18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
Ancient View of Windsor - Etching by G. Braun and F. Hogenberg - 17th Century
Located in Roma, IT
Ancient view of Vindesorium (Windsor) is an old master artwork realized by George Braun and Franz Hogenberg in the Late 17th Century, as part of the famous Series "Civitates Orbis Te...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava.
This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91)
Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Oil Lamp - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Iacomino e Nicola Vanni in the 18th Century.
Signed on the plate.
Good conditions with some folding.
...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Mago of Carthage, Roman bust, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Magone Cartaginese' (Magone of Carthage)
Copper-line engraving by Pazzi after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici.
Illustration of an Ancient Roman marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome.
Mago I, also known as Magon, was the king of the Ancient Carthage...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
To Drink in Excess
By Cornelis Visscher
Located in Middletown, NY
Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
Giovanni Piranesi Marble Urns and Vases and Lamps Etching C.1770
Located in San Francisco, CA
G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770
Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778)
Loose translation of the text: Knight Gio. Bat...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise
Aquatint, 1771
Signed and dated in the plate lower left
Condition: Yellowing to the sheet
Image size: 6 1/8 x 8 1/8 inches
Reference: Hedou 147 ii/II
Provenance: C...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Aquatint
Theseus and Achelous, Ovid's Metamorphoses, French Classical engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Massard after Charles Monnet (1732-1808).
Theseus returns from the Calydonian hunt and is met by the river god Achelous.
From...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Battle Scene - Original Etching by Christian Johann Rugendas- 18th Century
Located in Roma, IT
Battle scene is an original print, realized in mid-18th. Century by the German artist Christian Johann Rugendas (1708-1781) .
Tching and Aquatint on paper. Passpartout included 35x5...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
18th Century Pair of Du Temple de la Fortune Virile Facade and Floor Plan
By Antoine Babuty Desgodetz
Located in Soquel, CA
Pair of lithographs of The Temple of Portunus in Rome (Italian: Tempio di Portuno) facade and floor plan by Antoine Desgodetz (French, 1653-1728). These pag...
Category
18th Century and Earlier Prints and Multiples
Materials
Paper, Engraving, Ink
Tableau des Pavillons Que la Plupart des Nations Arborent a La Mer- Marine Flags
Located in New York, NY
Color engraving, representing 99 maritime flags in 1756, bearing the inscription: Made in the Cartes de la Marne depot for the service of the Roy's vessels by Order of M. de Machault Keeper of the Seals of France, by Sr. Bellin Engineer of the Navy. 1756
Gravure en couleurs, représentant 99 pavillons maritimes en 1756, portant l'inscription : Fait au dépôt des Cartes de la Marne pour le service des vaisseaux du Roy par Ordre de M. de Machault garde des Sceaux de France, par Sr. Bellin Ingénieur de la Marine 1756
Includes early marine flag...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Paper
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Woodcut
Maximilien de Bethune, Duc de Sully
By (After) Frans Pourbus the Younger
Located in Middletown, NY
A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger
Etching on fine ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
20. Curious shells
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Pigment
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
River Scene with Village and Church
By Hans Bol
Located in Chicago, IL
A very fine, well contrasted impression of the 1st State, before the addition of the number, present when the work later was included in Bol’s River Series.
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Oil Lamp - Etching by Niccolò Vanni - 18th Century
Located in Roma, IT
Oil Lamp is an Etching realized by Niccolò Vanni (1750-1770).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Holy Sepulchre at Northwold in Norfolk (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmel Schnebbelie
The Holy Sepulchre at Northwold in the county of Norfolk
Engraving
45 x 60 cm
This engraving was originally published by the Society of ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Bacchanal
By Giovanni Andrea Podestà
Located in Fairlawn, OH
Bacchanal
Etching, 1649
Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluucium
Condition: Usual centerfolds from paper manufacture
Plate: 10 3/8 x 15 1/2"
Sheet: 11 1/2 x 16 1/2";
References:
Bartsch XX.4
Sopher Plate 145
An impression of this image is in the collections of the Philadelphia Museum of Art and the National Gallery of Art, Washington
An exceptionally rich impression in excellent condition.
From Wikipedia, the free encyclopedia
Putti as Allegory of Music
Giovanni Andrea Podestà or Giovanni Andrea Podesta (1608 - c. 1674) was an Italian painter and engraver who was principally active in Rome. His principal subject matter is children playing in landscapes with classical objects. His works show the influence of Poussin's Arcadian landscapes and bacchanals, which were ultimately derived from Titian's bacchanals.
Life
Giovanni Andrea Podestà was born in Genoa. He was formed in Genoa with Giovanni Andrea de Ferrari and Domenico Fiasella according to the information provided by the contemporary Genoese biographer Raffaele Soprani. He is also recorded as an apprentice of Giovanni Battista Paggi in 1627.
His presence is documented from in 1634 in Rome where he made drawings after the statues and ancient reliefs at the famous Giustiniani collection. These were subsequently engraved for publication in the 'Galleria Giustiniani'. The artist's career ran a course similar to that of the young Domenico Fiasella. In Rome his art evolved in contact with the works of Poussin, Andrea di Leone, Pietro Testa...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Black faced Ibis, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Cottages Beside a Canal, B228, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Cottages Beside a Canal, B228, Year: Of Original 1645, Medium: Etching, Image Size: 5.5 x 8.25 inches, Size: 13.75 ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Holy Sepulchre at Heckington in Lincoln
Engraving
45 x 30 cm
This engraving was originally published by the Society of Antiquaries ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
L'Armoire (2nd State)
Located in Chicago, IL
The Armoire
Etching
340 x 469 mm.; 13 3/8 x 18 1/8 inches
Reference:
Inventaire 18e siècle 9: 289-90, No. 22
Wildenstein 1956, cat. No. 23, State II/IV
Regency to Empire, 1...
Category
Rococo 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart
Located in Roma, IT
Black and white etching on wire rod paper, representing the myth of Chaos.
Plate from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Zacharias Chatelain. Capture (under the image) and author "B. Picart del. 1731" inscribed under the frame engraved on the lower left margin. In good conditions, except for a normal yellowing of the margins.
This was an illustrated book of Ovid's most popular fables published in 1733 in Dutch (Tempel der Zanggodinnen), in 1738 in English, and in 1742 in French by Zacharias Chatelain. The engravings had captions in four languages: French, English, German, and Dutch. The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Fonts in Suffolk (1792), engraving by James Basire
Located in London, GB
James Basire, after James Johnson and John Carter
The Chancel of Chatham Church, Kent
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Wainflete School, Lincolnshire
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Kermess
By Hans Bol
Located in Chicago, IL
2nd State
Watermark: Hand with Cuff and Flower (close to Briquet 11467)
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Jean Baptist Marie Huet Three Cherubs, Restrike from Musee du Louvre
By Jean Baptist Marie Huet
Located in Brooklyn, NY
This exquisite piece, titled Three Cherubs, is a lithographic reproduction from La Calcographie du Louvre, printed on fine Lana paper. The artwork captures the whimsical charm of che...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Etching
Donde va Mama from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aqua...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
Louis XI, Roi de France
By Jean Morin
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Fountain - Etching - 16th Century
Located in Roma, IT
Fountain is an original etching realized in the late 16th century.
The State of preservation is very good.
Hand-watercolored.
The artwork represents t...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Letter S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter S is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Venus Lamenting over the Death of Adonis
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Engraving, Etching
Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Peasant with a Crooked Back
Located in Middletown, NY
Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710.
- Ex-collection Fer...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Located in Melbourne, Victoria
'Alexandria'
A view of the great harbour from a little behind the shoreline.
Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of ...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Ancient Greek Coins - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Ancient Greek Coins from the series "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century.
Good conditions.
Signed on the lower.
The...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Bust - Original Etching - 18th Century
Located in Roma, IT
Ancient Roman Bust, original etching from the end of the 18th century, made by Various Old Masters.
Good condition.
Units of measurements typical of the period in the lower center...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Singers
Located in Chicago, IL
The Singers (4th State), 1667
Etching printed with tone
240 x 190 mm.; 9 1/2 x 7 1/2 inches
Provenance:
W. Benoni White (Lugt 2592)
Karl Herweg (not in Lugt)
References:
Godefroy 19 IV/VII
Hollstein 19 IV/VII
Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47
Notes:
A very fine impression of the rare 4th state (of seven) of this major Van Ostade.
Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state.
Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland.
Pelletier (S. William Pelletier, Adrian Van Ostade...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Pierre François Beaumont (1719-1777) - 18th Century Engraving, Hunting Delay
Located in Corsham, GB
Pierre François Beaumont (1719-1777) after Philips Wouwerman (1619-1668). Inscribed in French in the plate. Presented in a black veneer frame with a verre églomisé mount. On paper.
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
The Courtesan Midorigi
By Chokosai Eisho
Located in Fairlawn, OH
Signed: Eisho zu
From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe)
Format: Oban
Publisher: Yamaguchi ya Chusuke
The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox.
Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda.
Reference: Richard Lane...
Category
18th Century and Earlier Prints and Multiples
Materials
Woodcut
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving
Located in Melbourne, Victoria
'Diogene Cinico'
Copper-line engraving by Pazzi after Giovanni Domenico Campiglia (1692-1768).
From 'Musei Capitolini' a series of engravings showing the sculpture of the Capitoline Museum in Rome.
240mm by 170mm (platemark)
420mm by 270mm (sheet)
Diogenes, also known as Diogenes the Cynic, was a Greek philosopher...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
Drying Paper
Located in Middletown, NY
Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining.
Okumura Masanobu (Japanese 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women").
While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii school of ukiyo-e painting...
Category
Edo 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Woodcut
The Quacksalver
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
Flowering Lily Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Satyr on Horseback - Etching by Carl Wilhelm Kolbe the Elder - 1795
Located in Roma, IT
Satyr on Horseback is an original etching realized in 1795/1796 by Carl Wilhelm Kolbe the Elder (1759-1835).
Good Conditions except for being aged....
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Shipping on the Maas, Rotterdam in the background.
Located in Middletown, NY
A beautiful 18th century nautical scene filled with movement and activity.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...
Category
18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Etching
Hieronymus Schurstab (1st state)
By Hans Lautensack
Located in Chicago, IL
Etching
195 x 295 mm.; 7 3/4 x 11 3/4 inches
Exhibited:
Old Master Prints & Drawings: 1450 - 1850, R. S. Johnson Fine Art, December 1999: no. 21.
Reference:
Hollstein 68 I/II
No...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
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