17th Century Wall Decorations

A French tapestry from the end of the 17th century, incorporating verdure and rustic elements, with a romantic scene on the foreground of two young men pulling a young girl's swing. The scene takes place in a woodland environment, with trees in the foreground. Enclosed within a trompe l'oeil border, decorated with head flowers. Wool with silk inlay. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod, we can add the appropriate size loops to accommodate your needs. We now have a large selection of antique tapestry rods available as well, which we can provide detail upon request. Associated Words and Descriptions: accessory, antique, antiques, antique rug, antique carpet, antique tapestry, carpet, carpets, cleaning, classic oriental rugs, collectibles, collector items, collector piece, decor, decorative accessory, decorative item, decorative rug, decorator, design, designer, europe, european, farsh, fine, fine antique decorative rugs and carpets, floor covering, floral, geometric, ghali, hali, hand knotted, hand made, hand woven, home decor, home design, interior decor, interior decorator, interior design, interior designer, iran, iranian carpets...

Scuola emiliana, XVII secolo Evangelists (4) oval oil on copper, 9 x 11.5 cm Framed, 12.5 x 15 cm The four small copper ovals presented here depict the four evangelists Mark, Mat...

Portrait of a Young Child by E. Shulz Oil paint on board.

Carpi, mid-17th century, scagliola panel. The panel, in black and white two-tone, features insertions of polychrome marbled elements and a central scene depicting St. Michael defeat...

This engraving is part of a series of 12 plates called "La Noblesse" ("Nobility"). Numbered 5, it was published with the 11 others between 1620 and 1623. It depicts a lady wearing a ...

Unidentified Konstnär print, "James Duke of Monmouth." Date unknown but purchased at estate with 17th and 18th and 19th century items.

An antique 17th century Brussels Old Testament Biblical tapestry, size 11 '3 H x 10'10 W, featuring Isaac with his sons, Jacob and Esau, and other figures nearby. Enclosed within an ...

Oil on oak panel, in two parts, depicting various country scenes in a single painting. In the center, a family in a wagon pulled by two horses, a rider beside them, a woman carrying ...

Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel Overview This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle. Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas Medium: Oil on paper, laid onto panel Period: Early 18th century Condition: Unframed oil panel Dimensions: Height - 28 inches, Width - 34 inches Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period. This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK. About Sir Godfrey Kneller (1646-1723) Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today. 1. Early Life and Training Birth: August 8, 1646, Lübeck, Germany Parents: Zacharias Kniller (merchant) and Lucia Kniller Education: Studied painting in Lübeck Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt) Influenced by the Dutch Golden Age art movement During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture. 2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676 3. Kneller’s Rise in England and Royal Patronage His talent quickly gained recognition among the English aristocracy and royalty In 1680, he was appointed Principal Painter to King Charles II Over his career, Kneller painted portraits of five English and British monarchs: King Charles II King James II King William III & Queen Mary II Queen Anne King George I His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market. 4. Notable Works and Contributions Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time. Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility. His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound. 5. Kneller’s Honors and Legacy Knighted by King William III in 1692 Created a Baronet by King George I in 1715 Naturalized British Citizen in 1711 Passed away on October 19, 1723, and was buried in Twickenham, England. His works remain highly collectible, sought after by art collectors, historians, and museums worldwide. Historical & Artistic Significance of the Painting This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value. 1. Artistic Style and Features Detailed brushwork characteristic of Kneller’s school Rich color palette influenced by Titian and Rembrandt Noble posturing typical of 17th-18th century aristocratic portraiture Use of light and shadow to enhance depth and realism 2. Collector’s Appeal & Investment Potential Highly sought-after Old Master artwork with documented provenance Strong appeal to art collectors, historians, and museums Valuable addition to Baroque art collections Investment-worthy due to high demand for Kneller’s works in auctions and private sales 3. Comparison to the Kingston Lacy Version A much larger version of this painting exists in the Kingston Lacy Estate, Dorset This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price Final Thoughts The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture. Why This Painting is a Must-Have for Collectors: Authentic Old Master Portrait from the School of Kneller Strong Historical and Artistic Value Investment Potential in the Art Market Connected to the Kingston Lacy Collection Ideal for Collectors of English Baroque Portraits...

Handwoven recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size: 10' 11'' x 15' 10''.

John Parkinson was the last of the great English herbalists and one of the first of the great English botanists. Here the pair of prints show mosses and lichen and the other of ferns. From: Paradisi in sole Paradisus Terrestris: or a garden of all sorts of pleasant flowers...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...

17th century, follower of Giuseppe Recco (Naples,1634- Alicante,1695) Still life of fish, squid, oysters and corals on the beach Oil on canvas, 57.5 x 117 cm Framed, cm On the b...

Cretan Dalmatian school, 17th century Marriage of St. Catherine Oil on panel, 52 x 60 cm Framed, 40 x 49 cm The oil on panel painting we describe here shows the Mystical Marriage...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

Beautiful burin from the rare suite "The Months" performed by the artist and engraved by Claens Jansz Visscher (1587-19 June 1652). Very fresh and well contrasted, laid paper with w...

An antique pair of Portuguese Baroque carved architectural wall fragments or reliefs depicting cherubs and scrolls from the 17th Century, original painted patina, in good condition. ...

Broadsheet Memento Mori. Ein jeder ist dem Tod verpflicht, Wann, Wie und Wo, das weiss er nicht. (A Putto sleeping on a scull). Underneath a rime in two columns of 4 lines each. Einer Tugend liebenden Jugend in Zürich ab der Burgerbibliothec für das 1668 Jahr Verehrt. Etching. 1668 Reference: Hollst. XXVII, 323b. Engraved surface 16.6 x 22.5 cm flush mounted on paper (17th Century). This allegory on death as sleep, etched by Conrad Meyer, was published by the Burgerlibrary as present for the youth of Zurich on the occasion of the New Year of 1668. In the background a view of Zurich and the river Limmat. In the river are the letters NB, also repeated in the lower right of the image, with the date 5...

A very nice set of 3 polychrome dish of moulded shape. Unusual shape and painting. Edo period. Additional information: Material: Porcelain & Pottery Japanese Style: Kutani Region o...

Serpent & Galleon, Ink on Paper, in an 18th Century GiltWood Frame.

This engraving depicts Saint Willibrord (ca. 658–739), a prominent missionary and the first Archbishop of Utrecht, often regarded as the "Apostle to the Frisians." He played a key ro...

Sculptural canvas with a 17th century Italian giltwood fragment and 24k gold leaf. The sculpted canvas is molded together with gesso, gilding wax, marble paste, green earth, Italian dark ochre, and ash on board. The original 17th century Italian fragment is molded into the sculptural canvas to create a dynamic relief sculpture. It is painted with 24 karat gold leaf. The piece was created by the artist Elena Rousseau for Interi. Together all the elements create a romantic, elegant, and contemporary yet classic work...

This is an attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...

This large original hand-colored copperplate engraved map of Africa entitled "L'Afrique divisee suivant l'estendue de ses principales parties ou sont distingues les uns des autres, L...

Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...

Sandrart Joachim, von (1606-1688) Effigies antiquae Romae. redacta a Pyrrho Ligorio Romano, per XIIII Regiones, in quas Urbem divisit Imp. Caesar August. Nuremberg, Germany, pu...

17th century, Emilian school, Pamigianino painter Rest on the flight to Egypt Oil on panel, 46 x 39 cm - with frame 55.5 x 48.5 cm The wor...

A Flemish Baroque landscape hunting tapestry from the late 17th or early 18th century, depicting a young Archer carrying a bow and arrow within a forest in a meadowland setting. Encl...

Very beautiful map of ancient and modern Egypt in French dating from 1762 very well framed by a wooden frame and a golden mat. Very good quality and perfect condition.

In good condition From a private collection Free international shipping 17th Century Old Master Oil Painting Hagar and the Angel

Beautiful Flemish drawing from the 17th century made with drypoint and red chalk representing a bull in profile. This naturalistic drawing takes up the favorite theme of the painter Paulus Potter...

Johannes Meyer (1655–1712) Physica. Natur=Wussenschaft [Neujahrsblatt, hrsg. von der Stadtbibliothek in Zürich] Broadside issued on New Year’s Days 1697. Measures: 29 x 3...

We present you this extremely antique grey pastel artwork that captures a tranquil pastoral scene depicting two shepherds guiding their livestock beneath the grand arch of an imposin...

This large 17th century hand-colored map of Vienna, Austria and the surrounding countryside and villages entitled "Plan de la Ville de Vienne en Austrich...

A hand colored copper engraving from one of the greatest botanical picture books ever created, Hortus Eystettensis. Published in Eichstatt, Germany...

A fragment of a 17th-century Aubusson tapestry depicts a man on his knee looking upward, visited by a radiant angel. Rich colors and intricate details capture the moment of divine en...

This antique print titled "Anthyllis Vesicaria Hispanica" features the Anthyllis plant, a member of the legume family often found in Mediterranean regions. It comes from Abraham Munt...

Sculptural canvas relief with a 17th century Italian Florence fragment by Elena Rousseau. The sculpted canvas is molded together with fresco plaster, g...

A Flemish allegorical tapestry from the first half of the 17th century, possibly mythological or biblical, envisioning a scene in which various fi...

Salvator Rosa last 17th century giltwood frame. Internal measurements cm 32 x 41 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is the fa...

Old master painting featuring a busy port city in the 17th century. Most likely Dutch and very close in style to the work of Thomas Heeremans. This is...

A vintage Persian Kerman rug, circa 1930, size 7'8" x 4'0". This lovely handwoven wool rug features a small medallion at the center of an open soft green field, enclosed within an el...

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

Afther a gouache by J Vingboons 1660s Beautiful Lithograph from 1910/20 Nieuw Amsterdam ofte nue nieuw Lorx opt Teyland Man . Very nice fresh colors . Comes with a old label on the...

These engravings are part of a series of 25 prints called "les gueux" or "les mendiants", "les barons", "les barons". Numbered 12 and 16, they were published with the 23 others betwe...

Regal set of twenty-four steel engravings of English Hunt Scenes by Richard Blome (1635-1705) framed in a pair of three panel mahogany Regency Screens, 17th century. The etchings are from "BLOME, Richard (1635-1705): The Gentlemans Recreation. ... An Encyclopedia of the Arts and Sciences ... [and] Horsemanship, Hawking, Hunting, Fowling, Fishing and Agriculture. With a Short Treatise of Cock-Fighting. London: S. Roycroft for R. Blome, 1686". Twenty-three of the twenty-four hunt engravings...

A beautiful Italian Still Life oil painting on old canvas of an urn holding a bouquet of assorted flowers set on a ledge. 17th century....

This magnificent etching is a portrait of "Maria Luissa de Tassis", engraved by C. Vermeulen after the painting by A. Van Dyck of 1630. Van Dyck painted in 1630. Antoine Van Dyck, ...

Pair of old very rare Ornithology prints "History of birds" by Ulisse Aldrovanti - Bologna 1646 - at Nicolao Tebaldipo - engraving with non-contemporany colors.

17th Century French Hunt Scene Handwoven Tapestry with some wear spots as shown in the pictures

The Symplegades or Clashing Rocks, also known as the Cyanean Rocks, were, according to Greek mythology, a pair of rocks at the Bosphorus that clashed together whenever a vessel went ...

Framed & Matted Pen & Ink Drawing, attributed to “Allaert Van Everdinger” (Dutch 1621-1675)

Nice pair of large engravings by Bernard Bailliu is a representation of the work done by Peter of Cortona on the ceiling of the Venus Room in the Pitti Palace...

A Flemish chinoiserie landscape tapestry from the 17th century, picturing an idyllic scene with a stately white heron amidst the trees of the verdant foreground, an elegant pagoda ov...

The Madonna and Child Oil Painting in a Rose Garden – Flemish (Ambrosius Benson School) Late 16th Century/ Early 17th Century Flemish Oil Painting on Oak Panel Artist & Background This exquisite Flemish Renaissance Madonna and Child oil painting, titled Madonna and Child in a Rose Garden, is attributed to a follower of Ambrosius Benson (circa late 16th - early 17th century). Benson, originally from Lombardy, Italy, became a renowned master painter in Bruges, Flanders, in the early 1500s.. Key Features of This Madonna and Child Painting: Period & Style – Late 16th-century Flemish School, influenced by Gerard David and Leonardo da Vinci. Medium – Oil on oak panel, a signature technique of Flemish masters. Composition – The Virgin Mary and Christ Child are set in a serene rose garden, symbolising purity and divine love. Influence – This artwork reflects both Netherlandish precision and Lombard artistic traditions. Provenance & Demand: Benson’s followers were widely sought after, and his compositions commanded high market value among collectors. Antique Hand-Carved Frame Old Master Madonna and Child Artwork This painting is housed in an original 17th-century hand-carved wooden frame featuring a classic egg-and-dart motif. Condition Report Conservation Status: Professionally cleaned. Historical Cracking: Some age-related panel cracks are common in antique oil paintings. Restoration: Minor retouching to the Madonna’s face, enhancing original details. Why Invest in Flemish Renaissance Art? Historical Significance – Works by Ambrosius Benson’s followers remain highly collectable in the art market. Museum-Quality Piece – Suitable for private collectors, investors, and art connoisseurs. European Heritage – A fine example of an Old Master religious painting...

Antique Nativity Christmas Italian oil painting on canvas, from first half 17th century. Anonymous painter (as usual at that time) and with an authe...

Original oil on panel of Saint offering the Child, by an unidentified artist. --This painting represents St. Anthony of Padua. The scene is one tha...