Glass Wall Decorations

Chinese School (likely 19th c.), ink, watercolor and gouache on laid paper, apparently mounted on backing sheet, no signature or mark detected, framed under glass. A traditional Chi...

This is a late 20th century chinoiserie pagoda form tole vitrine. There are two available. The interior does have a light. There are two glass shelves with 11 inches separating each ...

Enhance your living space with these captivating framed prints showcasing cartoon character Golfers. Created with meticulous attention to detail, these prints effortlessly bring life...

This is a quartet of antique exotic bird prints. An English, framed avian nature study, dating to the Edwardian period, circa 1910. Superb ornithol...

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

Selection of Alexander Calder color lithographs, circa 1960s. They have been recently framed in clean lined black lacquered wood gallery frames...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

A striking framed collection of Antique Beadwork. Antwerp label on verso. Group of individual antique neoclassical embroidered pieces- swags with fruits, bows, a flaming heart with s...

Stunning and completely original, antique oak grandfather or lantern clock, circa 1750. This very old grandfather clock is one of the tallest w...

Goya's etching "Tragala Perro" for Prado Museum in Madrid. In 1797-1799. In original condition, with minor wear consistent with age and use, preserving a...

John Kacere nude prints, American, circa 1970s. The top print measures 18.25" H x 27.5" W. The bottom left measures 15" H x 23" W. The bottom right measures 14.75" H x 22" W. They ha...

Eglomisé glass panel depicting a princes and and knit on horse back in a medieval environment.

Elegant hand-colored print representing a golden shell. The handcrafted frame is in gilded wood with mirror inserts. This print is made with a special technique called giclée. The gi...

1770 Multiple sized silvered and gilt framed mirror wall sculpture

The reflective, coloured, rippled glass panel – designed to add a palette of colour to spaces – reflects light in spaces and adds movement and color whilst creating abstracted reflec...

A one-of-a-kind handmade mosaic art piece circa 1960s with brilliant shades of browns, copper, amber, turquoise and white. Intricate beading, mixed metal, glass, and copper make up t...

Salvador Dalí (Spanish, 1904–1989), "The Kingdom", Hand-Signed Limited Edition Lithograph A striking example of Salvador Dalí’s surrealist imagination, "The Kingdom" is a color lith...

Dimensions- H: 28 1/2in W: 2 1/4in D: 3/4in This vintage Art Deco signed Erte 1980 exhibition poster is framed and ready to hang on...

Stunning neon and plexiglass infinity mirror by Merit. Handmade in Los Angeles. Incredible presence with two neon rings that reflect deep into the mirror. Gr...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Gerda Wegener (1885-1940) An elegant ink drawing on paper depicting a stylish woman in classic Charleston-era fashion from the 1920s. She is dressed in a...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Magma by Courtney Kinnare 2024 Resin, Acrylic, Ink, & Pigment Powder on Mirrored Glass Dia 24" These functional art pieces build a color story through multiple layers of transluc...

Framed 'Mimoides Pausanias,' 'Dione Juno,' and 'Haetera Piera' butterflies with coordinating 18th century Italian fragments. The butterflies all share beautiful color and pattern com...

A fantastic example of Victor Bonato work.

Grand Tour charcoal and watercolor drawing executed by an English tourist in Italy, circa 1800, depicting a gentleman peering over a staircase balustrade in a Baroque interior...

Rare "Hi There" contemporary artwork / ink on paper by Wes Lang from the iconic Chateau Marmont series, 2009. In great condition. Professionally framed in oak and signed on the back....

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

The Color Experience: Stained-glass windows “Color is a power which directly influences the soul” (Wassili Kandinsky, Moskou 1866 – Neuilly-sur-Seine, 1944) “Color! What a deep and mysterious language, the language of dreams!” (« La couleur ! Quelle langue profonde et mystérieuse, le langage des rêves », Paul Gauguin, Paris, 1848-Fatu-Hiva, 1903) ‘Color and feeling’, ‘color and meaning’, these are concepts that have gone together since time immemorial. Artists and craftsmen have a special bond with color. After all, it is a means of expression that can have a real reinforcing effect. Especially linking color with light offers unlimited possibilities. Glaziers and glass painters have tried to master both these ‘instruments’ for centuries. The set of beautifully restored neo-Gothic windows in our collection are enough reason for us to let these works of art figure in a broader story. As a bonus, we would like to introduce you to the contemporary stained-glass artist and stained-glass restorer, Daniël Theys. whose workshop is in Sint-Pieters-Rode (Belgium). He talked to us about the materials and techniques he used for the restoration of our set of neo-Gothic stained-glass windows. A fascinating look at the tricks of the trade from a specialist! A bird’s eye view of the history of the European stained-glass window. Although the Romans already used translucent glass plates to cover wall openings, the stained-glass window reached its peak in Europe between 1150 and 1500. A period also known as the era of the cathedrals. At that time, stained-glass windows became more than just a way to let in the light, and to keep the space closed off. From now on, their functionality was also found in their didactic value. The biblical and saints’ stories that adorned the stained-glass windows became a kind of poor man’s bible. They brought, as it were, the knowledge of the holy scriptures in an understandable, pictorial way. At the same time, the colored light provided additional symbolism. The invading light was interpreted as a manifestation of God. It is also no coincidence that the main altar was bathed in light. It was the place where the most important sacrament was celebrated, that of the Eucharist. How were these magical colors obtained? Well, during the 12th and 13th centuries, metal oxides gave color to the glass. Copper, for example, produced different colors in the various stages of oxidation. The metal could color the glass light blue, green and even red. It should be noted that from the 13th century onwards, clear glass, which was cheaper and at the same time allowed more light into the buildings, was used more often. A century later, in the years 1400 to 1500, glass painters frequently painted onto the glass with a ‘stain’ of silver chloride or sulfide. The painted piece of glass was heat-treated in a furnace. The heating process ensured that the silver ions migrated into the glass and became suspended within the glass network. The stain gave colors ranging from a pale yellow to a rather deep red. This new technique allowed glaziers to get more than one color on a single glass fragment. The shades produced by painting in silver chloride were well suited for depicting golden crowns, scepters and other gilded objects and ornaments. But the most important advantage of the technique was the fact that the glass painter could now make transitions from yellow tones to white without having to apply separations with lead strips! This also improved the legibility of the pictured scene. You can imagine that the labor-intensive process of the production of stained-glass windows was a very costly affair and therefore it was often patrons who donated them to a church or a chapel. The benefactors were usually eager to propagate their social status and were moved by concern for their salvation. In the 16th century, stained-glass windows also began to appear in secular buildings such as town halls, the homes of the wealthy and commercial premises such as inns. It is striking that during this period the use of lead strips that border many parts of the image was further reduced in favor of real painting on stained glass. This was due to an increasing love of detail. For example, one wanted realistically painted portrait heads. Working with enamel paints was cumbersome. Each newly applied color had to be burned into the glass before another color or overpainting could be applied. It was not only the coloring of the glass that was complicated, the process of obtaining flat glass plates required many steps as well. The glazier blew a glass bulb with a blowpipe and then cut it open. Finally, each half of the sphere was turned around so fast that it became a disc. In later periods, the glazier blew out his glass bulb into a cylinder. Once the cylinder had cooled, its closed ends were removed, and the long sides were cut open. The pieces of glass obtained were then heated and flattened. During the 16th century, there was a division of labor between the stained-glass designer, the glazier, and the glass painter. It happened as well that the stained-glass artist used prints as models for his stained-glass windows. Whoever drew the design, the glazier always needed a model on the right scale, the so-called cartoon. On the cartoon, the lead strips were clearly marked, and the use of colors was indicated. Contracts at the time show that the price of stained-glass windows was calculated per square foot. The price per square foot included the labor and material costs. The price of the cartoon was not included. In the 17th century, the work of glass painters remained important. At the same time, there was a growing popularity of stained-glass windows with heraldic themes. In the Low Countries there were several high-quality glass painters active. During the 18th century, glass painting went downhill in our regions. The French occupation of the Southern Netherlands resulted in the destruction and sale of religious stained-glass windows. It was only around the middle of the 19th century that the young Belgian state experienced a revival of stained glass. The renewed interest in the Middle Ages, the so-called ‘gothic revival’, caused a wave of restoration of old stained-glass windows of churches and orders for neo-gothic stained-glass windows. The Sint-Lucas art schools in Belgium played an important role in this. Industrial developments in the glass and steel industries naturally had an important hand in the popularity of stained-glass windows. Stained-glass had a wide range of uses; think of stained glasses in winter gardens, domes, windows, and doors of large mansions. Significant glazier’ studios arose in several larger Belgian cities. In Brussels, for example, you had the workshops of Capronnier and Colpaert, in Bruges the studios of Coucke and Dobbelaere, in Ghent the companies of Ganton-Defoin or Ladon. During the 19th century, glaziers followed the style developments in the visual arts. For example, the number of windows in Art Nouveau and Art Deco style is large. The restored stained-glass windows with male and female saints that we offer for sale, come from a building in Laeken, near Brussels. They probably decorated the space of a church, chapel, convent, or Catholic school. In the results of the interview with glass restorer Daniël Theys, you will learn more about the particularities of these splendid windows. Chatting and browsing in the workshop of Daniël Theys The Belgian Glass restorer and glass blower, Daniël Theys (), made a career switch at a later age and has been active in the profession since 1987. He is an important player in the field of stained-glass window art in Belgium. Moreover, he is the only one in the country who still masters the technique of glass etching. Daniël Theys receives many commissions from small parish churches to restore old stained-glass windows to their former glory. He made a name for himself in that niche and that is how Spectandum brought the set of 19th century stained glass windows to his workshop for reconstruction. They were delivered in old numbered wooden crates and Daniel had to start puzzling. Numbered wooden crates with sections of the stained-glass windows Normally a glazier starts working from a drawing with a scale of 1:1 (full size drawing), but in this case each piece had to be cataloged and photographed. The smaller pieces were grouped on the light box and photographed in their entirety. Then Daniël made a drawing of the remaining pieces that he had puzzled together with great care. Smaller pieces identified and grouped on the light box The restauration guidelines of the Agency for Monuments and Landscapes are not always the same as those of a restorer. For this reconstruction, Daniël primarily considered the purpose of the stained-glass windows. It had to be an aesthetic and salable set of stained-glass windows, so the choice of filling the gaps with neutral glass or epoxy was not really an option. Theys left well-executed previous restorations untouched. The windows may have been repaired three or four times in the past. Piece of a cloak with glass shards from different periods (restorations) Another problem Daniel faced during the restoration was the fact that some small parts of the old grisaille had been eaten away by microorganisms. The defect – caused by moisture – can be seen from the discoloration of the grisaille. The black-brown color is turned red. This fragment shows well how the brown grisaille has turned red due to the attack of micro-organisms The stained-glass windows of the 19th century are made of ‘in the mass-colored’ glass. This means that the colors were added to the liquid glass during its production process. This type of glass differs from glass colored with enamel paint, which became popular from the interwar period. The latter process involves applying enamel paint (this is a glass powder with a metal oxide to which a medium has been added) to the colorless glass. When firing the glass with the enamel paint, the powder fuses with the glass. The colors of email painted glass are less intense and less brilliant than those of ‘in the mass-colored glass’. Jars with colored powder for the enamel paints For the restoration Daniël only worked with mouth-blown glass, both with ‘in the mass-colored glass’ and with ‘verre plaqué’. This is blown glass composed of several layers of different shades. Over the years, Theys built up a large stock of old blown glass. Colored blown glass always has sliding shades. For example, a red piece of glass can have a color transition from bright red to light orange. These differences in shades are the result of the different thicknesses of the piece of glass. It allows the glazier to use a wide variety of shades. The purple-red foliage with light blue accents was obtained by etching away parts of a piece ‘verre plaqué’. A small part of the lower glass layer is exposed. The windows were completely re-leaded by the restorer because there was virtually no ‘lead net’ preserved. In general, lead strips only have a limited lifespan because of oxidation processes. Daniël removed the old lead remnants and placed new lead profiles. Then he applied putty between the glass fragments and the lead strips to seal the lead. A window must be made watertight. The current condition of the windows is excellent. Decorative glass part with original lead remnants New lead strip The set of stained-glass windows we present today, originally consisted of windows of 5 to 6 m high. After all, they originally adorned a neo-gothic church. Since the original dimensions are not suitable for private buildings, it was decided to only restore the figurative representation. The original spire of one of the windows Thanks to a suspension eye, the window can be hung. There is also the possibility to place the window in an upright position. Thanks to the craftsmanship of the Theys-Studio, we can once again enjoy the brilliance of color! Looking for the missing link The set of 19th-century stained-glass windows came into the possession of Spectandum without a clear provenance. The renowned Leuven antiques dealer, Cornelius Engelen, recalls that the windows came from a church in Laeken. There is no solid starting point for a search for the provenance. Based on the style of the stained-glass windows – most probably the late 19th century -, their religious iconography, and their original shape (pointed arch windows) and dimensions (5 to 6 cm high), we can assume that they were once displayed in a (neo-)gothic cult building. On the one hand, the stained-glass windows may have been removed after storm damage or other calamities, on the other they may have been taken away during a renovation or a demolition of a church. The Church of Our Lady in Laeken is the most famous church building in that municipality that could qualify. In the early 1920s, the central windows of the transept were badly damaged by a hurricane. Today, glass fragments of these windows (dating from 1893-1894) with the names of the sixteen missing saints and an arch infill of the western window are officially known. It would be interesting to find out if our set of eight saints once were part of the transept of Our Lady in Laeken. Research in the records of the church administrators could provide clarification. Knowing that most neo-gothic stained-glass windows from the Church of Our Lady come from the Jules Dobbelaere’s glass studio in Bruges, it is useful to consult that company’s archive as well. It is kept in the KADOC (Documentation and research center for religion, culture and; in Leuven. Of course, the sizes and shape of the stone window openings of the transept can also provide an indication. If we stylistically compare the grisailles of the set of stained-glass windows with the work of Jules Dobbelaere, we do see some relationship. Especially with a stained-glass window in the chapel of Our Lady of the Saint Anthony Church in Aalst. Another line of research that we could follow, is that of the iconography of the series. One of the saints depicted is Saint Roch. There once was a Saint-Roch church in Laeken with 19th-century stained-glass windows from the Brussels studio of Jean-Baptiste Capronnier. The company archive of the glaziers François and Jean-Baptiste Capronnier is owned by the Flemish government and can be consulted in the above-mentioned KADOC. We already searched the sales catalog of 1892, in which Capronnier’s drawings and cartoons are described one by one. The saints that are represented in our set of windows, does not correspond with the names of the saints mentioned for the church of St. Roch in Laeken. Building on this argument, it can be concluded that the eight saints were not destined for this house of worship. In the absence of lavishly illustrated monographs on the various glazier-companies in Belgium, the execution of a comparative study of the stained-glass windows is time-consuming and complex. Although a limited number of old photos of stained-glass windows can still be found in the database ‘Balat’ of the KIK-IRPA (), this remains far too limited to get a good picture of the output of the various companies. 19th C, Saint, Neo-Gothic Stained-Glass Window with Saint Martin, Belgium, 163 x 73 cm Most people know Saint Martin (Szombathely, ca. 316 – Candes, 397) as the Roman Tribune who cut his cloak in two with his sword and gave one half to a beggar. The artist of the stained-glass window has opted for a different, less common iconographic representation here. Saint Martin is presented as a bishop with a miter and staff. According to a legend, Martin was lured to the city of Tours with a trick to consecrate him as a bishop. He refused the ecclesiastical office and hid in a barn with some geese. The birds betrayed him with their twittering. In the end Martin received his episcopal consecration. The goose at the feet of the saint clearly refers to this event. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Angela, Belgium, 163 x 73 cm Angela de Merici was an Italian woman who taught young women religion, health care, and household skills. She founded the monastic community of the Ursulines. They played an important social role as founders of schools and orphanages. Saint Angela died in Brescia in 1540. It should therefore come as no surprise that the saint on the stained-glass-window is depicted with a girl by her side. 19th C, Saint, Neo-Gothic Stained-Glass Window with Charles Borromeo, Belgium, 163 x 73 cm Charles Borromeo (Milan, 1538-1584) grew up in a noble family. He was already made Cardinal and Archbishop of Milan at the age of 24. With his writings he contributed to the implementation of the Church reforms determined at the Council of Trent. Among other things, he released a new catechism. With his book on the design of church buildings, “Instructiones Fabriacae et Supellectilis Ecclesiasticae”, he left a mark on Baroque church construction. At the outbreak of the plague in his diocese in 1576, he devoted himself to the care of those affected. Hence, people sometimes pray to him when they have been hit by a serious illness. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Roch, Belgium, 163 x 73 cm Saint Roch (Montpellier, 1295? /1350? -1327? /1380?) was born with a port-wine stain in the shape of a cross on his left hip. It was interpreted as a sign from God. After the dead of his parents, he gave his money to the poor and went on to live the life of pilgrim. He cared for plague sufferers and healed some of them by making a sign of the cross. He is especially invoked as protector against the plague. 19th C, Neo-Gothic Stained-Glass Window with St. Bernard of Clairvaux, Belgium, 163 x 73 cm Bernard of Clairvaux (Fontaines, 1090-Clairvaux, 1153) decided to become a monk at the age of 21. In 1112 he entered in the monastery of Cîtaux. He was soon commissioned by the abbot to find a new monastery in Clairvaux. Because of his intellectual capacities and eloquence, he was consulted by various ecclesiastical and secular leaders. He ensured the expansion of the Cistercian order throughout Europe. As a Doctor of the Church, he wrote many tracts and sermons and established a new rule for the Templars. Above all, he was concerned with the discipline of the clergy. Therefore, he wrote a spiritual manual for the priests and bishops. Saint Bernard can be seen as a true mystic. He envisioned the union of the human soul with God as the most important goal in life. According to a legend, Bernard once had a vision in which the Blessed Virgin appeared to him and strengthened him with her mother’s milk. In the arts, the saint is mainly depicted with an abbot’s staff and a book with the Cistercian rule. His vision was also often portrayed. 19th C, Neo-Gothic Stained-Glass Window with St. John Berchmans, Belgium, 163 x 73 cm The Belgian Jan Berchmans (Diest, 1599-Rome, 1621) was the eldest of five children. When his mother became seriously ill, he initially took care of her, but at the age of nine he was housed with the town’s priest. After a few years he moved to Mechelen to become the servant of a canon. It also gave him the opportunity to begin his studies in the seminary for priests. He eventually joined the Jesuits of Mechelen. He got their permission to study philosophy in Rome. In the Eternal City, he visited working-class neighbourhoods to teach the children about God. He died of an illness at the age of 22. Saint Jan Berchmans is the patron saint of school children and students. 19th C, Neo-Gothic Stained-Glass Window with Saint Clare...

Vintage 1980s Patrick Nagel posters in black frames. The larger vintage poster is actually mounted to foam core. The original poster is housed in...

Vittorio Introini for Saporiti, multifunctional wall unit, black lacquered ash, chrome and white fabric, Italy, 1980s. Rare multifunctional wall unit designed by the Italian design...

Gail Packer (American, 1945-2008), "Vineyard at Geyserville II", color etching on paper, pencil signed, titled and numbered "A.P." lower margin, matted and framed under glass, This...

An extraordinary Original Lithograph of Renaissance Medici Pope, Leo X (1474-1521). Beautiful hand crafted Biedermeier Frame. We believe it is from the 1860s. Viewable picture size ...

A wide range of colours from light to dark swerve over the mirror, organised in an even concentric block pattern.

Reduced forms create fascinating wall sculptures, a play with translucently, ambient light and color. The mirror objects float in front of the wall and create fascinating sculptures...

Collection of 90 19th-century hair items. From the end of the 18th century and throughout the 19th century, these objects were made by Ladies and Demoiselles, as well as by talente...

Abstract Expressionist Print, by Robert Motherwell, American, circa 1967. This work is from the limited edition portfolio "In Memory of My Feelings: A Selection of Poems by Frank O'Hara". Only 2500 were printed. This example has been professionally framed under UV resistant glass in a 19th Century gilt frame.

Corneille Lithograph, L'Ange descendu des astres II 61/200, 1992 Guillaume Cornelis van Beverloo (1922-2010) Litho in color L'Ange descendu d...

A large late 19th century French Henri II hunt style carved black forest oak wall-mounted barometer, exceptionally executed sculptural form, featuring a figural hound hunting...

Pair of Geisha Bijin lithographs, one with a parasol, the other holding a fan, in convex glass oval giltwood frames with gold paper mounting.

Beautiful rare Moises de Miguel Angel Framed Salvador Dali print/litho #22/133 nice glass silver frame striking piece nice colors not faded very collectible.

A monumental traditional Rajasthani painting professionally framed in a gilt frame. We often come across miniature versions of these which are ref...

This iconic vintage gallery poster celebrates the legendary collaboration between Andy Warhol and Jean-Michel Basquiat for their 1...

A black ink and sepia wash drawing by French artist Jean-Baptiste Le Prince of a classical scene of Roman soldiers with camel signed and dated lower left. T...

Lalique glass console "Mouflons" Clear glass top supported by two frosted glass dear like heads on tall necks. Measures: Width 77", Ddepth 12", heigh...

"I Love You" - Limited edition blue glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on t...

This delicate Japanese painting on paper captures a bright yellow bird perched among flowering branches in full bloom. Executed in watercolor with expressive brushwork and fluid ink ...

Title: Untitled (Ledger) Artist: Al (Alvern) Lostetter (American, b. 1941) Date: 2001 Medium: Watercolor and colored pencil on paper (mixed media) A visually dynamic and symbolicall...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "Horn Abeam", Sir Francis Chichester's yacht Gypsy Moth IV published in 1967 b...

This is an antique convex glass print. A Continental, framed picture in the Romantic manner, dating to the late Victorian period, circa 1900. Ch...

A collection of 11 framed and glazed engravings taken from the New Book Of Martyrs By Henry Southwell The 11 engravings show authentic and genuine historical account of the many dre...

Selection of color modern lithographs and silkscreens, circa 1930s-2000s. They have been framed in clean lined black lacquer gallery frames under UV resistant glass. They are: Top row, left to right: 1) Black and white abstract lithograph by Eduardo Chillida, circa 1960s. It measures: 21.25" H x 23.25" W. 2) Color silkscreen New Order "Singles" poster, signed by three members of the band, circa 2005. It measures: 30.25" H x 20.25" W. Bottom row, left to right: 3) Switzerland Ski Travel Color Silkscreen Poster, circa 1930s. It measures: 43" H x 27.75" W. 4) Abstract color lithograph, entitled "Spectral" by John...

Reduced forms create fascinating wall sculptures, a play with translucently, ambient light and color. The mirror objects float in front of the wall and create fascinating sculptures ...

Danish Modern Teak Bookshelf Wall Unit, Denmark, circa 1960s. This piece is a versatile size and can be used as a bookshelf, bar, media cabinet, vitrine...

Reduced forms create fascinating wall sculptures, a play with translucently, ambient light and color. The mirror objects float in front of the wall and create fascinating sculptures...

Fontana Arte Madonna and Child Glass and Brass Frame, Italy 1950s One can also change the glass with a mirror.

A pair of silver gelatin prints of Bertel Thorvaldsen reliefs in bleached mahogany roundel frames with gilt liner, circa 1890. 24 ¼ by 2 ¼ inches

Four framed pencil Signed and Numbered Etchings. Finely framed and matted. A simply lovely group of wall decorations. Each hand drawn, signed and numb...

Very rare and excellent condition, This all-handcrafted cabinet with a stunning decor of foliate carving and inlaid, Eastern style motifs is completely original and can be used for all kinds of purposes. It must have taken a highly skilled artisan several weeks to design and create this architecture inspired piece of wall furniture. It also comes with Arabic calligraphy on the drawer, but unfortunately we don't know the meaning of the word(s) or phrase. This unique, single door cabinet with its beautiful patina and its marvelous look and feel is as stable/strong as the day it was made and the pair of metal hooks on the back makes it very safe and easy to mount on your wall. If you are decorating a home or business with an Eastern interior then this late 1800s cabinet...

Introducing an exquisite masterpiece: "Winter Serenity – Mount Fuji's Majestic Embrace." Embrace the timeless beauty of Japan's winter wonderland with this limited-edition woodblock ...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

Console Table Abruz with up and down tops in 2 layers baked glass with irregular edges in gradient from deep dark blue to transparent with back in partial silvered finish. with iron ...

Dimensions- Framed: H: 22in W: 18 1/4in D: 3/4in This vintage POP Art painting after Keith Haring is framed and read...

“Love is all” This 40 x 50 cm eglomised glass work is a powerful and moving piece of art that invites reflection on the complex nature of love. It reminds us that love is a fragile...

Mural composed of twenty plates of approximately 49 by 70 centimeters, glass with quicksilver technique (painted on the back), cast and painted silver leaves giving a set of textures...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

The reflective, coloured, rippled glass panel – designed to add a palette of colour to spaces – reflects light in spaces and adds movement and color whilst creating abstracted reflec...

Exceptional antique intricate hand embroidery Suzani textile, professionally mounted on hand painted wood shadow box , to make beautiful objects of art for wall hanging. Even though ...

A very large and impressive vintage pair of Maitland Smith hand painted art panels featuring a French Neoclassical / Renaissance eglomise style mo...

Unusual handcrafted rattan bamboo fish figure wall mirror, France, 1950s. Rare find. This spectacular mirror has a design combining the Mid-century taste from the French Riviera with...

The reflective, coloured, rippled glass art panel – designed to add a palette of colour to spaces – reflects light in spaces and adds movement and color whilst creating abstracted re...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

An original etching on Vellum numbered and signed by Salvador Dali by pencil in the margin. The drawing depicts a combat scene where a knight on horseback is engaged in a duel with ...