Qing Furniture

Chinese blue and white export porcelain tea caddy and cover circ 1790's. Finely applied and preserved gilt. The tea caddy is 5 3/4" tall to the top finial. No losses or repairs.

A rare, all original, actual, 19th century Chinese honor plaque commemorating the appointment of the 16th official, Xu Shao Li, The left side bears the inscription “Emperor Tong Zhi,...

19th Century Window Lattice Screen. Very special Lattice Screen Window Panel from Shanxi China 19th century. Wonderfully assembled sculpted pieces of Cypress wood with each face ro...

This vintage Chinese soy sauce jar showcases a stunning green glaze with beautiful natural variations that flow organically across its surface. The ribbed upper body adds subtle text...

Sharing with you this lovely plate from Dehua Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 19th century Emperor: Guangxu (1875-1908) China D...

Antique Qing dynasty peach bloom porcelain vase. This is an antique 18-19th-century Chinese Porcelain vase created during the Qing Dynasty circa 1800. It has been crafted during the...

Spectacular pair of Chinese Buddhist guardian temple foo dogs or foo lions intricately crafted from bronzed metal. The lions are depicted sitting with one having a paw on a ball or o...

        This Chinese porcelain dish was hand painted during the Kangxi period, circa 1710. At the center, a Kylin is painted in famille verte enamels within a fenced garden with flow...

A Chinese antique brasswood (also called Linden or Lime wood) blanket chest from the late 19th century. Fitted with a brass lock in the front set on a round medallion plate and two ...

A Chinese Qing Dynasty period original red lacquer cabinet from the 19th century, with gilt Chinoiserie décor. Created in China during the...

A Chinese Qing Dynasty period elmwood coffee table from the 19th century, with chow legs and carved apron. Created in China during the Qing Dynasty (1636–1912), this low table, which...

Chinese late-19th-century inlaid black lacquer cabinet (Qing dynasty) – a magnificent example from the Canton region of China. Standing at 134 cm high × 110 cm wide × 56 cm deep. ...

A Chinese Export Porcelain saucer dish after the ‘Dame Au Parasol’ design by Cornelis Pronk (1691 – 1759) commissioned by the Dutch East India Company (Verenigde Oost-Indische Compagnie or V.O.C.) in 1737. Cornelis Pronk (1691-1759) was an accomplished painter and draftsman who was commissioned by the VOC in 1714 to provide designs for porcelain manufactured and painted in China. Decorated in underglaze-blue, iron-red and gilt with ‘La Dame au Parasol...

A unique and valuable and powerful Protection Amulet Dzi from Tibet An old Tibetan or Central Asian eye agates Dzi Beads dating to the early 20th century. ...

A Chinese Qing Dynasty period lacquered cabinet from the 19th century, with natural color and two doors over two drawers. Created in China during the 19th century, this Qing Dynasty cabinet...

Antique Chinese Crystal Agate Snuff Bottle. This bottle is in a a stout rounded form, with countersunk base, short thick neck, concave lip with a sharp edge and narrow mouth, in a we...

A Chinese table made of elm wood and finely carved with spectacular dragon motifs. The legs are richly adorned with dragon heads—an imperial symbol of power, strength, and protectio...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century, with two doors and hand-painted décor. Created in China during the Qing Dynasty, this cabinet captures our attention with its red lacquer beautifully adorned with a gilded hand-painted landscape and architecture-themed décor. Two doors fitted with large bronze hardware, open to reveal inner shelves and hidden drawers while the ensemble is raised on four short feet connected to one another through an apron carved in the front. With its clean lines and elegant motifs, this Qing Dynasty red lacquer cabinet...

A polychrome lacquered two-door cabinet, Chinese, 19th century. Each door carries a gold-ground figural panel depicting court scenes in the classical narrative tradition, the figures...

A Chinese kang table from China mid-19th century. This low table is crafted in lacquered elm wood. It features a rectangular framed top and solid floating panel. In original conditio...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century. Embrace the allure of antique Chinese craftsmanship with this Qing Dynasty period red lacquer cabinet, a quintessential 19th-century artifact. This antique storage unit...

This is a very decorative Chinese cloisonné vase dating to the mid 19th Century, Qing period. The vase has a good baluster shape. It has been well made of a bronze alloy with rich ...

This is a beautifully hand-painted Chinese porcelain Dish, dating to the middle of the 18th century, Qing, Qianlong period, circa 1750. The dish is circular, well potted, with rib...

This impressive antique console table dates to the mid-19th century and displays the balanced proportions of classical Chinese furniture. The table's form is streamlined and simple, ...

A Chinese lacquered apothecary, circa 1820-1840. 77 drawers each with Chinese script for, herbs, minerals and natural remedies. Original restored lacquer with a wonderful warm color...

Chinese Hongmu Carved Side Table Qing Dynasty 19th century. Rare 19th century hand carved Chinese Qing Dynasty Hongmu hardwood side table. T...

This carved jade object is a traditional Chinese archer's ring, worn to protect one's fingers while drawing a bowstring. Over time, what began as practical equipment became a fashion...

This small, antique table chest is an example of the multi-functional boxes used tabletop in traditional Chinese interiors in lieu of larger cabinets or tables with drawers. Such box...

A handsome pair of antique Chinese wood side tables or stools, each presenting a square form with beautifully understated traditional detailing. The tables feature square panelled to...

Antique Chinese Rose Medallion Porcelain Lidded Serving Tureen, 19th century, length 11 inches. In very good condition with no cracks, chips, or repairs.

Early 20th century Chinese late Qing dynasty twelve panel lacquered coromandel screen. The grand screen features a royal pavilion courtyard...

One of a kind pair of Chinese porcelain vases from Canton Province, in the Rose Family, or fencai, style, dating from the Qing Dynasty (1644-1912), 19th century. This pair of vases ...

Distinguished by its fine materials and balanced proportions, this antique Chinese daybed was masterfully crafted with an eye for decorative det...

Antique Peking Chinese Allover Ivory 1890s Rug, Circa Date: 1890s. This exceptional late 19th-century Chinese Peking weaving represents the pinnacle of imperial-era textile art, offe...

An antique carved Chinese camphor and blackwood chest. Blackwood front carved in relief with dragons in the sky / clouds. Fitted with original brass medalion, richly chiseled in th...

This is a very good Chinese porcelain large plate, made for the export (Canton) market, during the middle of the 18th century, Qing-Qianl...

A Chinese Qing Dynasty period console table from the 19th century, with carved spandrels. Created in China during the Qing Dynasty period, this c...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A Chinese Qing Dynasty period elm wood coffee table from the 19th century with woven rattan top, cabriole legs and reddish brown patina. Created in China during the Qing Dynasty peri...

A Chinese inside-painted glass snuff bottle dating to the mid-20th century, circa 1957. The substantial flattened glass bottle is painted to the interior on both sides with colorful...

Large Antique Chinese Famille Rose Porcelain Baluster Vase Temple Jar. Large and beautiful Early 20th century hand painted Chinese Famille Rose porcelain temple jar. Famille Rose ha...

Antique Chinese Hand-painted and Lacquered Elm Blanket Chest Early 20th Century, Late Qing dynasty. A superb example, beautifully preserved. in very good condition with wear commens...

Originally used as incense stands, game tables, or as gathering spot for food & drink, these 19th-century Chinese wine tables demonstrate the timeless appeal of traditional furniture...

An antique Qing Dynasty table clock for export. This is an amazing antique table clock created during the Qing Dynasty, back in the late 18th century. Masterfully crafted around th...

Fine antique Chinese snuff bottle finely carved in transparent ruby-red overlay glass over a clear bubble-suffused "show flakes" ground, ...

Kangxi period, Red Famille Verte. Stunning scene Rare set! Additional information: Material: Porcelain & Pottery Type: Tea/Coffee Drinking: Bowls, Cups & Teapots Tea Bowls & Cups R...

Two etchings of traditional Chinese costumes decorated w/ Chinese calligraphy by world renowned artist Vorakorn Metmanorom ( Thailand, b. 1968 ) At the 1995 National Exhibition of Ar...

A very beautiful Chinese porcelain baluster-shaped jar with lid and knob, painted in underglaze blue crackle with hand-painted cobalt blue and white decorations depicting a two-horne...

A Chinese canopy bed, or marriage bed, was the most important part of a bride's dowry and was the central feature of her personal quarters. Traditionally, beds were central to Chines...

A finely proportioned Chinese hardwood table dating to the 19th century, crafted in richly figured hongmu with a floating panel top framed by a mitered border. The restrained silhouette is elevated by elegant recessed legs and delicately shaped scroll-form spandrels, details rooted in the refined furniture traditions of the Qing dynasty. The warm reddish-brown wood displays beautiful natural grain variation throughout, with dark mineral streaking visible in the legs and apron adding depth and character to the surface. The top exhibits expected age-related shrinkage and wear, lending the piece an honest patina accumulated over generations of use. Originally intended as a wine table, incense table, or small altar table, its versatile scale translates effortlessly into contemporary interiors. It functions equally well as a console, lamp table, entry table, bedside table, or sculptural accent piece. The clean architectural lines and balanced proportions appeal to both traditional and modern sensibilities, making it particularly well suited to interiors inspired by the work of designers such as Axel Vervoordt, John Pawson, and Rose Tarlow, where age, material authenticity, and quiet craftsmanship are celebrated. A handsome and highly usable example of 19th-century Chinese hardwood furniture.

A rare and large Chinese cabinet crafted in elm wood with original lacquer finishes. The front is finished in red lacquer and displays a beautiful, age-related patina, highlighted by...

Sharing with you this lovely plate from the Kangxi / Yongzheng period. Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 18th century China Dynas...

One of a pair No. 2– Stunning Chinese handcrafted Bonsai Tree/Flower in white and green / gray white and green jade (for the leaves) and agate/hardstone (for the pink and yellow flow...

Camphor wood chest with round metal fittings. Jiangsu Province ca. year 1900. The chest is almost the same size as item no. 104780, so can be used as an almost identical pair.  

A Chinese Qing dynasty period leather drum from the 19th century, with turned wood red mallet. This Chinese Qing dynasty period leather drum from the 19th century is a captivating piece that brings together historical craftsmanship and aesthetic appeal. The drum, with its circular form, is covered in leather that showcases the patina of age, a testament to its enduring presence over the centuries. The drum is complemented by a turned wooden mallet...

A classic piece of Chinese furniture, large, upright cabinets such as this were used in traditional homes in lieu of built-in closets, filled with clot...

Rare Chinese Red Lacquer Altar Console Table with Architectural Geometric Form, circa 1900 An unusual Chinese altar or console table dating from the late Qing period to the early Re...

Sideboard in elm wood from Shandong province in China. Black lacquer, with two pair of doors in polychrome lacquer with decorations. Natural age-related beautiful patina, highlig...

This vintage Chinese Famille Rose planter is a striking example of traditional ceramic artistry, distinguished by its generous scale and richly de...

Antique circa 1850 Chinese Qing hand-knotted wool rug, 17'10" x 17'10" (214 x 214 in), in orange and blue tones. Condition: excellent. Antique Large Square Ningxia Chinese Hand Knotted Pile Rug, Country of Origin: China, Circa Date: 1850s. This exceptional example of ningxia rugs showcases the powerful aesthetic of mid-19th century Qing Dynasty weaving. Its generous square dimensions classify it as a truly large oversized rug, suitable for grand interiors requiring a statement piece of significant scale. The field presents a vibrant, saturated hue, often categorized as a deep coral color, providing a dramatic contrast to the dense, repeating indigo and pale blue floral motifs. This striking color combination is characteristic of the finest Chinese rugs produced for imperial or high-ranking domestic use during this period, demonstrating mastery over natural dye processes. At the center, a circular medallion captures attention with its intricate depiction of mythical beasts, likely the Dogs of Fo, amidst stylized clouds and traditional Chinese symbols of longevity and good fortune. The overall design of this square rug is highly formalized, reflecting the sophisticated courtly taste prevalent in antique rugs from the region, where every motif carries symbolic weight. Hand-knotted with exceptional precision, the wool pile retains a beautiful luster, emphasizing the quality of the natural dyes used in the 1850s. The wide, solid indigo border frames the complexity of the central design and the meandering vine motifs, ensuring this square piece remains a highly collectible artifact of textile history. Additional notes Antique circa 1850 Chinese Qing hand-knotted wool rug, 17'10" x 17'10" (214 x 214 in), in orange and blue tones. Condition: excellent. Additional notes Ningxia North Central China 17'10" x 17'10" Circa 1850 Warp: cotton, off white, handspun, Z-4-S Weft: cotton, off white, handspun, 2 shoots alternating Pile: wool, 3 strand, handspun Knot: asymmetric, open left, 48 knots per square inch Sides: one cord, offwhite cotton wrapped End: no original finish This is a particularly large example of a Mandarin official's carpet with a central medallion displaying nine lion dogs collectively symbolic of success on the national Chin Shih examination which provided guaranteed entry into the national administrative bureaucracy and the wealth devolving therefrom. The nine lion dogs are a rebus for success in the national bureaucracy. The apricot ground features 11 full or partial rows of tree paeonies, flower and stem. This carpet is particularly large and clearly was made for a highly placed official or the wealthy family of a recent graduate of whom great things were expected. The principal was probably Buddhist as indicated by the embroidered ball and precious objects in the medallion. The clouds surrounding the lion dogs form a broken, polychrome circle rather than the usual continuous cloud wreath. This is one of the several features indicating a bespoke order rather than a piece made for the market. Another indicator is the exceptional size, as the standard square Ningxia Mandarin carpet is about 12 to 14 feet square. The main border continues the colour combination, with a now apricot ground and paeonies among floral arabesques. The blue inner stripe is unusual with butterflies alternating with paired peaches...