1920s Sculptures

This elegant Brass Art Deco flapper girl sculpture features a gracefully posed figure atop a peach-colored marble obelisk. The piece exudes 1920s charm with intricate detailing and v...

French Art Deco antelope couple sculpture by Charles LEMANCEAU at Sainte-Radegonde, France, 1920s. Illustrated in the Sainte-Radegonde catalogue, page #8 (see photo). Measures: Width...

Extremely Rare Large Art Nouveau Group: Monumental figure of Flora with chin-length hair in a long dress loosely embracing the beautiful body, her right foot resting on a low pedest...

French Art Deco ceramic fish sculpture by Santiago Rodriguez Bonome, France, 1920s. Superb work with Bonome's specific colors : green, red and blue. Height: 15.6"(39.5cm) , Width: 14...

A large plaster sculpture of a Lioness and a Lion. Vivid details with a lot of 'movement' and muscularity. It is titled L' Affut (trans: lying ...

A beautiful set of 2 antique doorstops, with images of Saint Bernard Dogs. The doorstops are made of cast iron with a copper base. Estimated origin and age: England, circa 1900. The ...

Very rare Viennese ceramic figure from the late 1920s: Young, fancy dancer in a tight costume with a shoulderless and backless top held by a pearl necklace and short harem pants, bl...

A rare model Franz Bergman Art Deco sculpture that will date to around 1925. Excellent condition with the enamelling to the base also being in excellent untouched original condition....

Sculpture in bronze from France made circa 1920. This piece is a version of the famous sculpture ‘La Diane de Gabies’ by Praxitele. The original statue is currently located at the Lo...

Very stylized French Art Deco terracotta sculpture by Jean-Charles GUERO, France, 1920s. Young lady bust. Height : 14.4"(36.5cm), Width : 12.2"(31cm), Depth : 7.1"(18cm). Signed "Gue...

Rare French Art Deco bronze & oak crucifix from the Sainte-Claire de Mur de Barrez monastery (Poor Clares, read below), France, 1920s. Close to the work of Ateliers de Marolles. Heig...

Lovely Art Deco shy naked women made of bronze and mounted over a green marble base. It is signed L. Betti and foundry Etling Paris. Perfect piece of Autom...

Young bear bronze figure. Probably paperweight or car mascot - hood ornament. Very nice details. Very good foundry quality, with original brown patina.

Very rare figurine from the former manufacturer Frankenthal. The young man, dressed in Rococo style: black knee breeches, white stockings, fitted, white, striped jacket with puffed ...

"Little Clown" by Demetre H. Chiparus (1886-1947). Bronze sculpture and marble base. Bryan Catley (1978) "Art Deco and Other Figures" p. 66.

Rare Goldscheider Art Déco ceramic figure of the 1920's: Depiction of a young vaudeville dancer posing in a short, low-cut, backless, light pink dress with ruffled flounces and a bow...

French Art Deco terracotta sculpture by Ruth Milles (1873-1941), Carl Milles sister. School of Paris. France, 1927. "Suzanne", Breton character. Measures: Height 8.7" (22cm), width 5...

A beautiful, circa 1920, cast bronze Buddha in mid-stride atop a stylized lotus blossom. The figure is clad in see-through drapery, and is surmounted by whirls of hair capped...

Impressive "high" Art Deco bronze dark-brown patinated sculpture of Pomona by Gustave Gillot (French, 1888-1965) of an excellent quality. Signed by the sculptor and stamped "Edition Pomona" on the plinth. Pomona, the ancient Roman goddess of fruit trees, gardens and orchards is watching over, protects and cares for their cultivation. Pomona is associated with the flourishing of the fruit trees, in artistic depictions she is generally shown with a platter of fruit or a cornucopia. A statue of Pomona is set atop the Pulitzer Fountain in Manhattan's Grand Army Plaza...

ART DECO PATINATED BRONZE TIGER A stunning patinated spelter sculpture of a fierce, roaring feline that embodies exceptional realism and expression. This masterpiece is expertly cra...

Large French Art Deco golden eagle sculpture by ROLAS, France, 1920s. Spelter and marble. Height : 27.4"(69.5cm), Width : 18.5"(47cm), Depth : 9.6"(24.5cm). Some small bites on the ...

Silver and gold Torah crown, Buenos Aires, Argentina, 1925. On silver base decorated with a small gold Stars of David. The lower ribs decorated with applie...

Ignacio Gallo (Spanish/French, 1850-1935) was a Spanish sculptor, who was active as a sculptor and engraver in Madrid and Paris in the interwar period. His works show animal scenes, ...

Rare Large Goldscheider Art Deco Ceramic Figurine of the 1920s: Young lady with short hairstyle in a short, low-cut strap dress with large floral decoration, posing lasciviously and...

A stunning early 20th century French bronze figure of a semi clad young woman holding a bird in classic high Art Deco pose with excellent gilt patination and intricate surface detail...

Henri Collomb, French artist (1905-?), “Couple Dansant” (Dancing couple), walnut hand carved. The sculpture has a monogram and is dated 192... Henri Collomb was born in 1905 and w...

Made in Germany, circa 1920 by P. Oberlander, this charming, 800 standard Silver Model of an Elephant, has a removable head, and is handsomely modelled. The elephant measures 3.25"(8...

Very rare Art Deco goldscheider ceramics figurine The young lady with a brunette page-boy head, shown is the German actress Emmy Sturm (1900-1977), is wearing turquoise silk pajamas...

1193 Hand made and painted pair folk art terracotta sculptures female 4.5x7x6.5" Male 4.5x6.5x7.25"

French Art Deco Terracotta Sculpture by Demetre Chiparus (1886-1947), France, 1920s. This exquisite French Art Deco terracotta sculpture, created by the renowned artist Demetre Chipa...

Beautiful spelter statue on a stepped marble base representing a woman accompanied by a sheep and her little one. Dating from the 1920s, the art nouveau period. Very good condition...

Pair of greyhounds - Charles Lemanceau For the Saint Clément factory Cracked ceramics H30xW21xD8cm 1925 Perfect condition.

This Demétre Chiparus gilt bronze sculpture is a charming representation of movement and grace. It depicts a hoop girl dancer elegantly twirling her hoop around her body. The sculptu...

"Saint Thérèse de Lisieux" by Demetre H. Chiparus (1886-1947). Bronze and ivory on marble base. Alberto Shayo (2016) "Chiparus Master of Art Deco" p. ...

You are viewing a gorgeous art deco style bronze statue of a dancing girl The piece somehow manages to embody the exuberance of the 1920s Well cast with a great patina to the bronze ...

Inscribed Ary Bitter (1883-1973) with The L.N. and J.L. Foundry, Paris.

This is a gorgeous antique Chapman figural carved wood statue of a girl in European garb with her pet dog by her side. The statue is labeled Chapman and shows age splits and patina f...

Ivan MESTROVIC (1883-1962) after, Pensive woman Unsigned plaster sculpture bearing a label underneath "Po Mestrovicu Sanjarenje, 1927 kamen, 88x188 cm, Split, Galerja Mestrovic" (Sma...

Dancer in an oriental costume with traditional Korean looking headdress, with raised, bent legs and arms performing a dance pose, a Chinese pagoda leaning against her leg. The figure...

A Bust of a young Mexican Man. Unmarked on marble base.

Goldscheider Spanish dancer with a fan signed by Joseph Lorenzl, Austria, 1922. Model 5232.

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Admirable Rosenthal figurine group by Josef Limburg Manufactory: Rosenthal / Selb / Bavaria / Germany Dating: manufactured circa 1925 Material and technique: porcelain / chinaware / painted / glossy finish Design: Josef Limburg 1923 'Young Love' Two naked cherubs kissing each other; a seated putto hugs the second boy crawling towards him and kisses him on the mouth; modest painting; The group of figures is based on a flat rock...

About ‘VICTORY OF BOGOTA Henri Louis Bouchard was an important French Romantic sculptor, known for works commemorating heroic moments in the hist...

Depiction of a young, beautiful, barefoot dancer with artfully pinned-up hair, adorned with a ribbon of rose petals, and with her gaze lowered, in a softly falling, sleeveless dress ...

Exceptional Goldscheider Figurine of the 1920s after an Art Nouveau Design: Representation of a thoughtfully walking harlequin in an elaborate costume decorated with a large floral ...

Rare vintage Buddha, the Bodhisattva of compassion and mercy.

A double figurine cast bronze of a guy in chains below a nude girl holding him in chains. Title is (the repatriation of LLDA) mixed patina finish on black/gold marble base. Heavy cas...

Beautiful plaster sketch made in France in the 1920s, the sketch represents the hero in the defense of victory.

Rarest Goldscheider Vienna figurine Veil Dance Model 5570 by Stephan Dakon circa 1926, 14.17 inches Designed by Stephan DAKON (1904-1992) / one of most important designers having been active for Goldscheider manufactory in period of 1920-1940 / design of this model circa 1926. Manufactured circa 1926 Model number 5570 / 45 / 8 Marks: Goldscheider Wien (= Vienna) stamp mark existing. Made in Austria / Hand-decorated Painter's sign D1 III M - additional mark after 1925 Signature of modeller 'Dakon' on the back of the base Subject: 'VEIL DANCE' lady in elegant dance pose The lady dancer is holding a long piece of cloth, the veil, on both ends with nearly outstretched arms. The fabric forms a long loop that is reaching down to the floor. She tilts her upper body slightly to the left and with her head in laid back position she is looking down with nearly closed eyes. The dancer is clad in a one-piece suit...

Eugene (Jenő) Körmendi-Frim (1889–1959) was a renowned Hungarian-American sculptor, coming from a family of artists. His brother, Erwin Kormendi-Frim (1885 – 1939) was famous Hungarian painter known for his still life’s and portraits in a style developed under the influence of Cézanne. His cousin was Philip Alexius de László, (Hungarian: László Fülöp Elek, 1869 –1937), an Anglo-Hungarian painter known particularly for his portraits of royal and aristocratic personages. Eugene (Jenő) studied at the Academy of Budapest, and then traveled to Paris to work with Auguste Rodin and Jean Paul Lorenz. In 1939, he visited America for the New York World’s Fair with his wife, Elizabeth, a painter and ceramist. During their tour, World War II broke out in Eastern Europe and they were unable to return home. Eugene found a position as sculptor-in-residence at Notre Dame University that allowed them to stay in the United States. He created many statues while at the university, including a war memorial in Valparaiso, Indiana, and a twenty-two foot-statue depicting Christ as the “Light of the World...

A good size deco figurine of a ballerina standing on one foot. Has part of one finger missing. Measures: Height at 20 3/4" and 16" long. Base is signed by the artist D.Alonzo circa 1...

Art Deco sculpture called Diana with Fawns. Made of bronze, silver plated and patina in brown and green. Made by Marcel André Bouraine (1886-1948). Sign...

Materials: Silvered bronze and marble We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Amedeo (sometimes Amadeo) Gennarelli (1881-1943) An Italian/French sculptor, he was a pupil of Francesco Jerace...

3-634 Black Forest German hand carved walnut traveler figural sculpture.

Rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a dancer in pose. She wears a headdress that tapers to a point at the front and frames her face, and a sh...

French Art Deco stoneware bear by Paul MILET, 8, rue Troyon, Sèvres, France, 1920s. Height : 32.5cm - 12.8 in. , Width : 34cm - 13.4 in., Depth : 13.5cm-5.3in. A pinhead lack of cove...

Rare goldscheider figure of the 1920s: The standing dancer wears a pink cylinder hat on her short brown locks. The flower-patterned top of her costume is tight-fitting and sleeveless. Tilting her head slightly to the right, she pulls up her shoulders and lifts the front hem of the frilled skirt...