Ceramics

19th century majolica plates by Villeroy & Boch in unusual color combination of olive green and majolica pink with relief design on front. Nice addition to your table or just to disp...

Beautiful painted ceramic dish by Robert Picault, France, 1950s. Rectangular dish with painted flower and green stripe detail. Perfect as a catch-all or jewelry tray. Signed.

Bring the beauty of the garden to your home with our hand-painted radicchio-style plate in a pink hue. Perfect for tableware, this serving tray/platter adds a touch of natural elegan...

This is a beautifully hand painted shaped Plate in the rare Muscove Duck pattern by Mason's Ironstone, Lane Delph, England, dating to circa 1825. The piece is well potted with a sta...

Vase made in the Tarnowiec Glassworks located in Poland, designed by J. Słuczan-Orkusz. Soda glass, mass-colored, hand-formed. Vintage product from 1970s It can be also candlestic...

Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...

Antique 'rose medallion' also called 'famille rose' porcelain vase of very large proportions. Made in Canton, circa 1880 The Rose Medallion pattern was especially popular from 1830...

This is a very decorative dish or plate by Mason's Ironstone, Lane Delph, England in the Bamboo and Basket pattern, dating to the early 19th century, Georgian period, circa 1813-1820. The plate or dish is fairly deep and circular in shape with a notched rim. It is decorated in one of Mason's boldly colored chinoiserie...

Made in Italy, 1970s. This ashtray / catchall is made in glazed ceramic by Gabbianelli and features its logo on the bottom. It may show slight traces of use since it's vintage, but...

A set of four ceramic butterfly motif napkin rings. Fabulous for a spring table setting. Unsigned. Measures: 2.75" tall 2" wide 1" deep.

Birger Kaipiainen (1915-1988) was the master of decorative ceramics at the Arabia factory in Finland. He was well known for his ornamental dishes that were rich, colourful and with themes from the fantasy world and fairytales, which actually fought against the idealism of the minimalistic movements in 1950s. Kaipiainen introduced ceramic beads to his art in the 60s' and the surface of the object became more important for Kaipianen´s art. This beautiful unique ceramic plate...

English Wedgwood Majolica Ceramic Cabbage Leaf Plate. Highly collectable Majolica plate moulded with a cabbage leaf design, on a basket weave background and then this is covered in g...

Beautiful vase made from Murano glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Venetian glass (...

Rare late 15th or early 16th century Mudejar tile of the so-called ‘Arista’ or 'cuerda seca' technique. The central motif is an eight-pointed star, which in turn encloses smaller on...

19th Century French blue & white chinoiserie platter Creil et Montereau. Model Pagoda. 12 inches.

Blue twisted vase in amazing organic shape. Produced in 1960s. Glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. The outer...

This is a very decorative Desert Plate by Mason's Ironstone, Lane Delph, England in the Oriental Pheasant pattern, dating to the early period of Maso...

Enhance your summer entertaining with the elegant Ceramic Saint Jacques Salad Bowl. Expertly handcrafted and beautifully hand-painted in Italy, this feature distinctive scalloped-edge detailing inspired by the iconic Saint Jacques seashell. The charming design and artisanal craftsmanship make them a perfect choice for stylish outdoor dining or festive indoor gatherings. Ideal for serving fresh seafood, pasta and salads, these plates add a touch of Mediterranean flair and sophistication to your table...

Lovely antique circular decorative porcelain platers, a round relief centered by hand repoussé children figures playing, with flowers and superlative bas ...

Pierre Digan Extra large ceramic pitcher signed at the base Height : 40 cm Large : 30 cm Original perfect condition Light grey ceramic glaze decoration Original 20th m...

One-of-a-kind Raku-fired vase. Imperfectly round. Made in our Brooklyn studio then fired in a New Jersey back yard, All dimensions are approximate as each piece is handmade. Slig...

Beautiful wabi-sabi coil-built extra-large decorative ceramic bowl, for serving or display. The heavily textured surface is formed and glazed ...

Beautiful and Unique Artistic Vase Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration...

Unique mid-century silver casket, cigarette case, or jewelry box. Very good original vintage condition. Only one unique piece. Produced in 1960s in Italy.

Set of 5 Fornasetti ceramic /gold plates “Grandi Maestri” series. Ceramic plate by Piero Fornasetti of the series ” Grandi Maestri ” Music Great Masters. Ceramic, silk screen prin...

Wall panel composed of a very rare group of 6 ceramic tiles designed in 1960 by Gio Ponti for Joo Ceramiche Milano, "diamond" model, fire-red in white aluminum frame. The whole panel...

French Art Deco ceramic skye terrier sculpture by Santiago Rodriguez Bonome, France, 1920s. Height: 9.65"(24.5cm) , Width: 14.2"(36cm), Depth: 5.1"(13cm). Inciseded signature "SR BONOME PARIS" under the belly (see photo). Many works are exhibited in different museums: Paris, National Museum of Modern Art - National Center of Art and Culture Georges-Pompidou La Rochelle Spain, Valle-Inclan Foundation Spain, Museum of Lugo Spain, Caixanova Collection... Spain, Prado Museum in Madrid Born in Santiago de Compostela (Spain) in 1901, son of Evaristo Rodriguez Bréa and Antonia Bonome Pérez, he worked very young in his father's humble cabinetmaking workshop. Little attracted by this job, when his father asks him what he wants to do: "sculptor" he answers. He therefore entered, at the age of 13, in the religious imagery workshop of José Rivas, at the foot of this cathedral which he admired so much, then at the age of 18 in that of Enrique Carballido. "Because he is so, so young, Bonome! Ridiculously young said a critic, who probably did not know that these years of apprenticeship, of real apprenticeship as an apprentice in a real workshop (a saint a day and strongly, for all the processions, all the chapels and all the devotees of the province) are each worth four years -at least- of study in an academy..." Margarita Nelken (Madrid 1932) In 1924, he left for Madrid where he exhibited at the Galician Center, at the National Exhibition and then in La Coruña. In 1925, at the Galicia Center in Buenos Aires he sold almost 30 of his works. From 1926 to 1927 he exhibited in Barcelona, at the Venice Biennale then in Monza (Italy) where he met Pirandello, then in Havana. In 1929 he arrived in Paris where Lucas Moreno...

A large platter, bearing commemorative portraits of Naser al din Shah Qajar, painted in cobalt and parcel gilt. This beautiful portrait platter was purc...

The Kuznetsov factory was in Volkhov, Russia, was established in 1889, one of many owned by the Kuznetsov family, producing faience chiefly for the Ottoman and Central Asian market, ...

A very fine, antique Chinese Rose Mandarin porcelain vase. With rich polychrome enamel decoration on a light celadon ground. An excel...

Fun set of four "Marilyn Monroe" ceramic coffee mugs in box by Andy Warhol for Block, circa 1980s. The set is in excellent condition with no chips or cracks and comes with the origin...

Antique 19th century rose medallion vase with a bulbous center section and a smaller flared out section on the bottom and a larger flared out section on the top The colors are vivid....

This is a rare miniature Mason's ironstone Lidded Urn or Vase in the beautiful Gold Rose Japan pattern, which we date to circa 1820. Miniature or toy items of Masons ironstone are...

GUIDO GAMBONE - VIETRI - Rare Mid Century monumental studio ceramic vessel / jug - hand painted - thick, frothy, gritty glaze (sand added in production) - signed with a donkey and VI...

Here is a very, very, very rare blue and black Roth Keramik jug vase with 2 ring handles, pattern number 313, 23cm in height. In excellent condition, this ...

One-of-a-kind Espresso Splatter Mugs designed by Peter Shire. These functional and sculptural mugs are crafted by Echo Park Pottery in Los Angeles using slab construction and individ...

A stunning Spanish or North African faience deep bowl. 18th century. Well cared for with various old rim repairs typical of the form. Red ware base. 15 1/4" diameter, 4" height. We ...

A bright green cabbage motif tureen with lid and underplate. Cabbageware became popular in the 1970s and has become highly collectible for Palm Beach enthusiasts. This iconic piece w...

Guido Gambone (1909-1969) Hand enameled with geometric decor characters on glazed ceramic. Can be used as vide-poche or wall decor Signed Gambone, Italy with donkey mark. Nice origin...

Wave collection offers playful geometric shapes rooted in primal forms that appeal universally. Our "Mini" version of our iconic Wave form vases is a...

Rare antique item from Rörstrand. The Rörstrand company has produced ceramics for nearly 300 years and is one of Sweden’s oldest industries. The Swedish Porcelain Works was founded i...

Here we have 2 ceramic cups, in splatter pattern. Both signed as shown, with EXP mark. You can buy them both, or to pick big handle or small handle, at list $ 250.00 each, for the well known Los Angeles...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Horse sculpture was produced in England. Only one item available.

Wonderful blue glaze on these 2 vases and bowl from Rörstrand Sweden, designed by Gunnar Nylund in the 1950s. They are all in good vintage condition. Dimensions: Large vase H ...

Beautiful and rare set of coffee tea for 4 great condition circa 1963 in white porcelain great condition like new, no chips or cracks, 4 snack plates - 8....

Early Arista y cuenca tiles made in Toledo. Tile decorated in renaissance with stylized flowers, probably made between 1550 and 1575. I have four of them available, please reach o...

Yugen in Japanese literally means "slightly dark " and it stands for the charm of all the things that are in dim light. It means the dark light and the beauty of remaining in the dar...

Beautiful decorative ceramic vase, perfect for displaying your favorite blooms. With its simple lines and contemporary aesthetics, this handmade pottery vase crosses the line between...

'Rimini blu' glazed ceramic vase designed by Aldo Londi for by Bitossi. Italy, 1960s. This eye-catching vase is made of blue glazed ceramic with engraved patterns surrounding the cen...

This is a good stone China (Ironstone) Desert Plate, hand painted in the tobacco leaf pattern, number 2061, made by the Copeland (Spode) factory in the 19th century, English Victoria...

Extremely rare and collectible, this large set of original French Michelin Man tiles from circa 1960 offers a striking opportunity to acquire an authentic piece of 20th-century comme...

Stunning white porcelain vase by Thomas. The rounded pleat design catches light and shadow beautifully from different angles. Measurements: H 8", W 5.5", D 3".

Beautiful and Unique Artistic Vase Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration...

Quality pair of Victorian seated Staffordshire spaniel dogs, having matching white coats, collars and padlocks with original glass eyes

Set of 6 Wedgwood jasperware trinket trays, beautiful neoclassical style item decorated with white antique-style scenes. Jasperware, or jas...

A Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones ca. 1920 and decorated with the 'Castle on a Road' pattern. Daisy Makeig-Jones is best known for the Fairyland Lustre...

Huge ceramic dish from the Sant-Vicens pottery workshops in Perpignan (south of France). Drawing made by Jean Picart Le Doux. Black and green stylized bird on an intense blue back...

Vintage Ceramic Plate with Abstract Motive by Roger Capron - Vallauris, France Roger Capron was in influential French ceramicist, known for his...

A dark brown-glazed pearlware bough pot with pierced cover and applied decoration, made by Wedgwood circa 1785. The development of a whiteware body had been a goal of ceramicists ac...

This is a very decorative fairly large & well hand painted, Jug or Pitcher made by Mason's Ironstone pottery, circa 1830. It has a rare shape and pattern. A jug of the same sha...