Hand-Carved Wall Decorations

Wonderful and deeply carved Victorian wall bracket Corbel. This all handcrafted, Victorian masterpiece has the most wonderful shape and patina. The organic shape and the natural flowing of the deeply carved, acanthus leaf is an absolute joy to behold. Apart from some minimal imperfection (consistent with age), this top quality carved, solid oak bracket from the mid-19th century is in great condition. This fine antique can...

Set of Four Panels Decorated with Allegories of Arts France Circa 1865 Height. : 180 cm (70,9 in.) ; Width : 63,5 cm (25 in.) ; Depth : 12 cm (4,7 in.) Set of four large painted panels, in carved and gilded wood. The upper part of each panel is decorated with allegories of the arts, representing music...

A large 19th century Chinese carved wall plaque in wood features a hunting tiger on rocks with bamboo trees and the sun in the background. ...

A single, antique Italian wall panel made of hand carved limestone, in good condition. The rectangular architectural relief is depicting Roman warriors and kids embracing a cattle. A...

A large scale antique Tudor / Jacobean revival oak wall panel carved with the date '1868' among various floral and geometric carved panels. This stunning period oak panel was reclaim...

A great looking hand carved original wooden Folk Art chamois head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. More ...

A great looking hand carved original wooden Folk Art deer head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Lovely antique 19th century Neoclassical wall cabinet / small cabinet Germany 1880. This German Grunderzeit cabinet is made from hand carved oak & is richly decorated. A true display of craftsmanship & quality. This cabinet has 2 doors and comes with a working lock & key. Its interior has 2 oak shelves. The cabinet has a very nice old restoration to the right side dating from the 1940s. A piece of furniture history with the right antique charm...

Danish modernist decorative plate / wall decoration / centerpiece with strong graphic decor from the Tribal Harlekin series by ceramic artist Marianne Starck (1931-2007). Shiny bone white glaze with hand-carved sgraffito graphic lines and patterns in raw anthracite colored clay...

Two hand-carved wooden cornucopias manufactured in Sicily in the second part to 19th century, which were certainly part of a very large piece of furn...

This monumental wood sculpture by Leroy Setziol (1915–2005) is a rare and significant early commission, created in 1963 for the National Bank of Portland, Oregon. Measuring an impressive 191" x 31" x 7", the piece marks a pivotal moment in Setziol’s career as he transitioned into large-scale architectural work—integrating fine art with the built environment in a way that would define his legacy. Carved in his signature style of deeply incised geometric forms and rhythmic abstraction, the panel reflects Setziol’s exploration of nature, spirituality, and cultural symbolism. Commissioned during a period of progressive architectural development in the Pacific Northwest, the work exemplifies the region’s modernist ethos—where art and architecture were conceived in harmony. Setziol would go on to complete numerous public commissions, collaborating with leading architects such as Pietro Belluschi and becoming one of the most influential wood sculptors of the 20th century. Early, large-scale works like this are exceptionally rare on the market and offer a unique opportunity to own a foundational piece of Pacific Northwest modernism. This sculpture is not only a stunning example of Setziol’s craft—it is a historical artifact from a turning point in American architectural and design history. The following is taken from the Portland Art Museum's profile of Leroy Setziol for their exhibit in 2015-16 celebrating the 100th year anniversary of his birth "Leroy Setziol" Sept 5, 2015 – Oct 30, 2016 "A composer in wood, Leroy Setziol created lyrical sculpture that honors the beauty of a material strongly identified with the Northwest. The black walnut, teak, fir, and other woods he employed enhanced his complex gridded compositions, bringing them to life. A self-taught, intuitive worker, Setziol visualized his complex carvings using the grid as an armature to frame imaginative shapes. Throughout his career, his sculpture ranged from intimate works to large-scale public commissions. The largest work on display is an elegant, teak, two-panel wall relief from 1991. Twenty-three works are on view, including free-standing sculpture, totems, and a variety of wall reliefs. Setziol’s sculpture gained greater recognition with Portland’s architectural community in 1964 when he was invited by Northwest Regionalist architect John Storrs to carve a series of large-scale relief panels for Salishan Lodge in Gleneden Beach...

Monoxyle African Door Carved & Ornamented with Bronze – Bamoun Chief, Cameroon, Early 20th Century Exceptional Piece – African Tribal Art – Prestige Object This monoxyle African do...

Just arrived in my last container this exceptional 19Th.Century French Solid Oak Hand Carved Over-Door Panel. The center cartouche is surrounded by scrolls and the center medallion h...

Gothic Revival 'sermon on the mount' wall plaque with Jesus teaching. This large size work of religious art depicts Jesus and He is surrounded b...

Gorgeous Dutch antique Art Nouveau wall cabinet from the 1910s. Gorgeous Art nouveau lines in solid wood with high quality brass decorations. (thes...

18th century Italian gold gilded tabernacle door adorned with naturally forming baroque pearls. This door once belonged on a tabernacle which housed the eucharist in a church. In the...

Splendid oil portrait on canvas of a gentleman in uniform, identified as Professor Moses Bosisio, mayor of Monza, who died in 1846, as reported on a plaque on the back of the paintin...

Vintage Hand Carved Giltwood Wall Bracket. Italian Handmade Scrollwork Shelf. Rococo Style Vintage Italian, Rococo style water gilded wall bracket is hand carved in scrolling acanth...

Decorate a wall with this important pair of wall mounted carvings. Hand crafted in France circa 1780, and almost 7.5 feet tall, the large architectural elements depict two intricatel...

18th C. Pair Hand Carved Wood Statues Wall mount Sculpture Regal Big Cats Lions .Exceptionally detailed high quality Large pair of Wall Art lions , outst...

Evelyn Ackerman Carved Redwood Panel for Panelcarve, circa 1950s. Features a bird, ram and frog in typical Ackerman style. Measures 36" wide, 12" high and 1" deep. Stamped "copyrig...

An antique wall relief in white Statuario marble of rectangular shape, depicting the Three Graces, in good condition. They were goddesses originate...

Italian Renaissance style (modern) oil painting of Madonna & Child in antique gold carved frame

Gorgeous Pair of Acanthus Leaf Wall Shelves Hand-Carved and Hand-Painted in a Gustavian shade of gray blue. This set could certainly stand alone as a pair on a wall or functional to ...

Elegant pair of shelves in solid walnut, carved and highlighted with pure gold leaf. The decoration presents a typically architectural style, with a frame adorned with floral buds an...

Well carved with original oval carved back. The head realistically carved with amber colored glass eyes. Antlers are carved walnut as well.

Large and exceptional work of religious art. If you are a collector of truly exceptional church artefacts then this early 20th century altar piece could be perfect for you. With church related antiques as one of our specialties we know that you will rarely find a better quality altar crucifix...

Beautiful oil painting on canvas, made on the first canvas and framed with a contemporary rectangular frame in carved and gilded wood. The painting represents a striking image of the...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Vintage Ceramic Jeziorna Polish Pottery Plate Bolesławiec 1960s Poland. Vintage handcrafted ceramic pottery decorative wall plate. Gorgeous carved and hand-painted pottery plate with...

A pair of elaborately carved and detailed solid teak wood and cypress windows. Completely hand crafted with amazingly precise hand cut open work, mortise and tenon joinery (no nails ...

19th C. bas-relief panel which is a type of sculpture where the design in only slightly raised from the background surface, creating a shallow, low-relief effect. The relief depicts...

Set of 3 vintage hand-carved wood African wall masks, richly decorated with intricate tribal motifs and totemic animals (scorpion, salamander, owl). Unusual hand painted in shades o...

A set of three 19th century antique architectural elements handcarved in Georgian and Victorian styles. This group comprises of three different pine, oak and limewood drops, one carv...

A charming later Victorian textured canvas applied to wood, study of Thomas Gainsborough's three-quarter portrait of the Welsh actress Sarah Siddons, presented in a period Ebonized c...

A great looking hand carved original wooden Folk Art Wild Boar head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. Mor...

Beautiful hand carved wooden cherub angel head, found at an estate sale in Nuremberg, Germany. We believe that this piece is from the mid-20th century, probably older. A nice addit...

Hodge poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative qua...

19th-century Baroque-style German hand-carved wooden deer head on a carved and hand-painted wall plaque. An impressive antique hand-carved wall-hang...

Large wall mounted console table or shelf in the style of Serge Roche made in France in the 1950. Scrolled and hand carved wall brackets made out of Plaster holding the taupe color ...

Black Forrest Oak Carved Panel Hunting Game Birds Bas-Relief Carving Plaque An oak carved panel of hanging game birds. In reeded gilt frame with s...

Decorate a dining room table or an office with this elegant antique French oil on canvas painting. Set in the original carved gilt frame, the art ...

A late 19th century pine American eagle, hand carved in very deep relief above a shield and four flags marked with stars and stripes. This superbly carved sculpture exudes might and...

1950s Carved Wood African Mask Chip in the back as shown

Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...

Amazingly hand carved church wall bracket with a winged angel sculpture. This stunning and all handcrafted, Gothic Revival wall bracket has the mo...

Decorate an entry wall or living room with this elegant pair of antique brackets. Crafted in Southern France, circa 1860, each fruitwood wall ...

Exceptionally hand-crafted picture frame with station of the cross lithograph by Eugene Jouy 'Editeur'. This handcrafted antique frame is in a style that we have never seen before a...

Antique wall mounted curio cabinet and vitrine in dark wood with hand-carved crown moldings and pediments. Cabinet has mirrored back and two adjustab...

Asian-style Koi fish Wall Sculpture beautifully handcrafted in a red cherry wood carving capturing the fluid motion of Koi fish swimming upstream. Each fish is intricately detailed, ...

Splendid oil portrait on canvas of Count Bailiff Ludovico Caprara (1731-1812), as indicated by the writing inside the "tabula ansata," at the bottom of the frame of the painting. The...

19th Century Regency Mahogany Lawyers Bookcase Wall Cabinet Biotech, 1811-1819 . Rare early 19th century Regency graduated lawyer’s bookcase cabinet . Tapered scale 13" depth to 17" at the base, which gives it a lot of charm and takes away the heavy look of some other bookcases. All the original hardware still intact in lions head knobs with a ring This antique library bookcase has the original glass with one cracked that we never replace . Each shelf opens upward. 4 Regular size and the shelf on top of the Two lower drawers is for larger items to be exhibited and stored away. Perfect for a library, lawyers office...

Display a bust or a vase on this elegant antique wall corbel; crafted in Italy, circa 1760, the large gilt wood wall bracket features hand carved scroll and acanthus leaf motifs thro...

A pair of handcarved mid 17th century oak wall panels with a handsome, even patina and string for hanging. Each are of beautiful quality after more than 370 years and well-carved for...

A great looking hand carved original wooden Folk Art deer head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of ...

A Pair of 19th Century Carved Giltwood Rococo Wall Brackets. Both are decorated with an asymmetric pierced foliate design featuring richly carved rococo C scrolls interspersed with f...

Top museum quality carved Swiss barometer / weather station This antique barometer is not only about the actuality of the weather, it is also a true work of art and a real pleasure to look at. The attention to detail is incredible and it must have taken a true craftsman weeks rather than days to design and finish the carved frame alone. At a later stage, the handcrafted barometer (in German) and the thermometer (in Celsius & Fahrenheit) were integrated. Notice how the Edelweiss Flowers...

An original antique Georgian architectural pine frieze wall panel c.1800, handcarved with scallop shell to the centre and scrolling foliage. Fitted with string for hanging, this anti...

Unique and large Victorian rifle rack with width open box at the bottom. This highly decorative and good condition gun rack for wall mounting could look great above your fireplace, but also in a private library, home office or trophy room etc. The beautifully patinated, light nutwood combined with the four strong and all handcrafted brass weapon holders make this victorian antique hunting piece an impressive sight to see. If you are not into hunting, but you simply love the great look of this finest quality rack then you could also use this stylish antique for various other purposes. You could, for example, also have rare swords...