Qing Furniture

A Chinese Qing Dynasty period rattan over wood waterfall style desk from the 19th century, with three drawers. Created in China during the Qing Dynasty period, this waterfall side desk captures our attention with its sleek lines and rattan finish. Showcasing a top flowing seamlessly into the side supports, the desk presents three rattan drawers in the front. With its rustic presence and clean silhouette, this 19th century Chinese waterfall...

This austere 19th century Chinese cabinet from China's Shanxi province was constructed with grand proportions. The expressive grain of northern elmwood (yumu) patterns the doors with...

China rare antique stone inlaid wine table, middle Qing dynasty (1644-1911), 18th/19th century. Elm wood (Humu) with original pudding stone inlay. All ...

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Sculpted during the early 20th century in China's Shanxi province, this terra cotta vessel has a smoky taupe exterior with balanced proportions and a beautifully irregular unglazed s...

Antique late Qing hand carved agate snuff bottle. Produced in China towards the end of the 19th century. Beautifully hollowed, all the way to the edges, the walls are very thin and...

Spectacular pair of Chinese Buddhist guardian temple foo dogs or foo lions intricately crafted from bronzed metal. The lions are depicted sitting with one having a paw on a ball or o...

This large Chinese blue and white porcelain vase, dating to the 19th century during the Qing dynasty, presents a striking hand-painted design in a classic baluster form. Standing at ...

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene with antique lacquer fan box...

This is a very decorative small cloisonné vase, made in China and dating to the first quarter of the 20th Century. The vase has a good globular baluster shape. It has been well mad...

Chinese Carved Jade Covered Hu Vase, with two mask head with rings handles, incised taotie design to each side, and on a fitted carved wood stand. Overall: 7.5" H x 4.25" W x 2.25" D...

18th century spectacular Chinese raised lacquer cabinet. This cabinet has a wonderful patina that only comes from time and old style craftsmanship lacquer application. A paper or clo...

A large antique Chinese Qing porcelain jar and cover hand painted with birds amidst flowering shrubs dating from the 19th century. The large rounded bulbous jar stands raised on a ro...

Pair of Chinese Qing dynasty hardwood elm yoke back armchairs ( officials hat chairs ) in beautifully aged original old surface color patina w/ well figured ...

As much an artwork as a piece of furniture, this 19th-century treasure chest from northern China is richly decorated with relief carvings and delicate gilt paintings. The doors bear ...

A pair of late 18th century Qing Dynasty Chinese courtyard doors in hand forged iron and painted elm wood (yumu) . These were once the main entrance to a Siheyuan, a single extended ...

One of a pair No. 2– Stunning Chinese handcrafted Bonsai Tree/Flower in white and green / gray white and green jade (for the leaves) and agate/hardstone (for the pink and yellow flow...

19th century Chinese lacquer sewing box from the Qing Dynasty. Decorated all over beautifully with intricate designs and images of ancient C...

A gorgeous Chinese flambe glazed vase with molded deer head handles, Qing dynasty, 19th century. The vase of pear shaped archaistic "hu" fo...

Exquisite piece of antique embroidery from the 19th century with supporting documents from Hong Kong. Two sleeves of high officials combined to create an intricate panel. The art tel...

The square body famille rose porcelain vase with a Rose Medallion pattern, gilt highlights, and polychrome enamel decoration with alternating medallions of court life against a groun...

Qing Dynasty, Guangxu mark and of the period. The vase features a classic shape with a long, smooth body and a narrow opening. It is coated with a glossy, crimson glaze, often referr...

This huge 23" tall vintage Chinese porcelain blanc de chine statue represents Xi Wang Mu (西王母), the revered goddess of the Western Paradise, a figure of imm...

Once used on a Provincial Chinese farm to hold water or animal feed, this early 20th century stone trough is celebrated today for its organic form and rustic authenticity. hand carved from solid limestone, this shallow rectangular trough exists on a slight tilt, exaggerated by its asymmetrical form. The trough has a rectangular form, carved with a shallow basin, rounded underside, and chiseled surface texture. The rim of the trough curves up and down in a wave-like pattern, softened by the touch of many hands over the years. The surface of the stone has weathered with time, resulting in natural erosion and neutral color variation. A drainage hole is carved into one side, making the large trough...

Medicine Chest in original black lacquer. Shanxi province, China. Dating back from the late 18th Century.

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late Ming and early Qing periods. The detailed depiction of flowers, leaves, and rockwork is both rich and vivid. Due to its excavation from the seabed, the glaze in the central area shows signs of wear, particularly compared to the more preserved sides of the dish. Although it was soaked in hot water to remove the salt at the time of acquisition, slight salt residue remains on the surface. Period : Qing Dynasty(Presumably Kangxi or Yongzheng Period) Type : Dish Medium : Blue and White glaze Condition : Excellent(slight salt residue remains on the surface, and the glaze is worn primarily around the edges.) Provenance: Southeast Asia, South China Sea from Shipwreck in early 2000s Reference : 1) Christies Newyork 22 MAR 2018 - The Studio of the Clear Garden: Chinese Ceramics and Works of Art - Lot 604 (Price realised : USD 732,500 / Type : related - Ming style) 2) Sotheby's London 4 November 2020 - Imperial Porcelain – A Private Collection - Lot 19 (Price realised : GBP 75,600 / Type : related - Yuan style) 3) Asian Art Museum, San Francisco - Object number B60P88 (Type : related - Ming style) 4) Art Institute Chicago - Reference Number 1997.390 - Large Foliate Dish with Garden Rock and Plants (Type : Closely related) * Yuan-Ming Style from Qing Dynasty During the Qing dynasty, many ceramics were produced that imitated the styles of the Ming and Yuan dynasties. This practice was not mere imitation but a creative endeavor to inherit and innovate upon past techniques and styles. Qing dynasty ceramicists mastered the exceptional techniques of Ming and Yuan ceramics and used them as a foundation to develop more advanced works. Particularly, Yuan dynasty blue and white porcelain...

A Chinese late Qing dynasty shadow agate snuff bottle, exquisitely carved to depict a scene of contemplative serenity. It features a scholar, thoughtfully seated on a rock, positione...

Qing Dynasty Chinese Ancestral Portrait, 19th Century, Ancestor officer commemorate portrait and descriptions of characters signed on top right corners, ink and color on paper Overal...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

Large (41 inch tall) Chinese blue and white export porcelain vase in the 18th Century Qianlong style. Underside with the Qianlong mark.

A Chinese carved occasional table with mirror top featuring dragon heads, floral and foliage motifs.

Celadon Bi Disc Sculpture, Mineral and Forging, 20th century – China Exquisite and sophisticated Bi disc made in the early 20th century in China. It is an extraordinary disc carved ...

Late 19th century Chinese bronze vase, signed. Qing dynasty. Warmly patinated bronze. The handles are archaic elephant heads with rings. The base ...

Rare Fine Antique early 19th century Chinese gilt silver filigree and enamel brise fan , Qing dynasty, the fan has 22 sticks with a 18k gold ring loop , wond...

A Chinese canopy bed was typically part of a bride's dowry or a gift to a courtesan. It grew to be an important household status symbol, and the sub...

A Green-on-Green Overlay Glass Snuff Bottle, Qing Dynasty. A clear bubbly glass bottle of flattened teardrop form with a cylindrical neck, and a neatly carved oval foot rim. The tr...

A rare, incredible and large antique Chinese carved mother of pearl mounted tea caddy with armorial for MacPherson and dating from circa...

A large Chinese Qing Dynasty period armoire cabinet from the early 20th century with 14 drawers and two accordion doors. Created in China during Qing Dynasty in the early years of the 20th century, this cabinet attracts our attention with its numerous drawers and dark patina. 14 Drawers of various sizes (three over four in the upper section, echoed in reverse order in the lower one), surround two accordion doors opening to reveal a convenient hanging storage...

Fantastic and unually large teaset in Blue and white, all of moulded shape. Sixteen blue and white porcelain cups and saucers, plus one extra dish All depict fishermen in a watery landscape surrounded by flowery ornamental bands. Not marked. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Blood & Milk Region of Origin: China Emperor: Yongzheng (1722-1735) Period: 18th century China Dynasty Period: Qing (1661 - 1912) Condition: 8 dishes with a hairline, 2 dishes perfect, 7 dishes...

The warm tones and active grain of natural pine wood are the focus of this unusually articulated Dongbei sideboard. Made for a provincial home in northeastern China, this table was o...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo in the shape of a ripe pomegranate. The handle is carved to resemble a thin branch, which forks to either side of the teapot bearing long, slender leaves. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

A truly fine hand-painted porcelain and very large Plater from the 19th century.

Monumental architectural console table from the Qing period, c. 1840. The table is believed to be unique. Original Burgundy lacquer with a beautiful natural patina. The table is in ...

Exuding an energy of calm and tranquility, this larger-than-life stone bust depicts a Buddhist bodhisattva in serene meditation. A disciple of the Buddha, a bodhisattva is a compassi...

This cushion-form box of woven reed and lacquered bamboo dates to the early 20th century and is a lovely example of Chinese basketry. The box is woven of reed strips darkened with bl...

With clean lines and a darkly lacquered finish, this square corner cabinet celebrates the restraint of classic Chinese furniture forms. Dated to the mid-19th century, the tall cabine...

By the 18th century, opium use had become as central to Chinese social life as taking tea or smoking tobacco, fostering a subculture rich with its own customs, traditions, and exquis...

Early 19th century Chinese bench. A special black lacquered antique Elm wood bench circa 1800. A waisted (refers to specific Chinese furniture construction & joinery) raised top set on frame with hump back stretchers and struts. A most sensational patina of black lacquer worn through to the wood showcases the benches elegant presence and raw beauty. This is an original piece with a 200 plus year history. The raw top is worn silk like smooth from age and use. The reaming black lacquer is thick having an alligatored rustic patina. The construction is solid and strong. Feet having scroll key detail carved to faces with wear prevalent to the bottom of the feet. The humpback struts show ware from one side being more evident then on the other side, more lacquer remains covering one strut. A very significant Antique Chinese Bench...

Early large 20th century bronze Qing style cloisonné center table. Thisl large form table features extraordinary workmanship with stunningly rare Impe...

A Yixing teapot, Qing Dynasty, circa 1900. 6 ¾ inches wide by 4 ¼ inches deep by 3 ¾ inches tall

A large antique 18th Century Chinese Qing dynasty carved wooden figure statue of the Bohisattva Guanyin. This wonderful carved statue depicts Quanyin "The one who perceives the sound...

Antique Chinese Blue and White Porcelain Spoon. A deftly modeled fine porcelain spoon with unusual scalloped edge and crisp d...

A nice plate. Qing Dynasty - Qing Period. Central scene of landscapes Condition Rimfritting and chipping. Size 22.5cm Period 17th century

A Chinese Qing Dynasty period low kang coffee table from the 19th century, with painted décor and pierced apron. Created in China during the Qing Dynasty, this low kang coffee table ...

Chinese emerald green shiwan pottery teapot, Chinese, Qing Dynasty, late 19th century. In the shape of a traditional Chinese water carrying bucke...

Finest Quality Dreamstone Inlaid Chair China- an extraordinary prolifically crafted example of an antique hand carved hardwood chair inlaid with multiple natural dream stone "paintings" plus "butterfly and mother of pearl" inlays in its hardwood arms and seat, late 19th century. This type of old Chinese furniture art form with marble inlay is centuries of years old dating as far back as the Ming dynasty (1368-1644). Fine round and rectangular dream stones depicting mountains and the natural outdoor scenery are inlaid in the seat, back and interior sides of this fine furniture example. Thin marble inlaid stone "paintings" are approximately 1/4" thick and are cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. The hardwood (elmwood) frame is tenon joined. The natural stone "paintings" were hand especially for fine export chairs as in this example. Chair dimensions: Height 38.75 inches Width 25.75 inches Depth 19 inches Period : late Qing period, 19th century Provenance: Private American Chinese collection Reference: Dreaming of Dreamstones China’s Extraordinary Natural Stone Paintings, Schneible Fine Arts. Dreaming of Dreamstones – World’s first comprehensive English text publication covers China’s extraordinary natural Stone Paintings, by author and dream stone lecturer Douglas Schneible, 35 pages, softcover, ISBN 978-0-578. See photos. We have been dealing in authentic Chinese natural stone paintings...

A pair of late Qing Dynasty period tiered lamp tables from the early 20th century, with carved aprons, shelves, horse hoof feet and low stretchers. Created in China during the late Q...

A Chinese Qing dynasty period ningbo cypress cabinet from the 19th century with brass hardware. Created in China during the Qing Dynasty in the 19th century, this ningbo cabinet feat...

China Brush rinse washer in agate (carnelian) carved with relief decoration with flowers Early 20th century natural structure in the agate

Antique Chinese porcelain teapot with fine hand-painted decoration, 6-character mark of Guangxu from the period (1875-1908) Perfect condition, no chips, cracks or other defects Tota...