Qing Furniture

An antique Chinese late Qing Dynasty period wooden desk from the 20th century, with four drawers, carved curling scrolls, horse-hoof legs and custom black and red lacquer. Created in...

This austere 19th century Chinese cabinet from China's Shanxi province was constructed with grand proportions. The expressive grain of northern elmwood (yumu) patterns the doors with...

A Chinese Qing Dynasty period dowry chest from the 19th century, with fretwork, carved giltwood characters and brass ornaments. Created in China during the Qing Dynasty, this dowry c...

A small Chinese double-gourd vase, handcrafted in China, circa 1960s. Finished in a rich oxblood red glaze, known as sang de boeuf, this piece embodies both Chinese tradition and a...

Sharing this lovely painting. It has handwriting in German on it. Translating the Chinese. We have a series of these. See second picture for similar paintings. Additional informatio...

Wide enough to seat three to four people, this ornate bench was likely made as shared seating for live performances, such as operas, plays, and ceremonies...

This elegant 19th-century coffer was crafted of elm (yumu) with a square corner frame and four doors, each decorated with a traditional bird-and-flower painting. The serene garden vi...

Crafted of elm with a dark lacquer finish, this small locking cabinet from the mid-19th century embodies the refined simplicity of Ming-dynasty furniture. Following the design of tra...

Finest Quality Dreamstone Inlaid Chair China- an extraordinary prolifically crafted example of an antique hand carved hardwood chair inlaid with multiple natural dream stone "paintings" plus "butterfly and mother of pearl" inlays in its hardwood arms and seat, late 19th century. This type of old Chinese furniture art form with marble inlay is centuries of years old dating as far back as the Ming dynasty (1368-1644). Fine round and rectangular dream stones depicting mountains and the natural outdoor scenery are inlaid in the seat, back and interior sides of this fine furniture example. Thin marble inlaid stone "paintings" are approximately 1/4" thick and are cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. The hardwood (elmwood) frame is tenon joined. The natural stone "paintings" were hand especially for fine export chairs as in this example. Chair dimensions: Height 38.75 inches Width 25.75 inches Depth 19 inches Period : late Qing period, 19th century Provenance: Private American Chinese collection Reference: Dreaming of Dreamstones China’s Extraordinary Natural Stone Paintings, Schneible Fine Arts. Dreaming of Dreamstones – World’s first comprehensive English text publication covers China’s extraordinary natural Stone Paintings, by author and dream stone lecturer Douglas Schneible, 35 pages, softcover, ISBN 978-0-578. See photos. We have been dealing in authentic Chinese natural stone paintings...

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene in shades of blue, green, purple and brown and red. With antique lacquer fan...

A hallmark of Qing-dynasty domestic architecture, tall lattice panels such as these were used in provincial courtyard homes to allow light and air into a room whilst maintaining privacy. Crafted in the 19th century, this set of four lattice door panels...

Essentially a utilitarian vessel, this mortar is textured with etched line work to facilitate the task of removing the outer husks from grains of rice. Yet it seems as if the Qing-dy...

This lovely Chinese porcelain bowl was hand-painted in Famille Rose shades of deep purple, orange, and green. The outside of this beautiful bowl features a top band of purple diamond patterns inset with panels of blooming peonies and small monochrome orange landscapes. Below the purple band...

Chinese porcelain dragon snuff bottle, cylindrical pillar form with high shoulder, short neck, everted lip and concentric grooved base painted in underglaze cobalt blue of a single f...

19th century antique Chinese hand painted lacquer scene gilt fan with original lacquer box.

Believing that the departed continue to hold influence over the lives of the living, many Chinese households honor their ancestors in private family rituals, invoking their spirits for long life, health, and prosperity. Commemorative portraits, which came into vogue in the late Ming and Qing dynasties, were commissioned specifically for ancestor worship and were believed to house the spirits of the deceased. When properly cared for, one's ancestors were believed to be a powerful source of honor, protection, and good luck. This pair of ancestor portraits was hand-painted in the late-19th century and beautifully depicts a Qing-dynasty couple. While some ancestral portraits offer a more stylized representation of one's ancestors, this particular pair is painted with incredible realism and life-like expressions. Rather than depict the pair in a regal hall wearing elaborate finery, the couple is shown in a quiet home environment, seated at either end of a square tea table. Their surroundings are minimal, practically undecorated, and they wear simple, matching blue silk robes. Two young children stand beside them, each trying to capture the attention of their grandparent. We love the painting's close attention to detail and the glimpse it offers of Qing-dynasty interiors - from the carved apron of the marble-top table to the red silk lotus slippers...

A Chinese Qing Dynasty period cabinet from the 19th century with original red lacquer and gilt hand-painted court scenes décor. Created in China during the Qing Dynasty in the 19th c...

A unique pair (2), valuable and powerful Protection Amulet Dzi from Tibet An old Tibetan or Central Asian two and nine eye agates Dzi Beads dating to the e...

These are a very good pair of antique Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the Qing dynasty, 19th Century. These pieces are well cast with very good detail, showing wear to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked Overall a lovely pair of antique Chinese foo dogs...

A charming Chinese "Birds and Peony" painting, ink and color on silk, framed and glazed, Qing Dynasty, late 19th century, China. The delightful and colorful painting features a scen...

Large enameled porcelain bowl with cloisonné decoration in the famille rose style of palace scenes. Very pretty and decorative. Apocryphal Qianlong mark on the underside. Qianlong is an 18th century Chinese emperor. He is the sixth emperor of the Qing dynasty. In addition to his own artistic practice, Qianlong combined his passion for art collecting...

Antique Chinese Dragon Wedding Basket, bamboo, rattan, wood and brass, 19th century. A 3-tier round form with magnificently carved bamboo overh...

A Chinese Qing Dynasty red cabinet from the 19th century, with oval hand painted medallions and hand carved motifs. Created during the 19th century, this Qing Dynasty red cabinet fea...

Antique unique Qing dynasty very large 20” pair of shell inlaid black lacquer big Chinese book boxes with bail handles two sides, with keys, each with hinged lid reversing to a mothe...

A striking pair of 19th-century Chinese chairs, each embellished with intricately carved dragon motifs, symbolising power and protection in Chinese culture. The backrests showcase fi...

This exquisite Qing Dynasty elm wood stool from circa 1890 epitomizes the artistry and craftsmanship of the era. Handcrafted from premium elm wood, the stool features a square seat w...

China 1750-1775 Measures: Height of teacup 43 mm (1.69 inch), diameter of rim 76 mm (2.99 inch), diameter of footring 34 mm (1.33 inch). Height of saucer 23 mm (0.91 inch), diameter of rim 120 mm (4.72 inch), diameter of footring 72 mm (2.83 inch) Teacup and saucer on footrings with spreading sides and rims. Decorated in various overglaze enamels, and gold after the style of Meissen porcelain with a European harbour with a large fortress, mountains houses, boats with fisherman and trees. On the quay two men hunting for ducks. On the sides and rim a decorative pattern of scrollwork. The reverse is undecorated. The teacup is decorated en suite. Chine de commande...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century with original red lacquer and floral décor. Created in the North-Eastern province of ...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This rounded teapot...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...

A Qing Dynasty period opium daybed from the 19th century, with woven rattan top and removable railings. This 19th-century Qing Dynasty opium daybed is a b...

This pair of lovely Chinese porcelain plates were hand painted in the Famille Rose style in the mid-18th century. The center of each plate is painted in delicate colored enamels and ...

Vintage Chinese Rosewood and Glass Display Case. A wall mounted or table top display case with hinged glass door, frame of light colored rosewood, interior with 18 individual shelve...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A small Chinese Qing Dynasty period red lacquer side cabinet from the 19th century, with double doors, two drawers and brass hardware. Created in China during the Qing Dynasty in the...

This 19th century Chinese cabinet is simple in design and features a round face plate with pierced knobs and metal pulls, an apron and an apron-head spandrel. The cabinet is painted ...

Impressive Chinese red lacquer cabinet with an open display shelf. Featuring an aged red lacquer finish and intricate carved fretwork decoration on the front panel. The case has two ...

A small Chinese Qing Dynasty period basket from the 19th century hand-woven with rattan on a bamboo armature. Created in China during the Qing Dynasty, this rustic basket features a ...

A Late Qing Dynasty Japanese inspired Chinese lacquered six-panel screen. This magnificent Chinese lacquered screen, dating from the late Qing Dynasty, exemplifies expert craftsmansh...

This colorful porcelain bowl dates to the mid-19th century and was originally used as a serving dish for ritual offerings, placed before a home altar and piled high with fruit, baked...

Pair of charming polychrome ceramic Foo Dog / Lions in the Qing Style. Fantastic detail and a beautiful color combination of ochre, green, brown and blue. Foo dogs are symbolic, pro...

With its strong lines and upright stature, this imposing piece of furniture was the chair of choice for a 19th-century administrator in northern China. Known as guanmaoyi or official...

During the 18th century, Europeans provided an eager market for Chinese export porcelain, especially the colorful and fanciful ware known as “famille rose.” Named for a palette of op...

A very beautiful Chinese cabinet in elm with original cinnabar (red/brown) lacquer with carved peonies on the side spandrels. Offers two storage...

A striking Chinese porcelain floor vase in the Kangxi style, distinguished by its generous scale and vivid hand-painted decoration in cobalt blue. The tall rouleau-shaped form—measur...

A red lacquered and gilt wood mirror from the Chinese Qing Dynasty, late 19th century to early 20th century. Measuring 79 cm tall and 50 cm wide, this mirror is a striking antique...

This pair of large Chinese covered jars was hand-painted in the famille rose palette in the Qianlong Era circa 1765. A profusion of gorgeous flower...

This Chinese cloud pattern long Bench from the Qing Dynasty features wonderfully carved cloud spandrels, straight legs with double stretchers and a solid top. It features a more than...

This magnificent six-panel Chinese folding screen depicts a lively battle scene with gilt brushwork and fine inlay of soapstone, agate, jade, jasper, mother-of-pearl and bone. The sc...

The extra large, extraordinary 17" Chinese calligraphy brush captivates with its fusion of history, symbolism, and artistic finesse. Comprising a collection of seven jade Archer's ri...

A large and powerful Chinese famille rose enameled porcelain "Five Dragon" meiping vase, modern, China. The oversized vase of traditional meiping form, with a splayed foot supporting a baluster shaped body with high shoulders, short, narrow neck, and rolled mouth rim. The large vase decorated with five dragons molded in relief. Their bodies painted in vibrant overglaze famille rose enamels of reds, greens, yellows and turquoise. The dragons portrayed dancing in the sky among flames and clouds. Their bodies twisting and writhing, claws extended, tails coiled, some with mouths open in triumphant roars. The main dragon in red, and portrayed to more directly face the viewer. The dragons dance against a white ground sky. The blank sky broken up by overglaze red painted stylized clouds and flames. The foot decorated with a band of crashing waves. A stylized lotus blossom surrounds the base of the neck. The neck with a band of scrolling flowers and vines against a yellow ground. The underside of the large vase with an apocryphal "Da Qing Qianlong Nian Zhi...

Late 19th century blue & white porcelain covered ginger jar, Chinese. Qing Dynasty. Double happiness symbols; scrolling vines & snow pea flowers surround the Happiness characters. Co...

Chinese Famille rose medallion export porcelain jardiniere, 19th century.  

Antique 19th century Chinese canton export gilt lacquer brise fan from the Qing Dynasty.

Intricately carved green jade carved vessel with lid. The deep green jade with elephant and ring handles with custom wood base. 12.75 inches tall inclu...

This petite glazed jar from China's Shanxi province exemplifies the timeless appeal of handcrafted pottery. Once used in an apothecary to hold ground herbs and oils for traditional m...

Pair Chinese cloisonne enamel vases with floral designs on blue ground and gilt mounts representing stylized dorsal fins of a dragon.

Qing Dynasty an antique 19th century Chinese porcelain Gu vase decorated with shuangxi, the Measures: 9.25'' diameter x 16'' high.

A rolled-up scroll or treasured root pot may have once been among the erudite objects stored in this stately 19th-century book chest. Expertly constructed of northern elm (yumu) with...

Large 20th century Chinese head of Guanyin. This piece is quite large and has been hand crafted by a skilled artisan from a single log. It measures 27 1/2” ...

Filled with burning coals, this petite 19th-century brass brazier once warmed the hands of a well-to-do person on a cold winter's night in northern China. The brazier is crafted of white brass in a rectangular form, complete with a hinged handle and an intricately pierced lid with a chrysanthemum pattern. The exterior is etched with a pattern of golden coins...

Crafted in the early 20th century, this tall cabinet has a clean-lined form designed with straight sides and square corners. The cabinet is cloaked in a glossy black lacquer finish, ...

Large and very nice Blue and White Charger/Dish from the Jiajing Period This type of dish, with undecorated sides and flowing, somewhat 'fatty' glaze and greyish blue colour characte...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century with original red lacquer and floral décor. Created in the North-Eastern province of ...

A large Chinese Qing Dynasty period mahogany stained coffee table from the 19th century, with rattan top, carved apron and scrolling legs. Created in China during the Qing Dynasty pe...

78894 Antique Dark Pink Chinese Art Deco Rug, 09'00 x 11'05. Channeling the famed Walter Nichols style of the 1920s and 1930s, this hand-knotted wool antique Chinese Art Deco rug fea...

Celadon Bi Disc Sculpture, Mineral and Forging, 20th century – China Exquisite and sophisticated Bi disc made in the early 20th century in China. It is an extraordinary disc carved ...

This antique 19th-century Chinese square coffee table is a testament to Chinese Provincial craftsmanship, made from durable elm wood with an authentic, time-worn patina. The hand-cra...

A stunning carved and pierced Chinese jade vase, Qing Dynasty, 19th century. The vase is carved with a design of birds, flowers and trees, each rife ...

This exquisite antique Chinese hat stand, also used as a lantern, is a fine example of Famille Rose porcelain, possibly Republican Period. Th...

An exceptional and rare antique Chinese Yun Jian embroidered silk cloud collar dating from circa 1880. The collar is beautifully hand embroidered on colored s...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

Amazing set of four Chinese Shiwan pottery figures depicting immortal gods or dieties. Beautifully glazed and made on a large scale with fascinating fac...