Qing Furniture

A very fine pair Chinese Qing sancai glazed pottery dog of Foo incense holder figures dating from the 18/19th century. The figures stand raised on hollow rectangular pierced pedestal altar shaped bases with a draped cloth to the front and back. The figures are well detailed and are modeled, one resting a paw on a ball and the other with a puppy dog. The dogs have their customary open mouths revealing teeth with pierced nostrils and bulging black eyes. The figures support a tall column formed incense stick holder...

A pair of Art Deco lounge chairs, known as “Moon Gazing” chairs, dating from the late Qing dynasty. The chairs are crafted in solid hongmu (blackwood) with a beautiful and lively nat...

This early 19th century square table from northern China expresses Ming-dynasty tastes with clean lines and a simple silhouette. The table stands on four straight legs stabilized by ...

Very pretty and large statuette in white enameled porcelain called "Blanc de Chine", representing the goddess Guanyin seated in lalitasana (royal relaxation) on a rock near a jade va...

The warm tones and active grain of natural pine wood are the focus of this unusually articulated Dongbei sideboard. Made for a provincial home in northeastern China, this table was o...

This large Chinese Imari porcelain charger dates to the Qianlong period of the Qing dynasty, circa 1760. It is finely crafted with a beautiful, glossy white glaze and hand-painted in...

Chinese cabinet i red lacquer with remains of decorations, which gives the cabinet a beautiful patina. Black lacquer on the sides of the cabinet. Features double doors, beautifully a...

A vintage Chinese, cobalt blue ginger jar - circa 1970s - Qianlong Stamp Decorated with hand-enamelled chinoiserie-style framed scenes to both ...

This turquoise Chinese ginger jar is a striking example of mid-20th century porcelain, crafted circa 1950s in the style of the celebrated Jingdezhen ce...

A monumental & Important pair of Chinese palace-size porcelain vases, produced during the Qing Dynasty, circa 1870. These vases are decorated entirely in overglaze famille rose e...

Framed Antique Silk Embroidered Peacock Panel, Early 20th Century An antique silk embroidered panel depicting a peacock among flowering branches, presented in a later giltwood frame...

A Chinese Qing Blue & Copper Red Decorated Porcelain Baluster Vase with Carved Foo Dog and Floral Decoration This porcelain baluster vase, rising gracefully from a narrow circul...

This extraordinary Chinese cinnabar lacquer round box is very detailed in amazing quality. A technique of engraving pattern on thick layer of red...

Exquisite Pair of Century Chinese Famille Rose Decorated Porcelain Vases with Striking Foo Dog Handles, 1800s. Presenting an awe-inspiring and opulent duo of antique Famille Rose Chinese Porcelain vases, adorned with elaborate motifs and breathtaking craftsmanship. Standing almost waist-high, these vases command attention with their majestic presence and captivating artistry. The prominent aqua background, gracefully envelops each vase, setting the stage for an enchanting display of visual splendor. Delicate white rectangular panels on the neck of each vase feature whimsical scenes portraying highly detailed pheasants, resplendent flowers, intricate foliage, and gracefully entwined tree limbs. The necks culminate in a tulip-edged gold dipped design, lavishly adorned with turquoise enamel that gracefully flows from the lips of the vases into the very heart of their being. The body of each vase showcases larger white rectangular panels, showcasing meticulously hand-painted graceful tree limbs, vibrant pheasants, sprightly sparrows, and charming lyre birds. Amidst this lively scene, an array of multi-colored flowers and leaves effortlessly breathe life into the composition, while charming aqua blue funghi add a touch of whimsy to the spectacle. The aqua background of the remaining surfaces of the vases, is skillfully adorned with enamels in relief, showcasing a plethora of resplendent hand-painted multi-toned colorful blossoms and foliate, meticulously hand painted in mild relief and scattered to create an elegantly harmonious and evenly spread-out design. Gracing the upper belly of each vase, magnificent tiny dragons take center stage in intricate high relief, lavishly painted with 24K gold enamel. Their sinuous forms and exquisite detailing bring a sense of majestic energy to the vases, adding a touch of awe-inspiring grandeur. However, it is the handles of these vases that truly steal the limelight. Crafted with unparalleled artistry, they feature larger Foo Dogs...

A Chinese Qing Dynasty period long and large enfilade from the 19th century with black lacquer and hand-painted scenes, newly refinished with custom lacquer. Introducing this exquisi...

A late 19th century Foo-Dog sculpture from the Qing Dynasty. This is a beautiful sculpture of a standing foo-dog, heavily cast in high relief in the late 19th century during the Qin...

A very nice and beautifully decorated dish with a scene of Flowers, The painting quality is very nice. Additional information: Material: Porcelain & Pottery Region of Origin: China...

This early 20th-century Chinese trunk from the late Qing Dynasty captivates with its intricate hand-painted decor and rich lacquered finish. Showcasing Japanese-inspired artistry, the front panel features a scenic tableau of figures amidst a lush garden landscape, framed by ornate geometric borders and botanical flourishes. The vibrant details, including blooming flowers and delicate patterns, stand out against the deep black lacquer, a hallmark of Chinese craftsmanship from this period. Iron lateral handles and a central locking mechanism lend a utilitarian touch to this otherwise opulent piece, while the warm, natural interior wood provides an elegant contrast. This antique trunk offers both beauty and function, making it a versatile addition to your home. Place it at the foot of a bed to store linens and blankets, or use it as a living room coffee table, where it can house throws and books while sparking conversations about its storied past. The flat top also makes it a stunning display surface for curated decor, such as ceramics or floral arrangements. With its timeless design and meticulous detailing, this hand-painted trunk embodies the harmonious blend of Chinese tradition and Japanese influence, making it an exceptional statement piece for any interior. Whether used for storage or as an eye-catching focal point, this Qing Dynasty chest...

A Large 19th Century Chinese Hand Carved Hardwood Low Table with Relief Carved Aprons and Framed Panel Top, possibly Zitan wood A 19th century Chinese hand carved hardwood low tabl...

Here's one of the most beautiful Chinese antiques we have ever found in our travels in China over the past three decades. This is a one-of-a-kind antique sandstone lintel which when installed and displayed could be a handsome addition to your decor. It dates to the 18th century of the Qing dynasty. It still retains remnants of its original poly chrome surfaces. The carving and detail is deep and very fine. Depicted are a pair of writhing dragons competing for the fabled -wish granting jewel- and possibly water waves beneath- all auspicious signs. Dimensions: 13 inches high and 71 inches wide and 14 inches deep Photographs taken in natural light in our garden. Rare work of art. Provenance: originally found in Chengdu Province and has been part of family collection since its acquisition in 2004. Lifetime guarantee of authenticity. We are members of NAJGA- North American Japanese Garden...

A charming trio of antique Chinese miniature solid bronze incense burners, each displaying a distinct traditional form inspired by ancient ri...

A fine pair of Monumental antique Chinese late Qing dynasty period Famille Rose Porcelain vases. The vases of baluster form with applied handles modeled as dragons, each vase is very finely a hand-painted with polychrome scenes of immortal figures in a garden setting. Each vase having a red Qianlong six character mark to the base. Excellent condition, no damage or retoration. This monumental pair of antique...

Description Nice Pair of 2 Geese in Cloisonne. High Quality with superb decoration and craftmenship. Condition Some small damages likes missing enamel and some ware to enamel. S...

A tall Chinese Qing Dynasty period compound cabinet from the early 19th century made of oakwood and adorned with brass hardware. Created in China in the 19th century, this large comp...

A pair of Chinese late Qing Dynasty period wine console tables from circa 1900 with black/brown lacquer, open apron, pillar strut motifs and distressed patina. Presenting an exquisit...

A finely carved zitan wood display stand in the form of a round table, China, Republic Period, mid 20th century. The circular display stand carved from rare and precious zitan wood. Fashioned as a classical Chinese round table...

Pair of large Canton style famille rose Chinese porcelain vases. Qing Dynasty, late 19th century Measures: height 65cm, diameter 25cm Crafted from porcelain and executed in the so called 'famille rose' style, these large Canton vases...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A matched pair of small circular covered boxes (蓋盒) in Swatow (漳州窯) ware, decorated in Famille Verte enamels of iron-red and copper-green on a white ground. One cover painted with a ...

These are a well made very decorative small cloisonné salt and pepper pot, made in China and dating to the mid-19th century. Both pieces a...

A Chinese Qing dynasty brown / dark red wooden side cabinet from the 19th century, with painted floral decor, bronze hardware and hidden drawers. T...

A fine set of 5pieces Chinese bamboo tea cups with silvered interiors from the 17th century Qing Dynasty, the faces each of each decorated t...

Late Qing Dynasty Chinese Jar mounted as a lamp. Iron red foo dog decoration on jar. Mounted as a lamp in the 1960s-70s with wooden shaped base. Jar: 11" h, 8.5" dia. Some paint wear...

A carved fluorite vase in wood stand. This is a beautiful decorative oblong flat vase created in the imperial China during the late Qing Dynasty period, circa 1880-1900. The piece h...

This petite 19th century console table crafted in China's Shanxi province is the perfect example of Qing-dynasty ideals of scholarship and craftsmanship. Though its clean lines and r...

This petite metal canister was once used to store a smoker's personal supply of opium paste. Providing an airtight seal, the small box is formed of brass with an etched and stamped d...

A lovely Kangxi period Plate dating to around 1690-1710. Nice bamboo at the base. Marked at base with a mark. Additional information: Material: Porcelain & Pottery Region of Origin:...

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene in shades of blue, green, purple and brown and red. With antique lacquer fan box...

A large 20th century Chinese six panel Lacquered Hardstone and Jade Coromandel screen. This screen features intricately carved hardstone, soapstone, jade, lapis, quartz, and other ha...

Early 19th century Chinese bench. A special black lacquered antique Elm wood bench circa 1800. A waisted (refers to specific Chinese furniture construction & joinery) raised top set on frame with hump back stretchers and struts. A most sensational patina of black lacquer worn through to the wood showcases the benches elegant presence and raw beauty. This is an original piece with a 200 plus year history. The raw top is worn silk like smooth from age and use. The reaming black lacquer is thick having an alligatored rustic patina. The construction is solid and strong. Feet having scroll key detail carved to faces with wear prevalent to the bottom of the feet. The humpback struts show ware from one side being more evident then on the other side, more lacquer remains covering one strut. A very significant Antique Chinese Bench...

Rare beautiful asian chinese snuff bottle hand carved from purple fluorite gemstone. Truly a unique oriental snuff tobacco box from the late Qing Dynasty. Gemstone snuff bottles ar...

A richly decorated Chinese porcelain fish bowl or jardinière, executed in the famille verte palette and featuring an intricate, continuous composition of auspicious motifs. The exte...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

A nice Imari Rose coffee cup with beautiful flower scene. Qing Dynasty – Qing Period. Additional information: Material: Porcelain & Pottery Region of Origin: China Emperor: Qianlon...

A fantastic pair of Chinese molded and glazed biscuit porcelain vases with leaping dragon fish or makara, late Qing dynasty, circa 1900. The vases of balu...

A luminous blue-green glaze cloaks the exterior of this vintage Chinese garden pot, dripping down the sides with irregular movement and an allover crackle. The sides are molded in th...

Sharing with you this exceptionally nice Chinese porcelain Plate from the Kangxi period. It has a dark cobalt blue scene with geometric design, objects and symbols. The base with a...

A finely carved Chinese brush pot made from a single section of bamboo, dating to the late Qing Dynasty. The exterior is decorated in deep relief with a detailed scene of figures set...

Seasonal autumn Chinese hanging scroll featuring a painting of delicate flowers with a calligraphy signature and date. Crafted on hand-made mulberry paper...

A pair of Chinese Qing Dynasty period side tables from the 19th century, with humpback stretchers. Created in China during the Qing Dynasty period, each of this pair of side tables f...

Set of six wood carved Chinese 17-18th century Qing dynasty panels or room divider. Each panel features an main section with an open fretwork design lattice panel window, comprised by a pattern of a connecting cherry blossoms. Relief foliate lattice design on the top and bottom of the window. The bottom panels are designed with solid wood panels adorned with a hand painted flower motif at the bottom. Panels such as these were used to easily divid- or open up a room. These Qing panels...

An exceptional and rare Chinese mother of pearl mounted games box with four matching interior boxes containing gaming counters and dating from the 18th century. The rectangular shape...

A fine Chinese Peking glass snuff bottle, hand-blown and finely carved in high relief through an amber-red overlay on a clear ground. Each side is decorated with a carp swimming bene...

Chinese Late Qing Dynasty Ebonized and Partial Gilt Decorated Packing Trunk / Storage chest with handles. Sides and top decorated. Measures 27" in width, 16" in depth and 18" in hei...

Free shipping Qing dynasty Stunning statement piece in any room 2 tier floating pagoda birdcage Highly carved and detailed Dragons, flowers, fish...

This is a very decorative Chinese cloisonné vase dating to the mid 19th Century, Qing period. The vase has a good baluster shape. It has been well made of a bronze alloy with rich ...

Large Antique Chinese Famille Rose Porcelain Baluster Vase Temple Jar. Large and beautiful Early 20th century hand painted Chinese Famille Rose porcelain temple jar. Famille Rose ha...

A very nicely decorated plate. Part of the late Yongzheng / Qianlong Famille Everything. At this point in time the potter is Jingdezhen used all techniques and colors on export plate...

An antique Chinese Qing Dynasty period elm wood coffee table from the early 20th century, with hand-woven rattan top inset, square legs, open apron and pillar strut motifs. Created in China during the late Qing Dynasty period, this coffee table was originally made from a cut down Lohan bed, also called an opium smokers' bed. The table showcases a rectangular top with hand-woven rattan inset and slightly tapering edges, sitting above an open apron accented with a regular rhythm of pillar strut style motifs. It is raised on four sturdy square-shaped legs giving great stability to the ensemble. The design is the same on all sides, the table will be able to float in a room and be seen from all angles. We review all of our pieces and address issues we may find before they leave for your home; however, this is an antique piece, and as such it will keep its character and some imperfections, which is the quintessence of antique and vintage furniture. With its clean lines and warm brown patina, this Chinese Qing Dynasty elm wood and rattan coffee table...

An integral part of traditional Chinese home life, ancestor worship before a domestic altar often featured painted ancestral portraits or tabletop ancestor figure...