19th Century Sculptures

The bronze proposed here was initially presented in November 1878 at the Competition for the Encouragement of Brera. It is therefore one of the first celebratory works of the sculptor Ambrogio Borghi...

Alabaster temple with Corinthian capitals decorated with swans and flower ornaments. At the centre, a bronze statue representing the Queen Omphale dre...

Bronze bust with brown patina on marble socle base. Red patina detail on head scarf. In beautiful condition, expertly cast and modeled. Perfect for an art collector looking for European work that depicts Black and African people...

A nineteenth-century cast of Antoine-Louis Barye's Le cheval demi-sang arabe (no. A125-Poletti; A148-Pivar), with nice patina. Poletti and Richarme, Barye: Catalogue raisonné des sc...

A fine patinated bronze of the iconic classic Greek statue of Venus de Milo, incised by artist on base side (possibly 19th century French sculptor Ron Li...

A very fine bronze equestrian sculpture with a nuanced dark greenish brown patina France model of 1845 Cast by Ferdinand Barbedienne around 1890-1900 height 37,3 cm length of the base 31,5 cm Marked with a souvenir date "22 mai 1904". Biography : Antoine-Louis Barye (1796-1875) was a French sculptor, known for his animal sculptures. His sketch practice done in the wild, according to the animals of the Jardin des Plantes in Paris, led him gradually to also practice painting. Placed early in Fourier, an engraver on steel manufacturing metal parts for the uniforms of the Great Army, he learned all areas of metal processing and became a peerless worker. He entered the Ecole des Beaux-Arts in Paris in 1818, where he received classical training in the workshop of the sculptor François Joseph Bosio and the painter Antoine-Jean Gros. He graduated in 1820, the second prize for sculpture in Rome for his "Cain cursed by God" .It was in 1831 that Barye became known to the public exhibiting then his "Tiger devouring a Crocodile", tormented and expressive work, which ranked as soon as the first Romantic sculptor, and causing admiration criticism. He now produced numerous masterpieces, often of small dimensions, that will enrich the collections of fans...

A Rare Italian White Marble Relief of "Young Saint John the Baptist" circa 1860 after Desiderio Da Settignano. The original pietra serena relief by Desiderio Da Settignano, is in Th...

Antique Silvered Bronze Rooster France, circa 1900 10 1/4 x 9 1/2 (H x D) inches A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...

An Italian grand tour patinated bronze group sculpture of Laocoon and his sons, After the antique by Agesander of Rhodes, C. 1870 Very nice quali...

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...

A Fine French Patinated Bronze Figure of Young Maiden sitting beside a Peacock surmounted atop a rouge marble plinth by Auguste Moreau. Perfect size for a desk or dresser, or mantle...

Standout pair of 19th century French Orientalist busts crafted in terra cotta and expertly paint decorated with a striking realism. Left: H: 19 W: 12 D: 8 Right: 19.5 W: 13 D: 8

Plaster, raised pins and later coloured to simulate terracotta Height: 32 3⁄4 inches (83.5 cm). Full of elegance and liveliness, it conveys the consummate ability of the artist. Be...

Unique Carrara white marble finely carved sculpture of Orpheus , Mythological personification of the eternal love and art. Henry Dasson French 1825 - 1896 Orpheus white marble, on a...

Friedrich Goldscheider (1845 - 1897) was active/lived in Austria, France. Friedrich Goldscheider is known for Painting and sculpture. Friedrich Goldscheider was born in 1845 in Slabetz, Czech Republic and died 1897 in Nice. He is one of the most successful entrepreneurs in the history of European ceramics.

After Jean-Antoine Houdon (French, 1741-1828) a bronze bust of Benjamin Franklin on a white marble base, circa 1880 This bronze bust of Benjamin Franklin after Jean-Antoine Houdon,...

A gilt bronze Female figural sculpture depicting a young woman, slightly unveiled, sitting atop a variegated marble fountain, fitted atop a squared bronze base decorated with foliage...

Joseph D'Aste bronze group of Children in traditional dress with clogs playing in the snow, standing on marble.

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

Dynamic statue of an Arab Falconer riding a horse in motion. A falcon lands on the falconer's arm as his horse trots along a mud road leaving hove prints behind. Artist: Pierre-Jul...

A maiden holding a lute leaning on a tree trunk dappled with english ivy and cattails, all surmounted on a rouge royal marble base. Beautifully cast, crisp details. Artist: Adrien ...

An Exceptional and Monumental White Marble Figural Sculpture Clock, "A Nubian Slaying The Lion" by Jean-Joseph Jacquet (Belgian, 1822–1898), circa 1860 This extremely impressive whi...

Cheval marchant au pas relevé is one of the artist’s most elegant and exacting models of a horse. It underscores Degas’s deep understanding of equine anatomy and his ability to render it with lightness and charm. Known for his focus on contemporary subjects, Degas first began depicting horses in the 1860s. As a member of the prestigious Jockey Club in Paris, Degas was a habitué of the racecourses at Deauville and Longchamps, where he could study the beauty of thoroughbred horses at close quarters. Although the artist was not an active participant himself, equestrian sports fascinated Degas throughout his life, as it allowed him to capture the full range of the horse’s movement in a wealth of poses. Bronze with dark brown patina bearing the stamp of the signature "Degas", numbered IV/IX and dated 1998. Posthumous lost wax casting as of 1998. Stamp of Valsuani. The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed than the current bronze. This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...

Artist: Adrien-Etienne Gaudez (1845-1902) Origin: French Date: 19th century Dimension: 32 in(H) x 21 in(W); 29 1/2 in(H) x 22 in(W) Adrien-Etienne Gaudez entered the Ecole des Beaux...

Jean Jules B. Salmson, A patinated bronze sculpture of William Shakespeare, 19th Century. Very rare sculpture of the famous William Shakespeare. A perfect fit for any library or gentleman's office...

Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Antoine-Denis CHAUDET (1763 - 1810) NAPOLEON Ist, circa 1808 Carrare Marble - First Empire Hermes Bust of Napoleon Ist, after Antoine-Denis CHAUDET Dimen...

Egyptian King Menthuphis, draped in a lion skin, and dripping in jewels, holds up a statue of two horses. Flanked by two birds and mounted on Rouge Mable and...

These 19th Century hand-carved hall chairs from Mexico are reminiscent of a Renaissance style in the design of the faces of the angels and ornamentation. This native wood is walnut colored with a stain that gives the chairs a caramel glow. The cushions are upholstered in a, light yellow silk brocade fabric. There are pin-sized holes from an earlier exposure to termites, a desirable element in antique Mexican furniture...

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

This is an Edward Kemeys Sculpture Bronze “crow Warrior” Signed Titled. In good condition. Measures 8x8

This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...

A beautiful gilt cast bronze titled “Nymphe de Diane” with her dog by French sculptor Eugène Antoine Aizelin (1821-1902). Aizelin was a pupil of Etienne-Jules Ramey and Augustin-Alexandre Dumont at the Ecole des Beaux-Arts, Paris.He received numerous commissions from the State and from the City of Paris for the decoration of public buildings, working on the three great Parisian building projects of the Second Empire (1851–70), the new Louvre, the Opéra and the Hôtel de Ville, as well as on theatres, churches and other institutions. Apart from decorative sculpture, his output consists of classicizing...

Antique Bronze Dog Sculpture Chihuahua "La Petite Belle Lydie" Charles Valton (French, 1851-1918) Circa 15 1/2 x 10 1/4 x 7 Lydie is a Chihuahua making her a very rare image from ...

19th Century French Bacchanalian Bronze in the 18th century style depicting two Putti, in the manner of Clodion. One putto reclines while another feeds it grapes. The Patina is worn ...

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

Important pair of Japanese bronze birds in the form of geese masterfully crafted. One with a closed beak the other open, both with quirky expressi...

Carved wooden sculpture set on an included black stand. The Monk In Prayer was created by an unknown Cambodian artist in the Early 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the wood. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Elegant 19th Century French Clock with gilt turquoise porcelain figures of a young man and woman with a caged bird. The porcelain figurine is in good condition with all fingers intac...

Jim’s of Lambertville is proud to offer this artwork: Bronze Sculptures of classical nudes

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

Arthur Waagen (German 1833-1898): A 19th century bronze of the Irish Wolfhound 'Gelert', the base set with a scroll giving the dimensions and weight of...

This marble bust, signed S. Albano dated 1890, belongs to his adult age and to the last years of his life, when he was already very requested and he had a prolific workshop in Florence. It represents a young peasant, portrayed with a simple handkerchief covering her hair and a shirt opened on the neckline to let us a see the crucifix cross, symbol of a sincere and innocent faith (the necklace appears in other is Albano’s works, like in the artist’s sister, Evangeline, Marguerite busts and in the Marguerite sculpture, all of them in private collections). The simple and tender subject is made with an exquisite technique, still quoting De Gubernatis “he can be enviable because he gives to the modelled flesh a singular transparency”, as we can see in the delicacy of the cheeks, nose, chin. His skills especially appear in the details: the locks naturally coming out, the light signs of the eyebrows, handkerchief with his thin folding line, the collar of the shirt bending on itself, the use of the drill for the rendering of the curly hair. Born in a small town in the deep South of Italy by a decent but very modest family, he developed artistic inclination since he was a child by modelling Nativity Scene characters for the people of his neighbour until the1858 when, thanks to the help of some oh his fellows recognising his talent, he moved to Naples to follow the lessons of the sculptor Antonio Sorbillo before starting his training at the Fine Art Academy with Tito Angelini...

White marble sculpture, signed Aug. Moreau, depicting two putti enjoying grapes and wine. The piece is consistent with similar works created by Auguste Moreau. This particular work i...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

This is an Anton Nelson bronze lamp the condition of the bronzes are good both are signed in the back. However the bronze on the left hand side needs to ...

signed 'A. Rivalta' (on the base)

Pair of Buddhist Foo Dogs Polychrome porcelain Japan, Meiji era (1868 – 1912), circa late 19th century Satsuma Kilns 12 3/8 x 9 5/8 inches This exquisite pair of Japanese Foo-dogs ...

With cast signature 'A.L.BARYE.' (on the base)

Jafet Torelli (active in Florence in the second half of the 19th century), Pan and Siringa Terracotta sculpture 54 x 22 x 22 cm signed Torelli Firenze on the base.

A Finely Carved Neoclassical Marble of a Standing Female Figure carrying a cup and pitcher. Crystalline white marble creates brilliant light affects...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

Roman verdigris bronze oil lamp. Flying cranes with running Mercury. After the original found in Pompeii. This lamp base would originally have had small oil lamps...

Omolu French Empire style bronze dore figural shelf clock, 19th c., "Psyche Couronnant L'Amour," after Claude Michallon (French, 1751-1799), engine tu...

Very fine large Neoclassical white marble bust of Arianna wearing a diadem with grape vine in her hair after the antique in Vatican Museum . Ariadne, in Greek mythology (Latin Aria...

A fine Grand Tour Italian Classical cast patinated bronze figure of Narcissus or Dionysus, dating to the last quarter of the 19th century. Very good overall condition, with the modes...

French bronze of Sappho Leaning Against a Column Holding Her tortoise Lyre, Original rich brown patina intact. Artist: Jean Jacques Pradier (Swi...

Bronze sculptures of Classical Putti, signed in cast after Alfred Boucher (French, 1850-1934), rising on stepped red marble bases.