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18th Century and Earlier Prints and Multiples

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Period: 18th Century and Earlier
George I, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George I' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire...
Category

Renaissance 18th Century and Earlier Prints and Multiples

Materials

Engraving

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving, Etching

Zebra - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Zebra is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is en...
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Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

Pierre-Auguste Renoir - Le Chapeau Épinglé (2e planche).
Located in Los Angeles, CA
Pierre-Auguste Renoir (French 1841-1919) Le Chapeau Épinglé, 2e planche (Delteil 30) Lithograph in colours on laid paper. Signed in stone. From the edition of 200 59.9 x 49.6cm (shee...
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Impressionist 18th Century and Earlier Prints and Multiples

Materials

Lithograph

The Academy of Plato Plato and His Disciples
Located in Fairlawn, OH
The Academy of Plato Plato and His Disciples Etching and drypoint c. 1662, printed c. 1710 Signed in the plate lower left Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...
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Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife
Located in Middletown, NY
Sadeler, Aegidius II, after Bartholomeus Spranger Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller Engraving on hand made laid paper wit...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Handmade Paper, Laid Paper, Engraving

Robert van Audenaerde after Carlo Maratti - Engraving, Rebecca at the Well
Located in Corsham, GB
A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.
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18th Century and Earlier Prints and Multiples

Materials

Engraving

The Rat Poison Peddler, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Rat Poison Peddler, Year: Of Original 1632, Medium: Etching, Image Size: 5.5 x 5 inches, Size: 13 x 11 in. (33....
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18th Century and Earlier Prints and Multiples

Materials

Etching

'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category

Baroque 18th Century and Earlier Prints and Multiples

Materials

Engraving

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...
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18th Century and Earlier Prints and Multiples

Materials

Watercolor, Mezzotint

Le Leopard - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Leopard is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

Ancient Roman Statues - Original Etching - 1700s
Located in Roma, IT
Ancient Roman statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Signed on the ...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Utagawa Hiroshige II -- The Beach at Takanawa
Located in BRUCE, ACT
Utagawa Hiroshige II The Beach at Takanawa from Toto sanjurokkei 東都三十六景 (Thirty-six Views of the Eastern Capital), 1862 Woodblock Oban Signed Hiroshige ga and published by Sagamiya ...
Category

18th Century and Earlier Prints and Multiples

Materials

Woodcut

Veduta della Piazza della Rotonda - Early Lifetime Impression
Located in Roma, IT
The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...
Category

18th Century and Earlier Prints and Multiples

Materials

Etching

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving, Laid Paper

Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame...
Category

18th Century and Earlier Prints and Multiples

Materials

Handmade Paper, Engraving, Mezzotint

HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574) HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230) Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
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Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

20. Curious shells
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Pigment

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...
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Victorian 18th Century and Earlier Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Old Master Royal Stallion Engraving by Crispin de Passe
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...
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Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

Self Portrait in a Velvet Cap with Plume, Etching on Somerset paper
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self Portrait in a Velvet Cap with Plume, Year: Of Original 1638, Medium: Etching on Somerset paper, Image Size: 5 x...
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18th Century and Earlier Prints and Multiples

Materials

Etching

Ancient Roman Statue - Original Etching by Pietro Campana - 18th Century
Located in Roma, IT
Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana. Signed on plate on the ...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Located in Middletown, NY
Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Etching

Rest on the flight into Egypt - Etching by Simome Cantarini - 1640 ca
Located in Roma, IT
Rest on the flight into Egypt is an etching by Simone Cantarini executed around 1640. Cantarini also made a painting with the same subject now at the Louvre Museum.     The dimension...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
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18th Century and Earlier Prints and Multiples

Materials

Engraving

Temptation of St. Anthony
By Hendrik Goltzius
Located in North Clarendon, VT
Temptation of Saint Anthony an etching in the manner of Hendrik Goltzius. Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the ...
Category

Baroque 18th Century and Earlier Prints and Multiples

Materials

Etching

Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato
Located in Alamo, CA
This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

Adrian Collaert Martin de Vos 17th Century Engraving Miraculous Draught of Fish
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Engraving

Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category

Academic 18th Century and Earlier Prints and Multiples

Materials

Engraving

Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast. This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
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18th Century and Earlier Prints and Multiples

Materials

Engraving

Le Marchand de Mort aux Rats (B121), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Marchand de Mort aux Rats (B121), Year: 1878 (of original 1632), Medium: Heliogravure, Size: 5.5 x 5 in. (13.97 ...
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18th Century and Earlier Prints and Multiples

Materials

Etching

The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50 Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

17th century etching Rembrandt landscape house trees field sky cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category

Renaissance 18th Century and Earlier Prints and Multiples

Materials

Etching

Peterhouse College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Peterhouse College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Peterhouse College, Cambridge, eng...
Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Engraving

Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle
Located in Middletown, NY
Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Ink, Handmade Paper, Laid Paper, Woodcut

Goddess of Love - Original Etching by Martino Rota - 17th Century
Located in Roma, IT
Goddess of Love is an original hand-colored etching on creamy-colored paper realized in the 17 century by Martino Rota. Signed on the plate on the low...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

BATHOS / Tail PIece
Located in Santa Monica, CA
WILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I) Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...
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Old Masters 18th Century and Earlier Prints and Multiples

Materials

Woodcut

The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Engraving

Quartet No. 1
By Eugene Larkin
Located in Kansas City, MO
Eugene Larkin Quartet No. 1 Woodcut in two colors Signed and titled by hand Size: 20 x 29.5 inches COA provided Eugene Larkin (1921-2010) The late Eugene Larkin was an artist who worked in the Twin Cities area for many years and needs little introduction. His works have been shown, collected and appreciated by numerous galleries, museums and collectors throughout the United States. Larkin was influential both as an artist and as a teacher. He taught at the Minneapolis College of Art and Design between 1954 and 1969, where he was head of printmaking and Chairman of the Division of Fine Arts. From 1969-1991 he was a professor in the Design Department at the University of Minnesota. Eugene Larkin, a lithographer, teacher and artist who left behind scores of works, some of them in the permanent collections of the Library of Congress and the Museum of Modern Art. He was considered an early promoter of lithography education, Larkin introduced it into arts programs while teaching at the Minneapolis College of Art and Design and the University of Minnesota. He held a prominent place in the art world through decades of working and teaching in Minneapolis. His work depicted a wide range of subjects, from musicians to nature, including a series of woodcuts based on William Blake's ""Songs of Innocence and Experience." Larkin also wrote a textbook, ""Design: The Search for Unity."" It was his work with lithography, an 18th-century printmaking process, for which he was best known. His last local exhibit was a retrospective at The University of Minnesota Weisman Museum in 2005. ""Sometimes I start the artistic process from a literary source - Adam and Eve, the Egyptian nature gods, or classical Greek themes but sometimes I start from nature. Trees have always been a favorite subject. I see trees as people, as vertical objects...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Woodcut

12 images on 6 sheets from Nuova raccolta delle vedute moderne di Roma
Located in Middletown, NY
Rome: 1795. Each an engraving with extensive hand coloring on laid paper, some with a partial heraldic watermark, each 6 5/8 x 4 3/4 inches (165 x 120 mm); (sheet) 10 1/4 x 7 1/8 in...
Category

Italian School 18th Century and Earlier Prints and Multiples

Materials

Ink, Handmade Paper

Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Watercolor, Engraving

Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

OBSEQUIO á el MAESTRO (‘A gift for the master’)
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching, Aquatint

The Flight into Egypt 17th century engraving after Rubens by Lucas Vorsterman
By Peter Paul Rubens
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640) The Fligh...
Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Engraving

Les Musiciens Ambulants (B119), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Les Musiciens Ambulants (B119), Year: 1878 (of original 1635), Medium: Heliogravure, Size: 5.5 x 4.75 in. (13.97 x...
Category

18th Century and Earlier Prints and Multiples

Materials

Etching

Jean Baptist Marie Huet Three Cherubs, Restrike from Musee du Louvre
By Jean Baptist Marie Huet
Located in Brooklyn, NY
This exquisite piece, titled Three Cherubs, is a lithographic reproduction from La Calcographie du Louvre, printed on fine Lana paper. The artwork captures the whimsical charm of che...
Category

Renaissance 18th Century and Earlier Prints and Multiples

Materials

Etching

A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Engraving, Mezzotint

Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Zebras - Etching by Jean C. Baquoy - 1771
Located in Roma, IT
Zebra is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condition...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

Le Margay - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Margay is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

La Panthere - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
La Panthere is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

Boats of the Friendly Isles, Tonga: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...
Category

18th Century and Earlier Prints and Multiples

Materials

Engraving

Le Tigre - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Tigre is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

Plucking a Branch from a Neighbor's Plum Tree
Located in Middletown, NY
A mischievous tableau with sexual overtones. Tokyo: Shuei-Sha, 1768. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. I...
Category

Edo 18th Century and Earlier Prints and Multiples

Materials

Watercolor, Handmade Paper, Woodcut

Letter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...
Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

"Paulownias and Chrysanthemums " By Sakai Hōitsu
Located in Chesterfield, MI
Lithograph Measures 31.5 x 29 inches. Good condition, slight crease (pictured on third image).
Category

18th Century and Earlier Prints and Multiples

Materials

Lithograph

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Academic 18th Century and Earlier Prints and Multiples

Materials

Engraving

'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Engraving

L'once - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
L'once is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...
Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Etching

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