Qing Furniture

This is a very decorative porcelain Large Chinese Export Bottle Vase or jar with a monochrome ox blood red "Sang-de-bouef" glaze, having a very light green glaze at the top rim, whic...

Early 20th century Chinese late Qing dynasty twelve panel lacquered coromandel screen. The grand screen features a royal pavilion courtyard...

A large antique Chinese late Qing Dynasty period elmwood armoire from the early 20th century, with two doors, bronze medallion hardware, hidden drawers and carved apron. Created in China during the later years of the Qing Dynasty in the 20th century, this large armoire is made of elmwood, with the grain enhanced by a natural color varnish. The armoire showcases a linear silhouette and stands on four straight legs connected to one another through a carved apron in the front. The doors are fitted with a traditional Chinese lock...

Rare Huanghuali Tabletop Cabinet Qing Dynasty 17th/18th C., Provenance. Well balanced and solid structured tabletop cabinet made from huanghuali, (Chinese Rosewood). It dates to the 17th/18th century Qing dynasty. The chest is composed of two framed doors, which when open, reveal two inner shelves. The lower shelf suspends a pair of drawers. The door panels and the chest are raised over aprons elaborately carved with classical Chinese foliate tendrils. The cabinet is fitted with baitong hardware. The sides are set with metal bail handles. A typical feature of cabinets of this form is to use the two doors to display the natural beauty and grain of the wood. Huanghuali Rosewood is known for its beauty and rarity. Huanghuali furniture...

Exquisite Pair of Century Chinese Famille Rose Decorated Porcelain Vases with Striking Foo Dog Handles, 1800s. Presenting an awe-inspiring and opulent duo of antique Famille Rose Chinese Porcelain vases, adorned with elaborate motifs and breathtaking craftsmanship. Standing almost waist-high, these vases command attention with their majestic presence and captivating artistry. The prominent aqua background, gracefully envelops each vase, setting the stage for an enchanting display of visual splendor. Delicate white rectangular panels on the neck of each vase feature whimsical scenes portraying highly detailed pheasants, resplendent flowers, intricate foliage, and gracefully entwined tree limbs. The necks culminate in a tulip-edged gold dipped design, lavishly adorned with turquoise enamel that gracefully flows from the lips of the vases into the very heart of their being. The body of each vase showcases larger white rectangular panels, showcasing meticulously hand-painted graceful tree limbs, vibrant pheasants, sprightly sparrows, and charming lyre birds. Amidst this lively scene, an array of multi-colored flowers and leaves effortlessly breathe life into the composition, while charming aqua blue funghi add a touch of whimsy to the spectacle. The aqua background of the remaining surfaces of the vases, is skillfully adorned with enamels in relief, showcasing a plethora of resplendent hand-painted multi-toned colorful blossoms and foliate, meticulously hand painted in mild relief and scattered to create an elegantly harmonious and evenly spread-out design. Gracing the upper belly of each vase, magnificent tiny dragons take center stage in intricate high relief, lavishly painted with 24K gold enamel. Their sinuous forms and exquisite detailing bring a sense of majestic energy to the vases, adding a touch of awe-inspiring grandeur. However, it is the handles of these vases that truly steal the limelight. Crafted with unparalleled artistry, they feature larger Foo Dogs...

These monumental Chinese roof tiles were once installed as part of the elaborate roof of an early Qing-dynasty temple or grand courtyard home. Dated to the 18th century, the sculptur...

China antique monumental Wooden Pagoda, total height is 70 inches, hand carved and hand painted wood, seven hexagonal sections plus finial, late Qin...

Rare and Hard To Find 19th Century From China's Qing dynasty (1644-1912) a hard to find solid limestone finely carved "drum" pedestal - perfect for displaying your indoor or outdoor...

Late 19th century Chinese elmwood cabinets in an old lacquered finish. This cabinet can be ideal as a bedside chest, end table next to a sofa or a cabinet in an hallway. it has two...

Exuding an energy of calm and tranquility, this larger-than-life stone bust depicts a Buddhist bodhisattva in serene meditation. A disciple of the Buddha, a bodhisattva is a compassi...

A late Qing Dynasty period hand-painted cabinet from the early 20th century with hand-painted floral décor, two doors and six drawers. This Qing Dynasty period cabinet is a captivati...

Sharing with you this lovely painting. Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 19th century Emperor: Guangxu (1875-1908) China Dynasty ...

Set of two 19th Century Chinese porcelain vases Chinese, 19th Century Height 57cm, diameter 32cm The vases feature bodies of cylindrical form with retracted bases and stepped retrac...

Pair of large Canton style famille rose Chinese porcelain vases. Qing Dynasty, late 19th century Measures: height 65cm, diameter 25cm Crafted from porcelain and executed in the so called 'famille rose' style, these large Canton vases...

Very pretty "Blanc de Chine" statuette in white porcelain representing the goddess Guan Yin seated. Quan Yin or Guan Yin is the beloved Buddhist goddess of compassion, whose name mea...

Description: A singular example of Guanyin. Deviating from the Bodhisattva’s conventional pose of ‘royal ease’, the figure is instead seated in the meditative padmasana, or ‘lotus position’, rendering this Guanyin something of a rarity. An Apana more typically associated with depictions of Buddhas, Guanyin assuming this pose immediately signifies this figure as one of particular spiritual reverence. Both feet are revealed crossed upon one another from beneath fabric which spills before her, her left palm turned upward with her hand resting upon her left knee and her right raised in a relaxed gesture. Adorned with a diadem housing a depiction of Amitabha Buddha, her own spiritual guide, she exudes an air of tranquil regality, further characterised by her numerous strings of beads and elaborately fastened dhoti, attire traditionally reserved for Indian princes. Though the figure’s dress is Indian her face is undoubtedly exemplifying artistic Chinese beauty standards. Her face is soft and rounded, full in both the lips and cheeks, with eyes that restfully peer down, as though she is watching over the worries of mankind with compassion. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Rare unusual late 19th century/early 20th-century Chinese Qing four-panel coromandel screen. The front features dark red lacquer decorated with scholars objects and small landscape s...

"“huê Blue” Porcelain Bowl – 19th Century, “imperial Intendance” (內府) Mark" Antique Bleu de Huê Porcelain Bowl – 19th Century, Marked “Imperial Household” (內府) A fine Bleu de Huê por...

A wonderful green glaze typical of Chinese "Shiwan" pottery adorns this early 20th Century Chinese storage jar. The jar likely occupied a private home to store grains or other househ...

A fine antique gilt-wood & black lacquer Chinese Export Qing dynasty table desk, circa 1850. The table top is finely hand-painted to the top with a gilded landscape scene, depicting ...

A large Chinese Qing Dynasty period wooden kitchen cabinet from the 19th century with fretwork motifs, carved scrolling apron, brass hardware an...

A Chinese carved occasional table with mirror top featuring dragon heads, floral and foliage motifs.

Elegant Canton export ginger jar (bojan) made of white porcelain, richly decorated with blue floral and foliate motifs in classic Chinese style. The jar retains its original profiled...

An antique Qing Dynasty table clock for export. This is an amazing antique table clock created during the Qing Dynasty, back in the late 18th century. Masterfully crafted around th...

The central field decorated with flowering lotus branches & peony flowerheads, rising to a shoulder with a repeating band of geometric leafy designs interspersed by panels with auspi...

Chinese red lacquer box from Qing dynasty. Includes nine-pieces. Before in excellent condition. But when I take pictures, accidentally fell t...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

Chinese Rose Medallion Porcelain Two-Handled Cache Pot, red Daoguong mark to underside, hand-painted with figural group scenes on scrolling floral gilt ground. 7.25" H x 8" W x 7.25"...

A Chinese Qing Dynasty period painting from the 19th century of an ancestral group portrait in custom frame. Immerse yourself in the rich tapestry of Chinese history with this Qing Dynasty period painting, an ancestral group portrait from the 19th century that masterfully captures the essence of traditional Chinese society and family hierarchy. This vertical painting, housed in a custom composition wood frame with plexiglass, is a testament to the time-honored artistry of Qing Dynasty artists. Crafted on parchment paper, the painting displays generations of ancestors in a systematic, frontal arrangement. The chromatic spectrum of their robes - blues, reds, greens, golds, blacks, and oranges - adds vibrant depth to the ancestral tribute. Civil officials are distinguished by bird-adorned buzi, an emblem of their rank. In line with tradition, the portrait hierarchy descends from top to bottom - the older generation presides at the top, followed by subsequent generations. The men are positioned on the right, the women on the left, reflecting the societal norms of the period. Bordering the parchment, a silk frame contributes an elegant finish. Display this painting above a credenza, console table, or enfilade, and it promises to enhance any interior space with its captivating allure and cultural resonance. This Qing Dynasty painting...

Antique Chinese Cameo Agate Snuff Bottle, rounded square from with raised foot rim and round neck, concave mouth rim, narrow mouth, well hollowed depicting a horse, bee and a monkey....

Dated to the late 19th century, this pair of tall book cabinets was once used in a scholars' studio or well-to-do home to store a collector's most ch...

Late 19th to early 20th century Chinese daybed with soft cane top that epitomises the elegance of Jiangsu furniture, which was highly rated in ancient China. Elegantly proportioned,...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century with original red lacquer and floral décor. Created in the North-Eastern province of ...

A pair of Chinese Qing Dynasty period side tables from the 19th century, with humpback stretchers. Created in China during the Qing Dynasty period, each of this pair of side tables f...

Early 19th century Chinese bench. A special black lacquered antique Elm wood bench circa 1800. A waisted (refers to specific Chinese furniture construction & joinery) raised top set on frame with hump back stretchers and struts. A most sensational patina of black lacquer worn through to the wood showcases the benches elegant presence and raw beauty. This is an original piece with a 200 plus year history. The raw top is worn silk like smooth from age and use. The reaming black lacquer is thick having an alligatored rustic patina. The construction is solid and strong. Feet having scroll key detail carved to faces with wear prevalent to the bottom of the feet. The humpback struts show ware from one side being more evident then on the other side, more lacquer remains covering one strut. A very significant Antique Chinese Bench...

Sharing with you this very nicely decorated plate. What you see is a Jingdezhen made porcelain dish from around 1720-1730. Later decorated with a Rare type of decoration in Red, Gree...

A finely proportioned Chinese monochrome porcelain vase, handcrafted in the 1970s, showcasing the classic Yuhuchunping or “spring bottle” form. This pear-shaped profile, with its ful...

A beautifully decorated Chinese late Qing-dynasty (1644–1911) hot water bottle, originally used to heat a bed or warm the body. This piece is made of brass (it could be bronze but w...

A monumental Chinese famille rose porcelain "Peacock" palace vase, Republic period. Magnificent quality and palace sized Chinese hu-form vase with side h...

Antique underglaze Blue & white Chinese Qing Dynasty Export Porcelain, Hot Water Warming Dish, circa 1810. The rare octagonal form deep hot water warming dish is painted in undergla...

Fabulous pair of mid 19th century Qing Dynasty hand painted watercolor Chinese Pith paintings; subjects attributed to Emperor Xianfeng and Consort Qing. Emperor Xianfeng was the 8th ...

A matched pair of small circular covered boxes (蓋盒) in Swatow (漳州窯) ware, decorated in Famille Verte enamels of iron-red and copper-green on a white ground. One cover painted with a ...

A Chinese Qing Dynasty period cabinet from the 19th century, with original red lacquer and hand-painted gilt décor. Created in China during the Qing Dynasty period in the 19th centur...

A beautiful pair of Chinese Porcelain Qianlong inspired table lamps. Features a hexagonal form with flared mouth. The vases are white with blue painted nature scenes showcasing an al...

This set of two hand-painted fencai porcelain round boxes from the late Republic era is a charming representation of Chinese artistry and symbolism. Each lid, slightly domed, vividly...

A large blue and white Chinese porcelain baluster vase, produced in the late 20th-century in the Kangxi revival style. The body displays a finely hand-painted figural scene in cobalt...

An antique Qing Dynasty pillow chest made of wood and covered with leather. The front and sides are adorned with embossed decorations, showcasing tradit...

An antique Chinese Qing Dynasty period elm Shanxi Province coffee table from the 19th century, with woven rattan top and curving legs. Created in the North-Eastern province of Shanxi...

Nice, rare and beautiful colors in enamel in, Floral design, second half 18th century These wares and their specific characteristics of wild colour and thick enamel have all the cha...

This Chinese late Qing Dynasty period wooden plant stand from the early 20th century features a circular top, carved apron, gracefully curving legs, low ring stretcher, and petite fe...

A Chinese Turquoise Glazed Pottery Jar, 19th Century Provenance: Private Australian Collection. Dimensions: Height: 36.5cm. Diameter: 26cm.

This miniature bone carving of a woven fisherman's basket is a charming example of the decorative toggles used by Qing-dynasty men much like Japanese netsuke. Because traditional Chi...

A pair of late 18th century Qing Dynasty Chinese courtyard doors in hand forged iron and painted elm wood (yumu) . These were once the main entrance to a Siheyuan, a single extended ...

A richly decorated Chinese porcelain fish bowl or jardinière, executed in the famille verte palette and featuring an intricate, continuous composition of auspicious motifs. The exte...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century, with two doors and hand-painted décor. Created in China during the Qing Dynasty, this cabinet captures our attention with its red lacquer beautifully adorned with a gilded hand-painted landscape and architecture-themed décor. Two doors fitted with large bronze hardware, open to reveal inner shelves and hidden drawers while the ensemble is raised on four short feet connected to one another through an apron carved in the front. With its clean lines and elegant motifs, this Qing Dynasty red lacquer cabinet...

A Chinese Qing Dynasty period wooden cabinet from the 19th century with light lacquer, brass hardware, two doors and four drawers. Created in China during the Qing Dynasty in the 19t...

Large Chinese Hand Carved Dragon Altar Table or Rosewood Entry Table Constructed in the Late 19th -Early 20th Century in the Gansu region of China, the artisan who crafted this cons...

This is a beautifully hand-painted Chinese porcelain blue and white Dish from the Qing, Kangxi period, 1662-1722. The dish is finely potted with an octagonal shape using a clear w...

A hallmark of Chinese architecture, tall door panels such as these were used in provincial courtyard homes to easily open up a room to the outdoors. Designed with solid wood panels instead of lattice windows, these door panels were likely installed facing the street, used to protect the home rather than provide decoration. The doors were originally linked by hinges set in opposite directions, allowing the doors to fold upon themselves as they open. Instead of the elaborate carvings often found on Qing-dynasty doors...

A late Qing Dynasty period elm sideboard with carved floral vases, drawers, removable panels and doors. Rich with history and timeless charm, this antique sideboard embodies both fun...