Enzo Cucchi

Sparire I Enzo Cucchi large scale abstract dream scape etching with screeprint

1988

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...

Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...

These colorful, exuberant and expressionistic works depict a series of hand-drawn Miami beach and tourism postcards in various states of permutation and collapse, at times curling in on themselves and dissolving into glorious, saturated scribbles, the final piece printed with shimmering silver in twenty nine colors. The Arles reference (inspiration for much of Van Gogh's work, and home at various points to Picasso, Gaugin, and Jacques Réattu) reveals Morley's penchant for art history reference in his art. Malcolm Morley, Arles/Miami, 1973. A portfolio of five lithographs. All stones and plates were drawn by the artist and the editions pulled at the Shorewood Atelier in New York. Each edition consists of 150 lithographs on Arches paper plus 25 Artist's Proofs on Rives BFK paper. Portfolio 63/150. Shorewood Atelier. Each lithograph is signed and numbered in pencil by the artist. A copy of this portfolio is in the collection of MoMa, New York, Yale University Art Gallery, Connecticut, Harvard Art Museums, Boston, Minneapolis Institute of Art Collection, Minneapolis, and Brooklyn Museum, Brooklyn. "MIAMI SILVER" - Twenty-one colors printed from five stones and one plate. 23¼" × 34. "MIAMI POSTCARD...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Titled: After the Beginning, one of his most desirable large serigraph silkscreen works. It depicts inter galactic outer space with planets, orbs of bright day glo, neon color in a s...

"Knife & Fork", a whimsical surreal etching of cutlery hanging in the clouds by Elizabeth Quandt (American, 1922-1994). Titled lower left and signed lo...

Tree & Handkerchief. Original color aquatint and etching, 1978. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to Surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...