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Coat Racks LC17 By Le Corbusier for Cassina, 2010, Italy
$1,161.05per item

About
Coat racks by Le Corbusier for Cassina, produced in 2010, Italy.
Model number- LC17.
Le Corbusier developed the Portemanteau project for the first time for the Cabanon. This re-edition is the 1957 model designed for the Unités de Camping. In harmony with the many colors of these minimal spaces, which feature all the commodities of a cruise cabin, even the coat rack is colored. Elements in solid oak resembling mushrooms in matte white, black, red, green and blue are placed at different heights, based upon Modulor visual measures, on an oak panel in matte black.
The Cassina LC17 Portemanteau coat rack is made of solid oak and has five knobs which are positioned in different heights and lacquered in the colors black, white, blue, red and green.
All of the racks are originally marked.
Details
- CreatorLe Corbusier (Designer),Cassina (Manufacturer)
- DimensionsHeight: 23.63 in. (60 cm)Width: 26.38 in. (67 cm)Depth: 4.73 in. (12 cm)
- StyleMid-Century Modern (Of the Period)
- Materials and Techniques
- Place of Origin
- Period
- Date of Manufacture2010
- ConditionWear consistent with age and use.
- Seller LocationThe Hague, NL
- Reference Number
Shipping & Returns
- ShippingRates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.Customs Duties & Taxes May Apply.Ships From: The Hague, Netherlands
- Return Policy
A return for this item may be initiated within 3 days of delivery.
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About the Designer
Le Corbusier
Swiss-born Charles-Édouard Jeanneret, best known by his adopted name Le Corbusier, was a highly influential architect, designer, painter, urban planner and writer whose career spanned almost five decades. A pioneer of progress-minded modern architecture, Le Corbusier sought to impose a rational order on the chaos of the world through design. He rejected the excessive architectural ornament and developed a style that became known as Brutalism, creating buildings with elemental geometric forms that were made of industrial materials such as steel and reinforced concrete. Le Corbusier believed that pure, well-designed spaces could offer a lesson in how little is needed to achieve happiness. To convey this notion, the architect prioritized modern, open interiors and emphasized light, rational designs. His architecture and interiors share a clear sense of space and structural order, underlining the beauty in harmony, proportion and simplicity. Le Corbusier’s furniture espouses these same ideals. His designs are spare, minimal and efficient but at the same time offer supreme comfort. Collaborating with his cousin, Pierre Jeanneret, and designer Charlotte Perriand, he devised such iconic pieces as the LC2 Le Grand Confort armchair and the LC4 chaise longue. Each couples a tubular chrome frame with soft, supple leather upholstery, lending an organic warmth to an industrially made design. In his furniture, Le Corbusier broke new ground in ergonomics. The shape of the LC4 chaise is taken directly from the human form; the classic cowhide upholstery makes the sitter feel weightless; and the piece features an adjustable positioning mechanism to promote total relaxation. Such planning and intelligence were the hallmarks of Le Corbusier’s career. Whether in his designs for private residences such as the Villa Savoye near Paris, apartment towers like the Unité D'habitation in Marseilles, or in his furniture, he worked toward a style of living that was expansive and flexible. The strength and simplicity of line of Le Corbusier’s seating pieces give them a sculptural presence in any décor, yet they are sublimely restful. And as you will see from the offerings on these pages, Le Corbusier’s furniture reflects a worldly taste: it is at once refined, cosmopolitan and chic.

About the SellerLocated in The Hague, Netherlands
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