Wood Sculptures

Presence Horse Animal Bronze Sculpture Contemporary Brown Patina KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014)....

This lovely small bronze in a warm honey brown patina is a depiction of a mother enveloping her child, inspired by a scene sculptor Noa Bornstein witnessed at a train station. The optional wooden base (as shown on the second image) is included. Listed dimensions include the wooden base. This humanistic, figurative sculpture is ideal for a desk or table-top, coffee table, or shelf. Edition 4 of 4. Noa Bornstein describes herself as “a draw-er”. Many of her sculptures begin as a quick drawing or impression - from memory, from dreams, or from life itself. “Watching a man walking down the street, I take out my little pad and am compelled to capture something of his gait, the rhythm, shape, whatever attracts my attention,” says Bornstein. Figurative sculptor and painter Noa Bornstein was born in San Rafael, California, and grew up mostly in Los Angeles. She has lived and worked in New York City since 1986. Bornstein holds a Bachelor of Arts degree from The University of California at Santa Cruz. Her sculptures have been shown at the Palm Beach Institute of Contemporary Art in Florida, the Rotunda Gallery in Brooklyn, and Grounds for Sculpture, Toad Hall...

"Flat Pot VI" (2019) Glazed earthenware flat pitcher wall sculpture Hanging system on back side Earth tones, brown and beige design on terracotta clay Certificate of authenticity

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

Flat Pot XI (2019) Glazed earthenware wall sculpture Earth tones -- brown, terracotta, beige Flat vessel image with pattern glaze

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

This is a very rare piece of Israeli Studio Ceramics art from the 70s. it has a patina of dust on it but I have left it as is. it is signed Sharir and dated 1975. Studio pottery is pottery made by amateur or professional artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium. Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London, International Sculpture Objects & Functional Art Fair (SOFA) Chicago and International Sculpture Objects & Functional Art Fair (SOFA) New York which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams and Sothebys. Possibly David Sharir but I have found nothing similar. Lucie Rie, Hans Coper Elizabeth Fritsch, Ruth Duckworth began to experiment\abstract ceramic objects, varied surface and glaze effects to critical acclaim. European artists coming to the United States contributed to the public appreciation of pottery as art, and included Marguerite Wildenhain, Maija Grotell, Susi Singer and Gertrude and Otto Natzler. Significant studio potters in the United States include Otto and Vivika Heino, Warren MacKenzie, Paul Soldner, Peter Voulkos and Beatrice Wood. The Israeli ceramics...

"Once Upon a Time upon a Rock" relates an intimate moment when a mother reads to her child. The dimensions include the rock and each piece in the edition will vary as each rock will be unique. Edition of 12. Available now is Number 2 in the edition. The bronze figures together measure 1 1/2" x 1" x 3/4" Brooklyn, New York artist Noa Bornstein describes herself as “a draw-er”. Many of her sculptures begin as a quick drawing or impression - from memory, from dreams, or from life itself. “Watching a man walking down the street, I take out my little pad and am compelled to capture something of his gait, the rhythm, shape, whatever attracts my attention,” says Bornstein. Figurative sculptor and painter Noa Bornstein was born in San Rafael, California, and grew up mostly in Los Angeles. She has lived and worked in New York City since 1986. Bornstein holds a Bachelor of Arts degree from The University of California at Santa Cruz. Her sculptures have been shown in many indoor and outdoor venues, including at the Palm Beach Institute of Contemporary Art in Florida, the Rotunda Gallery in Brooklyn, and Grounds for Sculpture, Toad Hall...

APOSTLE GROUP ORIGINAL VERSION Flemish/Brabant Around 1500 Oak wood carved Height 37.5 cm, width 12 cm, Depth 12.5 cm

Power Horse Bronze Sculpture Brown Animal In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014). He combined...

Roofvogel met Muis Prey Bird with Mouse Bronze Sculpture Animal Bird In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculpt...

Hand-made folk art bird, constructed from bottle cap, cork, plastic beads, zinc, rattan, wood, sheet metal, string and wire

Painted, Welded-Aluminum Kinetic Sculpture. World and human figures. Silver. About the Artist: Studied engineering and sculpture at Stony Brook University. Steve has created sculptures of welded bronze or aluminum and have installed them around the world, including Hong Kong, Tokyo, England, France, Germany, Israel, Costa Rica, Puerto Rico, St. Thomas, St. Croix, Grand Cayman...

Balance V is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan wants to capture the sensuality and elegance of the yoga balance pose. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind...

The inspiration of the piece by Martin Dimitrov. "When my son was born, and my wife held him for the first time, I was amused at how tiny he was, and how beautiful they both were....

BaPende Female Wedding Mask-Zaire Wood, raffia. Made in Africa 21 1/2 x 5 1/4 x 4"

Poignant Sculpture, in Excellent condition, created in hand-painted Wood with small bronze insert, by Sculptor Lorenzo Servalli to narrate, in the yea...

Profound Sculpture, in Excellent Condition, Authentic 1996 Bronze Creation proposed by Sculptor Lorenzo Servalli, to experience the Rigor of Duty, represented by the Tree of Life in ...

3 Carved Wood Plaques Outsider Modern Mid 20th Century Latin Gay Male LGBT Beefcake Each plaque is 16 x 10 x 1 1/4 inches. Two are vertical and one is horizo...

"Trans Youth - Body of a boy/girl, mind of a monster, soul of an unearthly thing. Prejudice against transgender people is widespread." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

Introspective Sculpture, in Excellent condition, Authentic 1994 Creation in bronze proposed by Sculptor Lorenzo Servalli, to reason about the choralit...

Ian Edwards - Life’s Wave - Original Signed Bronze Sculpure Dimensions: 64 x 50 x 50 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavour. ...

Intense Sculpture, in Excellent condition, created in wood by Sculptor Lorenzo Servalli to enlighten, in the year 2000, the most Sensitive and Delicat...

Intimate Sculpture, in Excellent Condition, created in Hand-painted Wood by Sculptor Lorenzo Servalli in the year 1998, to quietly share The Experienc...

Evocative Sculpture, in Excellent condition, created in Hand Painted Wood by Sculptor Lorenzo Servalli to narrate, in the year 1998, the Evocation of ...

A unique handmade sculptural coffee table. Designed after the mask of Tutankhamun. Made by Joseph Dasta. 1990. Solid cherry, aniline dye, lacquer. Hand rubbed finish. Hand planed boards. Hand cut joints. History of the table: I made this table in 1990 while a first year student at The School of the American Craftsman at Rochester Institute of Technology (formerly The Wendell Castle School). The assignment was simple, make a coffee table of your design and only use hand tools to construct it. Please, contact us for shipping options. # wharton esherick george nakashima gustave stickley modern...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

Ian Edwards - Leap Within Faith - Original Signed Bronze Sculpure Dimensions: 170 x 55 x 40 cm Edition of 12 Edwards’ practice expresses the power and determination of human endea...

Listening for Spirit by Denny Haskew Female nude ​Bronze (silver nitrate patina) on sandstone 8x6x10" ed/30 (height is variable based on stone) si...

Lost wax bronze 3/8. founder DELVAL. Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets...

Salvador Dali (1904-1989) – The Two Nikes, Lilith, The Double Victory of Samothrace, Homage to Raymond Roussel Literature: Descharnes, Robert, Salvador Dalí, and Nicolas Descharnes. "Dalí, the hard and the soft: spells for the magic of form : sculptures & objects." (Azay-le-Rideau: Eccart, 2004), p, 114 (entry 270). Rare original bronze from edition of 6. This is exceedingly rare as most of his editions run into the hundreds. this is a true authentic Dali original sculpture. This was recently authenticated and comes accompanied by a Report of Authenticity from Frank Hunter, the Director of the Salvador Dalí Archives. Löpsinger 270 Executed in 1966, this bronze statue is incised with the artist’s signature and numbered ‘5/6’ on base. Published by Berrocal Foundry, the work measures 7 3/8 inches in height. Salvador Dalí (Spanish, 1904-1989) A leading proponent of Surrealism, Salvador Dalí is perhaps as well-known for his flamboyant personality as his superb technical skill. Dalí became acquainted with André Breton, a key figure of the Surrealist movement, in 1929. “The Persistence of Memory” is often cited as the most important work of this style. The Museum of Modern Art, New York, held a retrospective of the artist’s work in 1941. The next year, he began a more classical series of paintings, incorporating history, science and religion. In addition to painting, Dalí also made prints, photographs, films, jewelry and sculpture. His works can be found in collections worldwide, including the National Gallery, Washington, DC and the Salvador Dalí Museum. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

This is an equestrian sculpture of a Race Horse or Polo Pony of exquisite beauty. It is signed Delabrierre and does not appear to have any foundry marks. from my research I think this might be cast iron, A material he was known for. it might be bronze I am not positive. it is not dated but it definitely has age to it. Paul-Edouard Delabrierre (1829-1912) Edouard Delabriere was born in Paris in 1829. Delabrierre was an important member of the Animalier school in the late 19th Century. Having been educated by the painter Jean Baptiste-Delestre, he found his true talent in sculpture and later made his debut at the Salon of 1848, where he showed a wax model titled ‘Terrier holding a Hare’. Between 1848 and 1898 he regularly exhibited his lifelike sculptures...

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #2 Material: Stainless Steel Dimension: 92 x 104 x 48 cm Date: 2021 About the artwork: Bonsai (Potted landscape)...

Lost wax bronze BBC (bronze Breith création 6/8) foundry stamp and number on the side DELVAL foundry stamp and number on the side Animal sculptor Sophie MARTIN creates from inert cl...

When Farm Dogs Dream... by Gary Alsum Whimsical Bronze on Walnut Base Sheep Dogs take over an old Chevy truck filled with sheep, a different sort of herding. License Plate says "BAAA...

Randy Shull is an artist who works fluidly between a variety of mediums, including furniture design, spatial design, painting, and landscape design. He is highly acclaimed for his rich and sensual use of color and space. Awarded a North Carolina Arts Council Fellowship in 1994, an NEA Southern Arts Federation grant in 1995, and a master residency at Oregon School of Arts & Crafts in Portland, Randy has also had four solo shows in New York in the past decade. His work is included in a number of important museum collections including The Brooklyn Museum; The High Museum in Atlanta; The Renwick Museum of American Art in Washington, D.C.; The Mint Museum of Craft & Design in Charlotte; Racine Museum of Art; The Gregg Museum of Art & Design, and Museum of Art and Design in New York. Randy stays involved in the local community by serving on the board of the Asheville Art Museum. Randy maintains studios in Asheville, NC and Merida, Mexico. In 2008 and 2009 Randy’s work was the subject of a twenty-year retrospective that opened on January 24th at the Gregg Museum of Art & Design at NC State, and traveled to the San Francisco Museum of Craft & Design as well as The Bellview Art Museum and The Ogden Museum of Southern Art. Reviews of the exhibition can be found in the Raleigh News and Observer and the San Francisco Chronicle. The craft revival in the 1920s brought a renewed interest in traditional native crafts and folk art at places like the John C. Campbell Folk School and Penland School of Crafts. Using pocket knives, carvers transformed scraps of wood into dolls and toys for their children. As tourism developed, carving became an important source of income, and successful carving centers developed in Cherokee, Asheville, Tryon and Brasstown. Seaborn Bradley was known for making war clubs, tomahawks and walking sticks; Will West Long and his son Allen made masks used in native celebrations; and Hayes Lossiah crafted traditional Cherokee blowguns, darts, bows and arrows. Goingback Chiltoskey and Amanda Crowe became influential teachers for the Cherokee community. Eleanor Vance and Charlotte Yale, coming to N.C. most likely as missionaries, established Biltmore Estate Industries in Asheville in 1905, initially focusing their production on carving and later adding weaving. In 1915, the pair moved south of Asheville to establish Tryon Toy-Makers and Wood-Carvers. In the 1930s, several folk art wood carvers were known in and around Brasstown, home of the John C. Campbell Folk School, including Floyd Laney, William Julius “W. J.” Martin, who carved traditional animals, and influential carving teacher Parker Fisher. Other carvers, like Herman and Mabel Estes, made mostly functional items including serving platters. “Brasstown Carvers” was established in the 1950s, known for its small, highly polished animals and nativity scene figures. Today, the Southern Highlands Craft Guild and Piedmont Craftsmen give visibility to the finest wood artists in the state. The aptly named Woody family, now in its seventh generation of crafting traditional wooden rockers and chairs by hand without nails or glue, maintains its business in Spruce Pine while the work of high-end Asheville furniture artists like Randy Shull and Brent Skidmore appears in venues like the Mint Museum Uptown in Charlotte. Renowned Saluda woodturner Stoney Lamar creates art with a lathe, and Bynum outsider artist Clyde Jones invents “critters” with his chainsaw. All have earned international recognition. A blurring of lines between craft and visual art also is evident today. Casar resident Bob Trotman...

Riding Moderna by Jane DeDecker Cast Bronze 22x15x20" Ed/17 number 6 in stock A woman stands on the backs of two running horse, holding the reins. A symbol of courage and determinati...

Old Man and the Sea by Jane DeDecker Abstract Figurative Cast Aluminum Monument Inspired by Hemingway's tale, a man walks towing a fish skeleton be...

Bronze casted sculpture

This sculpture by Wang Dapeng is signed and numbered. Edition 45/50 Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual animals –...

Kitty, sculpture, by Allan Houser, bronze, cat, gold, Nambe, Santa Fe, edition lifetime casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of...

Ruth Bloch, Blossoming with a red purse, Bronze sculpture, 2 figures, angels , children, colored bronze , Hand painted sculpture, Israeli artist, Israeli art

Krištof Kintera Relicts for Holy Monday, 2022 signed & dated Silver plate coated epoxy Circa 39 x 7 cm Circa 15 3/8 x 2 3/4 in This is a unique piece

Viva la LVII (Long Live the '57) by Gary Alsum Bronze 6.5" x 12.5" x 6" ed/75, number 1 in stock Shipping price includes the custom packing necessary for fine art. A new body of wor...

Origin: Chinese Artist: Unknown Title: Dragon Medium: Hand-Carved and Painted Wood Sculpture Size: 11.5 in. x 13 in. x 6 in. (29.21 cm x 33.02 cm x 15.24 cm)

This is a limited edition figurative realistic sculpture by San Diego artist, Peter Dingli. It is made of bronze. Its dimensions are 21" x 35" x 15". A certificate of authenticity wi...

Mani Incontrando Hands Meeting Bronze Sculpture Contemporary Classic Mythology. The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft o...

This is a one of a kind original surrealist figurative sculpture made from wood by San Diego artist, Debbie Korbel. Its dimensions are 72" x 66" x 42". A...

Materials: Hand sculpting, chamotte, ash glaze Created for the all-Ukrainian ZooZoom project at the National Museum of Ukrainian Folk Decorative Art, Kyiv

"At Eagle's Glance" by Denny Haskew Figurative Native American subject matter. 15x11x17" ed/30, bronze with sandstone base, signed and numbered 4. Depicts two men performing a cerem...

Broken limbs and the abstraction of the bodies are meant to suggest that the works have been subjected to the vicissitudes of time, decay by the elements and the damages caused by un...

Gold leaf, concrete, wood, copper wire W220 × D65 × H40 mm + W60 × D35 × H75 mm (concrete) This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Ruth Bloch, Blossoming with a red purse, Bronze sculpture, 2 figures, angels , children, colored bronze , Hand painted sculpture, Israeli artist, Israeli art

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.