Modern Prints and Multiples

Fine art gicle print on canvas of a painting by Marcello Cassinari Vettor, framed measuring 46x36 cm

Raoul DUFY Sunset on the Vineyards, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 38 cm (c. 11 x 15 inch) Excellent con...

Decorative Motifs - Roman Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Abstracted, figurative monotype of six figures in a landscape 12 x 24 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckled edges and is acid-fre...

Landscape #4 is a beautiful original etching realized by Camille Corot in the middle of XIX Century. Image Dimensions: 18.5 x 25.5 cm Very good conditions. Includes passepartout....

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable ...

The Doctor Bird Ready For Injection is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published...

Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Peddler Merchant. humorous ...

First Edition. This was published in 1920 by Les Soins de l’Artiste and included in a book titled Cinquante Dessins. The portfolio was edited and printed by Matisse himself. This is...

Gerald Coles - Original 1958 Woodcut. Signed and dated in pencil lower left corner. On Japan paper. Numbered 3/60. In fine condition. Gerald Anthony Co...

Joan Miro - L'Issue Dérobée - Original Aquatint 1974 Dimensions: 36 x 54 cm Edition: 220 Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (C. books 187) Biography Joa...

Untitled (Plate 1) DLM Color lithograph, 1963 Unsigned and unnumbered (as usual) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Image/sheet size: 14 7/8 x 11 inches...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional ...

The Christ was a recurring image in Salvador Aulestia's artistic path. This is a particular two color litograph in a vertical format that was attached to a bigger red cardboard to fi...

Raymond PEYNET Astrology - Zodiac : Leo (Lion), 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76 x 56 cm (c. 30 x 22 inches) This etching is authentified ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Gemini is a screen print on grey paper realized by Sergio Barletta. In good conditions except for fairly consumed edges. The artwork represents the zodiac sign of scorpio through...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This piece is an original etching with color on wove paper done by Marino Marini in 1973. It is hand signed and numbered 53/90 from the edition of 90. This piece is from a portfolio...

Joan Miró Les Revolutions Sceniques Du XXe Siecle - II Color lithograph Year: 1975 Size: 12.2×9.4in on 14.7×10.4in Unsigned as issued From an edition with unknown size (pres. <1,500...

Marc Chagall (1887-1985) - Angel with Sword Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 119. On the reverse: blank, as iss...

Animals is an original artwork realized by Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) . Lithograph print, mid-20th Century. Perfect conditions. Jean Lurçat (1892-1966) ...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Hand-Signed. Numbered. Edition, 2/15. Giselle Halff (1899-1971) born in Hanoi, student of R....

This 1974 poster, printed by Mourlot and published by The First National Bank of Chicago, was created to commemorate the unveiling of Marc Chagall’s large mosaic at the Four Seasons...

Bernard Buffet, French (1928 - 1999) - Atelier Mourlot - New York. Year: 1967, Medium: Lithograph Poster, Size: 30 in. x 23 in. (76.2 cm x 58.42 cm)

Vincent Capraro (1929 - 2016) - Prophet, Year: circa 1968, Medium: Etching, signed and numbered in pencil, Edition: AP, Image Size: 8 x 9.75 inches, Size: 11.25 x 13.75 in. (28....

Kees Van Dongen (1877-1968) - La Garçonne Original Lithograph, pochoir from 1925. Arches paper (no watermark). Dimensions of work: 23.5 x 18 cm Publisher: E. Flammarion Éditeur. ...

Leonard FOUJITA La Riviere Enchantee - The Dream MEDIUM : Etching SIGNATURE : Unsigned as issued PAPER : Arches vellum SIZE : 11 x 15" REFERENCES : This etching is referenced in the...

The Dancer (Anaïs). 1925. Etching. Fletcher catalog 52 state viii. 9 3/4 x 6 1/16 (Sheet 14 1/4 x 10 1/2). Edition 107. An extremely rich proof printed on cream 'MADE IN ENGLAND' ...

Summer Porch by Ronald Julius Christensen, American (1923–1999) Date: circa 1980 Lithograph, signed and numbered in pencil Edition Size: 150 Image Size: 21 x 30 inches Size: 25.5 x 3...

François HOUTIN Versailles : The Fountains, 1985 Original etching Handsigned in pencil Numbered / 45 in roman numbers On vellum 25 x 33 cm (c. 10 x 13 inch) Excellent condition

Signed Limited Edition Etching, 15 of 25, from this well collected Scottish artists studio. Very understated. Ian Laurie was born in 1933 and is a self taught artist who made the ...

Mily POSSOZ Sleeping cat, c. 1930 Original etching Handsigned in pencil Limited /40 copies On Rives vellum 20 x 15" INFORMATIONS : Bears the blind stamp...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Femme Nue au Miroir (Nude Woman at the Mirror), from the album Le manuscrit trouve dans un chapeau, orne de dessins ...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau III/X (Woman and Bird III/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition ...

A different side of Ian Laurie. landscapes from Cornish coast England 14/25 signed and dated Ian Laurie was born in 1933 and is a self taught artist who made the transition fr...

Roger de la Fresnaye Countryside : Girl Playing with a Dog Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 65 x 50 cm...

Yves SAINT-LAURENT La Vilaine Lulu in the Village, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 and limited to 300...

"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage du Midi (Southern Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of t...

Self-Portrait is an original woodcut print by Carlo Zuccarini in the early 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition

Yamabayashi Fusahachi is an original modern artwork realized by Utagawa Kunisada in 1861. Woodcut print Oban from a multi-heet, 1861 Actor in the role of Yamabayashi Fusahachi sta...

Reuben Nakian Leda and the Swan-3 1979 Original etching Hand Signed by the artist in pencil Numbered 30/75 from the edition of 75 Paper Size: 20 x 26 inches Image Size: 13.5 x 16.5 ...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró, 1972. Published by Sala Ga...

Female Nude is a colored lithograph from the portfolio " Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in gouache, watercolor, and black crayon by the Austrian artist in 1910. Edition of 1200 copies , printed by Marinoni-Voirin, and published by Editions Anthèse, Paris, 2007. In perfect conditions: as good as new. Today, the original drawing is preserved at the Albertina Museum, in Vienna. This wonderful and colorful plate...

L'Obelisco di Villa Celimontana, Rome  is an etching artwork realized in 1839 by the Italian artist  Domenico Amici  (1808-1877). Signed on plate on the lower right margin. Good co...

Wifredo Lam (7304) Les Loas petro enfantent dans la danse, 1973 Lithograph EC 25 x 19 in

(after) Diego Rivera "Chapel of the Agricultural School, Chapingo" (Ceiling Detail, Workers) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Size with the Matt: 18.5 x 13.5 inches Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

Dorothy Morton was born in New Zealand. The date is usually listed as 1905, but it also appears at 1890. She died there in 1983. It's hard to look at an mid-twentieth century intagl...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

Shepard Fairey (Obey Giant) Ressurectionem Ex-Mortuis, 2020 Screenprint Handsigned in pencil and dated 2020 by the artist Justified "AP" (Artist's Proof) Size 61 x 61 cm (c. 24 x ...

Study for a Decoration (Marguérite). 1926. Etching. Fletcher catalog 46 state ii/iii. 6 7/8 x 5 (sheet 11 3/16 x 9 1/16). 5 proofs in this state (total 76 proofs). Illustrated: Salam...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

Nude is a colored lithograph on paper realized by the French artist  Paul Guiramand .

Henri Matisse, French (1869 - 1954) - Polypheme From Ulysses, Medium: Etching on Canson, Image Size: 10.25 x 8 inches, Size: 12.75 x 10 in. (32.39 x 25.4 cm), Provenance: From the c...

Original David Klein, Germany Fly TWA Jets (Larger format). Professional acid-free archival linen backing; ready to frame. Very good to excellent condition. The image of this or...

Portrait is an Original Woodcut Print on paper realized by Sergio Sergi in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-balanced c...