Early 20th Century Wall Decorations

Gennaro Villani (1885-1948) Amalfi Coast, oil on canvas in painted and gilt frame, signed lower left. Italy, circa 1920. Dimensions: 27" W x 23" H x 1.25" D; sight 24.5" W x 21" H.

This antique and charming early 20th Century scenic wallpaper by French Zuber manufacture is made up of five rolls of wall coverings hand painted with...

This is a vintage embroidered crane panel. A Korean, silk cotton embroidery, dating to the Art Deco period, circa 1930. Charming Art Deco embroidery, rea...

Painting with Summerly High Mountain Landscape ca. 1900s A beautiful impressionist oil painting depicting a summerly high mountain landscape with a mountain hut and peasant woman in...

Two antique colored etchings / prints featuring birds eye maple frame and reverse painted glass borders. One scene features four children playing war with a blue coated general lead...

Antique Art Deco Louis Icart print titled "Manon" depicts a woman walking from a carriage. Embossed lower left L.I Paris 6 of 492, pencil signed lower right, framed in a beautiful go...

Painted in England circa 1920, this half-moon shaped livestock portrait depicts a standing cow rendered in a naturalistic style, positioned against a backdrop of verdant pasture and ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on any wall. ...

A half-length portrait of a young lady, her costume à la Turque and wearing a double strand of large and lustrous pearls. She is deep in somewhat pensive thought, her right hand resting lightly against her chin, her left hand gently clasping the neck of a pottery flask...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

Beautiful pair of antique mother of pearl shell servings spoons with silverplate handles. The spoons are neatly framed in a shadowbox b...

Antique Austrian Majolica crawfish plate, circa 1900 signed Schutz Cilli. Nautical style.

Shoowa Prestige Cloth Kuba Shoowa peoples DR Congo, Kasai Region Raffia palm fiber, natural and chemical dyes, cut-pile and stem stitch embroidery 24.5 x 24.5 inches (62 x 62 cm) ...

Set of 2 Pochoir with Frame Victor Max Ninon Italy, 1920 Art Deco Pochoir with original passepartout and frame with glass Excellent Condiction Pochoir size: 27 x h 19 cm Painter, ...

An antique English hand colored framed print titled "Billiards" Gentlemen playing billiard scene. Designed and etched by E.F. Lambert, published by Thomas Mc Lean, 1827,Haymarket, Lo...

La Tapisserie Gothique, par Manufacture Nationale des Gobelins, by E. Planès, Directeur de la Manufacture Nationale des Gobelins. Published by Albert Morancé...

German Black Forest style barometer with fine hand-carved oak branches, leaves, and acorns. Dimensions: height 30 cm / 11.81 in; width 24 cm / 9.44 in; depth 5 cm / 1.96 in. In good ...

Antique Tapestry French Figural Tapestry Verdure Battle 5' x 8'10" (5' x 9') 152cm x 269cm Circa 1900 "This is an Rare Antique French Aubusson Tapestry with monogram signat...

A Tibetan, traditional hand-woven textile in silks. Framed behind glass, against a raw linen background.

Rare and beautiful bronze Art Deco Christ wall sculpture. Some works of religious art depict Christ in terrible agony, but this symmetrical specimen from the European Art Deco era i...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. India Ready to go on a wall. Framed...

Good size and great looking Gothic Revival bracket for displaying a statuette. This Gothic console for wall mounting dates from the early 1900s and it has the most timeless design a...

This signed etching of Bowling Green Park was done by Anton Schutz. It is dated 1927. It depicts a bustling scene in the Financial District of Lower Manh...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Antique Bas-Relief 'Jesus and the Twelve Disciples' in Stone, early 20th century. Presumably European origin. Beautiful antique bas relief depicting Jesus and the twelve disciples. ...

Original 1929 Barcelona International Exposition Poster – "Sobre El Arte en España" by F. Galí Rare original poster from the 1929 Barcelona International Exposition, titled "Sobre E...

Clearly drawn to protest the induction and destruction of young men in the name of war, this ink sketch depicts three inductees in the British army, surrounded by uniformed officers ...

Decorate a game room or a study with this large and colorful pair of antique plaques. Crafted in southern Italy circa 1920, each bombe panel features "Trompe l'oeil" scrolled and sca...

Glorious set of 12 prints of English family coats of arms or armorials Chromo-lithographs Published C.1900 Unframed. The measurement given is the paper size of one print. Free s...

Arts & Crafts Large stained glass window circa 1900-10. Beautiful archway shape highlighted by warm floral motifs. Good original condition. ...

A hand painted Chinoiserie design in oil on rice paper, mounted on board. Depicting village figures in a scene with buildings, mountains, and greenery. The design is based on an exam...

French Majolica oyster plate signed Saint Clement, circa 1920.

Antique Japanese epic novel book Edo period, circa 1827 Woodblack print book Book dimensions: 225 mm x 157 mm There are damages because it is antique item as we show on the ph...

French Faience Blue & White Bird Plate Moustiers Style Moustiers style Martres Tolosane, circa 1900.  

Large Early 20th century Oil on Canvas Painting of Civil War Scene by W. Smithson Broadhead (British, 1888-1960). Broadhead lived in United Kingdom ...

ABOUT Ruth Leaf, Tree Forms Fugue, signed and numbered in pencil, 24/35, embossed color etching and aquatint on wove paper. CREATOR RUTH LEAF (1923-2015). DATE OF MANUFACTU...

A rare, domed, black and white enameled Art Nouveau advertising sign for Wiener Werkstätte, founded by Josef Hoffmann, Koloman Moser and Fritz ...

Ó/L “Peace and the arts are worth more than the brutal glory of weapons”, Philippe Swyncop, 1903 – Belgium, Flemish School Exquisite oil on canvas si...

Original vintage Swedish movie poster for the release of the German black and white silent drama film Hamnens Lockfagel / The Water Rat (Docks Of Hamburg / Die Carmen von St. Pauli) ...

An original impressionist oil on canvas, circa 1920, by listed Hungarian artist Witman Etelka Vizkeleti (1882-1962), signed lower right. Depicts a vibrant marketplace scene with two ...

Impressive oil on canvas from the early 20th century, depicting a refined Chinese porcelain vase overflowing with an abundant and elegant bouquet of flowers. The composition is rich ...

Great image of medical interest Unframed. Published, circa 1900.

Wonderful image by Arthur Rackham. It is one of the illustrations for Wagner's " The Rhinegold & The Valkyrie " Tipped in plate. On card Lithograph. Published 1910 The measurem...

Exceptional antique hand embroidery fragments of Suzani textile, with circle of life round motif , professionally mounted on four hand painted wood shadow boxes to make beautiful ver...

Probably Nez Perce [Plateau] with fully beaded front with flowers and leaves. In a wood frame box with glass cover. From the estate of Bartlett Burnap.

Majolica strawberry plate signed Wedgwood. Diameter / 8.8 inches. Chips on the back , one hairline.

French Majolica Frog Wall Pocket Jerome Massier Fils Vallauris, circa 1900. The Massier are known for the quality of their unique enamels and paintings. The Massier family produced d...

Pair of fine Art Nouveau / Jugendstyl gilt bronze relief wall plaques, with wonderful details, mounted in walnut frames. The reliefs depict Diana, ...

The Early 20th Century Framed Architectural Painting depicts a grand building or home with intricate architectural details characteristic of that era. The painting is expertly execut...

Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially work backwards, starting with details and shading before adding color and form. Lending the finished work a subtle three-dimensional effect, this exacting technique doesn't allow for any corrections, and is only revealed to its full effect when the glass pane is turned around. This example dates to the late 19th century and depicts the Taoist immortals He Xiangu and Cao Guojiu. Said to have attained immortality through their studies of the natural world, the Eight Immortals each represent a different condition in life and impart blessings of prosperity and longevity. The charming scene is likely one of a set of...

Transporting oil painting on board of farmworkers on a banana plantation, executed in an impressionist style playing with light and shadow. Signed Roswall in the lower left, titled o...

This is a vintage peacock display panel. A Korean, framed silk cotton embroidery scene, dating to the Art Deco period, circa 1930. Colourful decorative scene with peacock interest ...

Old English lithograph named; "The Woodland Gate". Please note extensive foxing on the perimeter.

A beautiful antique "Love's Paradise" lithograph by R. Atkinson Fox in original frame, circa 1920s. The print was distributed by the Borin Lithograph Co ...

A Japanese festival kimono expertly mounted and displayed in a large acrylic shadow box. This impressive ceremonial garment circa late 19th-early 20th century was made from a thick l...

Original antique World War One poster - Journee de l'Armee d'Afrique et des Troupes Coloniales / African Army and Colonial Troops Day - featuring dynamic artwork of Moroccan and Alge...

Stunning and Large Ballet Themed Art Deco Art Panel, Europe, 1940s. A large and stunning art deco art panel featuring a beautiful ballet scene with a man and a woman dancing. Great ...

Large Caribou Antler Skull Mount Taxidermy Cabin Decor Skull Antlers Item e7355 A great antique caribou (Rangifer tarandus) trophy on a wooden plaque. Th...

Insika (Screen or Wall Panel) Rwanda-Burundi, Tutsi people Circa 1900 or earlier Natural fibers and dyes H 23 ins (58.5 cm) W 16 ins (40.5 cm) Depth 3 1/2 ins (9 cm) This superb ...

Early 20th century oak splint gathering basket with a large wood handle and plenty of room for holding berries, vegetables, or any myriad of floral. Today it's perfect for hanging on...