Early 19th Century Prints and Multiples

'Farm Yards' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers...

'Hunting Pl II' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufactur...

'Coupang : Ile Timor. Divers Travaux Mécaniques' Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820. From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825. Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...

'Coupang : Ile Timor. Vue d'un chantier de construction' Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet. Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820. From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825. Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...

'Vue prise a Ombay et entervue avec les naturels' View near Ombay (Indonesia) and meeting of natives. Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855). ...

Copper-line engraving by George Vertue after Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical ...

Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities). Aquatint, engraving with some st...

Set of four Regency era coloured engravings by Rowlandson. Four framed coloured engravings of Regency London landmarks including the Corn Exchange, by Rowlandson, circa 1808. Dimensi...

The guys drove around Nova Gorica is an original modern artwork realized by Eugenji Iakovlev in the late 19th century Lithograph on paper. Includes frame: 38 x 45 cm Fair conditio...

Signed: Keisai Eisen ga; Seal: Kiwame Series: Contemporary Scenes in the Pleasure Quarters Publisher: Wakasaya Yoichi Note: This is a famous ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856) St Mary's Church, Oxford (1813) Aquatint with original hand colouring 21 x 27 cm Published by Rudolph Ackermann (1764 - 1834). Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany. Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctor in Divinity (1814) Aquatint with original hand colouring 29 x 24 cm Published by Rudolph Ackermann (1764 - 1834). A Doctor in Divinity of the University of Oxford, resplendent in academic dress. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctor in Divinity (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). A Doctor in Divinity of the University of Cambridge, resplendent in academic dress. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Grundy 36, published by R. Acherman. Inscribed in stone lower left: 'James Ward R.A. Pinxt et Delt. / Dogs of the Dalmation breed-from an original picture in the possession of Sir Jo...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

Framed characters of Bordeaux. Ten elegant hand coloured French engravings of personages / vocations Bordelais stamped 1820 under celadon matting with rippled antique glass in a Rege...

Fishermen is a lithograph on paper realized by an Anonymous artist in 1824. Good conditions with slight foxing, The artwork is realized through perfect hatching and deft strokes, c...

Transport yourself back to the roaring 1920s with the vintage allure of the travel poster enticing you to "Visitez Boulogne, le plus grand port de pêche français" ("Visit Boulogne, t...

Portraits , original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designe...

Portraits is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, ...

Thomas Holloway, Hands, Etching on paper, hand watercolored, 1810, is an artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote t...

Pastoral Scene After Rembrandt is an original Etching realized in the Early 18th Century by Francesco Novelli (1767-1836). Signed on the plate. In good condition. The artwork is ...

L'Automne is an etching realized by the french engraver Noel François Bertrand (1785-1952). Belongs to the Suite "Le Printemps, L'Eté, L'Automne, L'...

Map of France is an Original Etching realized by an unknown artist of 19th century in 1820. Very good condition on two sheets of white paper joined at t...

Map of Germany is an Original Etching realized by an unknown artist of 19th century in 1820. Very good condition on two sheets of white paper joined at...

Portrait of Villaud-Varennes is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and ...

Portrait of Dumouriez is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and strong ...

Portrait of Collot D'Erbois is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and s...

Portrait of Jérôme Pétion de Villeneuve, is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwor...

Portrait of Vergnaud is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and strong s...

Portrait of Elie Guadet is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and stron...

Portrait of Armand Gensonné is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and s...

Portrait of Danton is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and strong str...

Portrait ofSaint-Justs is an original Lithograph realized by an unknown artist in the early 19th Century. Good conditions. The artwork is depicted with perfect hatching and strong ...

The morning visit is an original artwork realized by English artist Charles Haslewood Shannon (1863-1937) Lithograph print for the Burlington magazine. Monogrammed on plate on the lower right. Proof n. 45. Passepartout cm 42x27 Good conditions except for a sign of humidity that doesn't affect the image. Charles Haslewood Shannon (1863-1937) was an English artist best known for his portraits. Painter and lithographer, born near Sleaford, Lincolnshire. Shannon studied at Lincoln School of Art and at Lambeth School of Art. During the early 20th century, his work was also featured in 'The Venture', an obscure short-lived art...

The Escape from Argyle Castle is original lithograph on paper, realized by the artist Richard Parkes Bonington (1802- 1828) Signed on the plate on the lower left and titled. Editor ...

Une place vide is an original etching realized by Tobias "Toby" Edward Rosenthal ( 1848 - 1917 ). Hand signed on the lower right. Is not dated but we can attribute the period late 19...

Le Fort St. Laurent is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Signed on plate on the lower center. Titled "Le Fort St. Laurent". Edi...

Young boy of Salzburg is an original artwork realized by Anonymous artist in 19th century. Mixed colored etching hand-watercolored by tha artist. Includes frame 20 x 14 cm Good co...

Young woman of Lucerne is an original artwork realized by Anonymous artist in 19th Century. Mixed colored etching hand-watercolored by the artist. Includes frame 20 x 14 cm Good c...

The Head - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

The Profile - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...

The Head - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Lips - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...

Lips - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...