18th Century and Earlier Wall Decorations

This antique print, titled *L'Eglise Cathedrale de S. Christophre à Ruremonde*, is an etching and engraving created by Jacobus Harrewijn around 1720. It offers a detailed view of S...

"The City of Malacca in the East Indies" is from Charles Theodore Middleton's work, "A New and Complete System of Geography." This book was published in 1777. Therefore, the engrav...

The engraving depicts "Sir William Rowley's Dog Kennel at Tendring Hall, Suffolk." This artwork from around 1795 illustrates a building specifically designed for housing dogs, likely...

A mid 17th century large scale oil on canvas depicting a Leopardess, a Lioness and a Wolf toying with a Dead Hare in an Arcadian landscape; in the style of the Dutch Golden Age ‘Anim...

Antique print titled 'Manege, la Croupade et la Balotade'. Copper engraving of horse riding: ballotade. Ballotade is a forward leap performed by a horse t...

17th century old master oil painting of Saint Bernard of Clairvaux. Spanish school. Dramatic expression and perfect use of chiaroscuro, the art of light and shadow effects, makes th...

This beautiful hand-colored engraving is a work by Robert Benard (1734-1786), published around 1790, and was part of the *Encyclopédie Méthodique*, a monumental work of the Enlightenment period. The engraving is a study of exotic parrots, showcasing fine details with the scientific curiosity of the time. Each bird is numbered and named in French, revealing their interest as species from various regions of the world. Birds Depicted (Translation and Descriptions): 1. Fig. 1: Le Kakatave des Philippines...

This is an original engraved print from 1585, depicting the construction plans for the ship bridge built by the Duke of Parma during the Siege of Antwerp in the Eighty Years' War. ...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Neoclassical Splendor: Exploring Ionic, Doric, and Corinthian Porticos in 'Recueil Élémentaire d’Architecture' by Jean-Francois de Neufforge. Description: Embark on a journey throug...

Antique map titled 'Plan der Stad en 't Kasteel Batavia'. A very rare late 18th century detailed plan of Batavia, Indonesia, with an alpha-numeric key showing the main areas and buil...

Description: Antique map titled 'Plan van de Haven van Acapulco (..) - Plan du Port d'Acapulco (..)'. Original antique map of the Port of Acapulco on the coast of Mexico in the South...

English 18th Century Playing Cards by Hunts & Sons 13 colored English 18th century playing cards by Hunts & Sons Hunts & Sons (1789-1801) ...

Large Pair of 18th Century Continental Battle Scene Engravings in Faux Tortoiseshell Frames

Antique portrait titled 'Abbot Arch Bishop of Canterbury'. George Abbot (29 October 1562 – 4 August 1633) was an English divine who was Archbishop of Canterbury from 1611 to 1633. He also served as the fourth Chancellor of the University of Dublin, from 1612 to 1633. This print originates from Thomas...

Antique map titled 'Dania Regnum'. Large, attractive map of Denmark, Sleschwig-Holstein and southern Sweden. Good detail throughout. Embellished with a title cartouche with the Danis...

Antique print titled 'Temple de Jerusalem.' It's an original depiction of the Temple of Jerusalem, featuring intricate details and a legend describing various aspects, including Solo...

Julius Caesar Ibbetson 1759-1817 old master painting English, 18th century This English school painting by Julius Caesar Ibbetson (1759-1817) depicts a countryside farm house off of a road with a horse drawn wagon...

Catalan Baroque S.XVI The Adoration of the Magi Oil on wood 92cm x 68cm Dated 1527 At the beginning of the Renaissance period, Gothic forms coexisted in Catalonia with other new solutions, in which religious fervor was mixed with the attention to detail of everyday life. Following the medieval tradition, the altarpieces are thought from a narrative vision, and flat painting...

Antique portrait titled 'Iacobus V'. Portrait of James V of Scotland. This print originates from 'Tooneel der keyseren ende coningen van christenryck sedert de...

Antique anatomy print of the gastrointestinal tract showing the esophagus, stomach, intestines and more. This print originates from 'De Ontleedku...

Virgin of Guadalupe with flowers and appearances of the Virgin to Juan Diego, oil on copper, 18th century. This item does not belong to the mexican...

A Large Late 18th C Antique Portrait Oil Painting Of A English Clergy Man Set in a superb quality gilt frame. Circa mid 18th century 1790. This painting of a gentleman Clergyman in ...

Antique print of Ferguson's method of constructing sun dials. This print originates from 'The Gentleman's Magazine'. Artists and Engravers: The Gentleman'...

Great print of the Road of Pillars, China Copper-plate engraving Published by Thomas Kelly, C.1820 Unframed.

Aloe Afric Humilis Botanical Engraving from Caspar Commelin’s Work, 1706 This engraving is possibly a botanical illustration from Caspar Commelin's "Praeludia Botanica," published i...

"Vue du Port de Constantinople, prise du côté du Nord". Contemporary handcolored optical view, Paris, J. Chereau, ±1760. Description: This contemporary handcolored optical view, tit...

Rare antique portrait (proof/proefdruk c.1750) titled 'Amelia, Gravinne van Solms, gemalinne van Frederik Hendrik, Prins van Oranje enz enz.'. Engraving of Amalia, Princess of Orange...

The print titled "AMERIKENS ENTDECKER" is a striking antique copper engraving, crafted in 1673 during the 17th century as part of the German edition of Arnoldus Montanus' influential work, "Die Unbekante Neue Welt" ("The New and Unknown World"). The engraving was executed by Jacob van Meurs, a renowned Dutch engraver and publisher known for his detailed works on geography and history, and it was published in Amsterdam. Description of the Print: The engraving measures 17 x 13 cm (approximately 6.6 x 4.7 inches) and is set on a page that is 31 x 19.5 cm (about 12.2 x 7.4 inches). It depicts a vivid scene that illustrates the discovery of America...

Antique map titled 'Bingen'. Bird's eye-view of Büdingen, Germany. The view shows a city surrounded by vineyards and well fortified with walls and moats. On the right is the castle w...

This 1601 engraving by Theodore de Bry, a master engraver and publisher of the late Renaissance period, depicts the flora of India with a remarkable degree of detail and artistry. The print is titled "DE ALGA SEV ARVNDINE INDICA, BAMBVS DICTA, ITEM DE arbore radicosa: & tandem de arbore Duryeons," which translates to "About the Seaweed or Reed of India, called Bamboo, also about the root tree: and finally about the Duryeons tree." In the illustration, we see a lush depiction of a bamboo grove, with its characteristic tall and slender form, showcasing the plant's extensive root system and dense foliage. To the left, there is a tree bearing large, round fruits, likely the durian, labeled here as "Duryeons." The durian is known for its distinctive size, unique aroma, and spiky husk. The image captures both the exotic appeal and the utilitarian value of these plants, which were of great interest to European audiences unfamiliar with such tropical vegetation. The visual composition conveys the tropical abundance and biodiversity of the Indian subcontinent. De Bry's engravings like this were highly sought after in Europe for their exotic subject matter and served to educate and fascinate the European public about the natural wonders of the world beyond their borders. As a historical document, this engraving provides insight into the botanical knowledge and the artistic conventions of the period, making it a valuable piece for both its historical significance and its aesthetic beauty. De Bry's work is renowned for its attention to detail, and this print is a testament to his ability to capture the essence of exotic lands and their natural abundance. His engravings were among the first visual records to reach Europe from the New World and the East, fueling curiosity and fascination with distant lands. This particular piece is not only a work of art but also a historical document, offering insight into the botanical wealth of India as seen through the eyes of early modern Europeans...

A pair of Oil Italian Baroque paintings: - A 17th Century baroque painting of a sideview of Jesus Christ Salvator Mundi or Saviour of the World in sfumato Saint Savior of the Worl...

An authentic antique engraving titled "The NATCHE: a Ceremony in Honour of the KING'S SON, in TONGATABOO." It is likely from a work related to the voyages of Captain James Cook miss...

A traditional Russian icon of St John; the Theologian in Silence, where he appears to be holding the Gospel. The scene's title derives from the saint's hand gesture in which his fing...

Set of 5 antique horse riding prints. Published circa 1680.

This etching and engraving is a portrait of Assan Aga, created by Elias Nessenthaler, a German artist, in the year 1687. The artwork features Assan Aga, identified as "Magnus Aleppo Bassa," which suggests he held a significant position in Aleppo, likely a high-ranking official or governor ("Bassa" being a variant of "Pasha", a high-ranking title). The text beneath the portrait indicates that he was a significant adversary ("Perniciem") to the emperor of the Turks, hinting at a historical narrative of conflict or betrayal ("Coniuratus hostis" suggesting a conspiratorial enemy). The portrait shows Assan Aga adorned in elaborate attire with a turban, indicative of his status and cultural significance during that period. The detail in the etching, from the facial features to the clothing, reflects the artistic skill of Elias Nessenthaler and the styles of portraiture common in the late 17th century. The framing of the image with decorative borders adds to its formal presentation and would have likely been intended for an audience interested in the political and military figures of the time. Assan Aga, also known as Magnus Aleppo Bassa, was likely a historical figure of significance in Aleppo, bearing the title of Pasha, which indicates a high-ranking official or governor in the Ottoman Empire. The detailed portrait by Elias Nessenthaler, housed in the Royal Collection, hints at his importance during his time. For further details on Assan Aga, you can visit the Royal Collection Trust...

Opulent set of four framed and matted Etruscan vase engravings after Giovanni Passeri (Italian) by Sir William Hamilton illustrated in the Picturea Etruscor in Vaculis. The set inclu...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Antique print titled 'Mandarins tirés de du Halde'. Copper engraving of Chinese Mandarins. This print originates from volume 6 of 'Histoire générale d...

This plate shows views of the ruins of the Palace of Cleopatra, Egypt. Source unknown, to be determined. Artists and Engravers: Cornelis de Bruijn (also spelled Cornelius de Bruyn, p...

Stunning early antique Italian wall mirror with pen-hole connections. Most antique collectors and enthusiasts buy their antiques, because ...

This engraving of the Black Indian Cuckoo is a fine example from George Edwards' ornithological works, part of his A Natural History of Uncommon Birds or Gleanings of Natural History...

Antique map Kiribati titled 'Christmas Island (..)'. Antique map of Christmas Island, also known as Kiritimati. Originates from an edition of Cook's Voyages. Artists and Engravers: Engraved by Duff. Condition: Good, some wear and age-related toning. Please study image carefully. Date: c.1781 Overall size: 27.5 x 21.5 cm. Image size: 20.5 x 18 cm. We sell original antique maps to collectors, historians, educators and interior decorators all over the world. Our collection includes a wide range of authentic antique maps...

Antique print titled 'Leucothoé séduite par Apollon (..)'. This print depicts Leucothoe seduced by Apollo in the shape of Eurynome. Often Apollo, the Sun God, used a disguise to purs...

Antique print titled 'A Canoe of Tchoka, or Segalian Island, opposite the East Coast of Tartary first explored by M. de la Perouse'. Engraving of a canoe of Chukotka, Russia. Source ...

Antique print titled 'Dooping des Konings van Kongo'. Print of the baptism of the King of Congo. This print originates from Prévost's 'Histoire générale des Voyages'. Artists and En...

Antique print titled 'Coupe sur la longueur d'une partie de la Galerie des Antiques dans les jardins de Kew'. Copper engraving showing a section of the Royal Botanic...

Antique portrait titled 'Ludovicus Galliae Delphinus'. Portrait of Louis of France. He was the eldest son and heir of Louis XIV, King of France, and ...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

A Flemish Renaissance Biblical Tapestry 16th century In an open architectural setting, the central crowned and enthroned female figure flanked by three handmaidens, a fourth to the left urging a boy towards a kneeling woman on the right with an apple in her right hand, on the left a wooded landscape with a man walking in the distance, a man striking another over the head in the mid-ground, and a man, a woman, and a handmaiden approaching the scene in the foreground, on the right a man gesturing while others flee up a staircase and out of the scene, within a flower and fruit cluster surround punctuated along the top and bottom edges by balustrades and sphinxes, and along the sides by a figure, a mask, and a beaded and crowned man...

Each panel decorated with a landscape. Each panel is H.69 in. by 22 in.

Huchtenburg, J. van (1647-1733). Impressive rare large etching of a 'War-" Horse-market. - This print has been professional doubled with Japanes...

An exceptional French 18th century oil on copper painting in its original giltwood frame. The wonderfully executed painting depicts a beauti...

specialized in the Purchase, Sale, Traditional Cleaning, Restoration - Conservation, Expertise - Estimation of Old and also Contemporary Tapestries, Carpets, Kilims and Textiles. We ...

Antique print religion titled 'Serapis een vermaarde Godheyd der Egiptenaaren'. Antique print of Serapis, a Greek/Egyptian god. This print originates from 'M...

Giuseppe Bonito (Italian, 1707-1789) A Large 18th Century Portrait of a Gentleman. Oil on canvas, in original gilt-wood rococo frame. Canvas: 45″ high x 34″ wide Frame: 52″ high x ...

18th Century European Hand-Woven Aubusson Verdure Tapestry depicting a woodland nature scene. Made in France circa 18th Century. Finely woven with cloth backing.

Title: "Ritual Dance in Brazil" Description: This original copper engraving from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-La...