18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
Flowering Apple Plant: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Ancient Roman Frescoes - Original Etching by Nicola Billy - 18th Century
Located in Roma, IT
Ancient Roman Frescoes from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy in the 18th Century.
Signed on the plate.
Good conditi...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Self-Portrait, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self-Portrait, Year: of Original: 1634, Medium: Etching, Image Size: 5.5 x 4.5 inches, Size: 14 x 11 in. (35.56 x ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
La Medee ou Le Mariage de Jason (B112), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Medee ou Le Mariage de Jason (B112), Year: 1878 (of original 1648), Medium: Heliogravure, Size: 9.5 x 7 in. (24....
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificen...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Limon Lavrae: A 17th C. Hand-colored Engraving of Lemon Anatomy by G. Ferrari
By Giovanni Battista Ferrari
Located in Alamo, CA
This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Nude Female Figure after Salvator Rosa - Etching by Allan Ramsay - 18th Century
By Allan Ramsay
Located in Roma, IT
Nude female figure is a print realized by Scottish artist Allan Ramsay (1713-1784) after Salvator Rosa, in the late 18th century.
Etching on paper.
Good conditions, with foxing on ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
'Bacchus Cumampelo' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
17th century etching Rembrandt landscape house trees field sky cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998.
Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Etching
Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Category
Northern Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
17th century etching Rembrandt biblical scene crucifixion figures
Located in Milwaukee, WI
Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...
Category
Dutch School 18th Century and Earlier Prints and Multiples
Materials
Paper, Etching, Printer's Ink, Drypoint
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799.
The work is an etching and aquat...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Pomona Gallica, Muscat Rouge - Botanical Grape Print
Located in Soquel, CA
Pomona Gallica, Muscat Rouge - Botanical Grape Print
Botanical Print depicting a grape vine by Henri-Louis Duhamel du Monceau (French, 1700-1782). Red grapes hang from a vine, in fr...
Category
Impressionist 18th Century and Earlier Prints and Multiples
Materials
Paper, Ink
Terence, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Terenzio' (Terence)
Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico Campiglia (1692–1768) w...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741), entitled "A. Alcea Folio Lacinato, B. Alcea Vesicaria, C. Alchimilla minima, D. ...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
The Windmill, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Windmill, Year: Of Original 1641, Medium: Etching, Image Size: 6 x 8 inches, Size: 13 x 14 in. (33.02 x 35.56 ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749)
Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62)
Portfolio: Natural History of Carolina, Florida & the Bahama Islands
*Monogram signed by Catesby in the plate (printed signature) lower right
Year: 1771-1810 (third edition)
Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper
Limited edition: Unknown
Printer: Unknown
Publisher: Benjamin White, London, UK
Framing: Recently framed in a black and gold moulding with 100% cotton linen fabric matting
Framed size: 21.63" x 25.19"
Sheet size: 13.75" x 21.13"
Platemark size: 10.25" x 13.75"
Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition
Very rare
Notes:
Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right.
Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals.
Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent.
Biography:
Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Etching, Intaglio
Death Holds an Audience - Etching by G.B. Tiepolo - 1785
Located in Roma, IT
Death holds an audience is an etching realized by Giambattista Tiepolo in 1785.
Death, an old nun with a veiled head leafs through a large book and holds an audience. In front of ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
A Wild Boar, and a Bear, from Animalium Quadrupedum
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving
The Martyrdom of Saint Agatha
Located in Fairlawn, OH
The Martyrdom of Saint Agatha
after the painting by his father, Giovanni Battista Tiepolo (see photo)
Etching, c. 1780
Signature: unsigned
Watermark: Letter A (similar to Bromberg 4...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Etching
Letter B - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter B is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The plan of St. Martin's Church, St. Martin in the Fields
Located in Middletown, NY
London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Engraving, Handmade Paper
Faust (B270), Heliogravure on Laid Paper by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Faust (B270), Year: 1878 (of original 1652), Medium: Heliogravure on Laid Paper, Size: 8.5 x 6.5 in. (21.59 x 16.5...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Three Heads of Women, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Three Heads of Women, Year: of original: 1637, Medium: Etching, Size: 12 in. x 10 in. (30.48 cm x 25.4 cm), Printer:...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Devota Profesion from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and a...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Aquatint, Etching
Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Antique Copper Engraving - Sacchetti Palace
Located in Houston, TX
Over 350 year old antique copper engraving of the architectural floor plans to Sacchetti Palace in Italy by Giovanni Giacomo de' Rossi, 1650....
Category
18th Century and Earlier Prints and Multiples
Materials
Ink, Paper
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709)
PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578)
Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Grotesque Figures - Etching by Pierre Firens- 17th Century
Located in Roma, IT
Grotesque Figures is an original etching realized by Pierre Firens in the early 17th century
It represents two grotesque figures in 17th century clothing.
Pierre Firens (1580-1636/...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and a...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Aquatint, Etching
Old Testament Plates - Original Etching by Antonio Tempesta - 17th Century
Located in Roma, IT
Old Testament plates is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century.
The eight plates depicting scenes of the Old testament with Inscriprions on plates
They are mounted on a cardboard passepartout and in a gilded frame.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Quartet No. 1
By Eugene Larkin
Located in Kansas City, MO
Eugene Larkin
Quartet No. 1
Woodcut in two colors
Signed and titled by hand
Size: 20 x 29.5 inches
COA provided
Eugene Larkin (1921-2010)
The late Eugene Larkin was an artist who worked in the Twin Cities area for many years and needs little introduction. His works have been shown, collected and appreciated by numerous galleries, museums and collectors throughout the United States.
Larkin was influential both as an artist and as a teacher. He taught at the Minneapolis College of Art and Design between 1954 and 1969, where he was head of printmaking and Chairman of the Division of Fine Arts. From 1969-1991 he was a professor in the Design Department at the University of Minnesota.
Eugene Larkin, a lithographer, teacher and artist who left behind scores of works, some of them in the permanent collections of the Library of Congress and the Museum of Modern Art. He was considered an early promoter of lithography education, Larkin introduced it into arts programs while teaching at the Minneapolis College of Art and Design and the University of Minnesota. He held a prominent place in the art world through decades of working and teaching in Minneapolis. His work depicted a wide range of subjects, from musicians to nature, including a series of woodcuts based on William Blake's ""Songs of Innocence and Experience."
Larkin also wrote a textbook, ""Design: The Search for Unity."" It was his work with lithography, an 18th-century printmaking process, for which he was best known.
His last local exhibit was a retrospective at The University of Minnesota Weisman Museum in 2005. ""Sometimes I start the artistic process from a literary source - Adam and Eve, the Egyptian nature gods, or classical Greek themes but sometimes I start from nature. Trees have always been a favorite subject. I see trees as people, as vertical objects...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Woodcut
Capital letter "G" - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Capital letter for the Antiquities of Herculaneum Exposed, etching from the end of the 18th century, made by Various Old Masters.
In very good condition, except for some stains alo...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Two Soldiers - Etching by G.B. Tiepolo - 1795
Located in Roma, IT
Two soldiers is an etching realized by Giambattista Tiepolo in 1785.
Sheet 23 x 30 cm.
Good impressions on paper, with wide margins.
Reference: D...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Piramide - Porta S.Paolo - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Piramide - Porta S.Paolo is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions.
Giuseppe Vasi (Corl...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Quebec and the Surveillante [an animated naval battle scene]
Located in Middletown, NY
Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...
Category
English School 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Laid Paper
![The Quebec and the Surveillante [an animated naval battle scene]](https://a.1stdibscdn.com/balthasar-friedrich-leizelt-prints-works-on-paper-the-quebec-and-the-surveillante-an-animated-naval-battle-scene-for-sale/a_19792/a_147281421719894824799/1567_1_master.jpg?width=240 "Balthasar Friedrich Leizelt - The Quebec and the Surveillante [an animated naval battle scene]")
31. Keel-tail iguana, Holbrookia spec., Surinam ameiva, Gecko
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Pigment
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595.
This is an English translation of an excerpt from the original text in the atlas:
"Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown.
Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line.
Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving
Suite de Vases - Original Etching By Jacques François Saly - 1750s
Located in Roma, IT
Suite de Vases is an original artwork realized by the French artist Jacques François Saly (1717-1776)
Etching print. drawing on the back, 1750 c. Passepartout cm 21x22,5
Good cond...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Feast, from the suite les Bohemiens
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: The Feast, from the suite, les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of image: 4.65 x 9.15 inches
Signature: S...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Etching
Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm).
A classic example of a world ma...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
Porta Pia Viminalis - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Porta Pia Viminalis is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams.
3 3/4" x 7 3/4" art
16 3/8" x 19 1/2" frame
Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy.
Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period.
During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors.
Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Passengers - Original Etching by A. M. de Ghuy - 1775
Located in Roma, IT
The Passenger is an original artwork realized by Antoine de Marcenay de Ghuy in 1775.
Original etching on paper. Titled on the lower margin at the center. The artwork is glued on ca...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
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