American Modern Art

Portrait of a Young Woman with Blue Eyes Watercolor on paper, 1939 Signed and dated in pencil lower right (see photo) Possibly the drawing rejected from the 1939 May Show, titled Gir...

A strong portrait, and a piece of history. It was confidently sketched in 1923, during the heyday of the "Lost Generation" in Paris, at the Closerie des Lilas - Ernest Hemingway's favourite haunt and home-from-home in the City. This historical café is where Hemingway first read The Great Gatsby with his friend F. Scott Fitzgerald and where he wrote most of The Sun Also Rises...

Enamel on Copper Pendant A small enamel similar to this one was shown in VOGUE Magazine in the early 1950s. Jewelry by the artist is quite rare. There are two examples at the Metal...

Oil on board Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm) Framed Provenance By descent from the estate of the artist Emma Fordyce MacRae Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat. MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses. MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists. Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums. MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...

Buzios, 1983 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Buzios' is a Limited Edition Estate Stamped Digital C-Type print b...

Original Sabena trave to Brussels; Gateway to continental Europe -- where business and pleasure begin. Sabena Belgian World Airlines. Europe...

Copper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...

Oil on canvas painting by the well known Russian/American artist, Nahum Tschacbasov. Done with a thick impasto paint the artist portrays the powerful yet colorful nature of the general...

Oil pastel drawing of a man and woman in love looking through a window Oil pastel drawing on paper One of a kind artwork Size: 50 × 70 × 0,1 cm It is original hand drawing on 250 g...

Frank Nelson Wilcox (American, 1887–1964) Sunset Outside of Zion, Utah, c. 1940 Watercolor on paper Signed lower right 14 x 20 inches 18 x 24 inches framed Frank Nelson Wilcox (Oct...

Poolside Style, 1970 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Poolside Style" is a Limited Edition Estate Stamped Digita...

A stylish, colorful 1950s Mid-century Modern abstract geometric textile design (depicting a polychrome patterned design of banded ovals in red, blue and green tones) by famed French ...

Nelda and Friends, Palm Springs, 1970 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Nelda and Friends, Palm Springs" is a Lim...

"Basquiat"is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smalle...

Francisco Souto has created his self portrait working on the plate of a mezzotint. This is impression #14 from an edition of only 23. Souto received a BFA from Herron School of Art ...

Oil pastel still life drawing of a pink wire shopping basket with tulips and fruit Oil pastel drawing on paper One of a kind artwork Size: 50 × 65 × 0,1 cm It is original hand draw...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 3, 1967 Acrylic on paper Signed and dated lower right 13 x 9 inches 21 x 17 inches A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

An excellent impression from an edition of only three proofs. Etching on antique watermarked Arches laid Japon paper with a deckle edge, 8 x 12 1/2 inches (204 x 318 mm); sheet 12 1...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 // Norton Museum of Art, West Palm Beach, Florida; High Museum of Art, Atlanta, Georgia; Brandywine Museum, Chadds Ford, Pennsylvania, October 1, 2022–September 24, 2023, Joseph Stella: Visionary Nature EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

Etching on Japon paper, 13 1/4 x 6 3/4 inches (337 x 171 mm); sheet 16 1/8 x 8 3/4 inches (410 x 222 mm), full margins. Signed, dated and inscribed "second state" in pencil in the lo...

Original “Be Sure of Your Backstop” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Gppd condition with slight wear and...

This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition. About the artist. Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe. Solo Exhibitions: 2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia 2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico 2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico 996- "Why Don't You Just Leave?" paintings and video installation 1998 tour to 11 British Columbia regional galleries, originating at the Art Gallery of Greater Victoria Victoria, British Columbia 1993 Fran Willis Gallery, Victoria, British Columbia 1991 Fran Willis North Park Gallery, Victoria, British Columbia 1990 Fran Willis North Park Gallery, Victoria, British Columbia 1986 Robert Vanderleelie Gallery, Victoria, British Columbia Thomas Gallery, Winnipeg, Manitoba 1984 Grace Gallery, Vancouver, British Columbia Winchester Galleries, Victoria, British Columbia 1982 Kyle's Gallery, Victoria, British Columbia 1981 Kyle's Gallery, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia Selected Group Exhibitions: 2014 Insight Art Gallery, Galiano, B.C 2012 The Field Gallery, San Jose del Cabo, Mexico 2002 “European Media Arts Festival”, Osnabruck, Germany 1997 “Open House”, Canadian Cultural Centre, Paris, France 1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia 1994-1996 Government House, Victoria, B.C. 1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia 1990 "Bumbershoot Festival 1990", Seattle, Washington 1986 "Images B.C." The British Columbia Pavilion, Expo 86 Vancouver, British Columbia 1985 "Hot Water Colour", Harbourfront, Toronto, Ontario "B.C. Women Artists" Art Gallery of Greater Victoria, Victoria, British Columbia 1983 "National Watercolour Exhibition" Contemporary Art Gallery, Vancouver, British Columbia 1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C. Public Collections British Columbia Art Collection, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Maltwood Art Museum, Victoria, British Columbia City of Vancouver, Vancouver, British Columbia Esso Resources Canada, Ltd., Calgary, Alberta Canada Council Art Bank, Ottawa, Ontario Grants and Awards 1995 British Columbia Cultural Services Branch grant 1973 City of Vancouver Purchase Grant Exhibition Reviews, Catalogues and Articles "A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus. “Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus. Cover, Preview Magazine, Vancouver, B.C., (May/June 1990) Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus. “B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus. Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8 Hartog, Diana, “Body Landscapes...

Oil portrait of seated church lady . Signed on bottom right hand corner. This is primed canvas on archival board framed with a plain wood frame ready to display. PLEASE NOTE There...

Expressive Original Art of Trafalgar Square Whitehall Traffic in London at Night by Contemporary Artist, Angela Wakefield Art measures 24 x 12 inches Frame measures 29 x 17 inches ...

Serene mid century lakeside landscape by an unknown artist (American, 20th Century). Presented in a rustic giltwood frame. Image: 9"H x 12"W. Framed: 11.25"H x 14.25"W. Excellent w...

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

Original Balsam, Aperitif au Quinaquina vintage stone lithograph printed in 1923. The great artist Jean d’Ylen created this poster after assuming the head of Vercasson after Leone...

A contemporary photograph of an AC/DC - Back In Black cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro "They encapsulate an...

A Compelling, 1940s Mid-Century Modern Interior Scene of Morocco with Shrouded Figures by Andre Delfau (Fr./Am. 1914-2000). Depicting an intimate Moroccan interior scene of two shro...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

Modernist Apartment Building by J. Katulski (American, 20th century), painted circa 1950 and titled, verso, 'Individuals'. Exhibited circa 1950: Buffalo Fine Arts Academy, Albright A...

Visit Belgium original travel poster. Linen backed. Grade A condition. Ready to frame. Very good condition. Excellent. Printed in Belg...

Ursula Andress by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Ursula Andress' is a Limited Edition Estate ...

Robert Blackburn, Untitled (Reclining Nude), brush and ink, c. 1948, unsigned. A fine, spontaneous work, on cream wove paper. Slight toning to the sheet edges; otherwise in excellent condition. Matted to museum standards, unframed. Image size 18 3/4 x 23 1/2 inches (476 x 597 mm). Provenance: Adrienne E. Wheeler Collection, acquired from the artist. ABOUT THE ARTIST Robert Blackburn (1920 - 2003) participated in the rich mix of art programs and creative groups available in Harlem as he grew up, including Charles Alston's Harlem Arts Workshop, the Harlem YMCA, and later the Harlem Artist's Guild. In 1937 he joined the WPA at the Harlem Community Art Center, the largest New York center for instruction in the arts. There he was exposed to Harlem's most prominent artists, Aaron Douglas, William Henry Johnson...

This rare mixed media serigraph by Elba Alvarez exemplifies the bold, graphic abstraction that defined a highly influential period in late 20th-century design. During the late 1980s ...

Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...

Lounging in Gstaad, 1961 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Lounging in Gstaad' is a Limited Edition Estate Stampe...

Verbier Vacation by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later As part of the Estate's Premium Collection...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 7 x 5.5 inches ( 17.78 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRINT...

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...

A Boldly Drawn 1930s Art Deco Modern Figure Study of a Reclining Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early ink drawing by Haydon demonstrat...

Original "The Girl Rush." linen-backed 1955 vintage film poster. Ready to frame. The Girl Rush is a 1955 American musical comedy film starring Rosalind Russell...

Here for your consideration is an original watercolor and gouache with traces of acrylic paint fashion illustration by the world renowned fashion artist, Kenneth Paul Block. Painted ...

This original U.S. one-sheet poster was issued in 1955 by 20th Century-Fox for the theatrical release of The Tall Men, a Western directed by Raoul Walsh and starring Clark Gable, Jane Russell, and Robert Ryan. Based on the novel by Heck Allen (writing as Clay Fisher), the film follows two brothers as they drive a massive cattle herd from Texas to Montana, set against a backdrop of frontier conflict, ambition, and shifting loyalties in the post–Civil War American West. The poster features bold, period Western imagery centered on its three leads, with Jane Russell prominently positioned between Gable and Ryan. The composition emphasizes scale and movement, reflecting the film’s themes of expansion and endurance. Strong color saturation—particularly in the warm earth tones and vivid costume accents—gives the piece immediate wall presence, typical of mid-1950s studio advertising design. This example is linen-backed using archival, acid-free materials, a standard conservation method that stabilizes the paper while enhancing displayability. Restoration appears professional and consistent with industry norms for a poster of this age, allowing the imagery to present cleanly while retaining its original character. The NSS number 55/373 confirms its year of release and studio distribution. While The Tall Men is not among the rarest Western titles, it holds steady collector interest due to its strong cast—particularly Clark Gable in one of his later Western roles—and the enduring appeal of classic studio-era frontier films. As such, it represents a solid and visually compelling entry point into 1950s Western poster...

This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...

Colorful oil pastel illustration of playful underwear hanging on clotheslines in a naive childlike style Oil pastel drawing on paper One of a kind artwork Size: 50 × 65 × 0,1 cm It...

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Rooftop Bathers (Untitled), c. 1940s, oil on canvas, 22 x 32 inches, signed lower right Betty Waldo Parish gives us a delightful slice of life in 1940s New York, as we see a coupl...

Hand signed lower right In this painting by Judith Shahn, the artist renders a boat and dock in a series of lines. The artist takes a naive approach at depicting the subject by simpl...

Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...

The Bride by Janet Scudder (1869-1940) Bronze with dark brown patina signed "Janet Scudder" on the base cast by Alexis Rudier, fondeur Paris (foundry mark) France early 20th century height 28 cm Biography : Janet Scudder (1869-1940) was an American sculptor. Born Netta Deweze Frazee, but called Janet, her childhood was difficult. Her mother died at age 38 in 1874. Despite limited financial means, her father sent her to study drawing at the Art Academy of Cincinnati. She also studied sculpture with Louis Rebisso. She taught in 1888 women wood...

Carl Ashby, Pensive Lady, 1942, ink and watercolor, retains fresh, clear color. A native of New Mexico, Carl Ashby (1914-2004) moved to New York City in 1938 following a stint with ...

Original Spokane (Washington), The Colorful Capital of the Inland Empire vintage travel fun map. Printed in 1971, this seldom if ever found original map is archival linen backed an...

Etching on delicate, fibrous Japon paper with a deckle edge, 8 7/8 x 4 1/8 (227 x 105 mm); sheet 12 x 7 7/8 inches (304 x 100 mm), full margins. Signed and dated in pencil in the low...

Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...

Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...

Clarence Holbrook Carter (American, 1904-2000) Chromatic, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches A surrealist mid-century figural abstrac...

Pablo Picasso "Paix, Désarmement pour le succès de la Conférence au Sommet, Paris, Mai 1960" Original Vintage Poster, 1952/1960. Archival linen backed and ready to frame. This pos...

"May Day" Social Realism WPA American Modern NYC Scene Mid 20th Century Mortimer Borne (Polish/American 1902-1987) "May Day" 32 x 25 inches Oil on canvas, 1934 Signed lower right Fr...

Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Excellent original condition Image/Plate size: 8 3/4 x 15 1/2 inches Sheet size: 11 1/4 x 18 1/2 inches Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...