19th Century Sculptures

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in

Pierre Jules Mene "Chien Braque" (Tom) Bronze approx. 5 x 9 x 4.25 Signed PIERRE JULES MENE (1810-1879) Pierre Jules Mene, (P. J. Mene), was born in Pa...

ADRIEN-ETIENNE GAUDEZ French, (1845-1902) Gypsy Woman Signed 'A. GAUDEZ' on base. 33 x 15 inches NOTES: Cast in patterned, polychrome dress, wearing a bracelet, stan...

Il busto marmoreo, datato 1890, appartiene alla sua età adulta, nello specifico all’ultimo anno della sua vita, quando era molto richiesto e aveva uno studio molto prolifico a Firenz...

ARTHUR STRASSER Austrian, (1854-1927) A Musician Smoking Patinated and gilt bronze, Signed ‘A Strasser’ on base. 25 x 15 inches

Pair of Bronze Busts of Queen Mary when Duchess of York William Henry Tyler Dated 1893 These rare and highly important bronze busts of the future Queen Mary, created in 1893 by the ...

In the manner of Franz Bergman Austrian, (C1900) Set of 3 Bulldogs Bronze A set of 3 Austrian cold painted bronze sculptures of bulldogs in the manner of by Franz Bergman with lovely...

JEAN-JOSEPH ALEXANDRE FALGUIERE French, (1831-1900) Egyptian Dancer Patinated Bronze; Signed A. Falguiere and foundry stamped 25 x 9 1/2 x 9 1/2 in...

Questa piccola terracotta raffigura una scena mitologica, probabilmente una scena da un baccanale o un "ratto". Si vede infatti un centauro al centro sollevare una ninfa nuda, i due ...

CHARLES GEORGES FERVILLE-SUAN French, 1847-1925 Bronze group of a winter scene A winter scene of a man on skates, pushing the woman’s sled ...

JEAN-LÉON GRÉGOIRE French, (1840-1890) Perseus Freeing Andromeda Patinated bronze; Signed 'L. GREGOIRE’ 25 1/2 x 13 x 11 inches Notes: Jean-Léon Grégoire started to exhibit at...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

This paver is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - stamped...

Hindu Birdcatcher A fine quality, a nineteenth-century bronze cast of the Hindu bird-catcher standing on an elephant skull and holding two birds in the air which are sitting on a bambu stick by Auguste De Wever (Belgian 1836-1910). Old cast probably by the Compagnie des Bronzes foundry signed...

Bear Dentist by Christophe FRATIN (1801-1864) Bronze with nuanced old gilt-light brown patina Signed on the base "Fratin" Old edition cast France mid-19th century height 15 cm A s...

JULES-ALFRED-ALEXANDRE DERCHEU French, (1864-1912) L'Amour Désarmé A nude girl holding Cupid away with her left arm, her left foot on his quiver, on a circular base, seated on a ro...

Italian, 19th Century 32 in. x 15 in.

Presumed portrait of Elodie Blanchet by Paul LANDOWSKI (1875-1961) Sculpture in bronze with a dark greenish brown patina A rare Landowski's early work Signed on the lower side "P. L...

Antoine-Louis Barye (French, 1795-1875) Ocelot emportant un héron (Ocelot carrying off a heron) bronze sculpture, dark-brown patina, Signed “Barye” and “F. Barbidienne Fondeur Paris”...

Lying Lion (Ca 1900) A fine bronze sculpture of a lion lying on a rock. This statue by Josuë Dupon (1864 -1935) has a brown reddish patina with green high...

CESAR CERIBELLI (French, 1841-1918) Signed: ‘C. Cirribelli’ 19th Century 22 1/2 in. x 13 3/4 in.

Luigi Preatoni (Novara 1845 - ?), Maiden with hat Marble bust 66 x 43 x 36 cm signed (L Preatoni) on edge of dress.

Indonesian Architectural Ornament carved/painted 19th Century The architecture of Indonesia reflects the diversity of cultural, historical, and geographic influences that have shap...

MATHURIN MOREAU (FRENCH, 1822-1912) Flore et Zephyr Signed 'Mthrin Moreau' (to the base), rotating socle applied with engrave plaquette 'FLORE ET ZEPHIR / PAR Mathurin MOREAU / MEDAI...

Joseph Gustave Chéret (1838-1894) Bronze statue of a young girl with a pensive expression and a basket of flowers  Signed on base 19th Century  French foundry mark of L. Soleau ...

Self-portrait "Fratin by himself" by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina Signed on the base "Fratin" Raised on a wooden base, with an old collector s...

Surmounted on a circular base, the odalisque portraying a half nude young female wearing a loose skirt, and is inscribed with the artist's name ‘A BOURGEOIS’. Maker: Charles Arthur Bourgeois...

Provenance: Collection of Emily Johnston De Forest and Robert Weeks De Forest, New York, by 1911-until 1942; thence by descent until 2018. Literature: ...

The pair of cast bronze figures displayed on matching slate bases with incised and gilded foliate in neoclassical bronze frame with female mask and raised on paw feet; the figure holding a vessel being a depiction of Pandora incised ‘Pradier scpt.’ The other with incised mark of ‘Marin. scpt’ after a work by Joseph Charles Marin (1759-1834). Maker: after Jean Jacques Pradier...

MATHURIN MOREAU French, (1822-1914) Pair of Bronze Group of Dancing Beauties Patinated bronze; Signed ‘Moreau Math; Math Moreau’ 19 3/4 x 9 inches

CLÉMENT LÉOPOLD STEINER French, (1853-1899) A Maiden in Classical Gown Patinated bronze; Signed ‘Steiner’ 46 1/8 x 22 1/2 x 14 inches

EMILE LAPORTE French, (1858-1907) Jeune Garçon et Chèvre Patinated bronze; Signed ‘Laporte’ on the white marble base. 40 x 17 1/2 inches

ALPHONSE H. NELSON French, (1854-1919) Pair of Figural Sculptures of Seated Cherubs Signed to base H 34 in. x W 18.50 in. x D 18 in.

Jim’s of Lambertville is proud to offer this artwork: Bronze Sculptures of classical nudes

Jim’s of Lambertville is proud to offer this artwork: Bronze

Bear carrying a basket, with a dog Match holder by Christophe FRATIN (1801-1864) Cast in bronze with a dark brown patina Signed to the front of the base "Fratin" Old edition cast F...

Bronze with nuanced dark brown patina Old edition cast version with a leash at the necks of dogs France circa 1890 height 14,5 cm diam. 17 cm A similar model is reproduced in "Emma...

Villeroy & Boch Mettlach Crusaders Drinking Stein, Late 19th Century Heinrich Schlitt (German, 1849-1923) Model #2122 Stamped and Marked on Bottom Signed along Base Painted Ceramic w...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Venus Africaine by Charles Cordier, French (1827–1905) Bronze Sculpture, signature inscribed Size: 15 x 9 x 5 in. (38.1 x 22.86 x 12.7 cm)

Felipe Castañeda Mujer con Flores, 1982 Black Marble 52 x 32 x 35 cm 20.4 x 12.5 x 13.7 in. Felipe Castañeda (Mexican, b.1933) began his artistic ca...

Alfred Barye (1839-1882) "Lion and Antelope" Bronze Approx. 7.5H x 9W x 4D inches Signed "BARYE.ALF" and Inscribed under base "NO. 23 LION AND ANTELOPE" The son of a goldsmith, Parisian born Antoine-Louis Bayre was a sculptor of animal subjects and acclaimed, not only for his apparent skill, but as the founder of what became known as the French Animaliers School. Among his patrons were representatives of the state government and royalty including the Duke of Orleans and the Dukes of Luynes, Montpensier and Nemours. Well compensated financially, he was able to buy the best of materials and hire the country's most skilled foundry craftsmen. The foundry he hired was owned by Ferdinand Barbedienne, and casts from this period were stamped with the letters, FB. However, he did not make a lot of money from his work because he was such a perfectionist that often he would not sell his work because he thought it was not 'quite right'. In 1848, he declared bankruptcy, and his molds and plaster casts were sold along with the copyrights. Bayre's specialty was aroused, angry seeming wild game such as lions and tigers and elephants, but he also did equestrian groups and mythology figures. In order to do realistic depictions of animal anatomy, he spent much time at the Jardin de Plantes in Paris. His early training was as an apprentice to a metal engraver, but being drafted in the army in 1812, ended that education. In 1832, he had established his own studio, and unique at that time was his method of cold stamping his bronze casts, so that each one had a special number. He had his first entry, The Milo of Croton...

Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...

Pierre-Jules Mene "The Hunter and Hound" (Le Valet de Limier) 1879 Bronze approx. 19 x 8 x 14 inches Signed PIERRE JULES MENE (1810-1879) Pierre...

Hans Guradze (German, 1861-1922) "Jockey On Horseback" Bronze Approx. 19.5 x 17 x 6 inches Signed "H. Guradze Berlin" on Base

Buddha Monk statue created by Buddha Monks in the 19th Century. The statue is made of wood and beautiful red and gold lacquer. This statue stansd 26 inche...