18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
Johann Weinmann: 18th Century Engravings of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Prints and Multiples
Materials
Watercolor, Mezzotint
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Japanese Original Woodblock Print
Located in Soquel, CA
Japanese Original Woodblock Print
Harunobu Suzuki (né Hozumi) (Japanese, 1724 - 1770)
Presented in a black mat.
Mat: 16"H x 12"W
Paper: 12"H x 9"W
I...
Category
Edo 18th Century and Earlier Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Antique Italian Engraving - Goddess Bellona
Located in Houston, TX
Over 350 year old antique copper engraving of the female Roman goddess Bellona, the goddess of war, circa 1650.
Original artwork on paper displayed on a white mat with a gold border...
Category
18th Century and Earlier Prints and Multiples
Materials
Ink, Paper
$300 Sale Price
25% Off
Robert Béenard (1734-1794) - 18th Century Engraving, Le Quinquina & La Casse
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'Le Bolet Parasite' & 'Le Bolet Poivre'
A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper
Located in Soquel, CA
"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper
This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...
Category
Edo 18th Century and Earlier Prints and Multiples
Materials
Paper, Ink, Woodcut
Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Totius Africae Accuratissima Tabula - Etching by Frederick de Wit - 1680 ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Totius Africae Accuratissima Tabula, was realized by the cartographer Frederick de Wit for the famous Atlas published in...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Architectura Curiosa Nova, Dragon Fish Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Festival Procession Of A Daimyo - Original Woodblock Print
Located in Soquel, CA
Procession Of A Daimyo - Original Woodblock Print
Original woodblock print depicting the procession of a Daimyo. Ten Japanese soldiers are seen as they aid in transporting the Daimy...
Category
Edo 18th Century and Earlier Prints and Multiples
Materials
Ink, Wood Panel, Rice Paper
Ancient Roman Fresco/Naval Battle - Original Etching by V. Aloja - 18th Century
Located in Roma, IT
Ancient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century.
Signed on the plat...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
A Dance in Otaheite (Tahiti) 1784 James Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A Dance in Otaheite ( Tahiti ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) who...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Architectura Curiosa Nova, Chalice Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'Chalice Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Bermuda: An Early 17th Century Hand-colored Map by Henricus Hondius
By Henricus Hondius
Located in Alamo, CA
This attractive and interesting map of Bermuda by Henricus Hondius in 1633 is entitled "Mappa Aestivarum Insularum, Alias Barmudas". It is based on a ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Vienna, Antique Map from "Civitates Orbis Terrarum" - Etching - Old Master
Located in Roma, IT
Braun G., Hogenberg F., "Vienna", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 15 x 47, Dim: cm 20 x 53.
Wonderful B/W Aquatint r...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
Map of Nijmegen - Etching by G. Braun and F. Hogenberg - Late 16th Century
Located in Roma, IT
This map of Noviomagvs is an original etching realized by Georg Braun and Franz Hogenberg as part of the famous series "Civitates Orbis Terrarum".
The state of preservation of the ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world.
This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Que se la Llevaron! - Etching by Francisco Goya - 1799
Located in Roma, IT
Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series.
The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition.
Good conditions.
Los Caprichos.
Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741), entitled "A. Alcea Folio Lacinato, B. Alcea Vesicaria, C. Alchimilla minima, D. ...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Couleuvre'
A French copper-line engravings with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Map of Americas
Located in Houston, TX
Over 200 year old engraved map of Americas by Robert de Vaugondy from 1783. Original hand color. Shows North, Central and South Americas. Note the po...
Category
18th Century and Earlier Prints and Multiples
Materials
Ink, Watercolor, Handmade Paper
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Located in Soquel, CA
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...
Category
Edo 18th Century and Earlier Prints and Multiples
Materials
Woodcut, Ink, Rice Paper
Vaso Anzio di Marmo press S.E. il Sig. Schowvaloff-Etching by G.B. Piranesi-1778
Located in Roma, IT
Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Calendula Flowers: An 18th Century Hand-colored Botanical Engraving by B. Besler
Located in Alamo, CA
A hand-colored copper plate engraving depicting "Calendula prolifera; Calendula lutea flore pleno; Calendula lute medioruffa" flowers from Basilius Besler's landmark work, Hortus Eys...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Flowering Narcissus Lily: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Palazzo Borghese - Etching by Giuseppe Vasi - 1747
Located in Roma, IT
Palazzo Borghese is original black and white etching realized by Giuseppe Vasi .
Beautiful etching representing Palazzo Borghese in Rome.
Signed and...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Limon Lavrae: A 17th C. Hand-colored Engraving of Lemon Anatomy by G. Ferrari
By Giovanni Battista Ferrari
Located in Alamo, CA
This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Framed Flemish Tapestry
Located in Long Island City, NY
Unknown Artist - Flemish Tapestry, Medium: Tapestry, Size: 26 x 23 in. (66.04 x 58.42 cm), Frame Size: 34 x 31 inches
Category
Flemish School 18th Century and Earlier Prints and Multiples
Materials
Tapestry
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Long-billed Curlew Bird: Original 1st Edition Audubon Hand Colored Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored lithograph entitled "Long-billed Curlew", No. 71, Plate 355, from Audubon's "Birds of America. It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a male and a female Long-billed Curlew standing on a grassy mound with water and the city of Charleston...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Lithograph
The Human Body - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Human body is an original etching, plate no. 13 of the famous "De Humani Corporis Fabrica" by Andrea Vesalio.
The "De Humani Corporis Fabrica is com...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Flowering Hyacinth & Calla Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Hundred Guilder Print, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hundred Guilder Print, Year: Of original btw 1643-1649, Medium: Etching, Image Size: 11 x 15.5 inches, Size: 20 ...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
North and South America: An 18th Century Hand-colored Map by Johann Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Portrait of a Man after Raphael - Etching by Nicholas Dupuis - 1755
Located in Roma, IT
Portrait After Raphael is an etching realized by N. Dupuis Junior in 1755.
Good conditions.
Signed in plate.
The artwork is depicted through confident strokes.
The etching was re...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Glutineux'
A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Victorian 18th Century and Earlier Prints and Multiples
Materials
Engraving
"Earl Sandwich Refusing to Leave His Ship": An 18th Century Etching/Engraving
By Robert Smirke
Located in Alamo, CA
An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798.
The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition.
Edward Montagu, the 1st Earl of Sandwich...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category
Rococo 18th Century and Earlier Prints and Multiples
Materials
Engraving
Johann Weinmann 18th Century Hand Colored Copper Plate Engraving
Located in San Francisco, CA
Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741)
Beautiful color after 250+ years!
This wonderful antique engraving is beautifully mat...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category
Rococo 18th Century and Earlier Prints and Multiples
Materials
Engraving
French 18th century bucolic scene, soft ground etching, style of Boucher, c1770,
Located in Melbourne, Victoria
Fine soft ground etching printed in a orange / red ink on laid paper. A French etching in the manner of Boucher. A shepherd and shepherdess rest by water among sheep, goats a donkey ...
Category
Romantic 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Greyhound
Located in Columbia, MO
Greyhound
1773-1802
Engraving
14 x 10 inches
Framed: 24 x 21 inches
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category
American Impressionist 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Arrest of Marie Antoinette - Etching by J. B. Verite-Late-18th Century
Located in Roma, IT
The Arrest of Marie Antoinette is a rare etching realized by Jean Baptiste Verite in the Late-18th Century.
Good conditions with slight foxing.
The artwork is realized through deft...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Antique French Copper Engraving - Horse Stables
Located in Houston, TX
Crisp antique copper engraving of a unique floor plan of French horse stables from Recueil d'Architecture, 1780.
Original artwork on paper displayed on a...
Category
18th Century and Earlier Prints and Multiples
Materials
Ink, Paper
Chiesa e Monastero delle Vergini - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good condition...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ardea, Stellaris (Eurasian Bittern) /// Dutch Ornithology Bird Animal Engraving
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original H...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Acer & Carduus - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Acarna Theophrasti' and 'Acer Campestre minus'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755.
Good condition.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Carcere ascura
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter.
This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition.
The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
Esta usted…pues ..eh!como digo…cuidado from Los Caprichos by Francisco Goya-1799
Located in Roma, IT
Esta usted… pues.. eh!como digo… cuidado from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aquati...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
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