Early 20th Century Wall Decorations

Pair of French Faience wall pocket signed Henriot Quimper HR , circa 1900. Hand painted with a couple of bretons and flowers.

French Majolica Raspberries plate Saint Amand Circa 1920.

Theodore Scherf France circa 1900 stamped with makers mark Industrial shelf manufactured by Theodore Scherf. Originally used in a textile factory, the shelves are movable. It ca...

A great antique anatomical chart depicting the different sense organs. the chart is sheet number VI as part of the architecture of human anato...

Golf print 'The Royal and Ancient' after Dendy Sadler. A good oak framed artist proof golf etching by James Dobie after the painting by Dendy Sadler. The ...

About This Canvas This canvas has been upcycled from an early 20th-century maru-obi, featuring a subtle yet sophisticated depiction of the phoenix—a legendary symbol of peace and ren...

This is an early Anglo-Indian with elaborate mother-of-pearl inlay and carved and pierced details. The wood is most likely teak. I think it could work well from wall to table.

A collage of cut out and pasted baby chick lithographs, circa 1900. Retains original antique frame; never removed. 12 ¾ inches wide by 16 ⅝ inches tall; 1 inch deep

Museum quality and condition Art Deco coat rack. This geometrical coat rack from the Dutch Art Deco era is a design by Paul Izeren and executed in the studio of 'De Genneper Molen' ...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist on two arches with Islamic floral designs. Antique textiles from early 1900s. Each arch panel is 62" height X 26"5 wide Antique silk...

An unusual photograph, circa 1910-1920 where the letters Lake George are made of cutout photographs. Original frame-really a unique object with character and timeless character. Lak...

Incredibly rare WWI recruitment poster featuring what is likely General Pershing on horseback with a play on the poster featuring Uncle Sam proclaiming “I want you.” Printed for Sa...

A great ice axe that was made by the renown blacksmith Fritz Jörg in the small area of Zweilütschinen in the Interlaken-Oberhasli district. One side of the head is inscribed with “F. JORG ZWEILUTSCHINEN BERNER OBERLAND”. It has a wonderful patina that only comes with age. It features its a solid wooden shaft, curved adze and a traditional shaped spike. A wonderful old wooden ice axe from the heart of the Swiss Alps to add that extra decoration touch to your home or mountain lodge...

Original antique political election propaganda poster issued by the Liberal Party - Keep the Wolf from the Workman's Door by Sticking to Free Trade - featur...

Great pair of astronomy prints Unframed. Lithographs Published, C.1920 The measurement is the paper size of each print Free shipping.

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

Wonderfully presented bronze cupid with gentian flower, held by golden rimmed, light olive green ceramic plate. Framed by beautifully hand crafted and decorated gilt metal tendrils a...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Large still life oil on canvas Painting Artwork. Unsigned, believed to be early 20th Century as judged by the frame. In good antique condition with minor knocks, marks, age related ...

Antique and uniquely hand carved work of art, in deep relief. Anyone who is capable of creating such a unique, geometric and expressive face of Ludwig van Beethoven out of an oakw...

Art Deco Home Interior Drawing Calderara & Tito Varisco Arch. Milano, 1920 Pencil and Watercolor Paper on Masoniste Very good condiction

Original antique London Underground travel poster - A Pageant of London for London's Children - featuring stunning artwork by the British painter Elijah Albert Cox (1876-1955) depict...

Reynolds Beal, Impressionist Oil Painting, USS Utah Rockport Mass, American, 1928 A fine impressionist oil on canvas by the well celebrated Reynolds Beal. Dated 1928 on verso and si...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. India Ready to go on a wall. Framed...

Reproductions of Basilius Besler a 17th century botanist and artist. Each featuring sunflowers. Ex Trowbridge Gallery, Atlanta. In fine quality frames.

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

Very early twentieth century hand-crafted hardwood wall mount cabinet. Two shelf inside, that are affixed. To shelf liners and three old aluminum flat head screws were inside for mo...

Louis Icart (1888-1950). Etching on paper. "Madame Butterfly". Dated 1927. Visible dimensions: 51 x 35 cm. Total dimensions incl. passepartout: 66 x 47 cm. The frame measures: 4 c...

Melbourne H Hardwick (b 1857-1916) a well recognized and active societal member of the Salmaguni Club, painted this exceptional portrait of a Boston terrier on the year of his death....

Louis Icart (1888-1950). Etching on paper. "Départ". Approx. 1920. Visible dimensions: 42 x 30 cm. Total dimensions: 52 x 40 cm. Signed in pencil. In excellent condition.

Antique print titled 'Entwickelungsgeschichte I'. Original antique print of various marine life. This print originates from the 6th edition of Meyers Konversations-Lexikon, published...

Original antique alcohol drink advertising poster for Piper-Heidsieck Champagne featuring a great design of a lady holding a large glass of champagne against a yellow background with...

An important example of Modernist needlework and fabric design, this richly-colored embroidery panel depicts a tree of life, full of birds circling a tree expressed in the fashionabl...

This is a vintage embroidered panel. A Korean, silk cotton embroidery of colourful birds, dating to the Art Deco period, circa 1930. Striking colour to this delightful Art Deco pie...

Sensitively painted with a rich but subdued palette and dramatic lighting, this large painting of a male youth leaning on a long pole was made by Sigvard Mo...

This rare and decorative early 20th-century Arts & Crafts wall barometer and thermometer is a striking testament to Dutch craftsmanship. Hand-carved from a single solid piece of rich...

Giuseppe Augusto Levis (1873-1926), this painting from 1912 depicting a simple A-frame tent with spikes in a desert background near dusk, in a period guilloche frame with a gilded ra...

Lovely Majolica pink & purple cyclamens flowers plate signed Schultz Cilli, circa 1900, Art Nouveau.

A wonderful early 20th century carved mahogany locksmith trade sign in the shape of a large key. Makes an unexpected piece of wall art as a found object with tons of character.

This superbly painted view of the mountains framing a river valley in northern New Mexico is attributed to Frank Guy Applegate, who lived and worked in the state during the 1920s, and is known for his watercolors -- such as this -- that present strong, abstracted views of the local landscapes, all in vivid colors and bold strokes of paint. Applegate was considered one of the New Mexico Modernists, and was accompanied on some of his painting forays by B.J.O. Nordfeldt, Andrew Dasburg and Josef Bakos. Applegate also had enormous respect for the culture and artistry of the native people, and encouraged a revival of the Pueblo style...

Wedgwood Fairyland lustre plaque decorated in the 'Elves in a Pine Tree' design - a woodland scene with center elf smoking a pipe, another elf at the bottom right corner at base of t...

This is a woven bamboo basket made in Japan from the Meiji to Taisho periods (1868-1920). I don't know if the baskets actually used by farmers were repurposed as flower vases, or if ...

Original vintage musical theatre poster for Stamboul / Istanbul advertising poems and music by the composer Edouard Tremisot (1874-1952) and a lyrical ...

A circa 1920 highly decorative water gilded Italian sunburst, hand carved wooden rays with a brass sun face to the centre. Original hanging hook to the rear. Width 55cm, Depth 5cm.

The antique bird print titled 'Falco Subbuteo' is a historical depiction of the Eurasian hobby falcon. This print is sourced from 'Svenska Foglar Efter Naturen Och Pa Stenritade,' a work by Magnus von Wright. **Key Features of the Print:** 1. **Ornithological Illustration**: The print is an ornithological illustration, showcasing the Eurasian hobby falcon (Falco subbuteo) in remarkable detail. It likely captures the bird's distinctive features, plumage, and anatomical characteristics. 2. **Scientific Accuracy**: Ornithological prints of this nature were created with a strong emphasis on scientific accuracy. The artist would have aimed to provide a true-to-life representation of the bird species. 3. **Natural History Context**: The print is part of 'Svenska Foglar Efter Naturen Och Pa Stenritade,' indicating its role in documenting and studying the natural history of birds, particularly those found in Sweden. 4. **Magnus von Wright**: Magnus von Wright, along with his brothers, was known for his contributions to ornithology through art. The von Wright brothers...

Nakamura Daizaburo Turtledoves in a Peach Tree Taisho period, circa 1920 Framed painting. Mineral pigments, ink and gofun on silk Signed: Daizaburo Dimensions (framed)...

Wonderful red ochre print of an 18th Century Francesco Bartolozzi engraving after Anjelica Kauffmann. Publshed by Otto Limited, London 1907 Text...

Antique 1900s French Framed Tapestry of Monochrome Silk Woven. Beautiful old woven silk from Staron & Meyer Saint Etienne. Divine Images of the couples framed within a wooden pictur...

Original antique poster advertising the Touring Club de Belgique featuring a stunning Art Nouveau design by the Belgian artist Georges Gaudy (1872-1940) depicting a colourful country...

This is a vintage framed bird scene. A Japanese, silk cotton embroidery display, dating to the Art Deco period, circa 1940. Attractive Oriental ...

Hard to capture the beauty of these rare stained glass Art Nouveau windows. They come alive when let by natural sunlight to display dazzling warm hu...

Antique map of Connecticut and Rhode Island Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Although it may resemble a trampoline, this is an extremely rare fire safety net designed to catch those leaping from burning buildings. The net was patented in 1887 by Thomas F. Bro...

The Classic Cappiello poster in an outstanding custom frame. Signed in the plate 922 lower left. A festive female figure supports a glass of overflowing bubbly Contratto on a black b...

Great image of medical interest. Unframed. Published, circa 1900.

Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...

Still life with flowers in a vase, oil on canvas, signed Manuela Bonati encased in carved frame. Dimensions Height 28 Inches Width 24 Inches Depth 2 Inches.

Fabulous Moroccan Moorish hand-hammered brass tray, intricate multi dimension artwork, very fine Islamic Metalwork brass repousse designs. Handcrafted wall hanging decorative brass tray with a copper...

Poster for the promotion of Cachou Lajaunie created by Cappiello in 1920. Artist: Leonetto Cappiello (1875 - 1942) Title: Cachou Lajaunie Date: 1920 Size: 38.8 x 56.7 in / 98.5 x 1...

Nice set of 13 alphabet prints. These prints are part of a large collection of fonts that were used to design lettering on facades, windows and billboards. You can also see this by the first letter, which is always placed in a grid, so that the painter could scale this letter. These prints are from France, circa 1900. They are all framed with a narrow burr walnut frame...