Art Deco Serveware, Ceramics, Silver and Glass

Solid silver cooler placed on a wavy pedestal, the body is swollen and flanked at the neck by adjoining ear handles. Granite appearance, hammer mounted, vermilion interior. Dimensio...

Magnificent caviar cooler in solid silver, sided model Cut, colored glass interior insulated silver lid. Dimensions: height 23 cm – neck diameter 18 cm – base 14.5 cm Material: So...

A stylish vintage Art Deco English silverplated six slice toast rack, circa 1950. Marked "Made in England" on reverse. This fine quality silver toast rack has a lovely Art Deco style...

Little girl in a red short coat with a white collar, matching short pants and a red barge hat with a white ribbon, bending down towards the upright doll with a blonde pageboy head an...

Plate by Gio Ponti from 1930 with a small boat on the waves of the blue sea San Cristoforo

A fine pair of shell-shaped Art Deco nut dishes. In sterling silver. By the F.B. Rogers Silver Co. Model no. 144. Fully marked to the reverse. Simply wonderful small scale bowl...

Goldsmith PROST - 18 knife holders in solid silver ART DECO period Suite of 18 knife holders in solid silver ART DECO model Dimensions: length 8 cm – width 3.5 cm – height 2.5 c...

Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

A very fine Art Deco Italian Murano satin glass millefiori twin handled vase dating from circa 1930-1940. This quality vase is of small bottle shape...

Rare and delicate Goldscheider Art Déco ceramic figurine of the 1930s: Elegant young lady in a red off-the-shoulder trouser costume with red polka dots and a large hat on her blond c...

Indulge in the timeless elegance and whimsical charm of the iconic Art Deco Napier silver-plated penguin cocktail shaker, designed by the master craftsman Emile Schulke in 1936. This...

This lovely 1930s Art Deco modernist tableware serving set designed by Quist, Germany, features a geometric base built in silver plate metal with a tall handle finished by a metal ba...

This French Art Deco champagne cooler is an absolutely elegant Modernist masterpiece made by the well-known manufacturer Ercuis in the 1920s. This piece is not just a functional ves...

Circa 1970s. We offer this silver plated polar bear drink shaker. Head comes off and has a drainer inside.

Art Deco Period pink glass ice bucket with stepped, faceted design and a nickel-plated pail handle in very good vintage condition.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

This is a fine quality Sterling Silver, Art Deco period, 3-piece tea set consisting of teapot, milk jug and Sugar Bowl, made by Cooper Brothers...

Unususual, Art Deco Period, sterling silver-mounted cocktail shaker, Birmingham, England, year-hallmarked for 1927, WP - maker. The maker's mark was registered in 1930-31, and, as in...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite very well made Brazilian Rosewood butlers tray with pressed butterfly wings retailed in Rio D...

Art Deco Cooler in Silver Metal by Jean Despres Elegant Jean Despres cooler in silver metal with chain design on the edge and textured martele, signed on the bottom. Measures: Height...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Sculptural Art Deco tea/coffee pot by Demeyere (ca. late 1930s/early 1940s, Belgium). Scarcely seen brass example with black bakelite accents (the chrome-plated version is more commo...

Val Saint Lambert Set of 3 Crystal Decanter, vase and Bowl Overlay Cut to Clear Beautiful Val Saint Lambert circular crystal decanter,Vase and Bowl handcut-to-clear, deeply and eve...

Elegant silver jardinière with an elliptical ground plan, the vertical wall slightly flared at the bottom and decorated with large-scale floral openwork, below a constriction and the...

WMF (Württembergische Metallwarenfabrik), Germany. Art Deco "Ikora" tray. Beautiful green patina. Abstract design. From the 1940s. In excellent condition. Marked. Dimensions: L 26.0...

Ashtray - Pintray "Clos Sainte Odile" made in glass with sepia patina by René Lalique in 1925. Stamped signature. Perfect condition. height: 11 cm Félix Marcilhac, René Lalique - ...

2 Pitchers In Sterling Silver Hand-hammered, plain body flanked by an arcuate handle and a pouring spout located at 3/4 of the body. Dimensions: Vermeil interior pitcher height 22.5...

Art Deco pelican bronze ashtray in dark green patina Max Le Verrier France 1920s marked on the base H 18 cm - 14 cm diam. Conditions: excell...

Val Saint Lambert Large Crystal Decanter, the 1930s. Beautiful Val Saint Lambert circular crystal decanter, handcut-to-clear, deeply and evenly cut, Val St. Lambert, circa 1930s. O...

Set of 4 unique, antique plates was made by Haviland & Cie in Limoges, France. The plates were hand painted by a professional artist in a decorating studio with Art Deco motif of fi...

Beautiful "Finches" model bowl by the Lalique France manufacture, France 1980s, signed and manufacture sticker. In excellent condition. Dimensions in cm ( H x D ) : 9.5 x 23.6 Se...

Art Glass vase by Hermann Michel, 12, rue Martel, Paris, France, ca.1930. Platinum pattern applied on a deep blue glass. Tahitian decor in reserve applied three times. Platinum refle...

PUIFORCAT - SILVER HOUSEWARE - “CHOISEUL” MODEL POINCON MINERVE 141 FIGURED PIECES OF A MAVELOT - NET WEIGHT 7462 grs + GROSS WEIGHT of the knives 1584 grs Presented in 4 lined dra...

Tiffany & Co. sterling silver flatware set in Art Deco style, with a beautiful geometric design, and in Faneuil or Queen Anne pattern, from the early to mid-20th century, consisting ...

Art Deco silver plate cocktail shaker of cobbler form and having bands of engine turned decoration.

This cutlery set is made up of 36 knives with ribbed mother-of-pearl handles and silver ferrules: 12 table knives with mother-of-pearl handles, silver ferrule, stainless steel t...

French Art Deco tray, France, 1930. Walnut, wrought iron and mirror. Measures: Width 18.1"(74.6cm), depth 7.88"(35.7cm), height 5.9"(3.5cm). A small repair on the walnut lower edge. ...

Art Deco centerpiece / coup / vide poche France 1940 silver-plated metal 5 cm H x 31 cm diam. Conditions: excellent consistent with age and use. Wonderful patina.

Model "BEAULIEU" Period 1930 - MINERVE hallmark Silver 950/°°° composed of 298 pieces complete for 24 people not encrypted. Presented in two boxes. Perfect used condition. Net wei...

Elegant liquor service comprising a decanter and 6 glasses, exquisitely decorated with liquid gold. Decanter with original manufacturer label. All in e...

Silver plated metal and marble foie gras platter, 20th century. Foie gras platter comprising a lyre and its silver plated metal and marble tray. W: 28.5cm, H: 1cm, D: 15.5cm

This beautiful Italian Art Deco sterling silver barware set, champagne, or cocktail stirrers, was manufactured by renowned silversmith B. Bernasconi, Milan, at his silverware store i...

With Twin Handles From our Barware collection, we are pleased to offer this Silver-Plated Continental Art Deco Champagne Bucket. The bucket with flared top rim and heavy Art Deco in...

D & S Personal Tea Kettle Pot Stainless Steel. Bauhaus clean Modern Design style of Peter Behrens Handle with cane wrap Very clean vintage gently used condition. Stamped at the bo...

Presenting a gorgeous set of 4 Salviati Venetian glass hexagonal tumblers. Made in Venice, Italy circa 1930 by the World famous Salviati Glasswork...

This is a large vintage Imari plate. A Japanese, ceramic decorative charger, dating to the Art Deco period, circa 1930. Pleasingly vibrant finish ...

James Deakin & Sons Art Deco silver plate and hardwood cocktail shaker in the form of a champagne bottle. Unscrew the hardwood neck just above the shoulder to fill with ice and cock...

Georg Jensen – Hammered solid silver tray Circa 1925/1932 Very beautiful plain solid silver tray in a round shape flanked by two fan-shaped side handles. Dimensions: Internal diame...

Art Deco Kangaroo ceramic vide poche Aladin France 1940s Marked Aladin France on the base. H 27.5 cm - 11 x 11 cm Conditions: excellent, no defects

Pair of Art Deco ceramic wall plates by Amphora, circa 1930. Provencal design. Decor of young Provencal girls in a landscape typical of the Art Deco years. Young women are dressed in...

A good antique Art Deco Belgian Blue Pottery crackle glaze vase, Charles Catteau for Boch Freres, circa 1925. The bottle shaped vase with a 'mallet' shaped base and raised on a shall...

A striking almost monumental pottery jug from Sylvac, England. This design 1410 dates back to the 1930s and it features delicate bone-texture-like brown and yellow glazes. A beautifu...

Large Art Deco decanter in the shape of a champagne bottle of optically ribbed clear glass mounted with a silver plate neck and hinged stopper in the form of a champagne cork.

Cut Crystal Ice Champagne Bucket Wine Cooler, France This classic pattern is a stunning combination of brilliance and clarity, characterized by the diamond and wedge cut crystal. Th...

Elegant Art Déco tray. France 1930s. Macassar wood. Chrome border Marked on the underside The tray stands on square macassar feet, making it look light and elegant. One glue spot vis...

Set of 10 Art Deco sterling silver cocktail cups. Made by Tiffany & Co. in New York, ca 1915. Each: Cone on baluster mounted to round foot. Spare and functional. Nice balance for swi...

Silversmith Saint Medard, Paris, crafted this stylish Art Deco silver plate cylindrical cocktail or Martini shaker in the 1940s. The three-sectioned cocktail shaker has a removable c...