Art Deco Animal Sculptures

Large Amphora porcelain figural group featuring two lionesses attacking an elephant. The figure of extraordinary size measuring 66.5cm High (26.18inches) featuring a large elephant s...

Art Deco bulldog bookends by Franjou. These bulldog bookends are both signed Franjou, they were made in France and date between 1920-1949. These la...

Seal "Dindon" (turkey) made in butterscotch glass by René Lalique in 1925. Engraved signature on the edge. Perfect condition Measure: height: 6 cm Félix Marcilhac, René Lal...

Rare, late Arts and Crafts or early Art Deco French made letter or postcard rack. If you are a collector of rare and highly decorative, well made anti...

French Art Decospelter statue. Different colors of onyx and polychomed spelter circa 1930 The scene reprensents a woman absorbed in his reading with her dog. Good condition Shi...

Very Rare Art Deco French silver plated bronze sculpture figure of a cat, ' Chat De Siam Assis ‘. This figure was produced as paperweight and also as car ...

A striking black glass study modelled as an Art Deco stylised pelican with very fine smooth tactile surface, signed Baccarat France. Additional information Height: 16 cm Conditio...

Sculpture of a girl with a bird by Jacques Limousin Régule, with original colorful patina Marble base Original Art Deco, France 1930s Measures...

Pair of silver-inlaid brass Art Deco serpent candle holders Continental, c.1920 Height 32/34cm, width 9cm, depth 30cm Dating to the time of...

An amusing early 20th Century bronze group of a bear peering over the edge of a rock at a rabbit quietly hiding under a ledge, with excellent rich brown patina and fine hand chased surface detail. Signed Paillet ADditional information Measures: Height: 18 cm. Condition: Excellent Original Condition. circa: 1910. Materials: Patinated Bronze. ABOUT Charles Paillet Charles Paillet (French, 1871 ~ 1937) Paillet studied sculpture under Georges Gardet. Paillet’s first exhibit was in the Salon of 1897 and he exhibited regularly until 1921. Most of his works were cast by the foundry Thiebault Freres both in lost wax and by the sand-cast method. A few of his works have been recorded bearing the F. Barbedienne foundry mark also. Charles Paillet, Georges Gardet, Rene Paris...

Beautiful elegant art Deco style ram sculpture, circa 1970s in patinated brass finish.

Beautiful German ceramic birds set up under an antique glass dome.

This stunning French Art Deco Galalith bookend set was hand-crafted in the 1930s. The set features two eagles with spread wings. The base of the bookends is in black Galalith, and th...

Bronze statue with dark brown patina featuring an elephant and its two baby elephants. The group rests on a black marble base. This bronze animal sculpture is signed: Caputo Bronze. Art Deco period. Ulisse Caputo (1872-1948) is a Neapolitan painter who lived in Paris. Student of Domenico Morelli and Gaetano Esposito...

A cast bronze statue with a panther and a bamboo monkey. It's a nice scene, the panther is surprised by the screaming bamboo monkey. Both animals have a beautiful expression. The scu...

This is a pair of Herend porcelain hand painted medium size ducks. Their background is white with orange fish scale net pattern. Their wings are hand painted navy blue, pink, and tur...

Circa 1925, an absolutely charming cold painted Spelter figure of a standing greyhound. This elegant lady captured standing head alert, looking fo...

Paul Milet for Sevres, France. Large Art Deco fox in glazed ceramics. Beautiful red glaze. 1920's. Marked. In perfect condition. Measurimg L 57 x H 18...

An antique sculpture of a dog made of nickel-plated spleter (zinc alloy). Sitting on a red “Griotte” marble plinth. Made in France, circa 1910-1920....

A very fine early 20th Century cold painted Austrian bronze study of an eagle spreading its wings. The sculpture balances naturally on the talons of the eagle, free standing this a marvellous representation for these free and noble creatures. The bronze surface has excellent colour and very fine hand finished detail, signed with the Bergman 'B' in an amphora vase. ADDITIONAL INFORMATION Height: 9 cm Width: 17 cm Length: 9 cm Condition: Excellent Original Condition Circa: 1900 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel SKU: 8757 ABOUT Bergman Eagle Franz Bergman Sculptures Bergman Eagle – Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze...

It was exhibited in the original Miami beach antique show and Palm beach "American International Fine Art Fair (AIFAF)". Horse in wood and chrome. We ha...

Beautiful antique German Roy, a pull toy, a pull horse toy with cart. This antique toy horse, circa 1930s, is mounted on a wooden platform with whe...

A very fine early 20th Century cold painted Austrian bronze figure of a feeding turkey. This bronze study has excellent naturalistic colour and very fine hand finished detail, signed with the Bergman 'B' in an amphora vase, stamped Geschutzt and numbered 1060. ADDITIONAL INFORMATION Height: 4 cm Width: 5 cm Length: 10 cm Condition: Excellent Original Condition Circa: 1910 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel SKU: 8755 ABOUT Bergman Feeding Turkey Franz Bergman Sculptures Bergman bird...

“Créature Fantastique” Ceramic sculpture. Augusto Chini (Florence, 1904), Manifattura Fornace San Lorenzo, Italy, circa 1930. A juvenile important work by Maestro Chini. Very fine craquelure, delicate purple nuances on dark green and light metallic lustre. Signed A. Chini on the edge and serial inside the base. The Chini family, leading exponents of European Art Nouveau. One of the most important manufacturers of Art Nouveau ceramics...

French Bulldog perfume light. A porcelain scuplture of a bulldog dog in the colors white and light brown / caramel brown. This air cleaner - perfume li...

This antique accent table lamp or light sculpture is unsigned, but presumed to have originated from the United States and date to approximately 1920 and done in the period Art Deco style. The lamp is composed of cast and patinated spelter depicting a figural stylized soapstone seal sculpture with a carved alabaster ball...

Art Deco Mandarin Duck sculpture in brass by Georges H. Laurent.. The sculpture is signed G.H:laurent, number 51,. The bird mounted over a black brown port...

Ireneé Rochard Art Deco bronze representing the flight of a bronze stork with green patina on a black marble base. In very good shape. Stamped I Rochard on the base. Measures: heigh...

"Moineau" by Jan and Joël Martel (1896–1966). Glass sculpture with an original sticker that says "fabrication française". Victor Arwas (1987) ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

This is a stunning emotive abstracted sculpture of a kneeling antelope that is crafted in bronze and signed by the artist , Barbara Beretich (1936 - 2018), on the bottom. The sculpture is beautifully cast with fine detail and patina. During Beretich's younger years in California, her family raised multiple animals including hogs, cows, sheep and horses. After graduating from the University of Illinois with a BA in art, Beretich spent time in Europe where she met and became lifelong friends with the French artist, Francoise Gilot. Following her time in Europe, Beretich moved to Claremont CA...

A very fine Art Deco metal and brass animalier sculpture of a stag and doe by Louis Albert Carvin, mounted on a stunning moulded Italian black and orange Margraf marble stepped base ...

Bronze sculpture with green and dark brown patina image of a young woman embracing a lamb, signed by Ary Bitter, on a green black marble stand. Ary Bitter (1883–1973) was a French artist, best known for his animal sculptures. He was a designer, painter, and sculptor in various mediums including plaster, stone, terracotta and bronze. His work was also produced in biscuit by the Sèvres factory. Ary Jean Léon Bitter was born in Marseille in 1883. In 1895 he enrolled at the Marseille Beaux Arts and was taught by Émile Aldebert...

Made in Czechoslovakia Made of wood With aged patina Original condition.   

Art Deco parrot bookends by Georges Van de Voorde with Foundry seal Brig, Paris. The birds are in patinated Art metal and stand on green marble bases...

Arne Bang, figurine of a deer in stoneware. Model number 11. Mid-20th Century. In perfect condition. Signed. Dimensions: L 14.5 x D 11.0 x H 17.0 cm.

Art Deco Silvered Bronze Tiger Bookends - France 1930´s Tigers are mounted over Belgium Black Marble.

Huge - lifesize owl perfume light - perfume lamp - antique air purifier. The size of this porcelain owl sculpture is exceptional ! An Early Art Deco porcelain perfume light with large glass eyes made by Ernst Bohne...

Mother and child .this couple off elephants figurines ,Must love this piece , excepting nice Patine ,original Antique Gold color . Standing on a B...

Viennese bronze, Rare Art Deco pelican made from bronze. 1930s. Measurements: L 10.5 x H 7.0 cm. In excellent condition. Fine patina. Marked: Gesc...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

It was exhibited in the original Miami beach antique show and Palm beach "American International Fine Art Fair (AIFAF)". Horse in wood and chrome. ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

An endearing cold painted Austrian Bronze study of a male mallard duck in flight. The bronze exhibiting a fine array of naturalistic colours and finished with good hand chased surface detail Additional information Measures: Height: 13 cm Width: 11 cm Length: 16 cm Condition: Excellent Original Condition Circa: 1900 Materials: Cold Painted Bronze About Vienna Bronze Bird...

Bronze sculpture of flying Seagal over the water wave with marble base.

A charming pair of linden wood bookends with carved figurines of Owls with beautiful orange eyes, Germany, circa the 1930s. These adorable bookends will make a wonderful accent on a...

Very fine cold painted Austrian Bronze study of a salmon leaping from the water. The bronze with excellent cold painted colours and very fine hand chased surface detail, raised on a shaped onyx plinth ADDITIONAL INFORMATION Height: 10 cm Width: 13 cm Condition: Excellent Original Condition with light surface wear Circa: 1900 Materials: Cold Painted Bronze and Onyx ABOUT Vienna Bronze Leaping Salmon...

Earthenware Fishes sculpture Mod. 1511 Angelo Biancini SCI Laveno 1938 Excellent condiction literature: Angelo Biancini tra Faenza e Laveno: ceramiche 1937-1940.   

Highly decorative and quality carved, winged eagle table lamp. All handcrafted out of natural materials, this rare eagle table lamp is a marvelous work of art in the daytime and a...

American Art Deco Polished Brass Bull and Bear Bookends Paperweights 1950s. Polished Brass Bull and Bear Bookends Paperweights. Vintage American...

Terracotta lion sculpture. Measures: Width 34 cm. Height 25 cm.

Art Deco bronze pheasant sculpture by André Vincent Becquerel, Bronze, patinated on a Belgian Black marble base. France 1925.

This stylish and chic hand-carved, artisan figure of a stylized pelican is very much in the Art Deco Moderne style with its elongated, clean lines and form.  

French Art Deco peacock sculpture by Gabriel Beauvais. We offer this rare French modernist glazed ceramic peacock sculpture by Gabriel Beauvais, 1930....

Early 20th century bronze sculpture of two elephants with a patinated bronzed finish. The base signed Ant.Amorgasti, 1924. Antonio Amorgasti,(18...

An outstanding Art Deco ceramic horse sculpture inspired by the painting "The Red Horses IV" as also known as "Grazing Horses IV" by Franz Marc...

Michel Decoux, (1837-1924),a Belgian sculptor. Art Deco sculpture of a roaring stag in silver-patinated bronze on a black marble base. 1910/1920s. ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...