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Salvador Dali (1904-1989) - Le Picador Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The wor...

Anne Storno Everybody Wants to be a Cat Limited Edition Print Edition of 15 Image Size: H 30 cm x W 40cm Paper Size: H 50cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ ...

“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stone...

Artist: Joan Miro Title: Plate 10 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 1...

September Equinox [2021] limited_edition and hand signed by the artist Reduction linocut Edition number AP Image size: H:30.3 cm x W:59.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look In celebration of the Autumn equinox! We are so fortunate to experience such dramatic skies in the Surrey hills...

Rosie Phipps The Cotswolds Original Watercolour Painting Watercolour Paint on Paper Image Size: H 10cm x W 25cm x D 0.1cm Mount Size: H 19cm x W 34cm x D 0.3cm Framed Size: H 23cm x ...

Henri Matisse (1869-1954) - Femme Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm. Plate signed. Publisher: Tériade, Paris. First, original edition. The work is in Exc...

SOLD UNFRAMED Series - Les Lavandières by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: B...

STEVE KAUFMAN – "ABRAHAM LINCOLN" ⚜ Serigraph on Canvas ⚜ Initialed Verso ⚜ Edition 48/50 AP ⚜ Black Float Frame VIBRANT POP ICONOGRAPHY OF AN AMERICAN LEGEND This bold 1990 serigra...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...

Clare Halifax K is for Kingfisher Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that ...

Artist: Alexander Calder Title: Plate 4 Portfolio: Derriere le Miroir #212 Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Rare Grey cover version of Dirty Funker Future featuring the iconic Banksy Radar Rat artwork on both sides of album cover. Limited edition of only 500 made in 2008. Banksy used the R...

P o th A a Vfb (Portrait of the Artist as Vogelfutterbüste) 1970 Plate 12.4 x 8.6 in. / 31.5 x 22 cm / Paper 30.7 x 21 in. / 78 x 53.5 cm Intaglio printing (halftone block) in black ...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Artist: Julian Stanczak Medium: Screenprint Title: Trespass Year: 1979 Edition: 66/175 Frame Size: 28 1/4" x 23 3/4" Sheet Size: 27" x 22 3/4" Signed: Hand signed in pencil

This Fortunato Depero wonderful serigraphy is a multiple of 250 printed with the authorization of Museum of Depero in Rovereto (Italy). This is the number XI (eleven) The title is: L...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Solstice flowers. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Les Bergers Romains Copper-line engraving by Jean Jacques Leveau (1729-1786) after Pierre Mettay (1728-1759). C1755. Proof, before lettering. Laid, watermarked paper. A landscap...

Harland Miller, York So Good They Named It Once, 2020 Offset lithographic poster printed in colours on wove paper 841 x 555mm (33 1/8 x 21 7/8in) Edition of an unknown size This po...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Artist: Henri Matisse (after) Title: Nus Bleus X Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2 Signature: Signed in ...

The Golden Winged Woodpecker, Plate 273 Picus auratus, Linn. The current name, Northern Flicker, Colaptes auratus. is in good condition. The edges are ragged from age with small areas of paper missing in two places but only on the very edge. The ” Birds of America” by John James...

Jayson Lilley Empire State Limited Edition Architecture Print Screen Print on Archival museum Board Edition of 12 Size: H 80cm x W 60cm Sold Framed (Please note that in situ images a...

Artist: John Baeder Title: Red Robbin (Diner) Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 30" x 22" Note: This piece is sold UNFRAMED ...

Published by Grey Matter Art Halloween Regular Edition by Tyler Stout 24” x 36” Screen Print - (4/Color on French Speckletone Madero Beach) Hand-Numbered ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Environment (Blue) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: AP Image Size: 18 x 18 inches Size: 2...

Leonor Fini Pendant les après-midi d'automne, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Colin Moore The Camel Trail in Spring Limited Edition 3 Block Linocut Print Edition of 100 Image Size: H 42cm x W 59.5cm Sheet Size: H 51cm x W 67cm x D 0.1cm Sold Unframed Please no...

Original 'La France Manque d’Huile, cultivez des Oleagineux' vintage French poster. Linen backed in excellent condition, ready to frame. FREE Continential USA shipping. Transpor...

A very good impression of this color lithograph and screenprint on Arches 88 white wove paper. One of 14 numbered artist's proofs, aside from the edition of 50. Signed, dated, inscri...

ROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

Bear Hugs (Coral) by Tim Southall [2019] Limited edition Screen Print on Paper Edition number 100 Image size: H:65 cm x W:48 cm Complete Size of Unframed Work: H:68.5 cm x W:51.5 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Bear Hugs (Coral) is a limited edition print by Tim Southall. ‘Bear Hugs’ is a large silkscreen print in a variable edition It is an image which aim to explore the very special bond between a mother and a child...

Artist: Robert Indiana, American (1928 - 2018) Title: Art from the American Dream Portfolio Year: 1972 (1997) Medium: Serigraph Edition Size: 395 Image Size: 14 x 14 inches Size: 22 ...

This drypoint from 1930 was printed in an edition of 150. It is signed in pencil just under the image in the lower left. Listed in the catalogue raisonne on Frank W. Benson by Adam Paff #303. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Salvador Dali (1904-1989) (after) - Saint Georges Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. ...

A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil by Stamos. Printed by Kelpra...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

"Hommage á Miró, Le Monde de Miró, Lithographies, Aquarelles, Gravures, Dessins, et Gauches 1924-1972, Gabos Art Center, Univ. Heights, Ohio. June 2-30 1974" Event Poster; After JOA...

Year: 2015 Class: Art Print Status: Official Run: 3/200 Technique: Letterpress Size: 10 X 13

Artist: Henri Matisse (after) Title: Acanthes Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: No Reference...

This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...

"A Representation of the Surrender of the Island of Otaheite to Capt.n Wallis, by the Supposed Queen of Oberea" is an original 18th century engraving created by Sparrow, from a drawi...

'1. 2. Helicopis acis 3. Zeonia chorinceus' Late 19th century colour lithograph of butterflies.

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Le Soldat-Du-Chene, An Osage Chief", lithographed by J. T. Bowen after a pai...

Set of three aquatints on Twinrocker handmade paper. Each initialed, titled and dated in pencil, left margin, and numbered 17/53 in pencil. Printed by I.M.E. Studios, New York. Publi...

Artist: Robert Indiana Title: The Figure Five Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Signature: Unsigned

Alberto Magnelli Composition Lithograph Conditions: excellent 32 x 24 cm 1951 Executed for XXe siècle Published by San Lazzaro, Paris Unsigned and unnumbered as issued

Screenprint on handmade Napalese paper. Edition of 3000. Printed by Universität für angewandte Kunst, Vienna. Published by MAK Galerie, Österreichisches Museum für angewandte Kunst, ...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

'Algen I' (Seaweeds) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Jean Cocteau - King Oedipus - Original Lithograph 1956 Signed in the plate Dimensions: 66 x 50 cm Provenance : Succession Dermit, Cocteau's heir

Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...

Jean Cocteau - Angel - Original Handcolored Lithograph Signed in the plate Stampsigned Handcolored in pencil. Edition : /XXV Dimensions: 47.5 x...

"A Night Dance by Men in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyage ...