Art Nouveau Sculptures

Extremely rare Meissen Art Nouveau porcelain group: Two girls in clothing of circa 1900, the elder with hair pinned up in a bun in a blue fringed white dress with a yellow petticoat...

Beautifully patinated, absolutely exquisite Art Nouveau figural bronze coffee table by C. Conndray. This coffee table is a perfect example ...

A very fine bronze sculpture modeled as the beautiful Goddess standing with her bow and quiver and gently holding the collar of her hunting hound. The bronze with warm brown patina a...

A delightful late 19th century animalier bronze group of a family of resting deer including alert Stag and resting Doe & Faun. The subject modelled with wonderful intuition and skill. The surface has a rich green patination and excellent hand chased detail. Raised on a stepped bronze base, signed Barye and inscribed F Barbedienne Fondeur. Additional information Height: 22 cm Width: 25 cm Depth: 14 cm Condition: Excellent Original Condition Foundry: Barbedienne Circa: 1870 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 301 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

CHARLES KORSCHANN Czech, 1872-1943 Putto Riding a Doe Medium-brown patinated bronze over an original marble base Signed "CH. KORRSCHANN." and sealed with foundry cachet for Louchet Item # 301LCJ14L A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...

French ceramic figurine of a lady carrying flowers, made in the early 20th century. The figurine is in good condition, has some chipping due to ageing, detailed photos of which ha...

Dimensions Total Height: 7.5 inches Base Height: 2 inches Width: 2.75 inches Depth: 2.75 inches ABOUT This charming desk figurine in dark brown patinated Viennese bronze by the famous Austrian sculptor Karl Kaub stands out for the originality and humor of its subject matter. The author depicted with amazing subtlety a boy who jumped on one leg in fright, suddenly seeing a frog sitting on his arm. CARL KAUBA (Austrian, 1865-1922) was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically American Indians, calvarymen, cowboys, and roughriders. In addition to his American bronzes, Kauba produced a lifetime’s worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. In fact, some debate still remains as to whether Kauba ever visited the U.S. Kauba’s fascination with the West was fired by the stories of the German writer, Carl May, whose tales of Western adventure were well known throughout Europe. Most authorities feel that he was about twenty-five years old when he traveled widely throughout the American West. He then returned to Austria with voluminous notes, sketches, and several models of Western sculpture...

Art Nouveau sculpture by in gilded bronze representing a young girl holding an illuminating casket with panes of marbled red glass resting on a mahogany base. Great example of Art...

Annibale De Lotto large bronze sculpture Boy with Crab 1910 Italy Venice.

A very beautiful late 19th Century French Art Nouveau bronze vase decorated with two gilt bronze female figures sitting upon a tree stump. The surface of the vase with excellent detail and very fine colour, signed Korschann and with foundry mark for Louchet Paris Additional information Height: 15 cm Condition: Excellent Original Condition Circa: 1900 Materials: Bronze Foundry: Louchet Paris About Charles Korschann Biography Charles Korschann (1872-1943). Born in Brno in Moravia, he attended the Fine Arts Academies in Vienna and Berlin. Although he frequently returned to Moravia, then part of the Austro-Hungarian Empire but a constituent part of Czecho-Slovakia after the First World War, he spent most of his life after 1894 in Paris. He designed many small mostly Art Nouveau subjects including vases, inkwells, clocks, lamps, wall sconces, and jardinières among those with some utility, often with full figures of elegant women, nearly always with hieratic expressions or Symbolist poses. He exhibited at the Salons of the Société des Artistes Français from 1894 to 1905, and was awarded a Bronze Medal at the 1900 Exposition Universelle. He worked with gilt and patinated bronze, bronze with polychrome glazed and unglazed ceramics...

Important patinated spelter lamp representing a young boy, probably a butcher boy, drinking his soup accompanied by his pit bull / bulldog type dog. The boy is leaning against a gallows holding an electrified green lantern. By Belgian sculptor Victor Rousseau (1865-1954). Art Nouveau / Belle Epoque style. Plate with inscription "La Bonne Soupe par Rousseau" ("The Good Soup by Rousseau") on the front, signature "Rousseau" on the side and stamp "Fabrication française...

Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France Glass: Muller To take care of your property and the lives of our customers, ...

An Art Nouveau female bronze figurative bust sculpture of a young woman "Ethne" by Giovanni Schoeman (1940-1980.) Piece is marked at base "ETHNE" as shown in close-up last image. Ver...

This is a goebel porcelain figurine of a bird. It depicts a very well done hand painted long tailed titmouse. It is standing up over an asymmetrical oval light green base. It is hall...

Art Nouveau Majolica frog who playing mandolin signed Delphin Massier circa 1900. The Massier are known for the quality of their unique enamels and paintings.

KPM Berlin Art Nouveau figure "Europe on bull" Adolf Amberg Impressive large porcelain sculpture by Adolf Amberg from the world famous wed...

Lady in solid Italian Art Nouveau marble with column and fountain 1910 It has some cracks as shown in the photos

Art Nouveau lamp mounted on a sculpted and chased bronze vase, signed A. Clerget. This lamp carved in relief, presents a seated woman forming a handle, a head of sylvan among vine leaves and grapes winding a spout. The shaft of this 1900 light fixture...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

Sizable and superb condition work of religious art. This handsomely carved and all original work of religious art could hardly be in better condition. This sculpture is entirely h...

Aqua Turquoise Majolica Turtle Clement Massier, circa 1890.

A. De Remière, Friedrich Goldscheider Polychrome Patinated Terracotta Sculpture Friedrich Goldscheider: polychrome patinated terracotta sculpture ...

Auguste Moreau bronze angel putto. Original bronze, circa 1890 by Louis Auguste Moreau, (France, 1855-1919) Depiction of a female angel with w...

Pair of antique Italian rooster sculptures, hand-made in Italy in the early 20th century, in the Art Nouveau period, inspired to the Animalier style, ...

Rare Majolica Grasshopper Jardinière Massier circa 1900.

Precious porcelain sculpture attributed to the ceramic designer and sculptor Friedrich Heuler (1889-1959) representing spring with a nymph riding on a satyr, to which she clings to i...

This is a Goebel porcelain figurine of a large bird. It depicts a very well done hand painted Baltimore Oriole. The bird is standing up over a branch...

Wall-mounted weather station in carved walnut made in Belgium by A. de Lambert. High quality mechanism with jeweled movement barometer and thermometer (in centigrade) Unusual design with high relief C-scrolls and flowers in Rococo style (from theArt Nouveau' period) with a lovely walnut case/. Equipment in full working order. Please don't hesitate to get in touch with any further questions.

 With best wishes, Geert 
Early Bird Gallery...

Sculpture in bronze with brown patina representing a stag after its moult. It rests on a terrace forming a base, moved by tree stumps and stre...

Thia antique mantel or table clock was made by the well known Italian born sculptor Archimede de Ranieri, who did much of his work in France and made this in approximately 1900 in th...

Erotic / nude women bronze sculpture table bell push - Austria 1900´s Talk about hard to find items! This impossible to believe bell push is the only erotic bell push we have ever s...

This is a solid bronze figurine of a young Girl with a blindfold playing Hide and Seek, which we attribute to the Italian sculptor Giuseppe Ferrari ( ...

Very finely chiselled cast bronze sculpture depicting a beautiful nude nymph standing emerging from tall reeds at the edge of a stream. At her feet is a water jug, with a marble base...

Lovely hand-painted golden pheasant porcelain figurine from the famous company of F. Karl Ens around 1920. Artfully crafted by one of the old manufactories for porcelain in Germany (...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

"Confidence". calamine. France, around 1900, following Grisard, Désiré (1872-¿). With manufacturing stamp, titled and engraved name. Calamine figure patinated in various shades t...

Stunning and appealing Art Nouveau bust of a woman made of polychromed and enamelled white clay. This singular bust of a woman with unique face traits could be of an Italian woman, m...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

Perfume lamp in the form of a squirrel attributed to Carl Scheidig Grafenthal, Germany. Made from glazed porcelain. Electrical parts European standards with an inner light bulb (standard E 14) to give a warm and comforting night light. The light also shines through the glass eyes. The squirrel was a much-loved motif of the Art Deco period, and these friendly squirrel figurines...

Majolica white swan jardiniere signed Jerome Massier Fils Vallauris, circa 1910.

Executed by Michael Powolny for the Wienerberger Keramikwerkstätten, ceramic and stoneware, ochre colored, body holding a dish in her outstretched arms standing above a three-tired Cascade of basins with fluted decoration. One image shows the model of the fountain in the studio of the "Gebrueder Schwadron" in Vienna, circa 1910-1914. Literature: Karl Maria Grimme, Gärten von Albert Esch, Wien, Leipzig 1931 p.29. Elisabeth Frottier, Michael Powolny, Keramik und Glas aus Wien 1900...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

Pair of French Art Nouveau patinated spelter sculptures French, early 20th century Measures: Figure with lyre: Height 92cm, width 48cm, depth 38cm Other figure: Height 90cm, width 52cm, depth 33cm The spelter works in this pair are after two of the leading Art Nouveau period sculptors: George Maxim and Auguste Moreau. The sculptures portray young women in animated, dance-like postures, wearing flowing dress that recalls Greek wet drapery. One figure holds a musical instrument, while the other spreads her arms as if to music. The figures stand on integral rocky bases above matching marble plinths. Each piece is affixed with a plaque, one reading ‘Libellule par Geo Maxim...

Art Nouveau bronze sculpture nude snake charmer, Germany ca. 1900. Bronze sculpture with silver and brown patina on a Portor marble base. This bronze is...

Art Nouveau bronze sculptural tray indoor fountain with seated nude holding a vase signed by Suzanne Bizard. Patinated bronze on impressive marble tr...

Rare and gorgeous dog perfume lamp attributed to Carl Scheidig Grafenthal, Germany. Excellent condition, lamp is in working order. Size: Height 17 c...

Large and spectacular, this gilded bronze trophy cup in the Art Nouveau style was sculpted by Eugène Bourgouin for Christofle, and is richly decorated wi...

Art Nouveau ceramic figurines Rstk Amphora Austria Turn Teplitz - a pair Attributed to Riessner, Stellmacher and Kessel for Amphora, Turn Teplitz Austria...

Maurice Bouval bronze with gilded patina signed M.Bouval and stamp of founder on a marble base portor. Length: base 11 cm Depth: 9,6 cm Height: 30,...

Crafted in the Czech Republic circa 1930, the Art Deco sculpture features a woman statue sited on the edge of a basin and filling up her water jug. The carved dish composition is in excellent condition, with a rich patinated finish, and stamped on the bottom Royal Dux. Place this decorative porcelain dish on your entry commode...

Intricate French gilt bronze work depicting lovebirds sharing a worm above a pearl egg nest upon a tree, while a cobra nestles at the tree base. The work is ...

"Chinoise” Sculpture by Gertrude Vanderbilt Whitney. This sculpture, a self portrait which stylistically mixes Art Nouveau and orientalism, is among her earliest successes. This piec...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

DETAILS Signed and foundry mark on back. DIMENSIONS Height: 4-15/16 inches Width: 2-5/16 inches Depth: 2.25 inches ABOUT THE SCULPTURE This portrait bust is of Nelly Faner, famous burlesque dancer at the turn of the XX Century Paris. ABOUT THE SCULPTORE Emmanuel Villdnis (French, 1858 – 1914) was born to Italian parents in France, in 1858. He moved with the family to Piedmont, Italy, in March 1861; after the proclamation of the Kingdom of Italy. Known in Italy as Villani, he studied at the Academy of Fine Arts Albertina in Turin from 1871 to 1880 alongside master-sculptor Odoardo Tabacchi. When Villanis graduated, he exhibited his first works in cities across Italy, notably his bust ‘Alda’ in Milan, in 1881. Villanis returned to France in 1885, living and working in the Montmartre district of Paris and didn’t leave Montmartre until his death on August 28th 1914. Villanis specialised in female bronze busts...

Fine work of good expressive power. Spectacular Wall Sculpture “Bust of a Lady” made of white marble is from France, Europe. Art Nouveau approx. 1900-1...

Small Majolica white swan jardinière signed Jerome Massier Vallauris, circa 1890.

Art Nouveau bronze sculpture dancing nude couple, La Danse by Charles Samuel. Patinated bronze on a marble base. Belgium ca. 1900. This bronze is illustrated in: Beeldhouwkuns...