Late 19th Century Folk Art
American Adirondack Antique Late 19th Century Folk Art
Wool, Paint
American Folk Art Antique Late 19th Century Folk Art
Metal
German Victorian Antique Late 19th Century Folk Art
Iron
American Adirondack Antique Late 19th Century Folk Art
Cotton
French Chinoiserie Antique Late 19th Century Folk Art
Wire
American Folk Art Antique Late 19th Century Folk Art
Wood
American Folk Art Antique Late 19th Century Folk Art
Wool
French Grand Tour Antique Late 19th Century Folk Art
Wood
German Black Forest Antique Late 19th Century Folk Art
Wood
American Adirondack Antique Late 19th Century Folk Art
Cotton
American Folk Art Antique Late 19th Century Folk Art
Fabric
American Country Antique Late 19th Century Folk Art
Pottery
American Folk Art Antique Late 19th Century Folk Art
Iron
American Adirondack Antique Late 19th Century Folk Art
Wool
Austrian Black Forest Antique Late 19th Century Folk Art
Wood
American Antique Late 19th Century Folk Art
Cotton
British Folk Art Antique Late 19th Century Folk Art
Wood
British Victorian Antique Late 19th Century Folk Art
Pottery
American Antique Late 19th Century Folk Art
Wood
German Folk Art Antique Late 19th Century Folk Art
Wood, Paint
American Arts and Crafts Antique Late 19th Century Folk Art
Wood, Pine
Uzbek Tribal Antique Late 19th Century Folk Art
Silk
American Antique Late 19th Century Folk Art
Cotton
American Adirondack Antique Late 19th Century Folk Art
Wood
American Folk Art Antique Late 19th Century Folk Art
Copper
American Native American Antique Late 19th Century Folk Art
Acrylic, Paper
French Late Victorian Antique Late 19th Century Folk Art
Metal
American Antique Late 19th Century Folk Art
Fabric, Silk
American American Classical Antique Late 19th Century Folk Art
Iron
French Antique Late 19th Century Folk Art
Ceramic
American Antique Late 19th Century Folk Art
Wool, Cotton
British Victorian Antique Late 19th Century Folk Art
Metal
Japanese Meiji Antique Late 19th Century Folk Art
Cotton
Indian Antique Late 19th Century Folk Art
Stone
Persian Sultanabad Antique Late 19th Century Folk Art
Wool
Antique Late 19th Century Folk Art
Wood
French Folk Art Antique Late 19th Century Folk Art
Brass
Nigerian Tribal Antique Late 19th Century Folk Art
Brass
Italian Folk Art Antique Late 19th Century Folk Art
Brass
Swiss Antique Late 19th Century Folk Art
Wood
American Native American Antique Late 19th Century Folk Art
Hide, Beads
Congolese Tribal Antique Late 19th Century Folk Art
Natural Fiber
Swiss Black Forest Antique Late 19th Century Folk Art
Wood
Persian Sultanabad Antique Late 19th Century Folk Art
Wool
American American Colonial Antique Late 19th Century Folk Art
Cotton
American Folk Art Antique Late 19th Century Folk Art
Brass, Copper
French Folk Art Antique Late 19th Century Folk Art
Wood
French Late Victorian Antique Late 19th Century Folk Art
Metal
German Black Forest Antique Late 19th Century Folk Art
Wood
French Late Victorian Antique Late 19th Century Folk Art
Brass, Steel
English Late Victorian Antique Late 19th Century Folk Art
Bone, Wood
French Belle Époque Antique Late 19th Century Folk Art
Canvas, Wood
American Antique Late 19th Century Folk Art
Cotton
Turkish Kilim Antique Late 19th Century Folk Art
Wool, Natural Fiber, Organic Material
American Adirondack Antique Late 19th Century Folk Art
Wood
British Victorian Antique Late 19th Century Folk Art
Leather
American Antique Late 19th Century Folk Art
Wool
Austrian Folk Art Antique Late 19th Century Folk Art
Wood
Caucasian Kilim Antique Late 19th Century Folk Art
Wool, Natural Fiber
French Antique Late 19th Century Folk Art
Metal
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A Giant Wedding Cake Has Us Looking at Portuguese Tiles in a New Light
At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.
Why Jules Chéret Was the King of the Modern Poster
The streets of fin-de-siècle Paris were set aglow with colorful poster ads, thanks to the printing techniques invented by Jules Chéret. Now, the Milwaukee Art Museum is celebrating this undersung talent in America's first solo show dedicated his exuberant works.
Why the American Flag Has Had So Many Different Star Patterns
Expert Jeff Bridgman explains the history and meaning behind the twinkling constellations that have graced Old Glory.
Peggy Guggenheim Loved Modernism, but She Also Collected Tribal Art
The iconoclastic style setter displayed African and Oceanic art, as well as works by indigenous peoples of the Americas, alongside pieces by such major modernists as Pablo Picasso and Jackson Pollock.
The 13-Star American Flag Had More Variations Than You’d Think
Perfect for July 4th weekend, a new show at Philadelphia's Museum of the American Revolution displays an array of antique red, white and blue flags.
Tramp Art, America’s Most Misunderstood Art Form, Is Trending in Interiors
Designers are beginning to see this enigmatic form of folk art in a whole new light.