Abstract Prints and Multiples

This is a mixed media artwork by Monty Montgomery and Tony Philippou. Its dimensions are 14 x 14 x 1.5 and it is a hand-embellished Giclee print on Canvas with UV Gloss Varnish. A ce...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 14 Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250, AP Size: 22 x 30 in. (55.88 x 76.2 cm)

SHIPS THAT PASS IN THE NIGHT, (Barcos que Passan na Noite) 1999, color screenprint, signed in pencil, numbered 1/60, sheet 22 ½ x 27 ½”. From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael Kovner...

Sam Francis (American, 1923-1994) Untitled (SF-233), 1977 Lithograph in black on Rives BFK paper, Pencil signed lower right Edition 6/20 Printed by George Page and published by The Litho Shop, Santa Monica, CA. Image: 26in H x 16in L. Full sheet: 30in H x 22in L In vintage acrylic box...

Medium and Large Size print edition on canvas. Framing options included in Black, White and Natural wood framing. Please contact seller for the same. Print Edition on Canvas Available Sizes: 24" x 15" - $795 48"x 30" - $1540 BIO Basmat Levin...

Etching Handsigned by the artist in pencil and annoted EA 90.00 cm. x 63.00 cm. 35.43 in. x 24.8 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) Annoted "EA" LCD4559

Artist: John Beerman, American (1958 - ) Title: Cedar Tree, Israel Year: 2008 Medium: Lithograph, signed and numbered in pencil Edition: AP 15 Image Size: 1...

The limited editions are made of Giclee printed on the best quality of aluminium and then hand painted and finishing with original paints by artist Shizico Yi. Signed and numbered, c...

Joan Miró M.985 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed From a signed edition of 50, numbered EA/50 Mourlot 985 10.5 x 29.5 inches (Horizontal) *...

"Vegetable Forms No. 9" "1st State" is a beautiful linear design woodcut of an artichoke. What is intellectually interesting is the fractal beauty of nature found in the artichoke. A fractal is a kind of pattern that we observe often in nature and in art. Whenever you observe a series of patterns repeating over and over again, at many different scales, and where any small part resembles the whole, that’s a fractal. The Artichoke is the perfect example in that the shape of the leaves repeat themselves and they are the same shape as the fruit itself. Fractals are exciting, not only for their mathematical or conceptual representation, but also for the fact that you can visualise the math—and it’s beautiful! This print is rendered in an intense green with a light blue color to delineate the intriguing linear element of the artichoke's leaves. Joyce Tilley Nagel...

Hand signed, numbered and titled by the artist. Edition of 35 specimens. Image Dimensions: 40x40 cm. Good condition.

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 24/100. ...

Poster Pranas is an original poster about an exhibition of Pranas pictures at La Voute Gallery in Parise (1960). The artwork is realized after a work by the Artist in china ink, pas...

Figure in Yellow is a screen print on paper realized by an unknown artist in the 1970s. Hand-signed, illegible, and numbered, edition of 100 prints. ...

Letter E from the Alphabet series is an original lithograph realized by Rafael Alberti in 1972. Hand-signed. Numbered. Edition, 22/99 prints. The state o...

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. Although Nevelson is best known f...

Sol Jonché is an original B/W lithograph on watermarked paper "Arc". Abstract composition by the French artist Jean Dubuffet. From the album of "Theatre du sol" (1953-1959). Editio...

Hand signed and numbered. Edition of 150 prints. Very good conditions.

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and numbe...

This artwork titled "Poetes, Sculpteurs, Peintres" 1960, is an original color lithograph on Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed) and numbered II/XV in pencil by the artist. The artwork (sheet) size is 26 x 20 inches, framed size is 39.25 x 32.5 inches. Published by Maeght Editeur, Paris, printed by Fernand Mourlot., Paris. Referenced and pictured in the artist's catalogue raisonne by Mourlot plate #260. Custom framed in a wooden black frame, with black color bevel and fabric matting. It is in excellent condition. About the artist: Joan Miró Ferra was born April 20, 1893, in Barcelona Spain, the son of a goldsmith and watchmaker. At the age of 14, he went to business school in Barcelona and also attended La Lonja's Escuela Superior de Artes Industriales in the same city. Upon completing three years of art studies, and under pressure from his parents, he took a position as an accounting clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Galí's Escola d'Art in Barcelona from 1912 to 1915. Miró's work before 1920 showed the latest artistic influences, including the bright colors of the Fauves* and the geometric forms of Cubism*. It was in Paris through the 1920s-1930s where, under the influence of Surrealist* poets and writers, Miró evolved his mature style. His latest works drew on the Surrealist principles of memory, fantasy, and the irrational to create visual art. Miró's works were also shaped by the flat, two-dimensionality of his native Catalan folk art, Spanish Romanesque...

John Hoyland For John Constable 1976 Lithograph with acrylic 70 x 96.5 cms (27 1/2 x 38 ins) JHE017 The ‘For John Constable’ series was commissioned and published by Bernard Jacobson in 1976 to celebrate the bicentenary of John Constable’s birth. It comprised individual works by nineteen artists including Peter Blake, Patrick Caulfield, Howard Hodgkin, Richard Smith, Duncan Grant, David Hockney, Michael Sandle, Ivor Abrahams, Bill Brandt, Robyn Denny, Barry Flannagan, Anthony Gross...

Lithograph Handsigned by the artist in encil Edition : 66/175 76.50 cm. x 56.50 cm. 30.12 in. x 22.24 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) On Arches pape...

Red composition is an original contemporary artwork realized by Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin....

Artist: Arthur Boden, American Title: Seasons 3 Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm)

Dundonald Blooms is an original painting by Robert Dunt. This is one of Robert Dunt’s Distortion Form paintings. These paintings are inspired by music, and in particular the band the Jesus and Mary...

This lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Leger's works at the Musée Cantini in Marseille in the summer of 1966. Leger ...

Myril Adler "Sunscape III" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Myril Adler "Greenscape" c.1960s Intaglio etching collage, ink on paper 6"x3" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 16 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Aquatint, 1962 Handsigned by the artist in pencil et numbered 56/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 337] 75.00 cm. x 105.50 cm. 29.53...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Moonscape Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 30 inches diameter Si...

Sonia Delaunay Rythme-couleur, 1962 Lithograph on Fabriano wove paper 27 3/5 × 19 7/10 in l 70.2 × 50 cm Frame included - 32 1/3 x 24 4/5 l 83 x 63 cm Edition of 40 Condition: Overa...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 2, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné refer...

Hans Bellmer German (1902–1975) Abstract Surrealist Lithograph Souterrain No. 13 8 1944 Musée Jean Brun Date: circa 1965 Hand signed and numbered in pencil Edition of 100 Size: 19.5 x 26.5 in. Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn, who became his companion until her suicide in 1970. He continued working into the 1960s Cécile Reims (1927) has been drawing the world that surrounds her since her childhood in Lithuania, and subsequently in Paris, Jerusalem, and Barcelona. As a Jew, she had to go into hiding during World War II, and found herself at death’s door when she contracted tubercu- losis. Recovering from the disease, she felt she had to give meaning to her life as a survivor and she experienced a “conversion to art” as one is converted to a religion. Her encounter with the engraver Joseph Hecht in 1945 introduced her to the burin, an unforgiving tool which became her medium of choice. In her early years as an artist, she produced the mysterious Visages d’Espagne, Metamorphoses and Bestiaire de la mort series. But in order to support her work as an artist and to help Fred Deux (1924), whom she married in 1952, she suddenly gave a new twist to her career by turning to the interpretation of others’ work and engraving the drawings made by other artists. Cécile Reims filled this role with good humour and immense talent, as well as secretly collaborating with numerous artists working in the surrealist mode, such as Hans Bellmer, from 1966 to 1975, Salvador Dalí, from 1969 to 1988, Fred Deux, from 1970 to 2008, and Leonor Fini, from 1972 to 1995. In 2004, the Bibiothèque Nationale de France held an important retrospective devoted to Cécile Reims, suddenly putting into the limelight a figure who had long been kept in the shadows. At that point it became essential to produce a catalogue raisonné of her miniature engravings...

Artist: Adja Yunkers, Latvian/American (1900 - 1983) Title: untitled Year: 1972 Medium: Silkscreen with Embossing, Signed and Numbered in Pencil Edition: 70 Size: 24.75 x 30 in. (62....

Artist: Gilou Brillant Title: Untitled 28 Year: circa 1975 Medium: Aquatint Etching, signed and numbered in pencil Edition: 78/99 Size: 35.5 x 25.5 in. (90.17 x 64.77 cm)

Toko SHINODA (Japanese, 1913‐2021) Source n.7, (1965) ,Lithograph on cream BFK Rives Paper Artist Proof from an Edition of 16 25 x 19 in (sheet) 63.5 x 48.3 cm (sheet) 80 x 62 x 4 cm (framed) Executed in 1965 Signed, dated, and inscribed "A.P." PROVENANCE Private Collection United States A rare and historic print...

Color etching with carborundum by Antoni Clavé "No Title", 1975 75,5 x 55,5 cm Copy 32/60 Edition of 60 (approx.). Antoni Clavé (Barcelona 1913 - 2005 ...

Joan Miró Litografia Original II (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1977 Size: 13.25 x 10 inches (33.65 x 25.4 cm) Catalogue Raisonné: Mourlot 11...

Untitled (2002) Screenprint on wove paper Signed, dated and numbered by the artist. Date: 2002 6 17 Ed. 1/23 26.9 x 45 cm (Image) 39.6 x 54.8 cm (Sheet)

Color Abstract Expressionism aquatint etching. hand pencil signed limited edition. Don Fink (1923-2010) was a well known and well listed Abstract Expressionist who studied at the Art Students League and the Academie Julian. He was born in Duluth , Minnesota, but later moved to Europe where he established himself as an artist. He was first based in Paris where he was a member of the "Jeune École de Paris" (with Karel Appel, Debre, Friedensreich Hundertwasser, Antoni Tapies, Dumitresco, Messagier, Zanartu , etc.) and later moved to Barcelona. A large retrospective of his earlier works was held in Madrid in 1998 with the following promotion: Don Fink Returns to Madrid: American "action" painter Don Fink (b. Duluth, Minnesota, 1923) has a show at Galería Rayuela through September 25. The artist divides his time between Barcelona, Paris, and New York. This is his second exhibition in Madrid in four years. The works on view date from 1952 to 1970. Their "active" surfaces meld the arts of tattooing, calligraphy and three-dimensional terrain mapping, resulting in a meditative and rewarding experience for the viewer. The show was organized by Sebastià Janè of Barcelona and Carmen Muro of Madrid. Galería Rayuela is at Calle Claudio Coello...

Alexander Calder - Poster Exhibition is a rare mixed colored offset and lithograph print realized in 1971 This print was realized on the occasion of the exhibition dedicated to the ...

Lithograph 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) 60.00 cm. x 41.00 cm. 23.62 in. x 16.14 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD2873

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 381 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.5 inches. Sheet size: 22.75 x 28.75 inches. Signat...

Hand signed and numbered. Edition of 50. Good conditions. Fausto Melotti (Rovereto, 1901-Milano, 1986) was an italian sculptor and painter. In his works of art, the link with the ...

Image dimensions: 60 x 43.2 cm. Pink Lines is an outstanding giclée print realized by the contemporary artist Dadodu in 2016. This original artwork represents Portrait of a Man by ...

Graham Vivian Sutherland (British, 1903 – 1980) ‘Sheet of studies, heads’ Coloured lithograph Limited Edition 49/70 Signed ‘Sutherland’ (lower right) 25.1/2 x 19.1/4 in. (64.5 x 49 ...

Artist: Murray Zucker, American (1920 - ) Title: Bouncing Ball Year: circa 1970 Medium: Screenprint, signed, titled and numbered in pencil Edition: 9/20 Image: 18 x 24 inches Paper ...

Composition in red is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, editi...

Sam Francis - Exhibition Poster is a mixed colored offset print realized in 1983. This print was realized on the occasion of the exhibition dedicated to the artist and held in Studi...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 17.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Quelques Fleurs pour des Amis: Dypréau No. 9 1964 Lithograph Ed. Edition of 150 15 x 11 inches

Abstract Composition is a contemporary artwork realized by the French Artist Arman (Armand Pierre Fernandez) in 1980s. Mixed colored lithograph on paper. Hand signed on the lower ri...

Artist: Louisa Chase, American (1951 - 2016) Title: Untitled (Hands) Year: 1990 Medium: Etching and Chine Colle, Signed and Numbered in Pencil Edition: 30 Paper Size: 35 x 50.5 Inche...

Seder by Tobiasse shows a group of eleven men, woman and children sitting and standing around the Seder table with an orange background. This original lithograph is in good condi...

Untitled is a colored serigraph on paper, realized in the Seventies of XX century by the Italian artist, Wladimiro Tulli, published by La Nuova Foglio, a publishing house of Macerata...

Artist: Joan Miro Title: Miro as Sculptor Medium: Lithograph in colors Date: 1976 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in ...

Lithograph, 1949 Handsigned by the artist in pencil and numbered II/XX Publisher : La Guilde de la Gravure (Paris-Genève) Catalog : Passeron, p.130 38.00 cm. x 56.00 cm. 14.96 in. x...

This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...