19th Century Sculptures

Edwin Willard Deming (American, 1860-1942) Man with Flute and Cougar Cast bronze sculpture with golden brown patina Signed, numbered 9/100, with Fenn F...

Small sculpture in different marbles and semiprecious stones - Young man with samovar. Probably Russia, 19th-20th century. 6 x 6 x h 15 cm the sculptu...

Inuit carvings, created by the Inuit people living in or near the Arctic Circle, are a kind of sculpture (done with bone, ivory, wood or stone) depicting their traditional way of lif...

Follower of Bacchus is an original bronze sculpture realized by an Italian Sculptor in the end of the XIX century. Bronze casting. Made in Italy. H: 100 cm. Excellent conditions. ...

Pierre Emmanuel Guerin, (American, NY, NY born France, 1833-1911). Large PE Guerin foundry bronze casting of Mercury. Measures 36"h x 11"w x 8" across. Rests on a decorative bronze...

A large late 19th century bronze figure of a recumbent greyhound after French animalier sculptor Christophe Fratin (1801-1864), with a warm brown patina on a rouge griotte marble base. Signed 'FRATIN' on collar. Bronze length: 37cm Base length: 41cm Bronze height: 18cm Total height: 22cm Christophe Fratin was born in Metz in France in 1801. He first studied sculpture under Pioche in Metz under whom he honed his technical skills. He then became a pupil of the painter Theodore Gericault in Paris where he pursued his career as a sculptor. Fratin first exhibited at the Paris Salon as early as 1831, where he showed ‘Fermer – An English Thoroughbred’. The popularity of Fratin’s sculpture in England had a significant impact on his career. His modelling style reflected his imaginative mind and sense of humour, particularly in his humorous modelling of bears. Fratin was asked to sculpt life-size monuments for French cities, including his home town of Metz. At the Great Exhibition of 1851 in London he was considered the greatest animalier sculptor of the day. Fratin’s bronzes...

Bust of an Oriental Woman by Emile GUILLEMIN (1841-1907) Orientalist bronze sculpture with dual nuanced patina. old period cast Raised on its original red marble base. Signed on th...

Hans Schork (Austrian, b.1849) "The Sower" Patinated Bronze Sculpture, late 19th century, after the model by Louis-Oscar Roty (French, 1846-1911), the stan...

Attributed to Bertel Thorvaldsen Regency-era Life Portraits in Marble 1770-1844 Marble on period ebonised wooden columns Bust height: 59 cm crown to socle Bust width: 28 cm Column h...

After Pietro da Barga (Italian, Rome, active c. 1574-1588) "Farnese Bull" Patinated Bronze Sculpture, late 19th century, depicting Antiope directing her sons Amphion and Zethus attac...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 18" high with movable arms, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

Pair of Fragments Of Late 1800s Romantic Sculptures, Pair of Terracotta Busts of Children probably part of a fountain, of a larger sculptural group. These are busts of a child with ...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 17 1/2" high with movable arms, was use...

"The Bacchante," an imposing terracotta group bearing the signature of Domien van den Bossche. Late 19th century. Probably inspired by Carrier Belleuse's "The Bacchante" group of ...

Italian 19th Century marble bust depicting the young Emperor Octavian. The sculpture, carved in white Carrara marble, is an exquisite example of neoclassical works and shows a fascin...

Large stucco head with traces of polychromy, Italy, 19th century. It could be a cast of a museum sculpture made during the 19th century or a plaster sketch of a work. In any case,...

Alain LOVATO (born in 1943) Preparatory sculpture for the monumental “Signal oblique” project (Lyon, Parc de la Cerisaie), circa 1980 White, red and ochre lacquered polychrome steel ...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

Fender Guitar Multi Layers Glass Sculpture Artist signed and dated '98. Fabulous mixed media, layers of multi color dichroic glass, ceramic tiles, aluminum on wooden base. William Wertz was born in 1946 dide in (2021 Los Angeles). American artist, teacher and photographer. Known for his unique assemble layers of glass sculpture. His art can be found in Musee des Decoratifs, Paris, the country of Oman (stained glass dome...

A late 19th century bronze figure of a dog playing with a ball on a naturalistic base. Nice dark rich brown patina with slightly lighter rubbed area to lower side of base. Signed 'Wa...

Grand Tour Bronze Italian, (19th Century) Silenus Wrestling a Serpent Bronze, stamped with foundry mark for Sommer of Naples, C1880 Height: 26.25 inches (67cm) Width: 9.75 inches (25...

This Jose A Cunha Portuguese Palissy Majolica plate features a snake, spider, frog, caterpillar, and butterfly on green shredded clay ground. The piece bears the maker's marks for Jose A Cunha pottery. Palissy ware is a style of ceramics that is also known as rusticware due to their earth-toned palettes and naturalistic plant and animal scenes that are cast to it. The style was coined in reference to the 16th century French potter Bernard Palissy and experienced a significant revival in the 19th century thanks to Charles-Jean Avisseau. It's strongest revival however was in Portugal where it was produced by the potteries of Mafra, Jose A. Cunha, Alves, José Francisco de Sousa...

This delightful cast bronze statue depicts Jean-Baptiste Poquelin (French, 1622-1673), known as Molière; a wonderful historical study that captures the playwright and actor as a carefree youth. Reclined in a worn out chair, and judging by the worn out covering and loose fringe and gimp this is likely the chair he is supposed to be upholstering.The young upholsterer's apprentice is spending his afternoon with a small book opened across his lap instead of his assigned task, and hasn't a care in the world, his tacking hammer held loosely in his hand as he is totally enveloped by the text. It captures Molière working for his father, who had purchased the post of valet de chambre ordinaire et tapissier du Roi, and was responsible for maintaining the carpets and upholstery of the furnishings for the King of France, a post that was often hereditary and that his father hoped to pass on to him one day. The sculpture offers a glimpse at Molière's chosen path, much to the chagrin of his father, leaving the world of upholstery unfinished and following the written word into a world of creativity. The modeling of the statue overall is superb. Gaudez is a true master of the genre scene in sculpture, and this this piece perfectly exemplifies his skilled capability to realistically model the human body in relaxed positions. Moreover, the modeling of the carved wooden chair legs, soft dangling tassels, individual book pages, and bunched fabrics is incredibly crisp, almost leading me to believe that we may be able to learn something about 19th century upholstery...

Antique Bronze Miniature Barnyard Scene (Cow, Sheep & Goat) Christophe Fratin (France, 1801-1864) Sand cast bronze 5 3/4 x 4 1/4 x 2 1/4 inches Highly refined and sensitively modeled miniature bronze representing a small herd of cattle, sheep and cattle on the terrace. Despite its small size, this bronze offers a complete view of a small herd of livestock: a bull is lying in a landscape near a sheep and a goat climbing a tree above a rocky mound. Here we find the skillful hand of the animalier sculptor Christophe Fratin (French, 1801-1864), immensely famous in the 19th century for his thoughtfully crafted animal...

signed 'A. Rivalta' (on the base)

ALFRED DRURY, RA (1856-1944) The Age of Innocence Signed: A DRURY Bronze on green marble base Height including base 45.5 cm., 18 in. Born in Islington...

Elk surprised by a Lynx by Antoine-Louis BARYE (1796-1875) A bronze group with a nuanced dark green patina Signed on the base " A.L. Barye " Old cast Standing on a wooden base Fra...

This mask, created by an unknown Indonesian artist, features round eyes, painted fangs, and a blood red face. It is approximately 7 1/4" tall by 5 3/4" wide.

A signed, dated, 1855 terracotta, classical style sculpture of the robed figure of Fate holding the thread of life by listed, Austrian-born artist, Franz Melnitzky (1822-1876) whose ...

Louis Auguste Moreau French, (1855-1919) David Bronze, signed Height: 7.5 inches Width: 3.25 inches Depth: 3 inches Louis Auguste Moreau was born in Dijon, France in 1855 into a fam...

This mask, created by an unknown Indonesian artist, features round eyes, a white face, and a painted mustache. It is approximately 7" tall and 5 1/2" wide.

JEAN-BAPTISTE CLÉSINGER French, (1814-1883) Sappho Patinated bronze; Signed CLESINGER, inscribed: F. BARBEDIENNE. FONDEUR and stamped: A. COLLAS. BREVETE. REDUCTION MECANIQUE...

French, marble bust of a young Napoleon done in the style of Caesar. Head sits on the detached base.

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 14" high with movable arms, was used in Indonesian Wayang puppet shows. This puppet is an archer. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

Louis Guy Bronze Sleeping Basset Signed and dated 1876 L14 x d8,5 x h4 cms

This mask, created by an unknown Indonesian artist, features a bright salmon-colored face with heavily slanted eyes. It also has a mustache made of animal fur. It is approximately 7"...

Jean Garnier (1853-1910) Art Nouveau Bronze Sculpture circa 1890s A Fine bronze sculpture by listed French artist Jean Garnier. A young nude woman with long flowing hair and a tamb...

This sculpture was created out of cothe stone to represent the king of the N'Tadi tribe in Zaire. This tribe is now called Pende. The sculpture stands 15 1/2" x 6" x 5 1/2". The Pe...

Roman verdigris bronze oil lamp. Flying cranes with running Mercury. After the original found in Pompeii. This lamp base would originally have had small oil lamps...

French School "Mother and Child" Patinated Bronze Sculpture, late 19th century, cast with a standing female figure clutching a child on a circular plinth, illegibly signed. 28.5" H x...

African. Baule Colonial Figure Ivory Coast, c. 1910 Wood, 24 1/2" x 5 1/2 inches.

MATHURIN MOREAU (French, 1822-1914) Signed: ‘Moreau’ 19th Century 31 1/2 in. x 20 in.

A bronze hound sculpture on marble based. Signed by French animalier sculptor Antoine-Louis Barye 1795-1875.

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

"Charity" also known as "Motherhood" by Aimé-Jules DALOU (1838-1902) A beautiful bronze group sculpture with a nuanced dark brown patina Signed on the base "Dalou" A very fine cas...

This is a fine Italian white marble statue from the 19th century, depicting a young boy holding a bird's nest. The sculpture is hand crafted, capturing the innocence and natural char...

Inscribed 'A CARRIER Scpteur' Title: A Maenad and Two Cherubs Artist: Auguste-Joseph Carrier (1837-1908) Origin: French Date: 19th century Dimension: 27 in. x 16 in.

signed 'A. CARRIER-BELLEUSE' (on base)

Carved wooden sculpture set on an included black stand. The Monk In Prayer was created by an unknown Cambodian artist in the Early 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the wood. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

19th century silver plate bust Menelaus mythological king of Sparta. A fine casting with rich patina. Ebonized wood base. Illegible hallmark. In Greek mythology, Menelaus was a king of Mycenaean (pre-Dorian) Sparta, the husband of Helen of Troy, and the son of Atreus and Aerope. According to the Iliad...

Emile Guillemin: 1841-1907. Very important and well listed French sculptor. He has auction results over 1.2 million dollars. This little bronze gem of a possible cook or some other c...

Charles Edouard Richefeu 1868-1945 French Vive l'Empereur Bronze, Susse Fondeur in Paris Signed on the base, on the right side 39 1/2" high and approximatively 21 1/4" wide x 21...

Jules Moigniez (1835 Senlis - 1894 St-Martin-du-Tertre), Hunting dog on the prowl, around 1880. Dark patinated bronze with naturalistic terrain plinth, 16 cm (height) x 30 cm (length...

A beautiful large bronze sculpture of a proud standing mare. Old sand cast created during the artist Josuë Dupon's lifetime. Josuë Dupon (also Josué or Josue Dupon) was a Flemish sculptor and engraver. His work also includes painting and graphics. He received his training through evening classes at the academy of Roeselare and Antwerp (1884) and later at the National Institute of Fine Arts (1887). In 1891, he won a gold medal with the monumental sculpture group Samson kills the lion and was runner-up in the Prix de Rome for sculpture. From that year on, his work appeared regularly in exhibitions at home and abroad. His reputation was such, that he became one of a select group of sculptors allowed by King Leopold II to carve statues in Ivory, which was imported from the Congo, the Belgian colony. In 1893 his exceptionally refined ivory statue of Diana was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later. Working in every genre and mastering every technique and material, Josuë Dupon became best known as a sculptor of exotic animals. He was equally capable of faithfully expressing anatomical detail as of rendering the animals' nature. Josuë Dupon was a technically faultless realist, with a sense of the dramatic, a feeling for decorative complexity and a tendency towards idealizing. The placement of his camel driver and two bronze groups at the entrance to Antwerp Zoo confirmed this reputation as animalier. The career that Dupon subsequently built, brought him numerous important awards and an appointment as professor at the Antwerp Academy, a tenure he held between 1905 and 1934. Besides animals, he sculpted busts, war memorials and public monuments. For one of the largest sculptural monuments and the largest fountain in the city of Buenos Aires, called Monument of the Two Congresses, he collaborated with his good friend, the Belgian sculptor Jules Lagae. Josuë Dupon created several statues of mighty condors for this monument. At the start of his career his conception of art was strongly influenced by traditional 19th century artistic ideals. After the turn of the century his compositions and surface treatment changed and became more modern. He met Rembrandt Bugatti around 1905 or 1906 in the 'Jardin des Plantes' in Paris and invited him to Antwerp. Bugatti began travelling to Antwerp in 1906 to observe and sculpt the inhabitants of its zoo, which was then considered the best in the world, and Dupon allowed Bugatti to stay with him during several of his early visits. As such Dupon became a friend and a bit of a father figure to Rembrandt Bugatti. Dupon did not play a very active part in artistic movements or associations. Dupon remains an important sculptor not only through his body of work but also because of the influence he exercised through interactions and collaboration with other sculptors such as Lagae, Bugatti and Bourdelle but also because he trained leading sculptors such as Albéric Collin (1886-1962), Willy Kreitz...

“Torse d’une Femme” by Paul Gauguin (1848-1903).  Bronze sculpture on marble plinth.  Edition 9/10, unsigned, numbered and with foundry mark “C. Valsuani/Cire Perdue”. Sculpture: ...

Carved profile bust of Leonardo Da Vinci. Mounted on velvet covered wood plaque. 19th century.

Karl Bitter Reclining Woman, 1897 Signed: Bitter 97 Stamped: GORHAM M F G CO. Bronze 10.25 x 10.25 x 4 inches Initially from Vienna, Karl Bitter first studied art at the city’s Kunstgewerbeschule and the Kunstakademie before being drafted into the Austrian army. He deserted his position in the military while on leave, and departed for New York City where he would discover considerable success. Early on, he won a competition for the Astor memorial bronze gates at Trinity Church, which awarded him enough capital to open his own studio. He went on to execute sculptures of Alexander Hamilton and Thomas Jefferson at the Cuyahoga Courthouse in Cleveland; he also created portraits of Jefferson for the state of Missouri and the University of Virginia. These commissions caught the attention of sculptor Richard Morris Hunt (who famously designed the façade of the Metropolitan Museum), earning Bitter the duty of producing the portrait medallions that now appear near the top of the museum’s grand face. Notably, he presented at Chicago’s 1893 World’s Columbian Exposition and directed the Pan-American Exposition in Buffalo in 1901. Over his career, his artwork became more flexible – his early academy training is easily identifiable within his work, but after moving to America, conventions of Modernism became more prevalent within his sculpture. In addition to many awards, Bitter presided over the National Sculpture Society in 1906-1907, and was a member of the National Institute of Arts and Sciences, the National Academy of Design, the American Academy of Arts and Letters, the Architectural League, and the Art Commission, New York. His public work can be found at the Biltmore Estate, Asheville, NC; Gettysburg National Military Park, Gettysburg, PA; Wisconsin State Capitol, Madison, WI; United States Naval Academy...

A Museum Quality French White Marble Roundel Relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

Rudolf And Stephanie Pair of Miniature Terracotta Sculptues Rare Late 19th Century European terra-cotta sculptures, one signed illegibly in pencil, realistic details. Princess Stéphanie...

A beautifully sculpted terracotta statue depicting Winter. The robed figure is holding a burning cauldron of fire. A laurel crown tops her head. She is standing beside a rock with ca...