People Prints and Multiples

Edition : 29/50 Publisher : Galerie-F Edition Very good condition Handsigned by the artist in pencil

The 1970 exhibition "Le rêve de Diane" by Niki de Saint Phalle at the Galerie Alexandre Iolas in Paris marked a significant moment in her career, showcasing her vibrant, bold approac...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

ARTIST Hey, Paul, 1867-1952, artist TITLE Chess players OTHER TITLE(S) Die Schachspieler PHYSICAL DESCRIPTION 1 print : etching ; sheet size 11 1/2" x 15" (30 x 39 cm.) Date: 1898 SUMMARY Three men are sitting around a chess board, two are playing and one is observing. The men are all late middle aged to old aged. The print has some fine details, and cross hatching is used extensively. On the table, besides the the chess set, are two coffee cups and a glass of water. Lower left in margin in pencil “original etching” in German. Lower right margin in pencil “chess players” written in German. No visible signature. The same etching by Paul Hey...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

Francois GUIGUET The Lamp : Evening Work , 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogra...

Alméry Lobel-Riche The bath Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 7.48 x 8.27 inches Inscription: Signed in the plate and unnumbered, as...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.56 x 9.17 inches. Inscription: Signed in the plate and unnumbered, as issued. ...

Original “Banque Nationale de Credit Emprunt National 1920” vintage Cappiello poster. Linen backed in B condition with touch-up restoration in various poster parts. The price ref...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

MOULIN ROUGE, original 1952 vintage movie poster; size: 47" x 63"; acid free archival linen backed and ready to frame full lithograph. Excellent condition. The poster is archival...

Salon des Cent was an art exhibition in Paris that sold color posters, prints and reproductions of artwork to the general public at reasonable prices. It was established in 1894 by ...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

Original vintage poster: 24 Heures du Mans; 10-11 Juni 1978; Automobile Club De L'Ouest. Artist: Lardrot. Linen backed French vintage automotive racing poster. Event: 24 Heu...

Raymond Pettibon Black Flag 1982/1984: A set of 2 rare Raymond Pettibon illustrated Black Flag punk flyers. Published on the occasion of: Black Flag & Saccharine Trust at the Whis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Linocut on vélin pur fil Johannot a la forme paper. Inscription: signed in pencil and unnumbered, as issued, from the edition of 50. Good condition. Notes: From the folio, Le Poème p...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Paul Davis's 1983 offset lithograph, "The Bear Dance...Or Wall Street Jubilee II," measuring 24 x 18 inches, offers a satirical commentary on the financial markets. The term "bear" i...

This original lithograph is signed in pencil by the artist “Henri Matisse.” at the lower right margin. The work is also hand numbered in pencil from the edition of 130, above the sig...

Monoprint & hand embellishment on paper. Naga Kanya, 2018, monoprint, fantasy, marbled rag paper, pink, purple, blue

"The two Armies being engaged by break of day, Jupiter sends Iris to bid Hector retire from the Fight, and not return till Agamemnon's wounds had obliged him, to withdraw from the Fi...

This Blue Dog work consists of a blue dog on a tropical background of mountains, sea, sand, and palm trees. There are various colors of butterflies and a single dragonfly. The dog i...

HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...

La Terrasse de la Villa Brancas, Sevres (The Terrace of the Villa Brancas) etching & drypoint, 1876 Signed in the plate bottom right corner (see photo) in plate, at lower left: xbre ...

ARTIST: Salvador Dali TITLE: Triumph of The Sea MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Sidney Lucas, New York EDITION NUMBER: 12...

SUNBATHERS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. SUNBATHERS depicts a two female sunbathers sitting in their lounge chairs on a sunny day at the beach wearing dark sunglasses, straw sun hats, and snazzy red and purple bikinis...

Etching and drypoint on laid paper, 1934. With Picasso's ink stamped signature lower right, and numbered 29/50 in pencil lower left. Image 12.25 x 8.75 inches, full sheet 19.5 x 13...

Supreme skateboard set of 3

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Original “The City of New Orleans” Amtrack railroad travel poster. The only thing that separates Chicago from New Orleans is your imagination. Archival linen backed in excellent, ...

A scarce impression by Dehn, the spirit of sedultive culture personified. Lithograph on white wove paper with deckle edges, 13 1/2 x 17 1/8 inches (343 x 435 mm), full margins. Sign...

Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...

Kiyoshi Saitō (1907 – 1997) Maiko Kyoto (B) 1959, portrait of a girl facing left, with black and white obi; strong woodgrain texture background. Signature and artist’s seal lower left. Margins are covered with mat board possibly concealing title, date and edition. Visible Area: H 20.75 in. x W 15 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono...

Joan Miro La Mélodie Acide, 1980 The complete portfolio of 14 Lithographs In Original Slip Case Hand Numbered. 184 / 1500 Plate signed Published by Ediciones Poligrafa Reference: M. 1212-1225 Acquire a unique and valuable piece of surrealist art with Joan Miró’s Melodie Acide...

Mother and Child is an original litograph realized by Carlo Levi in mid-20th century. Good condition. Hand signed by the artist. Carlo Levi (29 Novembe...

Screenprint on Velin Arches white 250gsm paper, unframed 85cm x 56.5cm Edition of 40 Ian Davenport's art draws upon the rich heritage of European and American abstraction, and also the contemporary urban environment of London. The ‘splat’ paintings...

Jean-Gabriel Domergue, celebrated as the self-proclaimed “inventor of the pin-up,” was a master of portraying the elegance and allure of French high society. His work captured the sp...

Over the course of his career, John Grillo showed in 85 one-man and over 100 group exhibitions. One of the most influential of the San Francisco school...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising" Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...

'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...

Lithograph printed on Japon, not signed and not numbered. The lithograph is cataloged number 719 in "Chagall-The Lithographs" by D.A.P. Printed on Japon paper, very rare. Due to the...

'Eduard Strauss' Chromolithograph, 1895. Vanity Fair musician portrait of Eduard Strauss (1835 – 1916) the Austrian composer. 400mm by 270mm (sheet)

"Sergeant Cribb" is a British television series set in Victorian London, focusing on Detective Sergeant Cribb of Scotland Yard's newly formed Criminal Investigation Department. The s...

Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Over the River (From Above) Project for the Arkansas River, Colorado Offset lithograph in colors on smooth paper Signed by Chris...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Chagall Lithographe Volumes I, II, III, IV & Les Affiches de Marc Chagall by Cain, Julien, Fernand Mourlot, Charles Sorlier, Robert...

This is an original offset lithograph poster created for the 1985 Francis Bacon exhibition at Marlborough Gallery, featuring the haunting and visceral work Figure in Movement. Kno...

NUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...

Keith Haring Fault Lines 1986 (set of 4 printed works): A grouping of 4 lithographs from the book Fault Lines by Brison Gysin with illustrations by Keith Haring. These works are eac...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...