Howgego Historic & Modern More Furniture and Collectibles

- Rare Opportunity To Acquire A Museum Quality, Late-18th Century, Neoclassical Period, Italian, Handcarved, Painted & Gilded, Tester State Bed & Accompanying Cupboard of State With ...

John Piper (British,1903-1992) : Stones of bath, green screenprinted fabric, by Sandersons, London, 1962 In the late 1950's to the early 60's there was interest in painterly textiles...

The pattern depicting a pair of love birds either side of a stylised artichoke and a pair of peacocks flanked by a pair of cypress trees. Generous hem, not lined. Each Curtain Heig...

JUST PURCHASED MORE INFORMATION TO FOLLOW OR BY REQUEST, photos by iphone A charming set of 4 curtains, for a bedroom or a tester bed. The embroidery is in the 18th century pastoral...

JUST PURCHASED MORE INFORMATION TO FOLLOW OR BY REQUEST, photos taken with iphone Woven in shades of green, blue ochre and red on an ecru ground with a bold strapwork pattern creatin...

JUST PURCHASED MORE INFORMATION TO FOLLOW OR BY REQUEST, photos taken with iphone Heavyweight tapestry curtain perfect for a doorway to keep draughts at bay. With stylised large flo...

JUST PURCHASED, MORE INFORMATION SOON OR ON REQUEST, images taken with iphone Beautifully worked in a naive characterful manner with flowers and songbirds. It has some oxidised tack...

JUST PURCHASED, MORE INFORMATION TO FOLLOW OR BY REQUEST, photos taken with iphone A rare opportunity to purchase a large set of floral embroidered silk curtains from an historic ho...

RARE, LARGE COLLECTION OF GREEN, BLACK & CLEAR GLASS & FISHING FLOATS OR BUOYS WITH THE MAKERS MARKS FOR SMALL NETS c.1910 Displaying a variety of makers marks and symbols such as a...

RARE, GREEN GLASS & ROPE FISHING FLOAT OR BUOY, c.1910 from a collection of similar floats of different sizes, there are four this size and some smaller Exuding character and injecting atmosphere and conversation. The idiosyncrasies within the glass make them interesting and more valuable to collectors. Can be placed in the home or the garden The green glass ball...

A general map of Bedfordshire with its hundreds. Measure: 37cm 14 1/2" high A scale of 5 miles. in the original green mount and traditional black and gold frame. charming map with...

Map of Wiltshire Drawn & Engraved by Joshua Archer Pentonville London Window Parts of Wiltshire in Berkshire Explanation of Salisbury County Divisions

ARTIST William Schmollinger (1811-1869) London : George Virtue, 1832. A highly attractive map in gothick style, with an ornamental architectural border, inset views of Dunstable Priory and Woburn Abbey...

Folding Map of Huntingdonshire by R Scott with distances from London and reference to the hundreds. Published by Archibald Fullarton & Co Glasgow. Measure: 40...

Map of Essex by John Cary Engraver London published as the act directs Sept 1st 1787 by J Cary Engraver Map & Printseller no 188 the corner of Arundel Str...

Devonshire drawn by Richard Creighton with reference to the Unions Artist Richard Creighton Engraved by J&C Walker Sculp Published in Samuel Lewis Topographical Dictionary 1831, a...

Map of Lancashire by John Cary engraver published 1st Jan 1793 by J Cary Engraver & Mapseller Strand in original black and gold classic map frame

Map of Sussex with explanation Maker unknown.  

A general map of Bedfordshire with its hundreds A scale of 5 miles in the original green mount and traditional black and gold frame. Measures: 36cm 14" high.

Artist William Schmollinger (1811-1869) London : George Virtue, 1832. A highly attractive map in gothick style, with an ornamental architectural border, inset views of Dunstable Priory and Woburn Abbey...

A modern map of Shropshire Drawn from the latest surveys corrected and improved by the best authorities. Artist Joseph Ellis sculptor. Joseph Ellis was an engraver and publisher from Clerkenwell in London and was apprenticed to Richard William Seale in 1749. He is best know to county map collectors for The New English Atlas published in 1765 which was later reissued as Ellis's English Atlas in 1766, 1768 1777, 1786, 1790 and 1796. Maker carington bowles 1724 - 1793. Carington Bowles worked in London as a publisher in partnership with his father John Bowles from about 1752 until 1763. Carington Bowles worked as a publisher in partnership with his father John Bowles from about 1752 until 1763 before taking over his uncle's business. His address was 69 St. Pauls Church Yard, London. He worked with a number of well known cartographers of the day including Emanuel Bowen, Thomas Kitchin, Robert Sayer...

Map of North Wales by Robert Marsden Including Anglesey Charming topography and detail and colouring just purchased more information to follow.

Map Suffolk including many popular destinations on the coast Southwold, Dunwich, Aldeburgh bawdsey felixstowe harwich ipswich. Charming topography and colouring. In the original fr...

Map of Nottinghamshire with engravings of Worksop Manor Nottingham Castle Newstead Abbey BIBLIOGRAPHY published in Barclay's Universal English Dicti...

Map of the County of Berkshire from an Actual Survey made in the Years 1822 & 1823 by C&J Greenwood Published by the Proprietors Greenwood & Co 13 Regent Street Pall Mall London Ju...

A new map of the southern part of Scotland containing the counties of Stirling, Lanerk, Renfrew, Linlithgow, Edinburgh, Peebles, Haddingtoun, Berwick, Selkirk, Roxburgh, Dumfries, Wigtoun, Kirkudbright & Air Published by Alex Hogg at the Kings Arms...

Rare map of The Islands of Guernsey and Jersey, including Alderney & the Scilly Islands just purchased more information to follow In the original cream mount and gilded frame.

Cambridgeshire published may 1 1814 engraver no 181 strand Maker John Cary c. 1754 – 1835.

A Map of Kyle & Carrick Aireshire Thomas Kitchen 1749 In original black and gold frame Just purchased more information to follow MAKER Thomas Kitchin (1718-1784) English engrave...

Just purchased more information to follow. In unrestored condition, the sheet can be cleaned.

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. No 15. The continuation of the r...

The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The continuation of the road from London to Barwick beginning at York and extending to Chester in ye Street. Plate ye 4th continuing 76 ½ miles. No 8. York to Burrowbridge, to Top...

The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...

The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...

The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong. From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698 Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961. Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames. Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“ Frame width 50cm 19 ¾”., height 40cm., 15 ¾” Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

A rare, late-18th century, silk, embroidered, double hemisphere, world map, blackwork, sampler, showing the tracks of captain cook’s three voyages - Illustrating public understanding of the world in the late-18th century and the recent discoveries of the time delineating the tracks of Captain Cook’s three voyages. - Shows the incentive for further exploration during the 19th century as no mass is indicated within the southern polar region, the interior portions of western North America, Africa, and Australia are still relatively void of detail even though California is no longer shown as an island. - Includes beautifully worked allegories of the four continents Asia, the Americas, Africa & Europe, a cartouche being supported by two angels and a compass - The cream, silk ground is finely embroidered with a variety of stiches in black, silk threads emulating the black ink on maps. -“Recent international conflicts and voyages by Captain Cook and others made the study of geography exciting at the time this map was made. Elaborate embroidered maps...

La Terre Sainte, The Holy Land, Tiree Des Memoires De M.De.La Rue. Par N. de Fer. Geographe de Sa Majeste Catoliq et de Monseigneur le Dauphin. Avec Privil du Roi 1703 Detailed map of the Holy Land from Nicholas de Fer's L'Atlas Curieux ou le Monde. East is oriented at the top. MAKER Nicolas de Fer 1646-1720 The French cartographer and engraver, Nicolas de Fer, was a master at creating maps that were works of art. The maps that he published were printed during the Baroque period when the decorative arts were characterized by ornate detail. De Fer’s detailed maps and atlases were valued more for their decorative content than their geographical accuracy. Nicolas de Fer was born in 1646. His father, Antoine de Fer, owned a mapmaking firm. At the age of twelve, Nicolas was apprenticed to a Parisian engraver named Louis Spirinx. The family business was starting to decline when his father died in 1673. Nicolas de Fer’s mother, Genevieve, took over the business after the death of her husband. In 1687 the business was passed on to Nicolas and the profits increased after he took over the firm. Nicolas de Fer was a prolific cartographer who produced atlases and hundreds of single maps. He eventually became the official geographer to King Louis XIV of France and King Philip V...

One oak bookend with a polychrome Badge of the Royal Air Force and bearing the motto : Per Ardua ad Astra" (Latin) - Through Adversity to the Stars The other bookend with a polychrome badge or shield of three crowns of Alsace the badge of no 341 Squadron, formed in 1943 out of the Free French Flight, who had been operating in the Western Desert. Its French name was Groupe de Chasse III/2 “Alsace”. provenance : collector of war memorabilia...

Rare piece of weightlifting memorabilia. Unusual conversation piece for use or as a collectors piece Beautiful, tactile lustrous patina. Lignum vitae is sought after for the beauty of its grain, coloring, patina, density and toughness The dumbbell is a free weight...

An exceptionally rare, museum quality Maltese, Neoclassical walnut chest of drawers with ebonised & fruitwood inlaid maltese cross on the top and drawer fronts Maltese furniture of this period is exceptional reflecting the status and affluence of the island. Given the size of the island relatively little Maltese furniture was made in comparison to Europe & American mainland. Minature furniture is rare made either as a model or an apprentice's piece so it is extremely rare to find a minature piece from Malta bearing the Maltese cross. This minature commode is highly original with beautiful proportions, ornamentation and patination. The 'H' shaped top with a large centered inlaid Maltese Cross and a border of stringing. The breakfront fitted with three drawers each with stringing and inlaid six point stars centrally positioned behind the wooden knobs. The uprights with two continuous vertical bands of stringing ebonised and fruitwood from the top to the bottom of the drawers in walnut to match the front of the chest and then reverting to ebonising and fruitwood down the feet. Terminating in tapering feet. The panelled sides with a repeat of the double banding on the uprights and rectangular borders within the panels. The oak lined drawers with the original 18th century blue paper lining. Measures: length 27 cm 10 1/2", height 24 cm 9 1/2", depth 20 cm 8". Maltese Cross: The Maltese cross is a symbol that is most commonly associated with the Knights of Malta (also known as the Knights Hospitallers...

A Pair of Native American Indian Scout bookends in cast brass by Philadelphia Manufacturing Company. The scouts are resting on a rock, a bow in one hand and an arrow in the other. Th...

From John Ogilby's, 'Britannia, an Illustration of the Kingdom of England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...

Canaan comonly called the Holy Land or the Land of Promise, being the Possesion of the Israelites & travelled through by Our Lord & Saviour Iesus Christ and his Apostles. Engraven by Richard Palmer for Richard Blome. 1687 Blome, Richard, 1641-1705. London. 283 x 452 mm. Copperplate. Probably from an English Bible...

Thomas Kitchen (1718 - 1784) : Map of Turkey in Europe & Hungary 1783 Visible sheet within the cream mount 25.5cm., 10" height 20cm., 8" In an ebonised frame length 33cm. 13", height 28cm., 11" Kitchin, Thomas (1718 - 1784) Thomas Kitchin (August 4, 1718 – June 23, 1784) was a London based engraver, cartographer, and publisher. He was born in London to a hat-dyer of the same name. At 14, Kitchin apprenticed under Emanuel Bowen, under whom he mastered the art of engraving. He married Bowen daughter, Sarah Bowen, and later inherited much of his preceptor's prosperous business. Their son, Thomas Bowen Kitchin, also an engraver joined the family business, which thereafter published in Thomas Kitchin and Son. From 1858 or so Kitchin was the engraver to the Duke of York, and from about 1773 acquired the title, 'Royal Hydrographer to King George III.' He is responsible for numerous maps published in the The Star, Gentleman's Magazine, and London Magazine, as well as partnering with, at various times, with Thomas Jefferys, Emmanuel Bowen, Thomas Hinton, Issac Tayor, Andrew Dury, John Rocque, Louis de la Rochette, and Alexander Hogg, among others. Kitchin passed his business on to his son, Thomas Bowen Kitchin, who continued to republish many of his maps well after his death. Kitchin's apprentices included George Rollos...

Colonies Francaises, Martinique, Amerique DU SUD Geographie et Statistique par V.Levasseur. Ing'r Geographe. Illustre par Raymond Bonheur, peintre. Grave par Laguihermie, Rue St...

An iron key ring with four massive keys Overall length 24cm,, 9.5" Diameter 10cm., 4" Each key Length 16cm., 6 1/2 in Ring diameter 8cm., 3"

A pair of funky, vintage, coloured glass mannequin heads: one green, the other orange. Designed for shop displays of hats, wigs, glasses etc and ...

Pair of Curtain Pelmets From the Collection of the Duke of Northumberland, Alnwick Castle Two curtain pelmets upholstered in stone velour with twisted being and brown silk cord. They could easily be re-upholstered and/or repurposed. The pair of 3 pelmets Length 250cm., 98 1/2" height 52cm., 20 1/2" depth 14cm., 5 1/2" Acquired with an identical pair of larger pelmets -being sold separately A pair of pelmets - length 178 70" 5ft10' height 27cm 10 1/2" depth 14cm., 5 1/2" A larger single pelmet - 199cm., 78 1/4" 6ft6" height 27cm 10 1/2" depth 14cm., 5 1/2" Provenance : Attic sale of items from Alnwick Castle & as well as the Duke’s official London residence Syon House, Stanwick Hall, Albury Park and other Ducal properties. Alnwick Castle - the origins of the Castle date back to the Norman period. Since 1309, its story has been intertwined with that of the Percy family, a family with a history as illustrious as the castle’s own. The second largest inhabited castle in the UK, Alnwick has served as a military outpost, a teaching college, a refuge for evacuees, a film set, and not least as a family home. The incunbent Duke & Duchess of Northumberland have developed Alnwick Castle as a significant visitor attraction and a garden renaissance in the creation of The Alnwick Garden. Maker : Whytock and Reid...

Set of three Curtain Pelmets From the Collection of the Duke of Northumberland, Alnwick Castle Five curtain pelmets, comprising: two pairs and a single, upholstered in stone velour with twisted being and brown silk cord. They could easily be re-upholstered and/or repurposed. The set of 3 pelmets A pair of pelmets - length 178 70" 5ft10' height 27cm 10 1/2" depth 14cm., 5 1/2" A larger single pelmet - 199cm., 78 1/4" height 27cm 10 1/2" depth 14cm., 5 1/2" Acquired with an identical pair of larger pelmets Length 250cm., 98 1/2" height 52cm., 20 1/2" depth 14cm., 5 1/2" Provenance : Attic sale of items from Alnwick Castle & as well as the Duke’s official London residence Syon House, Stanwick Hall, Albury Park and other Ducal properties. Alnwick Castle - the origins of the Castle date back to the Norman period. Since 1309, its story has been intertwined with that of the Percy family, a family with a history as illustrious as the castle’s own. The second largest inhabited castle in the UK, Alnwick has served as a military outpost, a teaching college, a refuge for evacuees, a film set, and not least as a family home. The incunbent Duke & Duchess of Northumberland have developed Alnwick Castle as a significant visitor attraction and a garden renaissance in the creation of The Alnwick Garden. Maker : Whytock and Reid...

Crocodile hornback overnight bag or large handbag with exceptional, deep and richly pigmented scales. Made from one skin with complete osteoderms (back scales) wrapping from front to...

Made from one complete small crocodile skin including head with teeth, hornback and legs into a shoulder, cross or satchel, excluding the tail. The scales wrapping from front to bac...

Long black metal trunk, bearing brass label inscribed 'J E Holmes Esq, Volunteer Artillery'. Metal carrying handles. Locks no keys. Wonderful deep and rich patina reflecting their hi...

A matched pair of 19th century black metal travelling trunks. Metal carrying handles. Locks no keys. One stamped made in England. Both with Union-Castle Line & Safmarine, G, Mr & Mrs Gale, Cabin 151 & 155, Vessel SA Oranje, 7th April, Port of Embarkation Southampton, Port of Disembarkation Cape Town Both with S.A.R. S.A.S. labels numbered 58 One with South African Railways Label One marked 'No III' Wonderful deep and rich patina reflecting their history from years of travel Can be repurposed as chests on stands in the bedroom or hallway or as decorative objects. each trunk Length 70 cm., " Depth 40 cm., Height 24 cm. Union-Castle Line & Safmarine, The Union-Castle Line was a British shipping line...

1920's French, vellum suitcase with nickel locking fittings and key in rare, exceptional condition protected by its original green canvas fitted cover ...

A characterful 19th century, domed, overseas, travelling, steamer, trunk in canvass with leather trim, handles and brass hardware with lock. No key. The exposed straps removed. Bearing an old Southern Railway paper label no 2812 from Dover Priory and remains of numerous travel labels...

A fine, 19th century, high quality, crocodile attache, briefcase or overnight case with exposed handle, brass hardware with lock stamped 'secure leve...