Early 19th Century Prints and Multiples
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Period: Early 19th Century
Saints John and Paul - Original Etching by Achille Parboni - 1820
Located in Roma, IT
Image dimensions: 20 x 13 cm
Saints John and Paul is an original modern artwork realized in the first decades of the XIX Century by the Italian artist Achille Parboni (1783-1841).
...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Horse Race - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Horse Race (original title: "La Corsa dei Cavalli") is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a r...
Category
Early 19th Century Prints and Multiples
Materials
Gouache, Etching
Doctor in Divinity, Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctor in Divinity (1814)
Aquatint with original hand colouring
29 x 24 cm
Published by Rudolph Ackermann (1764 - 1834).
A Doctor in Divinity of the University of Oxford, resplendent in academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Processione a San Pietro - Etching by Bartolomeo Pinelli - 1825
Located in Roma, IT
Processione a San Pietro is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appear at the bottom, inside the matrix, and just below the image. Not signed.
Th...
Category
Early 19th Century Prints and Multiples
Materials
Etching
John Alcock, Founder of Jesus College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Planetary System - From Nuovo Atlante di Geografia Universale - 1820
Located in Roma, IT
Planetary System - From Nuovo atlante di geografia universale is an original print realized in 1820 by Luigi Rossi.
Original black and white etching. Prin...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Temple of Mars - Offset on Paper by G. Engelmann - 1826
By G. Engelmann
Located in Roma, IT
Temple of Mars is offset print artwork on paper, realized by G. Engelmann in 1826, the artwork is signed on the plate and dated.
In very good condition.
The artwork represents the roman landscape of the temple of Mars, The temple of Mars in the Circus was a temple of ancient Rome dedicated to Mars, located near the Circus Flaminio, in the IX Augustan region. the temple contained a colossal statue of...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
Gonville and Caius College, Cambridge etching after Richard Bankes Harraden
Located in London, GB
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Richard Bankes...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Knight - Original Woodcut Print by Amadore Porcella - Early 20th Century
Located in Roma, IT
Knight is an original woodcut print realized by Amadore Porcella .
The state of preservation of the artwork is very good.
Passepartout dimension: ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Woodcut
Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821
Located in Roma, IT
Image dimensions: 33.7 x 48.6 cm.
“Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
Original Title: Ara con Tripode di quindecemviri, e la corona...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Horse Race - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Corsa dei Cavalli (Horse Race) is a beautiful etching on copper, printed on laid paper, hand-colored brightly with gouache.
The artwork is unsigned, but it is part of the 20 plates ...
Category
Early 19th Century Prints and Multiples
Materials
Gouache, Etching
Couple of Sloths - Original Lithograph - 1828
Located in Roma, IT
Image dimensions: 18.5 x 15 cm.
Couple of Sloths is an original black and white lithograph realized by an anonymous artist in 1828.
Dated 1828 and titled Gemeines Faulthier. On t...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
M. N. et Mme*** - From Modes et Manières du jour à Paris...
Located in Roma, IT
Image dimensions: 16 x 10.5 cm.
M. N. et Mme*** is an original watercolored print realized in the first quarter of the 19th century by Philibert-Louis Debucourt.
The artwork is the...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Lui a-t-il tout rendu? - From Modes et Manières du jour à Paris...
Located in Roma, IT
Lui a-t-il tout rendu? is a hand-watercolored etching on paper realized in 1808 by a French ol master.
Image dimensions: 16 x 10.5 cm.
This is an original illustration (plate n. ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Torn Dress - From Modes et Manières du jour à Paris à la fin du 18e siècle..
Located in Roma, IT
The Torn Dress is an original watercolored print realized in the first quarter of the 19th century.
The artwork is the plate n. 18 from a suite of 52 plate...
Category
Early 19th Century Prints and Multiples
Materials
Etching
University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Elizabeth de Clare, Clare College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Androne della Villa di Mecenate a Tivoli - Etching by L. Rossini - 1824
Located in Roma, IT
Androne della Villa di Mecenate a Tivoli, per cui passava l'antica Via Consolare Tiburtina
Image dimensions: 50x60 cm.
From the collection “Le antichità de’ contorni di Roma (...)” a...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Horse Race - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
La Corsa dei Cavalli is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes an...
Category
Modern Early 19th Century Prints and Multiples
Materials
Gouache, Etching
07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
I Moccoletti - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work is unsigned, but it is part of the 20 plates engraved in 18...
Category
Modern Early 19th Century Prints and Multiples
Materials
Gouache, Etching
Simulacro di Diana - Origina Etching After Agostino Tofanelli - 1821
Located in Roma, IT
Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli.
Original etching on copper. Hand-colored on black ink background. Designed by Agostino Tofanelli and engraved by Giovanni Foto (as printed on plate on lower right).
Original title: Simulacro Di Diana detto volgarmente la ZIngarella
Included frame: 60 x 50 cm
From "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli.", by Ennio Quirino Visconti, published in Rome, 1821. It deals with two volumes of engravings showing the main antique monuments or statues collected by the Prince Borghese in his Villa in Pincio Hill. Remarkable contemporary artists like Luigi Cunego, Gio. Batta Leonetti, Pietro Bettelini, Gio. Brunetti, Giovanni Ottaviani, Angelo Campanella, Pietro Fontana contributed. Drawings are, above all, by Agostino Tofanelli, Bernardino Nocchi, Domenico de Angelis, Teodoro Matteini.
Giovanni Folo Veneto (Bassano, 1764 – Rome 1836)
Giovanni Folo Veneto was an Italian engraver of the Neoclassic period, active in Italy. He studied with Giulio Golini and G.B. Mengardi in Venice. In 1781 he moved to Rome to study with Giovanni Volpato, but later he followed the style of the Volpato's pupil, Raffaello Morghen...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 145 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Radcliffe Library, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
The Radcliffe Camera library Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Veduta degli Avanzi della Villa... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno
Image dimensions: 46x60 cm.
From the collection “Le antichità de’ contorni di Roma (...)” an a...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Interno della Basilica della Fortuna Prenestina - by L. Rossini - 1826
Located in Roma, IT
Interno della Basilica della Fortuna Prenestina
Image dimensions: 40x53 cm.
From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Carlo Goldoni - Original Etching by R. Morghen - First Half of 1800
By Raffaello Morghen
Located in Roma, IT
Carlo Goldoni is an amusing black and white etching realized by Raffaello Morghen, also known as Raffaele Morghen (Portici, Naples, 1758 - Florence,...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Lithograph d'aprés Domenico Beccafumi - Early 1800
Located in Roma, IT
Lithograph d'aprés Beccafumi is an original artwork realized by the French artist Louise Bouteillier in the first half of the XIX Century.
Tirér du Cabinet de Vivant Denon...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Jean-Jean - Original Lithograph by Horace Vernet - First half of 19th century
Located in Roma, IT
Jean-Jean is a fine black and white lithograph, realized by Horace Vernet (1789-1863).
This beautiful original print, representing a soldier playing the flute, is in very good condi...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
Clare College, Cambridge Chapel engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Thomas Gauguin (1756-1831) - Framed Stipple Engraving, The Complete Kite
Located in Corsham, GB
A wonderful 19th century stipple engraving by Thomas Gauguin (1756-1831) after Joseph Barney (1753-1832). The print depicts a young boy sat on his red jacket, ready with his kite at ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Emmanuel College, Cambridge hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Avanzi di un Gran Salone nel piano terra della Villa di Mecenate in Tivoli
Located in Roma, IT
Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an architect and his etchings have the same tendency to emphasize the massive structure of the Ancient Rome...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Pembroke College, Oxford engraving by Joseph Skelton after G Vertue
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
The Dentist, 1806, Engraving, British Satirical Caricature, Dental, English
Located in Grand Rapids, MI
Attributed to Alfred Mills (English, 1776-1833)
" The Dentist ", 1806
Hand Colored Engraving
Published by Bowles & Carver
Sight Size: 6 3/4" x 8 5/8"
Overall Size: 14 3/4" x 15 3/4"
Light foxing to the print as well as the matt, losses to the frame.
A light social satire depicting a society dentist extracting a tooth from the mouth of a distressed young lady in an elegant drawing room, while two uniformed attendants and a young gentleman hide their sniggers and smirks at the comic verse below that, for all the dentist’s vast wealth, ‘Like many more twixt North and South, He does but live from Hand to Mouth’.
**Please check my other listings for MORE SATIRICAL DENTAL prints...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
$637 Sale Price
25% Off
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Servitor, Bachelor of Divinity, Collector (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Servitor; Bachelor of Divinity; and Collector of the University of Oxford.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
University of Cambridge Nobleman engraving by John Agar
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Nobleman, Cambridge (1815)
Aquatint with original hand colouring
30 x 25 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Clare College, Cambridge / Clare Hall / King's College engraving by Stadler
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Radcliffe Astronomical Observatory, Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Engraving, Intaglio
Muscat of ALexandria Grapes by George Brookshaw
Located in New York, NY
Plate LIII, Muscat of Alexandria. from "Pomona Britannica..." by George Brookshaw. London, T. Bensley for the author, 1804-1812. Original aquatint with stipple engraving, color pri...
Category
Early 19th Century Prints and Multiples
Materials
Paper
44: At Brighton, Prawn-boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
30: Collier
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Etching
58: Schooner & Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844)
Title: "Benevolent Cottagers"
Year: 1816
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Laid Paper, Intaglio
Original travel poster - Visit Boulogne, the largest French fishing port
Located in PARIS, FR
Transport yourself back to the roaring 1920s with the vintage allure of the travel poster enticing you to "Visitez Boulogne, le plus grand port de pêche français" ("Visit Boulogne, t...
Category
Early 19th Century Prints and Multiples
Materials
Paper, Linen, Lithograph
Tamaya Nishi, Hana-murasaki (Purple Flower)
By Keisai Eisen
Located in Fairlawn, OH
Signed: Keisai Eisen ga;
Seal: Kiwame
Series: Contemporary Scenes in the Pleasure Quarters
Publisher: Wakasaya Yoichi
Note: This is a famous ...
Category
Early 19th Century Prints and Multiples
Materials
Woodcut
Jasminum officinale (Common jasmine) /// Pierre-Joseph Redouté Botanical Flower
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840)
Title: "Jasminum officinale (Common jasmine)" (No. 27 page 93)
Portfolio: Traité des Arbres et Arbustes que l'on Cultive en ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving
"Torbay from Brixham Quay" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
"St. Mawes, Cornwall" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
"Dunster from Minehead" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
37: The Stationer's Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
61: H.M.S. Prince
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
49: Dutch Galliots
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
15: West Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
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