1930s More Furniture and Collectibles

Colonial Ironwork in Old Philadelphia: The Craftsmanship of the Early Days of the Republic by Philip B. Wallace. Architectural Book Publishing Company, 1930. First Edition hardcover with dust jacket. "147 pages of detailed drawings and magnificent photographs show the craftsmanship of the early days of the Republic in the studies of gates, railings, lamps, locks, hinges, weathervanes, and all the beautiful things that were made by our forefathers." This illustrated tribute to Philadelphia's many well-preserved examples of colonial ironwork has 182 clear and fantastic, large B&W photographs and 41 measured drawings. These rendered ironworks appear in the railings and gates of churchyards, on the marble steps...

Chrome and steel magazine holder by John Waring Carpenter for McKay Co. 1933 Worlds Fair Century of Progress. The McKay Company was founded by Pittsbu...

Pair Of French Art Deco Nightstands. Offered is a unusual pair of French Art Deco nightstands or side tables each with a single drawer, black glass tops and accented with bronze hard...

This antique Art Deco lacquered wood nightstand or small side cabinet is circa 1930 and is part of a matching set that includes a larger dresser for sale separately. This unique, handcrafted, two-toned wooden cabinet has a tall, thin proportion will one drop-down door with finished interior storage. Original silver-tone geometric metal hardware. This versatile cabinet can be used as a nightstand or small cabinet. NOTE: Matching dresser sold...

This European set of two nautical magnifying glass map-readers are quite unusual and rarely found. It is fully encased in it's heavy wooden and metal enforced box. Hailing from betwe...

Chinoiserie decorated circular barometer, circa 1930s. Black background with gold decoration,  Depicting, houses, temple, figures, trees & foliage, Brass face, Badge on back, re...

Nice antique ship model of an American brig. Deck details include cannons on carriages, capstan, anchors, longboat, gratings, etc. The model is rig...

Pair of bookends made of steel and depicting a sailboat sailing upwind. English manufacture of the 1950s. Bon état. Measures 11.5x8x15.5 cm - inches4.5x3.2x6.2. The last photo is the...

Original Art Deco era gold-filled watch exudes timeless sophistication and enduring quality with a warm rolled gold casing showcasing a modern form with delicate detailing, reflectin...

This elegant Bauhaus style valet stand comes from Czechoslovakia from the 1930s. It is made of tubular chrome steel and was produced by Slezákovy závody. This practical and clean-lin...

Stunning pair of original antique Art Deco ''Reading Ladies" bookends by Max Le Verrier 1920. Patinated spelter with ''Portor Marble'' base. Superbly styled Art Deco design fitting for Max Le Verrier famous sculptures...

Rare and charming set of wooden dolls by Kay Bojensen from his own workshop. The dolls were designed in the 1930s and was named Lise (female) and Ole (male) as these were the most co...

A wooden toy zebra made from Danish beech and hand painted white and black. It was designed by Kay Bojesen in 1936. This particular example was manufactured in the 1950s. It has bee...

Gorgeous Damascan inlay three panel screen or room divider Featuring intricate inlay work with mother of pearl and other arabesques Great interiors piece and we date this work of art...

"Jeune femme aux colombes" "young woman with doves" By Armand Godard. Beautiful sculpture with beautiful patina Art Deco period representing a woman sitting feeding birds on oval terrace in black marble. Very fine work. Signed. France,  circa 1930 Armand Godard made many chryselephantine statuettes in bronze and ivory in the Art Deco style, especially for the foundry Edmond Etling. In the 1920s and 1930s, he exhibited in Paris in the salons of the Society of French Artists. During the 1937 Universal Exhibition in Paris, he showed a monumental statue 4.5 meters high and a patinated plaster sculpture.

The Decadence of Early Haute Couture released by the hands of Elsa Schiaparelli. Early 1930’s -1940’s House of Schiaparelli Studio in France. A Parure Set with Matching Necklace, Br...

A stainless steel lighter designed by Ronson. Very beautiful desk Rondette lighter, created in New Jersey United States by The Ronson Co. during the art deco period, back in the 1934. This is a very unusual lighter designed with wonderful geometric patterns and crafted in solid steel with a central round body set upon two smaller cylindrical feet. Embellished with black lacquer, creating a great contrast with the base polished steel. Extremely well made and solid construction with very nice care and attention to all details. This surely is a very decorative piece and a great conversation item in gorgeous and exceptional preserved condition. Weight: 104.9 Grams, (67.24 Dwt). Measurements: 66 mm by 21 mm by 82 mm (2.59 x 0.83 x 3.23 Inches). Marks: Stamped with the maker's mark and signed, "RONSON US PAT.RE.NO.19023 RONSON RONDETTE ART METAL WKS INC NEWARK NJ US PAT.RE.NO.19023". The Ronson lighter company started as The Art Metal Works in 1897 and was incorporated on July 20, 1898, by Max Hecht, Louis Vincent Aronson and Leopold Herzig, in Newark, New Jersey. Louis V. Aronson was a huge creative driving force for the company; and, with a few business adjustments, including the addition of Alexander...

A luxurious, vintage four drawer French Art Deco dresser, chest of drawers in burl walnut featuring a lively grain pattern with a rich, warm ap...

Antique ship model of the American schooner yacht Wanderer. The masts are rigged with deadeyes, pulleys, and standing and running rigging. The varnished deck carries two built up cab...

Antique terrestrial globe by Prof. Dr. Arthur Krause made by the German institute Ráths. The globe has a scale size of 1 : 38.600.900. The globe rests on...

The Sparton Cloisonne´ model 500C radio introduced in 1939 is a veritable Art Deco masterpiece attributed to Walter Dorwin Teague. Its compact housing features a colorful metallic sk...

ART DECO Wall Coat Rack Gold Brass 1930s This unique coat rack combines nostalgic charm with practical functionality and adds a touch of timeless elega...

Pair of Unopened Congress Art Deco Playing Card Decks in Original Box – Sealed with 10-Cent Tax Stamp This pair of unopened Congress Playing Card decks is a rare find, preserved in its original Art Deco box. The exterior of the box showcases an elegant floral block print design in black and gold on a deep red paper, exuding classic 1920s-1930s sophistication. The interior is lined in gold paper and features two compartments, each containing an unopened deck of cards wrapped in original wax paper and sealed with the U.S. Playing Card seal and a 10-cent playing card tax stamp, a mark of authenticity and a nod to its historical significance. The two decks exhibit stunning Art Deco motifs, one featuring an intricate symmetrical pattern, while the other presents a bold geometric portrait of a man, titled "Serge" at the bottom. A sample card with a cut corner is included in each compartment, allowing a glimpse of the designs without breaking the seals. Despite its age, the cards remain in excellent antique condition, with only minor creasing and a tear/minor loss on the wax paper wrapping. First introduced by The U.S. Playing Card Company in 1881, Congress Playing Cards were known for their luxurious quality and artistic designs, often featuring elaborate backs that reflected the era’s artistic trends. By the early 20th century, Congress decks became a status symbol, frequently gifted and collected for their refined craftsmanship and decorative appeal. The 10-cent tax stamp on each deck dates back to the Revenue Act of 1894, when the U.S. government required playing card manufacturers to affix a tax stamp as proof of payment. These stamps remained in use until 1940, making them a valuable feature for collectors of vintage playing cards and historical ephemera. Condition & Collectability Cards: Pristine, sealed in original wax paper with only minor creasing; one tear in the wax paper. Interior Box: Clean and well-preserved. Exterior Box: Shows signs of wear with paper loss, dented and torn corners, water damage, and an affixed white sticker—evidence of its long history and original use. This sealed pair of Congress Art Deco playing cards...

A Fine example of a Classic 1930s French Art Deco wrought iron foyer coat rack or hall tree is wonderfully decorated with geometric and circular iron w...

Silver plated figure / sculpture of a boxer signed Bertin, France, circa 1930. Mounted over a marble base. Perfect for a boxing, sports wrestling fan.

Fantastic Monogram Art Deco desk tabletop telephone with metal accents in excellent antique condition with minimal wear. Restored with new cords. See all pics

Decorative roller desk box designed by Park Sherman. Very decorative desk box, created during the art deco period in America by the Park Sherman Company, back in the 1930. This roller-lid box is very innovative in design and with Avant Garde look. It was crafted in chromed steel with red lacquer and elements in red and black Bakelite. It is fitted with a roller lid, which is in perfect working condition. The Park Sherman Company Park Sherman was an important Springfield company for several decades ending with the sale of the company to a New Jersey firm in 1960. They mass-produced smoking accessories, particularly lighters, as well as a multitude of office, novelty, and other items. The Park Sherman Company operated in Springfield, Illinois until 1960 when it was sold to a New Jersey company. A man named Jacob S. Sherman was the founder of the Park Sherman Company. The company sold miner's supplies (miner's cap lamps, match cases, etc.) and later specialized in things like coin banks and smoking accessories such lighters and cigarette cases. The company's products were sold throughout the 1930s, 1940s and 1950s. 'Everdry' was a brand name that Park Sherman used on some of its products. The word "Everdry" was used, for example, on match cases to indicate that the case would prevent the matches from getting wet. Presumably, your "Everdry" cigarette case kept the contents from getting wet. Materials: Chromed steel and red and black Bakelite. Weight: 231.7 Grams, (0.51 Pounds). Measurements: 114.3 mm by 101.6 mm by 63.5 mm (3.50 x 4.0 x 2.50 Inches). Literature: Rodney and Diane Capstick-Dale, The art deco Collectibles...

Art Deco night stand or small side cabinet, wood with Rosewood veneer, left side rounded (base, three drawers and marble), right side opening through a door onto a lemon and mahogany...

Spectacular bookends, made entirely of brass, from the Art Deco period, around the 1930s, probably made in Austria or Germany. The bookends of the same size have a wide stand and su...

Selection of French Art Deco Steamer Trunks, France, circa 1930s. They are a versatile size and can be used as side tables or coffee tables. They are pric...

Rosewood Art Deco bed attributed to Jules Leleu, the bottom part inlaid figuring vegetal and butterfly. Slightly curved lines with bronze accents. Measures: 47".50 height at the head...

Yachting trophy from the Cohasset Yacht Club in 1931. Trophy is engraved "Saturday Series, Cape Cod Knockbouts, 1931, 3rd Prize". A badge with the club burgee is applied to the cup. ...

A charming pair of linden wood bookends with carved figurines of Owls with beautiful orange eyes, Germany, circa the 1930s. These adorable bookends will make a wonderful accent on a...

A pair of French Art Deco side tables, circa 1930s signed LELEU, in rosewood with mother of pearl inlaid.

A splendid pair of 'lorgnettes' (long-handled opera, or theatre, glasses). Lorgnettes, eye glasses held in place by long handles rather than resting on the bridge of one's nose, were...

Antique folding bamboo magazine holder with plastic cord from the 1930's.

French Modernist Art Deco piano and bench by Pierre-Paul Montagnac, a variant of the model used in one of the luxe apartments, the Caen, on the great French oceanliner Normandie in 1935. Created in rosewood and sycamore, and carefully and correctly restored, including the fine Erard (#127208) instrument. 56” wide x 60” deep. Documented in numerous sources, including the July 1935 issue of Art et Decoration. Pierre-Paul Montagnac (1883-1961) Born in Saint-Denis, France on 9 May 1883, Pierre-Paul Montagnac was equally talented as a fine artist and a decorative artist. He was educated in both disciplines, studying with Eugene Carriére as well as at the Académie de la Grande Chaumiére, both in Paris. His inaugural exhibition was at the 1912 Salons – and at the 1920 Salon d’Automne he received a traveling scholarship. In 1918 he began working in the firm of André Mare and from 1922 collaborated with Maurice Dufrene at La Maîtrise, the famous design studio of Galeries Lafayette. From 1921 he exhibited at the Salons of la Société des Artistes Décorateurs, Salon des Architectes Modernes, and internationally, in Barcelona and Leipzig. He designed suites on the grand French oceanliners, l’Atlantique, Normandie and Pasteur. At the 1925 Paris International Exposition his work was in a standout class. At the 1937 Exhibition he organized the pavillion of the Artistes Decorateurs and personally won a Grand Prix. For the New York Exhibition in 1938, he was a member of the international jury, organized the group of Decorators, and, as architect, organized the exhibitions of jewelry and perfumes. He became a member of the Society of Modern Architects and executed important and numerous architecture and decorating projects including the luxury apartments on the great French oceanliners l’Atlantique, Pasteur, and Normandie. Vice President and then President of the Societe des Artistes Decorateurs from 1930-1938, he was also President of the Salon d’Automne and Vice President of the Committee of the Exhibition of Arts and Embellishments of Life; member of the steering committee of C.T.I. and Artistic Property, member of the Board of Directors of the Central Union of Decorative Arts. He was also an Officer of the Legion of Honor and received the Cross of War. MONTAGNAC was the son of an engineer and he had a taste for geometry and science that predisposed him to the rigors of architectural laws. Multi-talented, he worked independently as a painter – who had paintings acquired by the French government – while also working in the related fields of architecture and decoration. His work included homes, apartments, galleries, luxury shops, banks and the aforesaid oceanliners. As a designer/decorater, Montagnac had the taste for quality, luxurious furniture, using precious woods, bronze extensions, ivory inlays, mother-of-pearl, metal and coral. He advocated for a resolutely modern style and, free of all pastiches, focused on beautiful cabinetry, the challenges of furniture design, particularly from 1940 to 1945, captured all his attention. The tireless activity of Montagnac, whose varied works are represented in official museums and residences, was also recognized from a professional and social point of view. He was a remarkable organizer, devoted to the cause of art, to the defense of the trade and his colleagues. It was Montagnac who, in 1939, with Anatole de Monzie, took the initiative to found the ENTRAIDE to Artists (which provides support to talented young French artists). MOBILIER ET DECORATION, September/October 1953 ERARD An illustrious piano manufacturer, Sebastien Erard began building superior harpsichords in Paris in the mid-1700s, produced pianos for the French Court, and received a multitude of patents, many of which are still in use in piano manufacturing. Erard pianos were marketed as the finest pianos in the world and were owned by Queen Victoria, Franz Liszt, Chopin, Verdi, Ravel, and Felix Mendelssohn among many others. They continued to enjoy international success well into the 20th century. They were known for their unique sound quality, similar to the American square grand piano...

Rare Harness leather tool case from the 1930s with beautiful large sturdy brass buckles. In very good condition and very decorative. Also perfect t...

Pair of charming bookends in Art Deco with boule players from the 1930s-1940s. Made in painted metal with a marble base. France. Wear consistent with age and use

Antique German tin toy - climbing/friction monkey, 1930's. Manufactory: Lehmann Materials: Lithographic tin Model: TOM 385. Markinga: Made i...

A decorative building sculpture as a souvenir. Some wear with a nice patina, but this is due to age. Made of metal. This item was purchased as a souvenir at a Grand Tour in Europe an...

Beautiful pair of Library steps .solid Mahogany .comes with leather steps with embossed gold lining . on the top step some storage . Comes with just the right amount of patine . Go...

Stunning and quite rare Gilbert Rohde Art Deco rosewood dressing table, pouf and mirror, purchased recently from an amazing estate, folks originally purchased new from Herman Miller ...

France / 1930 / nightstand / oak, marble / Art Deco / mid-century Beautiful crafted French Art Deco nightstand with low cabinet and drawer on high legs from the 1930s. This bedside ...

This PH Grand Piano, serial number 4600, was manufactured between 1935 and 1938. It is an excellent-conditioned vintage instrument that has been careful...

A handmade wooden Artist mannequin hand model - all joints move as they should. Found on an Estate sale in Vienna, Austria. Shows some minor wear - but looks beautiful on display! So...

This elaborate map of Philadelphia in Pennsylvania served as a historical tribute to the city's first volunteer fire departments. It was drawn by J...

Sculptural pair of Art Deco nightstands in burl walnut, by Gaetano Borsani , Atelier di Varedo. Polished to wax. Measures cm: H 66, W 67, D 45. ABO...

The Savory lighter designed by Alfred Dunhill. This is a rare petrol pocket lighter, created in Switzerland by La Nationale for the Alfred Dunhill Company in Paris, back in the 1936. This semi-automatic full-size lighter is the iconic and popular Savory model, crafted with art deco patterns in solid .925/.999 sterling silver and decorated with engine turned barley patterns. This very early Dunhill lighter is highly collectible. This model was originally marketed with two names, The Savory in France and The Handy in the rest of the world Brand: Dunhill-Paris. Model: Savory Semi-automatic, full size. First Produced: 1936. Material: Solid .925 Sterling silver. Weight: 56.2 Grams, (36.03 Dwt). Measurements: 50 mm by 34 mm by 12 mm (1.97 x 1.34 x 0.47 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the silver and signed in full as follow, "ALFRED DUNHILL PARIS FAB. SUISSE STERLING MECAN AD SAVORY BREVETTE No-806949". Alfred Dunhill He inherited his father’s London saddlery in 1893. Following the increase in motor car ownership, Alfred developed the business to include motoring accessories, which he called ‘Dunhill’s Motorities’. This included goggles, timepieces, picnic sets, and leather coats, and it wasn’t long before the brand became associated with men’s general motoring attire. They opened two shops in Mayfair and had a catalogue of over 1300 items. Between the 1904 and 1905, Dunhill introduced their ‘Windshield Pipe’, to help drivers combat the effect of wind and travel on their ability to smoke. This marked both the end of the ‘motorities’ focus and their entry into the world of smoking ephemera, and they shortly opened their first tobacconist in 1907 on Duke Street. The proximity to several esteemed Private Members Clubs around the Mayfair, St James’ area ensured that the venture was a success. (From Nicholas Wells With Thanks). Literature: Blei-Bottoni, The Dunhill Petrol Lighter "A Unique Story", Unique SRL 2004 first edition. Figure-500 Pp-256-259 for this model illustrated in several materials and finishes. Note: This pocket lighter is empty of any flammable, gas or butane substances and is ready to be ship by any carrier. This lighter just need a new flint and proper lighter fluid. Was tested and is in working condition. Collateral: This lighter is accompanied by a presentation pouch. Condition: The overall condition of this Alfred Dunhill lighter...

This seemingly simple wooden vase is a design object of infinite beauty and elegance that can be placed in either an antique or a modern or contemporary setting. They are Indian arte...

Made of pressed steel and in excellent all original condition, this wind-up toy has just about all of it's original strong paint with zero touch-up and no restoration (see images). It works great (video available upon request), and is quite substantial and sturdy in stature and size at 14 1/2" long; almost has the feel of a keystone or buddy L piece. Girard made an almost identical vehicle, so it is my feeling that Marx bought the patent from them and manufactured under their own name. There are no scratches or dents and the original gold stenciled writing to the doors and engine hood states "Fire Dept...

Art Deco maple bed with floating bedside tables, 1930s. Art Deco bed with floating bedside tables, 1930s. Maple structure with rosewood parts. H...

A gorgeous pair of Art Deco or Mid-Century Modern mahogany nightstands By Gilbert Rohde for Herman Miller USA, 1930s Measures: 18"W x 12"D x 25.5"H. Newly refinished. Ver...

Early 20th century Smiths Astral [Great Britain] shipboard brass clock, circa 1930. A brass case with inset beveled glass panel that reveals a silvertone...

A beautiful Indigo dyed ceremonial textile from Cameroon. Vintage textile piece handmade and hand-dyed in West Africa. It would make a great wall ha...

Mid-Century Modern valet wood stand, circa 1960. By unknown designer. Manufactured in France. In original condition with minor wear consistent of age and use.

Vintage Mickey/ Minnie Mouse Toy Wind-Up pre-war handcar (train car) circa 1934; by The Lionel Train Company in collaboration with Walt Disney Enterprises. The wind-up toy car features Mickey Mouse and Minnie Mouse pumping alternatively, up and down as if moving the car across the tracks or floor. It actually works by winding up the car by the winding stem with the original vintage clockwork key. When wound, place down on the floor or on train tracks (O Gauge) and the handcar will move across the floor while a bell chimes (see video attached to listing). It is okay to simply leave the key on the stem. The car is in original red hand paint with Mickey and Minnie in colors of black, white, green dress to Minnie; red outfit on Mickey; both have oversized original orange boots, while Minnie is sporting a wooden red hat. They both have their original tails. Both figures are 4 1/2" resin composition and in full paint, excellent coverage with very little paint lacking, if at all. All four legs are restored, which is the case with almost all examples. The car itself is metal and painted red with a gold manufacturing logo in the center stating "Mickey Mouse Handcar" copyright "Walt Disney"; "The Lionel Corporation, New York"; "Made in U.S. of America". "No. 1100". Great working; great looking iconic cross collectible antique toy...

Unusual rack for towels, handbags, hats, coats etc. Its hand carved in Dark wood with fine details. According to its previous owner his grandfather has ordered this piece locally in ...