Ceramics

Polychrome ceramic Perfect condition.

Samuel Alcock & Co. Majolica purple glazed geraniums plate, English, circa 1860, molded with purple glazed geranium blossoms, stems and leaves glazed in green, yellow and brown, rese...

Stunning and vibrant bowl with sgrafitto and hand-painted colored glossy pattern of stylised women. On the base is painted Italy 7892. Fratelli Fanciullacci Pottery: during the fi...

Rare unusual Majolica frog playing guitar sitting on a chair signed Jerome Massier, circa 1910.

Very interesting 18th century Spanish ceramic wine or oil storage jar with wonderful olive green glaze with raised leaf and floral design ...

There are few salt & pepper as funky as these ones shaped as pineapples these items are handmade and handpainted in Italy.

Grand bowl noir by Cica Gomez Dimensions: Ø 17.5 x H 11 cm Materials: Stoneware Usual objects. My work is first driven by the search for the line. Th...

Three wonderful pieces made in Sweden during the 1950s at Rörstrand factory and designed by Gunnar Nylund. The objects have a wonderful form and glaze. Good condition. Mea...

Majolica asparagus platter in two pieces signed longchamp, circa 1890. Measures: two pieces / the platter 13.3" on 9", H / 1.8". cradle / ...

Large antique quality porcelain and brass mounted centrepiece having a large oval porcelain bowl with swags and leaf decoration in wonderful blue and gold colours, quality ornate bra...

White earthenware ceramic plate, partially engraved, with colored engobe and glaze. Stamped, marked, and numbered 'Edition Picasso / Madoura Plein Feu / I 107/ 20 / 200' (underneath...

Each crock measure approximately 6 inches in diameter x 3.5 inches in height.

Late 19th century Imari plate. This is a lovely deep plate with scalloped edges. The central medallion has hand painted florals in a jardinier...

Alvino Bagni for Bitossi designed this pair of outstanding rare vintage black Italian ceramics in the 60's for Good Friends which was an American importer and often commissioned Bito...

Small polychrome glazed ceramic figure of a small seated figure with curly black hair and chain with peace sign.

Unusual antique Victorian Staffordshire stoneware King Charles spaniel, having a quality unusual Staffordshire stoneware figure of a King Charles spaniel, hand painted in a lovely sh...

Sylvia Leuchovius (Sweden, 1915-2003), unique vase made for Rörstand, Sweden 1960/70s. Partially glazed. Signed. In good condition, very few minimal signs of age and wear. Sy...

Bouteille de décoration whisky Jean de Lespinasse en céramique bleu. Une petite grenure à signaler au pied visible sur la photo sinon elle est en top état. Jean de Lespinasse(1896-...

This is a good, late Georgian, ironstone dinner plate, hand decorated in pattern no. 15, manufactured by the English Davenport factory, which was situated in Longport, Staffordshire, England between 1794 and 1887. The oriental garden "Imari" pattern is transfer printed in cobalt blue of different shades, then all hand coloured with different enamels in good detail. The pattern is called "Bamboo and...

This is a cup & saucer duo in the hand painted "Ravel" Pattern by the renowned Art Deco designer Clarice Cliff. This piece dates to the Art Deco period Circa 1936. The Ravel pattern was first introduced in 1929 and was one of Clarice's most popular designs. The pattern shows "Cubist" flowers and leaves in jade green and orange. The pieces are potted in the "Athens" shape Both pieces have the the Clarice Cliff, Wilkinson's England Lithograph marks in black, dating them to circa 1936, all fully documented in the book ; Clarice Cliff The Bizarre Affair, written by Leonard Griffin and Louis K. and Susan Pear Meisel...

This is a bowl by Clarice Cliff in the "Hydrangea" pattern, circa 1933. The Hydrangea pattern is a "Bizarre" pattern, produced in 1933. It is hand, in the green colour-way, with flo...

The Kuznetsov factory was in Volkhov, Russia, was established in 1889, one of many owned by the Kuznetsov family, producing faience chiefly for the Ottoman and Central Asian market, ...

Art Deco glass ceramic manufactured Boch Design Charles Catteau French Belgian origin perfect condition.

Mid-late 20th century Richard Ginori cake stand, Italy. In his Chinese red & gilt rooster design. 10 3/8" dia., 4" h. We are a family business that has been a major source for the s...

These are pair of porcelain blue and white, hand gilded tea cups made by Miles Mason (Mason's), Staffordshire Potteries, England around the turn of the...

This is a mid-19th century Mason’s patent ironstone Dinner Plate produced at the time when Mason's was owned and controlled by George L Ashworth after the bankruptcy of C J Mason in ...

Vintage French ceramic decorative stein by Gustave Reynaud, Le Mûrier studio (circa 1960s). A delightful drinking vessel (or preferably a small flower vase perhaps?) with handle in t...

This is an amazing sample of the great gold and multiple experimental glazes and motives of the great ceramist Ralph Bacerra. He made many solo exhibitions and like this piece, was c...

La Borne Realised circa 1970 original black and brown large stoneware ceramic bowl or cup Perfect condition Signed at the base Measures: Height 14 cm Large 25 cm.

Ceramic Vase signed by Fenice Albisola for Manlio Trucco - Italy 1930.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair ...

Rare Goldscheider Art Déco figurine of around 1930: Dancer with brown hair pinned up at the nape of her neck in a dress flared like a fan with flounces and floral decoration, leaning...

Wonderful pottery wine cooler Hand painted decoration Factory mark on the underside ( not identified ) Condition commensurate with the age of the piece. A few minor chips seen in ...

Bruno Gambone (1936-2021) Bottle A light grey ceramic bottle, with a rectangular body decorated with a low relief grid on the front and back, the trumpet shape bottle neck closed with a conforming ceramic cap. Signed underneath « Gambone, Italy ». Italy, 1980s. Bruno Gambone (1936-2021) Bruno Gambone was born in Vietri sul Mare in 1936. His father, Guido Gambone, a famous ceramist soon trained him in his workshop in Firenze. During the 50s, Bruno went to work with Andrea D’Arienzo...

Chinese export underglazed blue and polychrome octagonal platter, circa 1800.

Table set for 12 people "Le Parisien" by Creil & montereau. 12 different patterns with children playing with vegetables, eggs, frogs, nuts, snails, etc. Creil & Montereau marks with ...

Elegant white and blue plate made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Wonderful midcentury Israel Lapid pottery pieces featuring trademark Lapid markings on the bottom and dark bluish-grey interior glaze. Lapid is the most renowned and collected kibbut...

Bear with a bear baby glazed stoneware Roayal Copenhagen statue by Knud Kyhn. Ceramic statue produced by Royal Copenhagen of Denmark in perfect condition. Produced 1950s. Knud Kyhn 1...

VASE “SCARF” Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration with a crack motif. h...

A unique, hand-made organic sculpture expressing abstract broad, curling and intertwined leaves. The hand-formed white earthenware body, fired, sanded, and waxed, results in a silky surface that adds a tactile delight to the the visual impact. South African sculptor...

Dive into a nostalgic journey with this rare and unique large set of Michelin Man tiles, crafted by an unknown manufacturer in Spain circa 1960. The set comprises the complete series...

Majolica oyster plate with different flowers on each shells, circa 1900 signed Longchamp. Hairline.  

Large Majolica basket with iris flowers signed Sarreguemines, circa 1920.

art deco huge Ø33cm! fruit bowl hand made in France ar. 1930 - very rare in perfect condition

This sizable ceramic and well executed Cheetah sculpture is signed by the maker Ronzan of Italy and dates to approximately 1960 and done in the period Mid-Century Modern style. The s...

This is a rare miniature Mason's ironstone Bowl, decorated in a beautiful hand painted floral gilded pattern, which we date to circa 1820. Miniature or toy items of Masons ironstone...

Pink vase in amazing shape. Produced in 1960s in Poland. Glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. The outer re...

A section of the Palladian motif artfully and elegantly frames the rim of this soup bowl. The composition expresses a fully-formed Palladian window, t...

A French glazed ceramic vessel signed and dated with initials EG 1955. A gréât example of French 1950’s glazed ceramics.

Gorgeous painted ceramic vase plus two candle holders with gold trimmings in relief in spider form by Pucci. The Company “Ceramiche Pucci”, founded by Ing. Domenico Pucci in 1947 in ...

This is a rare early 19th century ironstone plate made by Stephen Folch of Church street, Stoke, Staffordshire Potteries, England between 1819 and 1829. The plate has a light grey...

A large Hollywood Regency yellow ceramic cabbageware platter. This will be a fabulous addition to a current lettuce ware or cabbage ware collection, or the beginning of a new one! Th...

FAPG 20247D John Bennett (1840-1907), New York Plaque with pink and blue phlox, circa 1881-1882 Earthenware, painted and glazed Measures: 14 7/8 in. diameter, 1 13/16 in. high Signed and inscribed (on the back): J B[monogram] ENNETT / E 24 NY. / MC [or] CM If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics. A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally. Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background. Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years. Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...

1 of 13 Vintage Turi-Design Lotte Pitcher, Made in Norway Sold: €73.89 Days on 1stDibs: 331 Vintage Turi-Design Lotte hand painted plates, Made in Norway, stamped 1075 on Bottom, F...

Piero Fornasetti set of six strumenti musicali plates 1950s-1960s. The plates each depict a different selection of stringed instruments including guitars and lutes on a faux bois...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic hanging on walls as pictures, as well as displayed on tables and shelves. They are also functional, and an integral part of a good meal - one of the best and most important things in life. Animals and ??sea creatures on ceramics are part of a long tradition, and were a particular favourite of the ancient Greeks and Romans. Tom sees...

Pair of enamel ceramic planters, Art Nouveau period, Germany, circa 1900.