Late 19th Century Asian Art and Furniture

An antique painted cast iron stand depicting birds in a garden scene. Showcasing a pierced decorated cylindrical form, the stick stand displ...

This is a vintage European textile woven circa 1957 and was made using a printed stamp technique. It measures 144 x 112 CM in size making it ...

An outstanding Meiji period mixed metal bell casket by the Nogowa foundary, Of typical form with a shibuichi ground worked in shakudo, silver and gold with a central continuous frieze showing a three-toed dragon amongst roiling clouds and spume-flecked waves, the shoulders with fields of shakudo bosses between triple vertical lines, the knop formed by paired dragons...

A Japanese very nicely decorated Imari plate with beautiful green and gold accents. It looks like it’s never been used.

Indian miniature doors, Folk Art shutters These Beautiful framed doors are beautifully and brightly hand painted with Indian Characters in traditiona...

A wonderful Cyrian bronze urn, handmade in the Middle East with engravings around the whole of the urn. With beautiful circular solid bronze handles. Some age related dents . Possib...

Get Tartarin of Tarascon, by Alphonse Daudet. Rare C. 1887. No Edition Remarks. 245 pages. No dust jacket. Half-bound brown leather with green cloth cover.

A Japanese ceramic box with lid. The glazing has motives of flying swans. A signature at the bottom of the box.

Classic Victorian oil painting showing a farmyard scene with horses and chicken Artist has really captured the scene with great skill Comes in elegant gilt frame Offered in great sha...

Chinese white hardstone ( jade or nephrite) carved vase in the form of the bamboo tree with leafs and trunk. Republic period.

Prominent figures in Japanese folklore. The Chinese poet-sage Kanzan is depicted with his scroll, and the Daoist sage Jittoku with his broom. Painting bears two seals of Nakanuma Sho...

Our charming inkwell features a finely sculpted porcelain foo dog standing on lacquered wooden panel with two silver ink vessels with their original porcelain cups.  Hinge of one wel...

Unusual Meiji period bronze of a labourer sieving through a woven reed mat with another at his feet and a wooden bucket at his side, signed.

each decorated with a landscape motif and an inscription; wooden stands shown in pictures are not included with these dishes

Dark brown patina bronze figure of a standing kappa with its right leg leaning on a cucumber. The figure is put on four-legged rattan-like bronze stand. The kappa (??) is a aquatic creature taken from Japanese folklore having the appearance of an anthropomorphic turtle. His skull is either slightly hollowed out to accommodate water, from which it derives its power, or hidden with a water lily leaf hiding this sag. Naturally polite, it is advisable to bow to him in order that it should do so in return, thus losing all the water he has gathered and leaving it harmless. Kappa has the reputation of attempting to lure both humans and animals into the water. In some areas, it ravages fields, stealing eggplants and cucumbers. Some people prefer to worship it and give it offerings rather than be its victims. Signed Shokaken (???). His real name is Ôshima Yasutarô. He was born in 1849 and is the third generation of a metalworkers family. Together with his brother Ôshima Joun...

These lovely Imari cake dishes have fine coloring and are in great condition.

gold decorated border; each painted with a vase of flowers; the box shown in the pictures is not included with these items

Antique Carved Natural Patina Dark Brown Lacquered Standing Burmese Monastic Attendant on Metal & Wood Pedestal Base - Set of 2 These antique Burmese monastic attendants display stu...

An antique 19th century Russian Uzbek five-color pure silk wrapped tribal weaving ikat, with original Russian Roller Printed cotton backing/lining. In fantastic condition for its age...

Antique Chinese Lacquer Gaming Box and Counters Chinese, late 19th century Height 9.5cm, width 32cm, depth 23cm This beautiful Chinese red lacquer box...

A blue and white glazed porcelain plate, decorated in the Kangxi manner. Qing dynasty.

A Pair of 19th century Japanese Kutani Porcelain baluster Vases with Nishikigoi (koi) Motif. Each of baluster form with a flared ruffled mouth, beautifully decorated with red coy fis...

the base that is shown in the pictures is not included with this vase; 6in(D) x 6in(W) x 11in(H) are the dimensions of the vase without the base

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...

Discover a unique blend of art and history with this captivating block print of an animal. Set against a soothing green matte, this vintage piece stands as an intriguing dialogue bet...

Nice pair of Satsuma lamps with black patinated bronze mount. Gilding is somewhat mitigated locally but they are in very good condition, with no cracks or breakages. Electrical wiri...

Anonymous Japanese painter (MEIJI PERIOD, LATE 19TH CENTURY) Portrait of Takeaki Enomoto (1836-1908) Ink, color and go fun on silk, framed. Painting: 79.5 x 50 cm With fram...

O/292-6- A friend of mine found this iron pot in Tibet: it's a strange particular pot in heavy iron with round compartments. The chain was used to hang it when not in use. Now how t...

A large Meiji period Satsuma earthenware floor vase, the skittle shaped body painted in pastel overglaze enamels and gilding with a continuous frieze of the Seven Gods...

Enjoyable wooden statue with a smiling sleeping Chinese baby, with the head resting on a pillow. This was used as a head rest for elaborate hairstyles of ...

A Peranakan djati wood miniature bed for an Anak Ambar, a miscarried fetus Indonesia, Peranakan Chinese, late 19th century Measures: H. 41 x L...

This is a portable stationery box with a front lid cover with key and "C" form side handles. This is made of Jumu (Southern Elm) from Jiangsu. 19th century - circa 1850-1900. Final S...

Chinese Export silver repousse sauce boat with dragon handles. Marked for Luen Wo.. Very fine decoration. 7 1/4" long, 4 " tall, 3 1/2", 7 oz weight.

Thai wooden Buddha head, carved with polychrome traces, 19th century part of a standing Buddha decorated with glass elements.

This pair of lamphanger’s chairs has a very prominent upturned head piece. The back splat is divided into 4 sections. The second section is decorated with a 4 petal-plum blossom. The...

A wonderfully hand carved and lacquered Japanese 19th century (51" high) figure of a Samurai.

Three Antique Japanese Items 1) An antique Japanese tabako-ire' with hand tooled gilded kane mono of fuji chrysanthemum. Bronze and shakudo oj...

These 3 antique Chinese terracotta statue plaques give a glimpse into the world of 19th century ancient China. Made in terracotta, each plaqu...

Rare cicim Verneh Shahsavan from my private collection - Pastel colors - Single copy. nr. 985   

Bamboo brush pot engraved with Asian scenes. Used as a brush pot, has a beautiful patina.

This early 19th century Chinese export box probably held a robe or had sweets in it like cookies and candy. It is a Cinnabar color with gold. Has a flaw which is a crack going right ...

- Stunning antique Chinese red lacquer chest of drawers or commode - We date this important piece of furniure to 1890 - With three drawers there is ample storage on this gorgeous chest - The intricately hand painted Chinoiserie is exquisite - Including Chinese figures, pastoral scenes, cranes and other Eastern motifs - The work on the top of the chest is particularly impressive - Every interior designers dream, you have to imagine how this will look in the right setting - A rare and unusual piece we are expecting a lot of interest in - Come view these in our Canonbury Antiques Hertfordshire...

Beautiful Antique multicolored brown glazed Chinese terracotta jar, good great, warm finish and patina of the jar, very decorative object, Chi...

Three Antique Japanese Works of Art An oribe "morikage" (for the display of seasonal fruits), classic green drip glaze with spontaneous ink pain...

A pair of late 19th century French gilt bronze-mounted Chinese Canton porcelain lamps Painted interior scenes with many people, each separated by floral designs, the neck with gilded monkeys and lizards, and sitting on a bronze base. Measures: Height Vase...

A pair of large antique Japanese paintings of Cockerel and Hen with chicks among timber bamboo. Mounted in the single panel screen panel styl...

Pair Antique Chinese ceramic porcelain lanterns made into lamps, Circa 1890-1900.

Japanese Satsuma style censer and cover Late 19th century The bulbous body supported by four feet and set with two shishi han...

This Japanese side table is composed of an antique base made from an ancient Japanese Zelkova wood Usu . The natural texture and patina give this piece an earth feel that one can usu...

This antique charred wooden branch candle holder is recovered from an old fallen tree. It comes from an old traditional Japanese home with an Irori. An ir...

Antique 19th century Chinese altar table. AOT001.

Of typical form with a shibuichi ground worked in shakudo, silver and gold with a central continuous frieze showing a 3-toed dragon amongst roiling clouds and spume-flecked waves, the shoulders with fields of shakudo bosses between triple vertical lines, the knop formed by paired dragons...

Material: wood 75,5 cm high 67 cm wide and 43,5 cm deep Weight: 17.8 kgs Gilded with 24 krt. gold Mandalay style Originating from Burma Late 19th century Can be shipped worl...

A curved ceramic urn, crafted in Morroco.

Sarouk rugs have been produced for much of the 20th century. The early successes of the Sarouk rug are largely owed to the American market. From the 1910s-1950s, the "American Sarouk", also known as the "painted Sarouk...

Very elegant wooden hook in elmwood, Japan, Meiji period.

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...