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Vivienne Westwood Sheepskin Jacket

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Vivienne Westwood cream shearling sheepskin deconstructed jacket, fw 1999
Vivienne Westwood cream shearling sheepskin deconstructed jacket, fw 1999

Vivienne Westwood cream shearling sheepskin deconstructed jacket, fw 1999

By Vivienne Westwood

Located in London, London

Vivienne Westwood; cream shearling sheepskin deconstructed jacket with raw edges and gold snap buttons closures throughout.

Category

1990s British Jackets

Vivienne Westwood black and brown sheepskin cropped jacket, fw 1995
Vivienne Westwood black and brown sheepskin cropped jacket, fw 1995

Vivienne Westwood black and brown sheepskin cropped jacket, fw 1995

By Vivienne Westwood

Located in London, GB

▪ Vivienne Westwood fur cropped jacket ▪ 100% Sheepskin ▪ Wide shoulders ▪ Natural raw edge ▪ Sleeves with slits ▪ Open design with no front closure ▪ FR 40 - UK 12 - US 8 ▪ Fal...

Category

1990s British Jackets

Vivienne Westwood tartan and sheepskin jacket, c. 1993
Vivienne Westwood tartan and sheepskin jacket, c. 1993

Vivienne Westwood tartan and sheepskin jacket, c. 1993

By Vivienne Westwood

Located in London, GB

An Iconic Vivienne Westwood sheepskin jacket from the Autumn/Winter 1993 collection.

Category

1990s British Jackets

Vivienne Westwood cream sheepskin jacket, fw 1999
Vivienne Westwood cream sheepskin jacket, fw 1999

Vivienne Westwood cream sheepskin jacket, fw 1999

By Vivienne Westwood

Located in London, GB

▪ Vivienne Westwood cream fur jacket ▪ 100% Sheepskin ▪ Gold snap buttons with Orb engravings ▪ FR 40 - UK 12 - US 8 ▪ Fall-Winter 1999

Category

1990s Italian Jackets

Vivienne Westwood blue tweed and black sheepskin jacket, fw 1991
Vivienne Westwood blue tweed and black sheepskin jacket, fw 1991

Vivienne Westwood blue tweed and black sheepskin jacket, fw 1991

By Vivienne Westwood

Located in London, GB

Vivienne Westwood blue Harris Tweed jacket with oversized black sheepskin collar and cuffs.

Category

1990s British Coats and Outerwear

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Vivienne Westwood Sheepskin Jacket For Sale on 1stDibs

You are likely to find exactly the vintage or contemporary vivienne westwood sheepskin jacket you’re looking for on 1stDibs, as there is a broad range for sale. Our collection includes a variety of colors, spanning Brown, Black, Red and protectString (more). When shopping for these accessories, you’ll find that there are less available pieces for men or unisex today than there are for women.

How Much is a Vivienne Westwood Sheepskin Jacket?

Prices for a vivienne westwood sheepskin jacket can differ depending upon size, designer and other attributes — on 1stDibs, these accessories begin at $2,692 and can go as high as $7,935, while, on average they fetch $4,676.

Vivienne Westwood for sale on 1stDibs

For someone who regularly swatted away the industry that made her, audacious British fashion designer Dame Vivienne Westwood certainly knew her way around a garment. And she knew how to provoke. “I don’t follow fashion,” Westwood once told the New York Times. “I’ve never been interested in it.” Collectors are certainly interested in her work, and vintage Vivienne Westwood dresses, handbags, lingerie and jackets have become very desirable over the years.

Westwood was born Vivienne Isabel Swire in a village in Derbyshire, in central England, but moved to London as a teen. In the early 1960s, she began to make her own necklaces and other jewelry and met an artist, activist and entrepreneur named Malcolm McLaren. They became involved romantically and she made clothes for him in the style of the Teddy Boys — the city’s music-crazed, occasionally violent teenagers at the time who wore high-waisted trousers and tailored velvet blazers that drew on Edwardian-era fashions.

Westwood and McLaren opened a vintage shop on King’s Road in London in 1971. The flared denim and peasant blouses of the 1960s, then still popular with the “peace and love” set, didn’t hold any weight for Westwood. Instead, she was interested in provocative, edgy apparel. She repaired used clothing and endeavored to create bold new designs from scratch.

Together Westwood and McLaren sold older rock-and-roll records, customized T-shirts with antiestablishment slogans, biker jackets and snug trousers inspired by the Marlon Brando film The Wild One as well as bondage fetish wear. The shop, once called Let It Rock and then Too Fast to Live, Too Young to Die before Sex became a more appropriate moniker, evolved into a youth mecca. The DIY garments — zippered tops, burnt tees emblazoned with anarchist messages — flew off the shelves. More notably, it brought punk to the masses.

Westwood was soon dressing the Sex Pistols, a band that McLaren managed, all the while bridging the gap between music and fashion in a manner that has reverberated throughout the industry for decades.

In 1981, the couple’s first fashion show marked the debut of their Pirate collection — a swashbuckler-themed line that sprang from Westwood’s research into Indigenous Americans and the “power garments” of the Louis XIV era. The collection’s ample proportions and cutting-edge tailoring countered punk’s geometry and tight latex fits as well as what rocker Adam Ant called the “Puritanism” that plagued England at the time. The Pirate collection’s enduring influence on the world of fashion as well as the theatrical work of designers such as John Galliano and Alexander McQueen is undeniable.

For the colorful corsets of her 1990 Portrait collection, Westwood drew on 18th-century oil paintings — her models donned the pearl necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

The self-taught Westwood enjoyed a rapid ascent in fashion, with British society embracing her looks and Vogue immortalizing them in its glossy pages. She garnered accolades for introducing corsets to the runway and dressed Kate Moss and Helena Bonham Carter. And an original Vivienne Westwood wedding dress is featured in 2008’s Sex and the City film.

The fires of political and environmental activism burned brightly for Westwood: She was a Greenpeace ambassador, having designed the organization’s official “Save the Arctic” logo; her clothing brand is committed to using recycled canvas and other eco-friendly materials in the production process; and in 2020, she protested the extradition of Julian Assange by suspending herself in a bird cage outside London’s Old Bailey court. But she will always be the grande dame of British design.

Find an extraordinary range of vintage Vivienne Westwood shirts, shoes, gowns and other items today on 1stDibs.

Fashion of the 1990s

For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice. And because fast fashion didn’t yet exist, the design associated with 1990s fashion — vintage '90s handbags, clothing and accessories — has a quality appreciated by the millennial generation: authenticity.

If there was one concept unifying fashion in the 1990s, it was the lean silhouette. “Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”

If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out.

The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. Japan and Belgium gave fashion new avant-garde ideas to play with. From America came denim, minimalism, '90s grunge fashion and hip-hop. From Italy came sex appeal. And Prada.

For the colorful corsets of her 1990 Portrait collection, audacious British designer Dame Vivienne Westwood drew on 18th-century oil paintings — her models donned the pearl choker necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

“The ethos of the time was, you could have style, you could be into all kinds of cool stuff. It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.”

Vintage 1990s Chanel bags, for example, are among the most prized of the brand’s offerings — at Newfound Luxury, proprietor L. Kiyana Macon has "clients who only buy ’90s Chanel because they recognize that it is the best quality.” 

Things were different in the ’90s, and the difference is reflected in the clothes. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see iconic '90s outfits — knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots.

Rodriguez has recently noticed something similar happening. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli — that kind of thing,” she explains, noting that just a few months ago, “people were posting [on social media] the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.”

Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, [Martin] Margiela and [Ann] Demeulemeester.”

Late designer Franco Moschino shocked and titillated the ’80s fashion elite with his whimsical, irreverent parodies of bourgeois finery. Whether emblazoning a sober blazer with smiley faces or embellishing a skirt suit with cutlery, Moschino rendered high style with a hearty wink. He famously said, “If you can’t be elegant, at least be extravagant” — words that, with all due respect to Susan Sontag, epitomize the essence of camp.

Vintage Moschino pants, jackets and other '90s Moschino garments remain so bold and fresh today that even the house's former creative director, Jeremy Scott, drew on the brand's past and the pop culture of the decade for his debut collection in 2014.

Find vintage 90s dresses, skirts, sweaters and other clothing and accessories on 1stDibs — shop Thierry Mugler, Miuccia Prada, Jean Paul Gaultier and more today.

Finding the Right Jackets for You

No matter if you’re preparing for a fashion event or a weather event — you’re going to need a good jacket.

What would become the modern jacket as we know it began as a strictly professional item. A lot of the vintage and designer jackets (and coat styles such as the Navy-inspired peacoat) in our closets were likely popularized by soldiers who battled aggressive climes with their regulation field jackets, bombers and parkas buttoned or zipped to the chin. Indeed, keeping troopers comfortable guided the design of the military surplus garments that have often become buzzy fashion trends. But now, jackets add far more than warmth to our wardrobe, and we hunt down outer layers branded with peerless fashion labels.

Fashion’s most iconic creations, despite their age, remain modern: Biker jackets originated in the 1920s, Balenciaga’s celebrated puffers are steeped in a tradition of down coats that began in the 1930s and your vintage denim jacket has come an even longer way, from California Gold Rush to wardrobe staple. Jeans bequeathed jean jackets during the 1880s, thanks to Levi Strauss, who crafted the former as a durable garment to be worn by miners and railroad workers. Later, jeans and jean jackets became synonymous with nonconformity and rebelliousness — with fashion legends such as actor James Dean in the 1950s and model Veruschka in the 1960s and ’70s leading the indigo-toned charge.

Another fashion rebel, Coco Chanel, used the classic tweed jacket to introduce more comfort and mobility into women’s daily lives. Debuting in 1954 and based on a cardigan, the groundbreaking Chanel jacket forever changed what women wear. The garment reacted against the fitted, constricting styles of Christian Dior’s New Look, which, as Chanel saw it, was making women dress like decorative objects.

On 1stDibs, find bold collections from cutting-edge contemporary designers who’ve taken the classic silhouette of the jacket to new heights or build out your array of vintage treasures (denim or otherwise) with dazzlers from Yves Saint Laurent, Gianni Versace, Moschino and more.