Qing Furniture

Large Antique Chinese Famille Rose Porcelain Baluster Vase Temple Jar. Large and beautiful Early 20th century hand painted Chinese Famille Rose porcelain temple jar. Famille Rose ha...

Description Sharing with you this lovely plate from Dehua. With base mark. Condition minimal rimfrits only. Size: 11.3x2CM DiameterxHeight Period 19th century Qing (1661 - 1912)

Richly painted in the blue-and-white manner, this shallow porcelain dish is a 19th-century Chinese bulb pot, used for forcing flower bulbs such as narcissus or daffodils. Distinguish...

A Qing Dynasty elmwood console table from the 19th century, with humpbacked stretchers and carved spandrels. This 19th century Qing Dynasty elmwood console table, once a wine table, ...

An early 20th century Chinese altar console table, late Qing to Republic period, featuring a long narrow top with everted flanges, a carved apron with cloud scrolls and stylized myth...

A Chinese Qing Dynasty period elmwood horseshoe back chair from the 19th century, with hand-carved medallion and natural patina. Created in China during the Qing Dynasty, this elmwood chair...

This Chinese blue and white Meiping vase is not only a masterful example of ceramic artistry but also a tribute to traditional craftsmanship. Meticulously hand-painted and exceptiona...

A Chinese late Qing Dynasty period red lacquered cabinet from the early 20th century, with butterfly hardware, two drawers, four doors, carved and gilt décor. Created in China during...

19th century Chinese famille rose porcelain bowl from the Qing Dynasty. Profusely decorated wish Chinese courtly scenes, flowers and birds.

A wonderful green glaze typical of Chinese "Shiwan" pottery adorns this early 20th Century Chinese storage jar. Shiwan ware is a style of Chinese pottery from the Shiwanzhen district...

Dated to the late 19th century, this silver charm ring was crafted by the Miao peoples of the Guizhou province and was believed to protect the wearer from bad luck and malevolent spi...

A fine antique Chinese export reverse glass painting, dating to the 19th century (Qing Dynasty, circa 1860–1900). The painting depicts a court beauty in the meirenhua tradition — a g...

Antique Chinese Dragon Wedding Basket, bamboo, rattan, wood and brass, 19th century. A 3-tier round form with magnificently carved bamboo overh...

19th century Chinese lacquered sideboard dresser circa 1870. Large and fine quality Chinese export sideboard.  Panel top with carved scrolled ends.  Below the top surface we have 3 ...

During winter in the colder provinces of China, life revolved around the kang, a heated brick platform that household members would sit or recline upon. Low tables placed atop the kang provided a convenient surface for dining, drinking tea, or playing games. Crafted of beautiful hardwood, this low kang table...

Beautiful pair of decorative porcelain jars with richly polychrome decoration, featuring a deep blue ground and adorned with delicate flowers, butterflies, and botanical motifs in vi...

This elegant container is a 19th-century Chinese document box, once used by a Qing-dynasty scholar-official to store stationery accessories such as brushes, seals and ink sticks. Cra...

Dramatic Chinese Qing style patinated brass tray table featuring a folding elm frame with serpentine dragon upright supports. The four leg folding support is adorned with carved open...

Each rectangular cabinet stained a deep purply brown and fitted with two doors deeply carved with dragons in pursuit of a 'flaming pearl' amidst ruyi-shaped cloud scrolls, opening to...

Oing Dynasty Antique Carved Raised Panel Cabinet painted top chest. Beautiful hand painted lacquered Cabinet Chest from Fujian province China. Two drawers with top open cabinet. D...

A Chinese Qing Dynasty period wooden cabinet from the 19th century with light lacquer, brass hardware, two doors and four drawers. Created in China during the Qing Dynasty in the 19t...

A woman's court coat made from fine orange color silk with wide sleeves from Chinese Qing Dynasty (mid 19th century), mounted on linen canvas and presented on under a plexiglass shadow box with brass corner trims. This piece is part of the textile art collection of the former Xerox Corporate and still bears a metal tag that read "Xerox property no A2425". The semi-long Apricot color silk coat features elaborate embroidery work executed in superb workmanship. Perfectly symmetrical, the design follows the iconic Qing dynasty court tradition as an informal court coat. The bottom of the skirt is bordered with fine Li-Shui bands with rocks in the middle. Three large peony floral roundels form the focal points of the front. Two additional were placed on the shoulder (half visible). Numerous auspicious symbols were incorporated into the picture, including plum blossom, Chrysanthemum flower centered with Buddhism symbols, bats, butterflies, and magic mushrooms. The neck and skirt bands features archaic key motif, scrolling floral vines and Buddhist drums with ribbons. Examining the robe, one is struck by the fine workmanship. Long and short satin stiches were used widely. The peonies were created using forbidden knots (Peking Knote), one of the most challenging and time-consuming stiches in Qing textile. The robe carries a nice patina, reflecting in a mottled fading in the background that renders the piece a nice antique aurora...

We are delighted to showcase this exquisite Chinese porcelain covered ginger jar, a piece that embodies the pinnacle of craftsmanship and artistic excellence. The jar captivates the ...

Chinese Russet Jade hardwood Imperial Ruyi Scepter Qing Dynasty 19th century, Provenance. Large Chinese Qing Dynasty jade Ruyi scepter with three ...

From Northern China comes a piece of great antiquity. The exceptionally large 18th century bowl of natural granite, hand cut and carved, in conical form with a round base. Of warm sa...

A Chinese Qing dynasty period red lacquered blanket chest from the 19th century, with iron hardware. This exquisite Chinese Qing dynasty period blanket chest, dating back to the 19th...

Antique Chinese Qing Molded Infinite Huiwen Ruyi Scepter with White Jade Medallion A beautiful Chinese Qing ruyi scepter with carved white jade medallions. The scepter is decorated ...

Rare 18th-Century Lacquer Screen / Room Divider, Qing Dynasty A rare lacquer screen from the 18th century, crafted in wood. The screen features a sturdy frame with openwork panels at...

Chinese Baijiu bottle made in blue-glazed stoneware with hand-painted Chinese calligraphy on both lid and body. Baijiu translates as “white spirit” and is China’s national liquor, s...

A large Chinese Qing Dynasty period cabinet from the 19th century with accordion doors and drawers. Created in China during the Qing Dynasty, this lacquered cabinet features a taperi...

A finely carved Chinese brush pot made from a single section of bamboo, dating to the late Qing Dynasty. The exterior is decorated in deep relief with a detailed scene of figures set...

This screen is a great representation of the traditional carving process which involves coating a hardwood core in thick, usually black, lacquer. The design is then carved through th...

A pair of Chinese Qing Dynasty yoke back armchairs from the 19th century, with carved splats, brown patina, serpentine arms and side stretchers. Born in China during the Qing Dynasty...

Chinoiserie Lacquer Box. Beautifully hand painted Chinoiserie Box decorated with auspicious Chinese scenes. The box is constructed of wood having polychrome painting lacquered with...

This set of two hand-painted fencai porcelain round boxes from the late Republic era is a charming representation of Chinese artistry and symbolism. Each lid, slightly domed, vividly...

Pair of cabinets with original lacquer colors in very fine condition. Black lacquer on the sides in striking contrast to the red lacquer on the top and front. Two doors with patinate...

A sublime Chinese celadon glazed shallow dish or charger, Qing Dynasty, mid 18th century, China. Beautifully glazed, with a carved decoration of a group of lotus, leaves, stalks and blossoms. The interior wall with radiating S-shaped lines, a motif that is repeated on the wide rim of the dish. The back undecorated. Glazed all-over with an even bright celadon glaze, with some attractive areas of crackle. Ex. Butterfield's, San Francisco. Plate stand for display...

This petite hardwood tray from the late Qing dynasty reflects the literati's taste for fine materials and balanced proportions. The little tray is shaped as a six-petal flower blosso...

A large Chinese Qing Dynasty period wooden kitchen cabinet from the 19th century with fretwork motifs, carved scrolling apron, brass hardware an...

Beautiful Shunzhi or Early Kangxi Period Chinese Porcelain Bowl – c.1655–1670 – Marked A charming and highly decorative blue and white porcelain bowl dating from the Shunzhi to earl...

A Chinese antique handbell made of copper alloy. I think it is from the late Qing dynasty to the end of the Qing dynasty. Although it is a casting, ...

During winter in the colder provinces of China, life revolved around the kang, a heated brick platform that harnessed warmth from the kitchen fire. Used while seated atop the kang, l...

A Chinese Turquoise Glazed Pottery Jar, 19th Century Provenance: Private Australian Collection. Dimensions: Height: 36.5cm. Diameter: 26cm.

Antique Chinese carved rosewood demi-lune Console table, late Qing dynasty The swirled black and white marble inset top above a frieze carved in relief with Chinese Lantern branches...

Pair of Chinese Blue and White Ceramic Vases Mounted as Lamps, with floral design on carved wood bases. 20.5" H x 5" W x 5" D. Provenance: From a Connecticut Estate.

Pair Chinese cloisonne enamel vases with floral designs on blue ground and gilt mounts representing stylized dorsal fins of a dragon.

A fine Chinese porcelain wine cup, hand painted in underglaze blue with figures in various martial arts pursuits, with a four character Daoguang mark within the footring, and of the ...

Antique Chinese Moss Agate Snuff Bottle, 19th century. The bottle of a deep forest green color overall with white and brown inclusions. The finely carved rounded square form well ho...

Stunning 3 drawer Dongbei Table. Contrasting green cabinetry topped with honey colored top surface. Fantastic patina. 3 drawers for ample storage. Peg joinery. Curbside to NYC/Phill...

Brushed with expressive linework and a minimalist color palette, this Chinese hanging scroll painting depicts an idyllic mountainside landscape in the ...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...

Originally used as incense stands, game tables, or as gathering spot for food & drink, these 19th-century Chinese wine tables demonstrate the timeless appeal of traditional furniture...

A finely crafted Chinese export Qing Dynasty style carved hardwood occasional, tea, or side table. The table features a rectangular top with a molded, gallery-style raised edge over ...

This exceptional Chinese Shoushan stone carving is a fine example of Qing artistry and craftsmanship, featuring a Sage in a semi-seated position...

A vertical Taihu scholar stone in a wonderful grotto form perched on a custom wood stand. The stone, in a nearly pure grey color, displays a weathered surface with visually arresting...

A beautifully crafted Chinese export tea caddy made of wood with black lacquer, richly adorned with gilded motifs featuring classical Chinese scenes of people, houses, and more. The ...

Chinese glazed porcelain roof tile of a warrior. The manufacture of glazed tiles was standardized in the Ming Dynasty and during the Qing Dynasty into the Republican Era, glazed tile...

18th century gilt black lacquer Chinese cabinet desk, the rectangular-section body decorated with panels of landscapes, the superstructure of two panelled doors, enclosing an array o...

Qing dynasty cloisonné enamel Chinese vase with Arabic inscriptions. Chinese, 19th century Measures: height 11cm, diameter 17cm. Crafted fo...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...