Mexican singer; bikini-clad bathers and others set in the image. Shows rivers, lakes, harbors, landmarks, parks, recreational activities, and local people. This map shows Los Angeles’ city...
Category

American Modern 1940s Landscape Prints

Materials

Offset

Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Along the Seine, Impressionist Landscape Oil Painting by Louis Dancourt
By Louis Dancourt
Located in Long Island City, NY
Artist: Louis Dancourt, French XXth Title: Along the Seine II Year: 1946 Medium: Oil on Canvas mounted to Wood, signed l.r. and dated verso Image Size: 16 x 20 in. (40.64 x 50.8 cm) ...
Category

Fauvist 1940s Landscape Prints

Materials

Canvas, Wood, Oil

Dignimont, Jours de gloire, Histoire de la libération de Paris (after)
Located in Auburn Hills, MI
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Touchagues, Jours de gloire, Histoire de la libération de Paris (after)
Located in Auburn Hills, MI
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Original "R. M. S. Caronia, Cunard Line vintage cruise line poster
Located in Spokane, WA
Original, linen-backed travel by Cunard Line cruise ship R.S.S. "Caronia" horizontal poster. This original poster is ready to frame. RMS Caronia ...
Category

American Realist 1940s Landscape Prints

Materials

Lithograph

Villon, Le Cheval, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...
Category

Modern 1940s Landscape Prints

Materials

Etching

Original "Wake of the Red Witch" vintage Belgium movie poster
Located in Spokane, WA
Original “Wake of the Red Witch” vintage movie poster: Staring John Wayne and Gail Russell. Original linen backed small format poster. Wake of the Red...
Category

American Modern 1940s Landscape Prints

Materials

Offset

Landscape - Etching by Paulette Humbert - 1940s
Located in Roma, IT
The Forest is an etching print on paper realized in the 1940s by Paulette Humbert. Hand-signed on the lower. Numbered on the lower left, a rare edition of 7/11 prints. Very Good c...
Category

Modern 1940s Landscape Prints

Materials

Etching

Astrid - Original Lithograph By C. Carrà - 1945
Located in Roma, IT
Astrid is an original modern artwork realized Carlo Carrà on a text by Vincenzo Cardarelli. Good conditions except for some folds, foxings and yellowing of paper. Edition of 34/80...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

Impressionist 1940s Landscape Prints

Materials

Lithograph

Composition, Alternance, Marie Laurencin
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Composition, Antarés, Marie Laurencin
Located in Auburn Hills, MI
Etching on vélin de Rives BFK à la forme paper. Paper Size: 9.8 x 7.9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Antarés, eaux-fortes ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Composition, Antarés, Marie Laurencin
Located in Auburn Hills, MI
Etching on vélin de Rives BFK à la forme paper. Paper Size: 9.8 x 7.9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Antarés, eaux-fortes ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Composition, Antarés, Marie Laurencin
Located in Auburn Hills, MI
Etching on vélin de Rives BFK à la forme paper. Paper Size: 9.8 x 7.9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Antarés, eaux-fortes ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Clayton Knight, Stinson Liaison Observation Monoplane
Located in New York, NY
Clayton Knight drew a careful rendering of the plane -- even showing how it would look in the air as it banked. Edward Stinson was an accomplished, eve...
Category

American Modern 1940s Landscape Prints

Materials

Lithograph

Composition, Alternance, Valentin Hugo
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Picasso, Deux femmes, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Rodin, Composition, La Varende, Rodin (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph, Stencil

Composition, Alternance, André Lhote
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesneville, Paris, March 2, 1946. Excerpted from the folio (translated from French), Printing was finished on March 2, 1946 on the presses of atelier Quesneville for thirteen etchings; on the presses of Lacourière for the etchings by Henri Matisse and Dignimont; the etching of J.G. Daragnes was engraved by himself; the typography, which is composed of Garamond was printed on the presses of the Master Printer, G. Girard. This collection of sixteen original etchings, alternating with sixteen unpublished writings, CCC examples have been drawn, including XXXVIII on Monival and hand numbered from I to XXXVIII; and, CCLXII on Rives BFK, numbered from XXXIX to CCC. XL examples have been drawn for hors commerce on Lana a la forme have been numbered form of I to XL. ANDRE LHOTE (1885-1962) was a French Cubist painter...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Rodin, Composition, La Varende, Rodin (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph, Stencil

New York, Columbia University Color Etching by Luigi Kasimir
Located in Paonia, CO
The famous Austrian artist, Luigi Kasimir ( 1881- 1962 ) studied at the Vienna Academy of Art. He went on to develop the technique of color etching using multiple plates to creat a finished etching in color. Previously a colored etching had to have the color applied by hand. Kasimir was a very prolific artist famous for his scenes of Vienna...
Category

Realist 1940s Landscape Prints

Materials

Etching

Picasso, Composition, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

Impressionist 1940s Landscape Prints

Materials

Lithograph

Dubreuil, Composition, Alternance (after)
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Laboureur, Composition, Alternance (after)
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Composition, Alternance, André Dignimont
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Composition, Alternance, Henri de Waroquier
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

Modern 1940s Landscape Prints

Materials

Engraving

Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Lalibela - Bièt Gàbriel - Etching by Lino Bianchi Barriviera - 1942
Located in Roma, IT
Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1948. Hand-signed in pencil in the lower right. In ...
Category

Modern 1940s Landscape Prints

Materials

Etching

Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category

Modern 1940s Landscape Prints

Materials

Lithograph

Gauguin, Fragrant, Fragrant (Noa Noa), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist 1940s Landscape Prints

Materials

Woodcut

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

Impressionist 1940s Landscape Prints

Materials

Lithograph

Colosseum - Etching by Antonio Carbonati - 1947
Located in Roma, IT
Colosseum is a modern artwork realized by Antonio Carbonati in 1947. Black and white etching Includes passepartout Hand signed and dated on the lower margin Original title: Colosseo Palatino Celio Via dei Trionfi dai balconi di casa Carcano sul Colle Aventino Good conditions except for yellowing of paper. Antonio Carbonati (1893 - 1956).  He published a series of engravings of Rome...
Category

Contemporary 1940s Landscape Prints

Materials

Etching

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