Hand-Crafted Wall Decorations

This lithograph was done by the well known British artist L.S. Lowry and dating to 1980 and done in his Modernist style. This framed lithograph is entitled "Two Brothers" and depicts...

Outstanding 1940's oil on board painting in original custom shadowbox wood frame with distressed finish. The figural painting depicts an indigenous people...

Carved Fruitwood Plaque of Virgin and Child Madonna, after Donatello Sculpture . A Large Beautiful 18th/19th Century Carved Relief Fruitwood partially gilt of “ MADONNA AND CHILD” , ...

Wonderful wall hanging by Giovanni Schoeman, dates from 1960s. Made from cold cast metal, the details and quality of the piece is exceptional. Signed to the bottom right of the fish...

Fantastic double sided bistro cafe metal sign from France's La Belle Époque period. Features a lacquer finish with pierced letters reading "Montre Ponctua"...

Large Vintage Embroidered Uzbekistan Suzani Tapestry Wall Hanging Brown and Pink. Very large vintage Turkish Suzani is heavily hand-embroidery with organic brown, pink and yellow colors silk threading. Beautiful Uzbek hand stitched designs with silk in traditional patterns beige, browns and pink. Could be hang on the wall, or used as a bedspread. Overall good condition for its age. Circa 1040s 1950s. Dimensions: 83" x 133" . Vintage embroidered Uzbek Suzani. Beautiful suzani hand-stitched Turkish designs with silk in traditional patterns. The Suzani features two rows of four medallions flowers within an ornate grid, all sitting on a bed of brown color. This amazing embroidery piece could be used as a rug...

A patchwork of 19th century Tibetan linnen mounted as a painting. We selected this linnen because of its naturele serene appearance. After cleaning we had the strapps connected and f...

Italian Terracotta garden wall hanging with central decorative ribbon flower basket flanked by a rake and shovel with an incised lambs tongue border. Mid...

Our ceramic plate "Mediterranean Nuances" is handmade and hand-painted in Italy: realized in majolica painted in polychrome, it is characterized by elegant decorative motifs of the Deruta tradition colored with different variations of blue and brown tones following the original Renaissance painting technique. The particular shape of this dish is traditionally called "a priest's hat". This majolica can be exposed as an centerpiece or it can be used as a fancy wall dish...

Painted glass and Swarovski crystal. Polished stainless steel frame.

A 25% Discount Sale is Valid only from Dec 19-21, 2023 FREE 2 Day US Continental Shipping for Delivery By Dec 24, 2023 Vintage American hand hooked rug in a stripe pattern handcrafted in the 4th quarter of the 1800s in the New England Area of the United States. The handwoven hooked rug has a series of slanted stripes in various brilliant colors. The material in the body is rag material that has been cut into narrow pieces and used in the body of the rug. The use of special design and the brilliant colors makes this truly an artistic piece wonderful to be used as a wall tapestry. The tradition of Hooked Rug started in New England. “Hooking” is the term used to describe the technique of hand crafting these rugs started as a hobby for the farmers in the long and dark cold winter nights of North East States in the US in the early 1800s. Hooked rugs were made as functional pieces for the home either as a table decoration or a wall art. Antique Hooked Rugs are a combination of Folk Art Creativity and Simplicity. When it comes to true simplicity and artistic creativity Antique Hooked Rugs have some of the best representations. Dimensions: 2’ 1” x 3’ 4” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: America Material: Wool and cotton pile on a burlap foundation Condition: Wear consistent with age and use American Hooked Rugs, Vintage Hooked Rugs, Early American Hooked Rugs, American Rag Rugs, Antique Rug, Antique Rugs, Antique Carpets, Vintage Carpets, Handwoven Rugs, Vintage Artisan Rugs, Antique Handmade Rugs, Sustainability, Vintage Distressed Rugs, Allover Design Rug, Mid Century Modern Rugs, Vintage Rag Rugs, Vintage Wool Rag Rugs...

Old French Poster of Farm Animals which could look great in a Country French Kitchen. These used to be sold in Paris and unfortunately the store suf...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Silk and cotton embroidery create beautiful depictions of various birds in their native fauna on an embroidered panel. It dates back to the Art Deco period. The patterns and palette ...

Graphite on tempered masonite, signed and dated (DAVID ROTH 2011) on the back. This piece was exhibited "Salon 2015" NYC. Measures: 48" x 48". Exhibitions of Roth's Graphites: The Gallery Upstairs, Buffalo NY 1967, The Everyman Gallery NYC 1969, Robert Elkon Gallery NYC 1970, Liz O'Brien NYC 2001 and The Moderne Gallery Phila...

'Symmetry Fold Triptych' is a unique wall installation by the British artist Steven Edwards, created from black stoneware. The surface has been covered with a golden / bronze-like gl...

Exceptional Japanese contemporary two panel "byobu" or folding screen featuring genryoku style handcrafted silk raised kimono Japanese decorative art in crimson red, cream and gold o...

Inspired by Nature and elements, Rebecca Koury is a vert talented artist creating very unique pieces. This beautiful pair was picked from a series of 9 paintings titled, “Echoes”. Th...

Pierre Gaston Rigaud Oil on Canvas Painting "Arbres" Trees French School Antique . “Arbres” by Pierre Gaston Rigaud. French School Dated 1925. Oil on Canvas. Rigaud was a student of ...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

We are delighted to offer for sale this Stunning Set of Four Prints Burr Walnut Frames In The Manner Of Henry Thomas Alken. The set of four prints, each elegantly encased in rich b...

Semi-precious stones, brass holder Composition dimensions: 157.4” W x 4.2” D x 29.1” H / 400 W X 10.9 D x 74 H cm Edition of 15 Set of 22 spheres **We can custom color pallet in the...

Serigraph print, 12/62, signed and numbered by the artist on the lower margin. The print is framed in round gilded wooden frame, accentuating the unusual round shape of the artwork...

Late 19th-early 20th century brass Judaica wall brackets Dimensions 4.5" wide x 10" deep (away from wall) x 10" high Very good antique condition. ...

Exceptional "Pygmalion" painting in patinated and engraved bronze and pewter with complex scene in enamel cloisonne with hand-brazed sculptured frame by Philip & Kelvin LaVerne, Ame...

This unique and stunning artwork by Juan Quevedo is a masterpiece of contemporary art that embodies the essence of Cubism. The painting, titled "Adoracion...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. This is a designe...

- Handspun and handwoven wool, henna dye, oil paint, big size - 2022 - Unique piece - Framing by Laetitia Verchere - Edition of 10. Dimensions: 25.2 x 25.2 in // 64 x 64 cm.

Rare, large, dramatic, hand-made French Plaster Mirror attributed to Serge Roche. The mirror / wall sculpture is in an organic, free-form, Surrea...

This pastel-colored tapestry depicts imperial Chinese life in all its elegance, and the beauty is in the details.. The Chinese-style tapestry is framed in a black accent picture fram...

Stunning antique coat rack made of oak with stylish brass hooks. If you are a collector of handcrafted, early 20th century decorative art then this striking, sculptural coat rack co...

French Art Deco watercolor of a brown dachshund, framed in a burl walnut frame. (signed GEORGES BUSSON, dated 1929)(Companion pieces: 058035A-B-D-E-F) Condition: Good; Wear consiste...

Sold individually polyester resin; hand-shaped polyurethane foam; digital print swallow tail: 78 h. x 20 x 2.5" each a limited edition of 12 plus 4 proofs Produced by Tim Bessell Surfboards...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

This vintage framed copper repouse panel appears to be signed by an unknown artist and presumed to have originated from China, dating to approximately 19...

Large hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-mou...

AMAZING PLATE MONTELUPO 17th Century Round earthenware bowl with contours on a pedestal, polychrome decoration of a soldier in a frame of floral reserves. Minor restorations. Diame...

Antique embroidered mirrored horse blanket throw used in India for the wedding ceremonies. Large antique embroidered panel with floral pattern. Indian colorful wall hanging from Guja...

We make this paintings from reclaimed materials. In this case we recycled 18th century linen and let it react to the old wood in a spontanious way. The sutle rinkles in the linen and...

Large pair of African Tribal Art parchment wall shade sconce featuring a large triangle hide form stitched on iron and hand painted surface. These art piec...

Desert Drawing N. 001. Original drawing on hardwood, 2022. Archival black ink. Sawtooth wall hanger. Measures: Width: 7-3/4” Length: 10-3/4” Depth: 0-...

This wall panel of contemporary art is an expression of an artistic mixture of materials like the romantic stone of the moon as the scagliola art and mirrors, creating a refined and ...

Abstract, geometric graphic in brown, red and black ink on paper by Arthur Luiz Piza. His style combines drawing and graphic techniques. Handcrafted wooden frame black patinated with...

Painted French tole mushroom decoration for planters or gardens. Circa 1950s. Probably originally created as a prop for a Parisian department store window or a theater. Twenty-six in...

Large Modern Framed Artwork Decorative Painting Landscape LA CA Art Gallery . Wall Art Decorative Hand painted Oil on Canvas Falling Vessel sculpted hand crafted silvered Frame. "Fa...

Splendid neoclassical representation painted in tempera on canvas, depicting the goddess Venus while bathing. The goddess is seated, half naked, with her breasts exposed and surround...

Abstract Oil Painting featuring heavily applied paint with a nice, raised texture, by Isreal Abramofsky, Russian 1888-1975, Toledo, Ohio Artist. Abramofsky was a Russian born artist...

The solid cedar Christmas tree is made entirely from natural cedar wood and adds an elegant touch to your holiday decor with its minimalist design. Inspired by the form of the fir tr...

Hand crafted iron scroll design wall bracket. Vintage wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-m...

Brazilian Art by R. Aragão this Watercolor on Cardboard Painting, Abstract Stick Figures in Black and White and framed in Giltwood behind glass. Artist is ...

Expressive abstract relief sculpted in rough clay and glazed with copper oxides in matt grey-green. It is a dynamic wall decoration, signed H77.  

Striking “pelangi” tie-dyed textile from Toraja Land, South Sulawesi. We added a linen border, double backed on both ends. This beautiful panel can be used as a wall hanging, draped ...

1983 signed Curtis Jere "MUSIC NOTES" brass and iron wall sculpture.. As seen in " The Godfather" hanging above the fireplace,,

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. The shape of this...

This felt wall hanging collection was created by Studio Marmi, an award winning design studio based in Istanbul and Los Angeles. Astra Collection is a contemporary three-dimensiona...

Splendid and historic coat of arms in painted wood, embellished with elegant gilded iron finishes. The coat of arms is painted with a faux marble background and features delicate lil...

Andr. Matthioli Comm. Trichomanes Fern print Trichomanes is a genus of ferns in the family Hymenophyllaceae, termed bristle ferns. Gold frame with iv...

20th Century bark cloth painting, Mbuti people, Ituri Forest, D. R. Congo A wonderful barkcloth from the Mbuti people in the Ituri forest of northeastern Democratic Republic of the ...

Striking ‘pelangi’ tie-dyed textile from Toraja Land, South Sulawesi. We added a linen border, double backed on both ends. This beautiful panel can be used as a wall hanging, draped ...

This wall set consisting of 14 28 cm diameter plates is hand painted with the map of the world. It is a wonderful wall installation for any modern global nomad or for your sailing sh...