Qing Furniture

A Chinese Qing Dynasty period altar side console table from the 19th century with two drawers, fretwork shelf and bronze hardware. This 19th-century Qing Dynasty period altar side console table is an exquisite reflection of traditional Chinese craftsmanship. Constructed with meticulous attention to detail, the table features a rectangular top, two drawers furnished with bronze hardware, and a fretwork shelf, bringing together functionality and aesthetics seamlessly. The façade features two drawers, adorned with intricate bronze hardware, providing a visual contrast against the wood and enhancing its aesthetic appeal. These drawers offer valuable storage, maintaining the functionality without compromising the design. Embellished with carved spandrels beneath the drawers, the console table exhibits an elegant level of detailing. This workmanship extends to the four straight legs that secure a fretwork shelf in the lower section, adding an additional layer of storage and design interest. The table's sides and back are constructed from recessed panels, accented by a simply carved apron, reinforcing the harmonious blend of subtlety and detailing that characterizes the table's overall design. The presence of such elements enhances the table's visual interest and contributes to its functional appeal. Whether utilized as an altar or side console table, this Qing Dynasty piece is sure to enrich any interior with its craftsmanship, historical significance, and timeless beauty. Its blend of utility and artistry makes it a perfect addition for anyone appreciating unique antique furniture...

This pair of late 19th-century column bases likely figured into the grand and imposing surroundings of a Qing-dynasty courtyard, supporting large wooden beams that flanked an entry o...

A charming Chinese "Birds and Peony" painting, ink and color on silk, framed and glazed, Qing Dynasty, late 19th century, China. The delightful and colorful painting features a scen...

A large assembled set of Chinese porcelain mille fleur wares. The set featuring a full tea service, as well as various plates, cups, and saucers. All piece...

A silk civil rank badge panel beautifully framed in a gilt Baux bamboo carved wood frame circa Qing dynasty mid-19th century. The square rank badge is known in Chinese as Buzi which ...

Described by ancient Chinese as a “full moon dyed with spring water,” celadon ware has long been prized for its luminous transparency and delicate blue-green coloring. This petite ce...

Scroll Painting of Chinese Qing Dynasty Family Generations of Imperial Officers This family with few generations withheld positions in imperial officers Purchased from Christie's in ...

An impressive early 20th century Chinese silk kesi panel measuring 74 x 40 inches, finely woven with vibrant and detailed imagery of immortals and atte...

The vase has a hexagonal shape, with a structure that extends seamlessly from the rim to the base, creating a sense of visual stability. The neck features sculpted handles in the for...

Unique rare fine antique 17th century Chinese gilt silver filigree and enamel brise fan, Qing dynasty, the fan has 20 sticks with a 24k gold ring loop, wonde...

A Chinese Qing Dynasty period brown lacquered kitchen cabinet from the 19th century with geometric fretwork motifs, doors, drawers and butterfly hardware. Created in China during the Qing Dynasty, this tall Chinese cabinet...

This is a finely hand painted Chinese porcelain tea bowl from the 18th century, Qing dynasty, Qianlong period, 1736-1795. The bowl is well decorated, continuously around the body ...

19th century antique Chinese hand painted gold lacquer scene gilt fan 100 faces with original lacquer box, fan is 17 inch x 9.5 x 1, the lacquer fan box is 10....

A rare Chinese ebonized rootwood table, Qing Dynasty, dating to the second half of the 18th century to early 19th century. The impressive black lacquere...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

19th Century N. Chinese Mongolian Carpet. 7' x 9'6 - 213 x 290

A Chinese Qing Dynasty period elmwood altar console table from the 19th century, with red lacquer and carved apron. Created in China during the Qing Dynasty, this elmwood console tab...

Set of two 19th Century Chinese porcelain vases Chinese, 19th Century Height 57cm, diameter 32cm The vases feature bodies of cylindrical form with retracted bases and stepped retrac...

An exquisite custom antique 19th century Qing Dynasty heavily carved Chinese rosewood and elm wooden cabinet with double-doors carved set with gilt and deep relief carved wood panels depicting scenes from historical legends and brass handles enclosing a cabinet set with four shelves. The elaborately carved Elmwood panels originally decorated a mid-19th century wedding bed then incorporated into the custom Rosewood frame around the late 1800s-early 1900s. This incredible collectors piece of Chinese history was owned by a European diplomat in Shanghai China during the late 1800s and early 1900s. Documented in a large photobook of their home in Shanghai and their travels, this cabinet was an important piece in their collection and remained with their heirs until our acquisition. Some photos including the one showing this cabinet in their main room is displayed in the photo gallery of this listing. Many pieces owned by the diplomat collector were discarded or sold off over the decades whereas this important cabinet was passed on from generation to generation until we acquired it from a descendant of the diplomat collector. This cabinet would work great as a cupboard, breakfront cabinet, buffet, sideboard, bookcase or bookshelf, vitrine, étagère, china or display cabinet and would work great in an Asian, chinoiserie, Traditional, Transitional, Classical or Art Deco room. Also consider mixing it up with a splash of juxtaposition in a Mid-Century Modern, Scandinavian Modern or Danish Modern, Contemporary or Postmodern home...

A Chinese Qing Dynasty period elmwood cabinet from the 19th century with tapered silhouette and two drawers. Created in China during the Qing Dynasty era, this elmwood noodle cabinet...

A Qing Chinese porcelain vase with baluster-form, hand-painted with cobalt blue decoration of "shuang-xi" or "double happiness" symbol representing happiness in marriage, amid contin...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...

A classic Chinese form chest In a reddish-brown stain. With a banded top over two deep drawers with carved floral lattice patterns, metal drop pulls and locking bars (lacking the closure pin). Double doors below with carved pots of flowers...

Large cast iron tub with floral motif with four ring pulls, there is one casted inscription on one side with date made : " Emperor Qianglong Era 32nd yea...

A Chinese canopy bed was typically part of a bride's dowry or a gift to a courtesan. It grew to be an important household status symbol, and the sub...

19th century Chinese Altar table. Exceptional Altar table of walnut wood (Hetao Mu) in black lacquer having a solid one piece plank top with everted flanges presenting to the sky above. The top apron scalloped with cloud carved spandrels set to sides of reeded column legs terminating to joined feet with carved arrow to sky strut detail. Beautiful patina showing some ware to the top and edges. A very fine example of Qing dynasty Altar table.

This Chinese blue and white Meiping vase is not only a masterful example of ceramic artistry but also a tribute to traditional craftsmanship. Meticulously hand-painted and exceptiona...

A late Qing Dynasty hand-painted black lacquer trunk with gold-gilded decoration, this early 20th-century storage chest is a striking piece that blends function with artistry. The exterior features detailed chinoiserie motifs, depicting a courtly scene with finely robed figures set within an intricate landscape of pavilions, trees, and architectural elements. The rich black lacquered surface provides a dramatic contrast to the delicate gold detailing, emphasizing the depth and movement in the design. Crafted from softwood, the trunk retains its original metal hardware, including side handles and a front latch. Inside, a compartmentalized storage space includes a small side box, once used for securing smaller valuables. Originally intended for general storage, it now serves as a versatile piece adaptable to modern interiors. Placed in a living room as a coffee table, it offers both elegance and practicality, with ample space for stowing away throws or books. In an entryway or bedroom, it functions as a decorative trunk or blanket chest, effortlessly blending into classic, vintage, or eclectic spaces. Whether used for textile storage, a low-profile side table, or a distinctive conversation piece, this Chinese lacquer chest...

Asian hand painted wood panel depicted imperial officers, children, birds and flowers.

A Chinese Qing Dynasty period Elmwood wine tasting console table from the 19th century, with humpback stretcher and horse hoof feet. Created in China during the Qing Dynasty, this El...

Large colorful vintage Chinese porcelain fishbowl/planter from the Qing period. Features classic oriental floral motif. Overall, the piece is in won...

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

These magnificent Chinese temple lions are true works of art, masterfully crafted with incredible attention to detail. The bulging eyes, sharp ears, open mouth, and fluttering mane are expertly rendered, creating a pair of stunning creatures that are truly alive with energy and movement. The expressive faces of these lions are captivating, and the fact that they are a "true" pair, meaning a male and a female facing each other, adds to the sense of interaction and action. These lions are made of stoneware and painted in the traditional Chinese sancai three-color glaze on a light brown ground; dating to the late Qing period, they are covered in rich green, blue, and amber glazes. The intricate detailing and rich colors are breathtaking, making these lions a treasure. Temple lions, also known as lion dogs, are celebrated for their auspicious symbolism. They are believed to protect the peace and prosperity of one's home. These lions are beautiful works of art that bring good luck and prosperity to the homes they are placed in. Dimensions: 17" Height x 16" Length x 6 1/2" Depth. Condition: Excellent Price: $5,800 Background of Chinese Temple Lions: Chinese guardian lions...

Antique Chinese side cabinet. Small Elm wood side cabinet with two upper drawers and a lower cabinet. Also know as a Kang Cabinet. This diminutive low decorative cabinet was placed on the kang, a raised heated platform used as living space in cold climates. An unusually sized visually interesting piece that provides interesting storage space, doors, drawers and or compartments. This particular kang cabinet is a good Size to use for side cabinet - table next to a chair. These pieces are very useful as platforms, tables with storage, stands and many other functional decorative uses. Great for tight spaces, wonderful as book table a fantastic small antique cabinet.

A Green-on-Green Overlay Glass Snuff Bottle, Qing Dynasty. A clear bubbly glass bottle of flattened teardrop form with a cylindrical neck, and a neatly carved oval foot rim. The tr...

Chinese cabinet i red lacquer with remains of decorations, which gives the cabinet a beautiful patina. Black lacquer on the sides of the cabinet. Features double doors, beautifully a...

A Northern elm wood console table with high stretchers and long cornered legs, from China, circa 1860. This table displays the features of traditional Asian carpentry where no nails ...

Beautiful Chinese apothecary medicine chests dating to circa 1840-1860 from the Shanxi province, China. 45 drawers and original lacquer. ...

A classic piece of Chinese furniture, this striking red lacquer cabinet was likely part of a traditional wedding dowry, bestowed upon the groom by the bride's family filled with fine...

A Chinese late Qing Dynasty period elmwood panel circa 1900 with carved phoenix in central medallion, surrounded by flowers, bats and scrolling foliage. Experience the allure of Chin...

Chinese famille rose vase, decorated with 'One Hundred Antiquities' design, paired with Fu-lion handles. (Have two in pairs. If you would like to purchase as a set, please send me a ...

This elegant 19th-century coffer was crafted of elm (yumu) with a square corner frame and four doors, each decorated with a traditional bird-and-flower painting. The serene garden vi...

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

This antique Qing Dynasty elm wood table, dating back to circa 1880, is a stunning example of traditional Chinese craftsmanship. The table features a rich, warm patina that highlight...

A cool and beautifully crafted Chinese Qing Dynasty daybed from the 18th century in its original condition, showcasing a rich, natural patina. Made from solid elm wood with a bamboo...

With deceptively simple design, this narrow console table would have been favored by a Chinese scholar for its well-executed curves, gracefully arched like the sweep...

This needs to be in a Museum A very nice example of 18th c export porcelain grisaille around 1758. A very rare bowl. We have not been able to find a second one in any literature of ...

Description: A singular example of Guanyin. Deviating from the Bodhisattva’s conventional pose of ‘royal ease’, the figure is instead seated in the meditative padmasana, or ‘lotus position’, rendering this Guanyin something of a rarity. An Apana more typically associated with depictions of Buddhas, Guanyin assuming this pose immediately signifies this figure as one of particular spiritual reverence. Both feet are revealed crossed upon one another from beneath fabric which spills before her, her left palm turned upward with her hand resting upon her left knee and her right raised in a relaxed gesture. Adorned with a diadem housing a depiction of Amitabha Buddha, her own spiritual guide, she exudes an air of tranquil regality, further characterised by her numerous strings of beads and elaborately fastened dhoti, attire traditionally reserved for Indian princes. Though the figure’s dress is Indian her face is undoubtedly exemplifying artistic Chinese beauty standards. Her face is soft and rounded, full in both the lips and cheeks, with eyes that restfully peer down, as though she is watching over the worries of mankind with compassion. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A Late Qing Dynasty Japanese inspired Chinese lacquered six-panel screen. This magnificent Chinese lacquered screen, dating from the late Qing Dynasty, exemplifies expert craftsmansh...

With a medallion of two boats sailing together, passing an island on which a solitary figure stands by or on a bridge, the rim with a narrow heringbone pattern, the reverse glazed ca...

A hallmark of Qing-dynasty domestic architecture, tall lattice panels such as these were used in provincial courtyard homes to allow light and air into a room whilst maintaining privacy. Crafted in the 19th century, this set of four lattice door panels...

In the late Qing Dynasty, it was popular to incorporate calligraphy and poetry into ceramics. The piece has a flat, oval shape and was likely used as an inkstone, one of the essentia...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century, with two doors and hand-painted décor. Created in China during the Qing Dynasty, this cabinet captures our attention with its red lacquer beautifully adorned with a gilded hand-painted landscape and architecture-themed décor. Two doors fitted with large bronze hardware, open to reveal inner shelves and hidden drawers while the ensemble is raised on four short feet connected to one another through an apron carved in the front. With its clean lines and elegant motifs, this Qing Dynasty red lacquer cabinet...

Sideboard in an original beautiful nut colored lacquer with a good patina. Two drawers under which a pair doors with a central bar. If needed the center bar can easily be removed to make it easy to place a wider item into the cabinet From Shanxi Province...

Finest Quality Dreamstone Inlaid Chair China- an extraordinary prolifically crafted example of an antique hand carved hardwood chair inlaid with multiple natural dream stone "paintings" plus "butterfly and mother of pearl" inlays in its hardwood arms and seat, late 19th century. This type of old Chinese furniture art form with marble inlay is centuries of years old dating as far back as the Ming dynasty (1368-1644). Fine round and rectangular dream stones depicting mountains and the natural outdoor scenery are inlaid in the seat, back and interior sides of this fine furniture example. Thin marble inlaid stone "paintings" are approximately 1/4" thick and are cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. The hardwood (elmwood) frame is tenon joined. The natural stone "paintings" were hand especially for fine export chairs as in this example. Chair dimensions: Height 38.75 inches Width 25.75 inches Depth 19 inches Period : late Qing period, 19th century Provenance: Private American Chinese collection Reference: Dreaming of Dreamstones China’s Extraordinary Natural Stone Paintings, Schneible Fine Arts. Dreaming of Dreamstones – World’s first comprehensive English text publication covers China’s extraordinary natural Stone Paintings, by author and dream stone lecturer Douglas Schneible, 35 pages, softcover, ISBN 978-0-578. See photos. We have been dealing in authentic Chinese natural stone paintings...

Crafted of elm with a dark lacquer finish, this small locking cabinet from the mid-19th century embodies the refined simplicity of Ming-dynasty furniture. Following the design of tra...

19th century Chinese lacquer sewing box from the Qing dynasty. Colored black and gold all-over beautifully with intricate designs.

Antique Chinese Dragon Wedding Basket, bamboo, rattan, wood and brass, 19th century. A 3-tier round form with magnificently carved bamboo overh...

This lovely Chinese porcelain bowl was hand-painted in Famille Rose shades of deep purple, orange, and green. The outside of this beautiful bowl features a top band of purple diamond patterns inset with panels of blooming peonies and small monochrome orange landscapes. Below the purple band...

This early 20th century lattice window panel likely originated in a northern Chinese home with neutral and balanced interiors. The geometric lattice pattern is linear and open, and was designed to allow light and air into a room while maintaining privacy. Assembled by carefully joining long strips of carved wood, this lattice window has an even, squared pattern that reveals a large diamond formation. Crafted of pine wood, we love this vintage lattice...

This exquisite Qing Dynasty elm wood stool from circa 1890 epitomizes the artistry and craftsmanship of the era. Handcrafted from premium elm wood, the stool features a square seat w...

A small Chinese Qing Dynasty period red lacquer side cabinet from the 19th century, with double doors, two drawers and brass hardware. Created in China during the Qing Dynasty in the...

A very fine mid-Qing Dynasty Chinese hardwood and lacquer six-panel screen, Jailing Period, circa 1800. The hardwood frame inset with black lacquer panels. One side features an over...

This elegant pair of Chinese porcelain potiches is a masterpiece of refinement and beauty. The vases, decorated with floral motifs in shades of light blue, blue, green and pink, are ...

19th Century antique Chinese hand painted gold lacquer scene gilt fan 100 faces with original wood case and stand, fan is 13 inch x 8 '', the fan in ...

Essentially a utilitarian vessel, this mortar is textured with etched line work to facilitate the task of removing the outer husks from grains of rice. Yet it seems as if the Qing-dy...

A Chinese Qing Dynasty red cabinet from the 19th century, with oval hand painted medallions and hand carved motifs. Created during the 19th century, this Qing Dynasty red cabinet fea...

A large antique Chinese polychrome ginger jar. C.1920 Handpainted in a rare colourway with beautiful enameled blue ground and with pink and green foliate detail. Presented in excelle...

Chinese porcelain dragon snuff bottle, cylindrical pillar form with high shoulder, short neck, everted lip and concentric grooved base painted in underglaze cobalt blue of a single f...

Large enameled porcelain bowl with cloisonné decoration in the famille rose style of palace scenes. Very pretty and decorative. Apocryphal Qianlong mark on the underside. Qianlong is an 18th century Chinese emperor. He is the sixth emperor of the Qing dynasty. In addition to his own artistic practice, Qianlong combined his passion for art collecting...

These are a very good pair of antique Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the Qing dynasty, 19th Century. These pieces are well cast with very good detail, showing wear to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked Overall a lovely pair of antique Chinese foo dogs...

This colorful porcelain bowl dates to the mid-19th century and was originally used as a serving dish for ritual offerings, placed before a home altar and piled high with fruit, baked...

Here is a rare and unusual antique, Chinese vanity mirror presented in a turtle shell. The mirror is in a mahogany frame, expertly carved with lo...