Art Nouveau Sculptures

- rare collection of 6 porcelain dolls around 1860-1900s - very good condition without brakes or chips - beautifully handmade pieces, preserved over decades. - Heart enchanting expr...

Important lost wax cast bronze sculpture with dark patina depicting Dionysus as a child. The god holds his characteristic attributes in his hands: a laurel branch in his left hand, s...

-Art Nouveau bust - Alabasta with marble pedestal - Signed latour - Good condition

Royal Dux Art Nouveau figural centerpiece.

Naked Art Nouveau beauty, her hair artfully tied in a knot and falling on her neck, set with a diadem and adorned with a snake-print bracelet on her upper ar...

A charming early 20th Century bronze vase decorated with a dragon appearing from a lake, its body in the of the vase handle and a putto pearing round the corner with excellent colour...

A striking French Animalier gilt and patina tied bronze study of a seated Alsatian in alert pose with head turned slightly and ears pricked. The surface with excellent naturalistic detail and very fine colour, signed L.Riché and stamped with foundry seal for Thiebaut Frères Additional information Height: 50 cm Width: 46 cm Condition: excellent original condition Foundry: Thiebaut Frères Circa: 1910 Materials: Bronze SKU: 7528 ABOUT Louis Riché Bronze...

A very fine late 19th Century Art Nouveau bronze figure of a young girl sat upon a well feeding a small bird, exhibting excellent rich brown variegated patina and very fine hand fini...

Highly detailed lost wax Bronze castings made after the Original pieces as a pair of Elegant dressed Lady's all finished in multi-patinas and mounted on absolute Black marble bases ...

Carrara marble sculpture signed A. Batacchi, Italy, Florence, late 19th century.

The Art Nouveau sculptural pitcher by sculptor Charles Théodore Perron (1862-1934) is a testament to the elegance of Art Nouveau craftsmanship. Crafted in France around 1900's, this pewter showcases Perron's keen eye for detail and artistic flair. Showcasing semi- nude women figures inspired by naiads/mermaids giving a whimsical feel of lightness , a reclined lady at the neck of the pitcher serving as handle, and the neck with a face mask, alongside art nouveau organic motifs all in high relief. A true collector's piece, adding a touch of sophistication to any setting, inspired by the Art Nouveau Spirit . Charles Théodore Perron Charles Théodore Perron, born in Paris 10th on October 16, 1862 and died in Bourg-la-Reine on December 18, 1934, is a French sculptor. A student of Falguière, Roy and Louis-Auguste...

FRANÇOIS ANDRÉ CLÉMENCIN French, 1878-1950 "Celuy qui fut pris" (The One Who Was Taken) Patinated bronze Signed on base "A. Clemencin" cold-stamped "46" and "32" and "FRANCE" in ov...

Antique Bronze Sculpture Naked Boy

A late 19th Century Art Nouveau patinated bronze sculpture of a young boy with instrument. Artist signed Auguste Morea, with the French bronze hallmark on base. 24 inches tall

This exceptional and monumental antique terracotta sculpture was crafted at Vienna’s renowned Goldscheider manufactory. This enchanting sculpture, model #1225, depicts a charming genre scene of a young boy...

A fabulous Art Nouveau bronze figure of a young beauty sat upon a rock surrounded by birds whilst holding a lute with excellent colour and very fine hand chased surface detail, raise...

Solid Bronze Sculpture by Ting Shao Kuang Named "HARMONY". This solid Bronze Is quite heavy in weight and beauty that will certainly bring a wonderful ...

Sculpture Year: 1900 Material: silver plated bronze We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at you...

It wasn't easy trying to title this bronze in one sentence. The first thing about it to my eye is the wonderful whimsy displayed. The fact that it's a thermometer just adds to the jo...

A French Art Nouveau "Femme-Pieuvre," brown glazed ceramic inkwell by Rupert Carabin, wherein a woman ecstatically rips open the head of an octopus, spilling its ink. A beautiful pl...

A stunning antique bust from the Art Nouveau period. We think this is French and dates from around the 1890-1900 period. It depicts a young girl in a shawl, it is signed and numbe...

An early 'Bibendum Protégé' Car mascot - Hood Ornament, French, circa 1910, Nickel-plated bronze figure of a 'slim' Mr. Bibendum, mounted on wooden black base. Perfect for any Classi...

This large antique sculpture is possibly signed by an unknown artist, or titled and originated from Austria and dating to approximately 1890 and done in the period Art Nouveau style....

Carrara marble sculpture signed Luca Madrassi, Paris, circa 1890. Art Nouveau period.

Admirable Art Nouveau Group of Figures by Rosenthal: Naked faun-like boy sitting on the back of an ibex, straining his upper body backwards and supporting himself with both arms on t...

Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...

Important patinated spelter lamp representing a young boy, probably a butcher boy, drinking his soup accompanied by his pit bull / bulldog type dog. The boy is leaning against a gallows holding an electrified green lantern. By Belgian sculptor Victor Rousseau (1865-1954). Art Nouveau / Belle Epoque style. Plate with inscription "La Bonne Soupe par Rousseau" ("The Good Soup by Rousseau") on the front, signature "Rousseau" on the side and stamp "Fabrication française...

Bronze with a black patina, signed by the sculptor Gregroi (19th century) and stamped Antique Bronzes 68. This work represents the end of the very first of the twelve labors of Hercu...

Carrara marble sculpture signed "Loreley" by Hippolyte Moreau, France, circa 1890. Art Nouveau period.

JEF LAMBEAUX (1852-1908) "Bust of a Young Woman" in bronze. Jef Lambeaux's "Bust of a Young Woman" with bared breasts is a striking work of art that embodies both beauty and controversy. Created by the eminent Belgian sculptor Jef Lambeaux (1852-1908), this bronze sculpture reveals exceptional technical mastery and extraordinary artistic sensitivity. The young woman depicted, with her hair flowing freely and her face imbued with serenity, embodies the quintessence of feminine beauty. This work is part of the Romantic Realism...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

This large and substantial well executed lighted sculpture is signed by an unknown artist, and copyrighted by Napoleon Alliot of France and dates to ap...

Art Nouveau bronze "Daphne" statue by World Famous Women Artist Bessie Potter Vonnoh 1872-1955. Theodore Roosevelt Memorial Fountain 1923-1927, the Corcoran Gallery of art...

Bronze alloy table lamp sculpture signed Waagen. Germany, circa 1890.

Sculpture “La Frileuse” by Jean-Baptiste Carpeaux (1827-1875). It is made of gilded bronze supported on a red marble base. Signed JB Carpeaux, P B, Susse Frères, Editeuns Paris, Suss...

Vintage Patinated Cast Bronze Bust Statue Sculpture of Woman with Pinned Hair. Item features a wonderful desired patina, stunning detail, subject un...

Art Nouveau patinated bronze and ivory sculpture of a girl on a marble plinth by austrian author Ferdinand Lugerth By: Ferdinand Lugerth Material: bronze, ivory, marble, copper, met...

Large patinated bronze figure of an Antiquity warrior. He is set on a base decorated with battle scenes, marked: Les Chasseurs Éclaireurs de Bruxelles à leur Lt Colonel O. Tahon 1870...

Bronze sculpture with a brown patina, signed by Auguste Moreau, 20th century. Bronze sculpture by Auguste Moreau, 20th century, beautiful brown patina. H: 20 cm, W: 13 cm, D: 13 cm

1900s Art Nouveau bronze sculpture of a girl with a doll by Leo Laporte-Blairsy, France By: Leo Laporte-Blairsy Material: bronze, copper, metal Technique: cast, molded, metalwork, p...

A very fine late 19th century bronze figure of a young lad dressed in period attire holding a broken jug, with excellent rich brown patina and fabulous hand finished surface detail, signed & titled ADDITIONAL INFORMATION Height: 20 cm Condition: excellent original condition Circa: 1890 Materials: Bronze SKU: 8279 ABOUT Charles Anfrie...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France Glass: Muller To take care of your property and the lives of our customers, ...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

Wonderful bronze sculpture of Thumbelina from the fairy tale of the world Danish author Hans Christian Andersen. Very fine cast bronze figure of the late 19th century in the Art Nouv...

A striking and highly decorative ceramic sculptural lidded urn estimated to be from the 1900s, possibly originating from the renowned Søholm ceramic factory during its Skønvirke peri...

Representation of a pretty young lady in a softly falling dress, caressing her body as she stretches backwards, lying on a bearskin-covered divan. When the hinged belt is opened, the...

This patinated bronze sculpture titled Amour Captif is a powerful reinterpretation of love's paradoxes, created by celebrated French sculptor Félix Sanzel. Signed F. Sanzel on the b...

Jugendstil, Art Nouveau, Liberty We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing ...

Nymph & God Pan Terracotta Sculpture, Nymph & Satyr Terracotta Sculpture, Nymph & Faun Sculpture, Nymph & Satyr Statue. Large 93 cm terracotta sculptu...

Goldscheider terracotta "OTHELLO" Marked, Austria, circa 1895.

JEF LAMBEAUX (1852 – 1908) Bronze Statue "THE DANCER WITH CASTANETS" . Imagine a sculpture that transcends mere representation to capture the very essence of movement and passion. "...

Centerplace, WMF, German WMF (Wurttembergische Metallwarenfabrik) Electro- Wurtemberg Plate Company in Geislingen, Germany, internationally known today as 'WMF' initials of the...

Bronze Alloy sculpture "Fée Aux Fleurs", Signed L. Moreau, France, Late 19th Century.

GUSTAVE VAERENBERGH (1873-1927) Bust in Alabaster and Gilt Bronze "JEANNE D'ARC" (end 19th century-early 20th century) - THE WORK: The alabaster and gilt bronze bust of Joan of A...

Patinated bronze sculpture of a toreador, early 20th century. Sculpture by the sculptor Descay in patinated bronze representing a toreador in costume, early 20th century. H: 67cm, W...

One of a kind children's crib made of bent beech wood, design attributed to the Austrians Jacob and Josef Kohn (father and son) in the purest Art Nouveau style at the end of the 19th...

Grégoire Calvet (French, 1871-1928) A Fine Late 19th Century Life-Size White Marble Sculpture representing "Peace & Love". The beautifully carved white...

Goldscheider terracotta "" Marked, Austria, circa 1898.

This large Art Nouveau signed Goldsheider sculpture is done in patinated terracotta and dates to approximately 1900-1920. The statue is done in a Neoclassical style depicting a woman carrying water...

Clearly showing the influence of Auguste Rodin and the Art Nouveau movement, this remarkable bronze was sculpted by David Edstrom, a Swedish American artist. Here, a nude male figure is perched on the edge of a cliff, looking heavenward as a nude mermaid lies below, nude and full of invitation. Edstrom, the quintessential example of the tortured artist...