Qing Furniture

Vintage Chinese Rosewood and Glass Display Case. A wall mounted or table top display case with hinged glass door, frame of light colored rosewood, interior with 18 individual shelve...

A wonderful pair of turquoise glazed Chinese Foo dog statues- circa 1880. Foo dogs were actually lions, yet they resemble a Chow Chow and/or Shih Tzu (dog breeds) which led them to b...

Sharing with you this lovely and larger size dish from the Kangxi period, circa 1720. The well of the dish has a painting of bamboo landscape/garden with flowers, grasshopper and ...

A Chinese Qing Dynasty period elm wood coffee table with square top. The table has a natural age-related patina. From Jiangsu province, Qing period, 1...

A Chinese Qing Dynasty period late 19th century apothecary merchant's cabinet made in two parts of nam wood (a variety of cedar) with shelves and multiple drawers. Created in China d...

A pair of framed antique Chinese embroidery textile panels circa 19th century of Qing Dynasty. Each piece features two mirror-matchin...

A striking pair of 19th-century Chinese chairs, each embellished with intricately carved dragon motifs, symbolising power and protection in Chinese culture. The backrests showcase fi...

19th century Chinese Official chair. Elmwood, original red and black lacquer. Back splat with vague remains of decorations (natural wear and tea...

A very fine mid-Qing Dynasty Chinese hardwood and lacquer six-panel screen, Jailing Period, circa 1800. The hardwood frame inset with black lacquer panels. One side features an over...

This finely decorated Chinese porcelain bowl is a stunning example of 20th-century craftsmanship, embodying both artistic mastery and cultural significance. The bowl is adorned with ...

Pair of large Canton style famille rose Chinese porcelain vases. Qing Dynasty, late 19th century Measures: height 65cm, diameter 25cm Crafted from porcelain and executed in the so called 'famille rose' style, these large Canton vases...

19th century gilt-decorated lacquer Chinese comb, very beautiful piece.

A Chinese Qing Dynasty period wooden altar console table from the 19th century with original distressed lacquer, horse hoof legs and hump back side stretchers. Created in China during the Qing Dynasty period in the 19th century, this wooden altar console table features a long and narrow rectangular top with central board and very distressed patina, sitting above a simple apron. Boasting a nicely weathered appearance revealing its good age and use, the table is raised on four slender straight legs showcasing horse hoof extremities. The sides are strengthened thanks to small hump back stretchers. The ensemble presents a dark reddish brown lacquer with distressing present throughout the structure. With its clean lines, good proportions and great rustic character, this Chinese Qing Dynasty period lacquered wood altar console table...

Filled with burning coals, this finely crafted 19th-century brazier once warmed the hands of a wealthy lady on a cold winter's night in northern China. The portable brazier is hand-w...

A Cinnabar-red Overlay White Glass Snuff Bottle, 19th century. The flat oval white glass bottle has a thinn overlay of opaque dense red glass resembling cinnabar lacquer and deeply carved away in a cinnabar style to reveal a scholar’s studio with a footed vase with flower arrangement, teapot with a bird on top and a low table on one side, the other with a scene of a fish drum(token symbol of the immortal Zhang Guo Lao...

Perfect for interior wall decoration. We offer sets of 18-19th century Chinese/Japanese Imari plates in different sizes. Available in every quantity needed. The selection in the pictures might not be available due to stock changes, but we have around 100 Japanese/Chinese Imari plates...

1. Left Round Cosmetic Box : Circular form with flattened doomed cover, the covers with a medallion of simple stylised flowers surrounded by stylised lapp...

Chinese porcelain dragon snuff bottle, cylindrical pillar form with high shoulder, short neck, everted lip and concentric grooved base painted in underglaze cobalt blue of a single f...

Sharing with you this very nicely decorated plate. What you see is a Jingdezhen made porcelain dish from around 1720-1730. Later decorated with a Rare type of decoration in Red, Gree...

Powerful Hand Carved Sculptoral Work of Art, "Chimera" This powerful old mythical winged sculpture could be installed in your favorite home, office, or ...

A late Qing Dynasty hand-painted black lacquer trunk with gold-gilded decoration, this early 20th-century storage chest is a striking piece that blends function with artistry. The exterior features detailed chinoiserie motifs, depicting a courtly scene with finely robed figures set within an intricate landscape of pavilions, trees, and architectural elements. The rich black lacquered surface provides a dramatic contrast to the delicate gold detailing, emphasizing the depth and movement in the design. Crafted from softwood, the trunk retains its original metal hardware, including side handles and a front latch. Inside, a compartmentalized storage space includes a small side box, once used for securing smaller valuables. Originally intended for general storage, it now serves as a versatile piece adaptable to modern interiors. Placed in a living room as a coffee table, it offers both elegance and practicality, with ample space for stowing away throws or books. In an entryway or bedroom, it functions as a decorative trunk or blanket chest, effortlessly blending into classic, vintage, or eclectic spaces. Whether used for textile storage, a low-profile side table, or a distinctive conversation piece, this Chinese lacquer chest...

a pair of antique Chinese blue and white porcelain bowls with very beautiful hand paint. There are double blue circles at the bo...

Dating from the mid-20th century, this well executed serpentine stone carving depicts a rearing Asian horse. The hard stone composition of this sculpture has not been tested.

Amazing set of four Chinese Shiwan pottery figures depicting immortal gods or dieties. Beautifully glazed and made on a large scale with fascinating fac...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Pair of large Canton style famille rose porcelain vases. Chinese, Late 19th century. Measures: Height 64cm, diameter 25cm. Crafted in Qing dynasty China in the late nineteenth century for the export market, these fine porcelain vases...

A very nicely decorated plate. Kangxi period Chinese porcelain dish Condition: Overall condition perfect. Size: 227 mmm.       

A Qing Dynasty hand carved wooden temple corbel from the 19th century, with characters, pagodas, vegetation and red polychromy. This antique Qing Dynast...

Large six-panelled Chinese hardstone and lacquered folding screen Chinese, Early 20th Century Closed: height 183cm, width 40.5cm, depth 18cm Opened: height 183cm, width 243cm, depth ...

An interesting an nicely made Vase . Lovely decoration. Additional information: Material: Bronze & Metal Type: Vase Region of Origin: China Period: 20th century China Dynasty Period...

A gorgeous Chinese monochrome red flambé glazed bottle vase, called a tianqiuping, Qing Dynasty, late 19th century. The voluptuous body o...

A Chinese Qing Dynasty antique black lacquer coffee table from the 19th century, with two drawers, dragon-carved spandrels and raised motifs. Created in China during the Qing Dynasty, this coffee table features a rectangular top with central board, sitting above two drawers carved with floral motifs and fitted with brass hardware. The table is raised on four straight slightly splaying legs connected to the top's underside thanks to dragon-carved spandrels. Boasting a dark patina, this 19th century Chinese Qing Dynasty coffee table...

A pair of large Canton style famille jaune porcelain vases Chinese, Late 19th Century Height 120cm, diameter 42cm These large and impressi...

Part of the long history of Chinese ceramics, the hand-crafted earthenware tiles that top these square side tables were originally used to pave the floors of the Forbidden City palac...

19th century gilt painted wardrobe cabinet. A very special Qing dynasty dressing wardrobe cabinet elaborately decorated with fine and exceptional gilt painting. Landscapes of mounta...

A sophisticated Chinese carved and pierced hardwood scholar's tray, Qing Dynasty, 19th century, China. The tray of rectangular form with high sides and rounded corners. The sides...

Sharing with you this lovely and high quality set of Six famille verte cups and saucers plus 1 extra saucer. Finely decorated, showing a lotus scene in various bright colors within...

Very colorful and intricately patterned Rose Mandarin wash bowl featuring five storied vignettes with incredible detail. The border includes birds, roses and...

Antique Chinese Peking Red Overlay Snowflake Glass Snuff Bottle, of flattened ovoid shape with sloping shoulders, round neck, thin and flat mouth rim, raised oval foot and countersun...

Our friend and client Mario Buatta owned a dozen Laughing Boys* in his private collection, which we purchased and sold several years ago (see last image). These three would have fit ...

This charming tabletop secretaire is decorated in gold and black in the Chinoiserie style. The exterior is finished with black lacquer and painted with scenic mountain landscapes, br...

This early 19th-century red lacquered Chinese bed or coffee table dates back to the 1800s. The red lacquer exhibits a soft patina, characteristic of traditional Chinese lacquer art. The table features a clean, panelled top with a wide trim surrounding it. The top rests on a simple apron that transitions into four legs, each with slightly curved 'horse hoof' style feet, a 'waisted' top, and 'S'-shaped stretchers between the legs. With its beautiful patina and understated design, this 19th-century Chinese coffee table would make a stylish addition to any living room, perfectly suited for displaying history or art books and fresh flowers. Handcrafted using wooden pegs and a tenon structure, this table exemplifies traditional craftsmanship in ancient Chinese furniture...

A magnificent and large pair of 19th century Qing Dynasty Chinese blue and white porcelain vases mounted as lamps. Each i...

This unusual Chinese Export Rose Medallion chestnut bowl retains the original underplate and dates from the Qing Dynasty (1644-1912). A handmade and hand painted piece, there are the...

Sharing with you this fantastic Chinese Porcelain set of cups with redecoration done in London. The flower mark at the base is also added later. All 4 pieces have one. 11-3-25 Co...

A very nicely decorated plate. Symbols and Flowers Condition Overall Condition 1 chip and 4 lines. Also some tiny tension lines in the plate. Size: 22.1x3.7CM Period 17th century Qi...

Qing Dynasty an antique rare early 20th century Chinese porcelain vase as a Chinese Famille Rose lamp with incised yellow ground decorated wi...

Woven in the age of the third Qing Emperor Yongzheng (1722-35), this delicately coloured precious silk brocade is embellished by three parallel and offset rows of children holding a cornucopia of auspicious symbols. In the first horizontal row, the child is holding in one hand a closed lotus flower, symbol of honesty, goodness, beauty and purity, and in the other a stick which a pair of coins, an element belonging to the group of Eight Precious Things. The following row depicts the child holding on one hand the Paintings, one of the four symbols of literature and science, and a peach blossom on the other, a flower associated with Spring and rejuvenation. In between this main pattern we see an alternation of the bat motif (symbol of good luck), the plum blossom (symbolising the faithful, the resolute and the holy) and the butterfly (symbol of love, freedom, romance and beauty). The subtle polychromy of soft tones of green and peach is punctuated with touches of royal Chinese blue...

A Qing Dynasty black lacquered elm blanket chest from the late 19th, early 29th century, with weathered patina. Crafted in elmwood with a striking black lacquer finish that reveals s...

A rustic Chinese Qing Dynasty period wooden grain basket from the 19th century, with large carrying handle and metal braces. Created in China during the Qing Dynasty period in the 19...

A large 20th century Chinese six panel Lacquered Hardstone and Jade Coromandel screen. This screen features intricately carved hardstone, soapstone, jade, lapis, quartz, and other ha...

A wonderful green glaze typical of Chinese "Shiwan" pottery adorns this early 20th Century Chinese storage jar. Shiwan ware is a style of Chinese pottery from the Shiwanzhen district...

Hard to Find Pair (2) Display Pedestals from the 19th Century Please view our video. From China's Qing dynasty (1644-1912) a hard to find pair (2) of limestone carved pedestals -...

A late Qing Dynasty period giltwood architectural panel on red ground, with floral motifs, set in new frame. Delve into the rich tapestry of the late Qing Dynasty period with this gi...

This austere 19th century Chinese cabinet from China's Shanxi province was constructed with grand proportions. The expressive grain of northern elmwood (yumu) patterns the doors with...

A truly fine hand-painted medium-sized porcelain and very large Plater from the 19th century.

Antique 19th century a pair of silk Chinese fans, Qing dynasty with fan frame box. Fan is 18inch x 10'' x 2''.

A striking Chinese porcelain floor vase in the Kangxi style, distinguished by its generous scale and vivid hand-painted decoration in cobalt blue. The tall rouleau-shaped form—measur...

A 19th-century limestone column base carved in relief with mythical qilin, chimeric animals from Chinese mythology described as having the head of a dragon, the body of a tiger, the ...

19th Century Chinese Silk Embroidery ( 3' 3" x 6' 10" - 99 x 209 )