Items Similar to Dean Wolstenholme (1798-1882) - 1832 Aquatint, Death of Tom Moody, Gone to Earth
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Dean WolstenholmeDean Wolstenholme (1798-1882) - 1832 Aquatint, Death of Tom Moody, Gone to Earth1832
1832
About the Item
A fine early 19th Century strike of the humorous scene of the death of Tom Moody. Moody's friends from his hunting troupe gather round his open grave, wildly shouting "Tally Ho!" much to the disgust of the minister. The aquatint is by Dean Wolstenholme Jnr (1798-1882) after Dean Wolstenholme Snr. There is an etched vignette amongst the title inscription and a tune inscribed in sheet music at the lower edge. The aquatint has been finished with delicate hand colouring. The print has been presented in a simple gilt frame. On wove.
- Creator:Dean Wolstenholme
- Creation Year:1832
- Dimensions:Height: 14.85 in (37.7 cm)Width: 15.6 in (39.6 cm)
- Medium:
- Period:
- Condition:The condition is typical for a picture of this age including some discolouration and foxing. The frame has some tarnishing and losses to three corners.
- Gallery Location:Corsham, GB
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2018
856 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: Corsham, United Kingdom
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- Valerie Thornton (1931-1991) - Framed 20th Century Aquatint, The Tower of LondonLocated in Corsham, GBTypical of Thornton's oeuvre, this beautiful etching & aquatint details the magnificent architecture and exterior of The Tower of London. Signed, dated and titled below plate lines. ...Category
20th Century Landscape Prints
MaterialsAquatint
- G. C. Goldman - Framed Contemporary Aquatint, Quiver TreeLocated in Corsham, GBA contemporary monochrome print of a Quiver Tree. Signed in graphite below plate lines. Titled to the lower margin and edition A/P (Artist Proof). Mounted in a fine black frame. On w...Category
21st Century and Contemporary Landscape Prints
MaterialsAquatint
- Marion Rhodes (1907-1998) - 20th Century Aquatint, Open Cast Coal MiningLocated in Corsham, GBAn accomplished aquatint print depicting industrial work at Over Hulton in Greater Manchester. Signed and titled in graphite below the plate line. On paper.Category
20th Century Landscape Prints
MaterialsAquatint
- Joseph Kirkpatrick (1872-1936) - Framed Aquatint, Departing DayLocated in Corsham, GBAn original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...Category
Early 20th Century Landscape Prints
MaterialsAquatint
- Joseph Kirkpatrick (1872-1936) - Framed Aquatint, A Sussex HilltopLocated in Corsham, GBAn original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...Category
Early 20th Century Landscape Prints
MaterialsAquatint
- Frederick Marriott (1860-1941) - 1909 Etching, Provence CommuneLocated in Corsham, GBA rustic and striking early 20th Century etching of a commune in Provence, France. Two women chat on the path outside, while holding baskets as tall trees tower over them. The artist...Category
20th Century Landscape Prints
MaterialsEtching
You May Also Like
- Tree & HandkerchiefBy K.B. (Kyu-Baik ) HwangLocated in Ljubljana, SITree & Handkerchief. Original color aquatint and etching, 1978. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to Surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control...Category
1970s Post-Modern Landscape Prints
MaterialsEtching, Aquatint
- My VillageBy Ivan RabuzinLocated in Ljubljana, SIMy Village. Original aquatint, 1981. Ivan Rabuzin was a Croatian naive painter and one of the most eminent lyric painters of the 20th century in Croatia. For many years he worked as ...Category
1980s Landscape Prints
MaterialsAquatint
- The Thames, 1894 - Victorian aquatint etching of London by Joseph PennellBy Joseph PennellLocated in London, GBJOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...Category
1890s Realist Landscape Prints
MaterialsAquatint
- Sparire I Enzo Cucchi large scale abstract dream scape etching with screeprintBy Enzo CucchiLocated in New York, NYSparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...Category
1980s Surrealist Abstract Prints
MaterialsScreen, Etching, Aquatint
- Rapunzel, Rapunzel let down your Hair (Six Fairy Tales from the Brothers Grimm)By David HockneyLocated in New York, NYSheet from “Rapunzel” story (from Six Fairy Tales from the Brothers Grimm) Text printed letterpress and “Rapunzel, Rapunzel let down your Hair” etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP" Etching 10.5 × 9.85 in. / 26.7 × 25 cm Paper 17.5 x 12.25 in. / 45 x 31 cm Unsigned: apart from the published edition of 400 books and 100 portfolios. This is one of eleven images recently found in our archive which we have decided to make available. There is one only of each image. Perhaps the most famous story from the Grimm Brothers, Rapunzel spins the tale of a beautiful young princess locked away by an evil sorceress. Captured in this scene is the moment a King's son came across the tower and fell in love with her sweet singing, beseeching her: 'Rapunzel, Rapunzel, Let down your hair to me.' Though the sorcerer banishes Rapunzel and maims the prince, they are of course ultimately reunited to live happily together. Hockney illustrates this scene with incredible texture detail: layers of aquatint defining the soft forest floor, delicate hatching on the horse's haunch, the tower's tight crosshatching, and of course the lyrical gesture of Rapunzel's hair which cascades from the upper right corner. This print from our publisher's archives is one of thirty-nine etchings from David Hockney’s 1969 "Six Fairy Tales from the Brothers Grimm". Hockney worked on this series with Paul Cornwall-Jones at Petersburg Press over the course of a year. 400 books and 100 portfolios plus artist’s proofs were printed. The artist illustrated six stories: 'The Little Sea Hare', 'Fundevogel', 'Rapunzel', 'The Boy who left Home to learn Fear', 'Old Rinkrank' and 'Rumpelstilzchen'. According to Hockney, "They're fascinating, the little stories, told in a very, very simple, direct, straightforward language and style, it was this simplicity that attracted me. They cover quite a strange range of experience, from the magical to the moral." He was inspired by earlier illustrators of the tales, including Arthur Rackham and Edmund Dulac, but Hockney reimagined the stories for a modern audience. The frontispiece for the project pictures Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to the Grimm brothers when they were in their late twenties. In Hockney's words: “The stories weren’t written by the Brothers Grimm…they came across this woman called Catherina Dorothea Viehmann, who told 20 stories to them in this simple language, and they were so moved by them that they wrote them down word for word as she spoke.” Hockney drew the German woman in the style of Dürer, formally posed yet naturalistic against an impeccably crosshatched swath of grey. Hockney wrote about the surreal plots contained in the Brothers Grimm tales: “…the stories really are quite mad, when you think of it, and quite strange. In modern times, it’s like the story of a couple moving into a house, and in the next door’s garden they see this lettuce growing: and the wife develops this craving for the lettuce that she just must have and climbs over to pinch it, and the old woman who lives in the house next door says well, you can have the lettuce if you give me your child, and they agree to it. And if you put it into terms like this and imagine them in their semi-detached house agreeing to it all, it seems incredible.” Hockney enhanced this unbelievable quality with his illustrations which traverse inky, dense areas of intense crosshatching and minimalist line work. Rather than serving as direct interpretations of the plot, the images capture moments and feelings. Some portray the magic yet mundane -- Rapunzel's tiny face gazing placidly at a well-tended garden, or project danger and unease as in The Haunted Castle, with its citadel perched atop craggy rocks, dramatically lit against a dark sky. Hockney's sense of humor comes through in Cold Water About to Hit the Prince, in which a man tucked into bed stares straight at a rush of water drawn with a splash (this technique is likely Spit Bite, and the resultant bold spattered brushstroke contrasts beautifully with the rest of the carefully crosshatched image). A Wooded Landscape, with its lush textures, conveys the bucolic setting of a fairy tale and the potential danger hidden within the woods -- the viewer is left to wonder who lives on the hilltop in that diminutive cabin. These etchings defy the conventions of beautiful fairy tale illustrations...Category
1960s Modern Landscape Prints
MaterialsEtching, Aquatint
- Beach scene, Inner Tube: Eric Fischl Aquatint Etching of sunlit nude womanBy Eric FischlLocated in New York, NYA glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...Category
1980s Neo-Expressionist Landscape Prints
MaterialsEtching, Aquatint
Recently Viewed
View AllMore Ways To Browse
Antique Earth
Antique Vignette
Antique Vignettes
Print In A Round Frame
Antique Grave
Antique Music Sheets
Antique Sheet Music
Sheet Music Antique
Hunting Scene Prints
Toms Antique
Antique Tom
19th Century Sheet Music
Tom Round
Antique Ho
Framed Antique Sheet Music
Ski Signs Vintage
Ski Sign Vintage
Giclee Seascapes