George Nelson for Koch Lowy "Eyeshade" Desk Lamp, 1970's

Architect, designer, and writer George Nelson was a central figure in the mid-century American modernist design movement; and his thoughts influenced not only the furniture we live with, but also how we live.

Nelson came to design via journalism and literature. Upon receiving his bachelor’s degree in architecture from Yale in 1931, he won the Prix de Rome fellowship, and spent his time in Europe writing magazine articles that helped bring stateside recognition to Ludwig Mies van der Rohe, Gio Ponti, Le Corbusier and other canonical modernist architects.

In the 1940s, Nelson wrote texts that suggested such now-commonplace ideas as open-plan houses, storage walls and family rooms. D.J. De Pree, the owner of the furniture maker Herman Miller, was so impressed by Nelson that in 1944 — following the sudden death of Gilbert Rohde, who had introduced the firm to modern design in the 1930s — he invited Nelson to join the company as its design director. There Nelson’s curatorial design talents came to the fore.

To Herman Miller he brought such eminent creators as Charles and Ray Eames, Isamu Noguchi, and the textile and furniture designer Alexander Girard. Thanks to a clever contract, at the same time as he directed Herman Miller he formed a New York design company, George Nelson & Associates, that sold furniture designs to the Michigan firm. Nelson's studio also sold designs for clocks to the Howard Miller Clock Company, a manufacturer that was initially part of Herman Miller before it became an offshoot that was helmed by Howard Miller, D.J. De Pree's brother-in-law.

Nelson’s New York team of designers (who were rarely individually credited) would create such iconic pieces as the Marshmallow sofa, the Coconut chair, the Ball clock, the Bubble lamp series and the many cabinets and beds that comprise the sleek Thin-Edge line.

For dedicated collectors, as well as for interior designers who look beyond “the look,” there is a “cool factor” inherent to vintage pieces from George Nelson and others. Nelson was in on it from the start, and it’s valuable to have a piece that was there with him.

But still, as is evident from the offerings from dealers on 1stDibs, in any of the designs, in any iteration whose manufacture Nelson oversaw and encouraged, there are shining elements of lightness, elegance, sophistication — and a little bit of swagger. George Nelson felt confident in his ideas about design and didn’t mind letting the world know.

Collectors know Koch & Lowy for its eye-catching sold brass five-arm chandeliers, sleek chrome swing-arm floor lamps and clever table lamps with marble bases. With a wide range of sculptural mid-century modern and 1970s-era fixtures created by the likes of George Nelson, Karl Springer, Piotr Sierakowski and others, the American lighting manufacturer elevated the design of furniture and home decor from the postwar era onward.

Ernest Lowy founded Koch & Lowy in New York in 1946, initially running the firm with his son, Thomas. Over the years, collaborations with notable designers such as American artist Neal Small — known as the “Prince of Plastic” for his innovative use of Plexiglas and Lucite — yielded iconic pieces such as Koch & Lowy’s biomorphic, clear-glass pendant lights and wall sconces for German manufacturer Peill and Putzler as well as the rare Half Nelson table lamp. 

Created by George Nelson — an architect, journalist and designer who brought a slew of legendary designers to Herman Miller while he was director of design at the company — the Half Nelson table lamp, with its striking form and shade of spun aluminum, was originally designed in 1950 as part of an architectural project of Nelson’s on Long Island. Koch & Lowy put it into production in the late 1970s. 

Throughout the 1960s and 1970s, Koch & Lowy floor lamps gained wide acclaim. Neal Small’s architectural aluminum periscope Skyscraper floor lamp and their Pharmacy tent floor lamp, which Thomas Lowy admitted he copied unwittingly from Omaha architect Cedric Hartman, were particularly popular.

“I’d bought a tent [lamp] in Italy, but it had been made so badly that I decided to make a better one,” Lowy explained to the New York Times in 1976. “I didn’t know that the Italian one wasn’t original. I didn’t know it was a copy of Hartman’s design.”

Nevertheless, Koch & Lowy enjoyed success designing and producing innovative lighting fixtures and other furniture such as the brutalist Mirage coffee table, created by Polish designer and head of Koch & Lowy’s design department, Piotr Sierakowski.

While Thomas Lowy sold the company in the 1990s, the brand’s impact on modernist lighting design endures.

On 1stDibs, find a range of vintage Koch & Lowy lighting and tables.