Early 19th Century Prints and Multiples
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Period: Early 19th Century
The Nobel's Chief Bodyguard - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Nobel's Chief Bodyguard is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate on the right m...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Cardinal - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Cardinal is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the right margin...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Antique Hand Colored Engraving of a Toucan by Jacques Barraband
Located in Palm Beach, FL
Striking 19th century engraving of a toucan hand colored by artist and naturalist Jacques Barraband (1767-1809 ) first published in Paris 1801. Presented under glass in a lacquered w...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Glass, Wood, Lacquer
"Prelato di Mantellone" - Etching by Giuseppe Capparoni - 1827
Located in Roma, IT
The artwork belongs to the "Gerarchia ecclesiastica considerata nelle vesti sagre e civili usate da quelli li quali la compongono", composed by 112 engraved and hand-colored tables, ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Canon - Etching by Giuseppe Capparoni - 1827
Located in Roma, IT
The Canon is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the right margin.
...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Prelato di Mantelletta" - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
"Prelato di Mantelletta" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate on the right marg...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Black Frontiniac Grapes by George Brookshaw
Located in New York, NY
Plate LVII, Black Frontiniac, from "Pomona Britannica..." by George Brookshaw. London, T. Bensley for the author, 1804-1812. Original aquatint with stipple engraving, color printed...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Jesus College...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
John Hill after John Claude Nattes - Early 19th Century Aquatint, Pump Room
Located in Corsham, GB
A fine aquatint with hand colouring depicting the Pump Room, Bath by John Hill after John Claude Nattes (c.1765-1839). Published in 1804 by W. Miller...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Russian Winter Fishery, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Russian Winter Fishery'
Colour aquatint by Mathew Dubourg (1786-1838) after John Augustus Atkinson (1775 – after 1830).
From Samuel Howitt's 'Foreign ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Henry Howard Earl of Surrey, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780).
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Howard...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Sir William Morice, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780).
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Dean Wolstenholme (1798-1882) - 1832 Aquatint, Death of Tom Moody, Gone to Earth
Located in Corsham, GB
A fine early 19th Century strike of the humorous scene of the death of Tom Moody. Moody's friends from his hunting troupe gather round his open grave, wildly shouting "Tally Ho!" muc...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Thomas Gauguin (1756-1831) - Framed Stipple Engraving, The Complete Kite
Located in Corsham, GB
A wonderful 19th century stipple engraving by Thomas Gauguin (1756-1831) after Joseph Barney (1753-1832). The print depicts a young boy sat on his red jacket, ready with his kite at ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, ...
Located in Fairlawn, OH
Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities).
Aquatint, engraving with some st...
Category
English School Early 19th Century Prints and Multiples
Materials
Aquatint
Eliza Cook, English author and Chartist poet, antique portrait engraving print
Located in Melbourne, Victoria
'Eliza Cook'
Steel-engraving after a photograph by John Watkins, 1872. Facsimile signature below the image.
Eliza Cook (1818 - 1889) was an English author, Chartist poet and writer...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Farm Yards, early 19th century sepia soft ground etching, 1805
Located in Melbourne, Victoria
'Farm Yards'
Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching
Coupang : Ile Timor. Vue d'un chantier de construction. Early C19th engraving
Located in Melbourne, Victoria
'Coupang : Ile Timor. Vue d'un chantier de construction'
Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet.
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Coupang : Ile Timor. Divers Travaux Mécaniques. Early 19th century engraving.
Located in Melbourne, Victoria
'Coupang : Ile Timor. Divers Travaux Mécaniques'
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Design Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Design Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
60 x 44 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
The Abbey Church of St Albans (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
The Abbey Church of St Albans
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedi...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Architectural Details of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural details of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Architectural Segments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Specimens of the Architecture and Ornaments of the Abbey Church at St Albans
Engraving
62 x 46 cm
This engraving was originally published by the Societ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Architectural Details of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural details of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an o...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Framed Characters of Bordeaux
Located in New York, NY
Framed characters of Bordeaux. Ten elegant hand coloured French engravings of personages / vocations Bordelais stamped 1820 under celadon matting with rippled antique glass in a Rege...
Category
Early 19th Century Prints and Multiples
Materials
Glass
Committee on Agriculture - Etching by Jean-Luis Forain - Late 19th century
Located in Roma, IT
Map of the War between Hungary and Prussia is an etching realized during the 19th century.
Good condition.
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Monastery of St. Augustine, Canterbury /// William Dugdale Monasticon Anglicanum
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686)
Title: "Monastery of St. Augustine, Canterbury"
Portfolio: Monasticon Anglicanum: A History of the Abbies and Other Monasteries, Hosp...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Engraving
'Vue prise a Ombay et entervue avec les naturels', Freycinet lithograph
Located in Melbourne, Victoria
'Vue prise a Ombay et entervue avec les naturels'
View near Ombay (Indonesia) and meeting of natives.
Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855).
...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Lithograph
The Manager and his Dog /// Caricature Cartoonist British Humor Satire Etching
Located in Saint Augustine, FL
Artist: James Sayers (English, 1748-1823)
Title: "The Manager and his Dog - or - A New Way to Keep One's Head above Water"
*Issued unsigned, though monogram signed by Sayers in the p...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Comic Composites for the Scrap Book, Surrealist Engraving of Assemblage Figures
Located in Long Island City, NY
Comic Composites for the Scrap Book
Unknown Artist
Date: 1829
Engraving
Image Size: 8 x 13.75 inches
Size: 9.5 x 14.5 in. (24.13 x 36.83 cm)
Publisher: W.B Cooke, London
Category
Surrealist Early 19th Century Prints and Multiples
Materials
Engraving
Set of Four Regency Era Coloured Engravings by Rowlandson
Located in New York, NY
Set of four Regency era coloured engravings by Rowlandson. Four framed coloured engravings of Regency London landmarks including the Corn Exchange, by Rowlandson, circa 1808.
Dimensi...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Bennett: Bowling Green, New York, 1826
Located in Clinton Township, MI
Historical Print entitled "Bennett: Bowling Green, New York" 1826 as noted in bottom Left Corner
It was published by Rudolf Leach Fine Arts, Inc.,
225 Fifth Avenue, New York City
...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
$120 Sale Price
20% Off
The Guys Drove around Nova Gorica - Lithograph by Eugenji Iakovlev - 1868
Located in Roma, IT
The guys drove around Nova Gorica is an original modern artwork realized by Eugenji Iakovlev in the late 19th century
Lithograph on paper.
Includes frame: 38 x 45 cm
Fair conditio...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Richard Cosway RA - Framed Early 19th Century Stipple Engraving, Devotion
Located in Corsham, GB
Original stipple engraving on laid. Presented behind glass in a contemporary wooden frame with a Sebastian D'orsai label on the verso.
Category
Early 19th Century Prints and Multiples
Materials
Engraving
La Victoire - Denis Auguste Marie Raffet
Located in Roma, IT
Nous Avons la Victoire! is an artwork realized by French artist Denis Auguste Marie Raffet (1804 – 1860)
Lithograph print. Signed on plate on the lower right. On the lower center ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Pensioner of Trinity Hall; Doctors in Law and Physic engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Pensioner of Trinity Hall; Doctors in Law and Physic engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Monoplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Queens' College, Cambridge engraving by Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Christ Church Cathedral, Oxford interior engraving by Bennett after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Trinity College, Cambridge Bridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint, Engraving
Trinity College, Cambridge Hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint, Engraving
Vice Chancellor, Esquire Beadle, Yeoman Beadle, Oxford engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Merton College Chapel engraving by J Sutherland after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Bust and Cupid - Etching by Thomas Holloway - 1810
Located in Roma, IT
Bust and Cupid is an etching realized by Thomas Holloway for Johann Caspar Lavatera's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bens...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$246 Sale Price
25% Off
Magdalen College, Oxford Old Gate engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
John Alcock, Founder of Jesus College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Frances Sidney, Sidney Sussex College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Brasenose College, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Sea Creatures - Etching by Thomas Holloway - 1810
Located in Roma, IT
Creatures is an etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Be...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$264 Sale Price
25% Off
Skulls - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Skulls is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810.
Good conditions.
Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay).
Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$264 Sale Price
25% Off
Doctor in Divinity, Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctor in Divinity (1814)
Aquatint with original hand colouring
29 x 24 cm
Published by Rudolph Ackermann (1764 - 1834).
A Doctor in Divinity of the University of Oxford, resplendent in academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits , original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designe...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$220 Sale Price
25% Off
Mary Sister Of Martha - Etching by Thomas Holloway - 1810
Located in Roma, IT
Mary Sister Of Marthais an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London,...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$246 Sale Price
25% Off
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$220 Sale Price
25% Off
Hands - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Thomas Holloway, Hands, Etching on paper, hand watercolored, 1810, is an artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote t...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$176 Sale Price
25% Off
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Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”