Hand-Crafted Wall Decorations

Chalk, Pencil, Crayon Drawing "Two Women" on Paper Well done expressionist abstract art, signed

Antique late 19th century twisted Lanyard pattern copper tube circle form. Could be mounted or hung. Hollow with some holes from the hand crafting.

Antiques of London We are delighted to offer for sale this Lovely Framed Print of Audrey Hepburn In the Silk Organdy Ball gown. It was designed by Hubert de Givency for the 195...

Silk Embroidered Portrait, Elderly Woman, Indochina / Vietnam, Mid-20th Century Features: Technique: Silk embroidery Subject: Portrait of an elderly woman Origin: Indochina (Vietnam)...

camino rinascimentale, camino scolpito, camino in travertino, camino in pietra, rivestimento camino in pietra, camino in marmo. Rivestimento per camino scolpito su travertino romano ...

Artist Antonia Dombrowsky Color Etching - Etat 3/5 2000 Dimension Print Height 50 cm / 19.68 inches Width 30 cm / 11.81 inches Biography of the Artist 1935 Born in Düsseldo...

Grape Hyacinth: A piece of 3D sculptural wall art designed and made from two layers of egret and tan leather, woven together by Louise Heighes. Measurements are 17 x 17 inches or 43...

From the artist: Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting...

Anglo Raj hanging polished brass tray. Finely hand-chased, hand-cut and hand-hammered with floral repousse designs. The middle of the tray is a lar...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is stretched and framed in a black wood free ...

We are delighted to offer for sale this lovely Vintage Gold Foil Map Of The British Isles 1646 By Joannes Janssen. Please carefully examine the pictures to see the condition befor...

Andr Matthioli Comm. >Polypodium Fern in a white oak frame with laurel green mat, Polypodium is a genus of ferns in the family Polypodiaceae, subfamily Polypodioideae, The genus ...

Inspired by the wildly winding anxious mind of a woman suspecting something is off-kilter, the oversized ribbon-like Neurotica sconce, alone, in a pair or down a hall, serves as powe...

We are delighted to offer for sale this lovely pair of rare hunting prints titled The Death and The Chase by T Sutherland Sculpt dated 1819 A very good looking and decorative pair...

The famous painter, Marcel Gotène (Icon of the contemporary Bantu art) combines surrealistic impressions with modern tapisserie elements. Born in 1935 in Yaba, Republic of Kongo, di...

Fine original Arts & Crafts leather picture of a lady with peacock in oak frame circa 1900.

Emblematic Mansard roofs on a bright day.  Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” Cu...

Mindset Blue Wall Sculpture Design by Rodrigo Vairinhos Timeless, Bold, and Artistic – Mindset Blue brings a harmonious blend of color and texture to any space. The "Mindset" wall ...

Japanese reverse painting on mirror.

Interesting North American woven rug textile mounted on a wooden display panel. Features a colorful geometric pattern and is signed or initiated on bottom R.P. Lovely colors of salmo...

High time the California Desert Wall Art Oil on Canvas Decorative object framed . A Nicely painted Artwork oil on Canvas of the high time in the California D...

A unique contemporary framed painting... no real subject matter, but wonderfully colorful and a very nice decorative piece for a grouping or to stand alone. The piece has not been re...

Woods and leafy hills fading into the mist. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” ...

Rare antique wrought iron trade sign, in the form of a very decorative key, that once hung outside a French locksmith and key maker’s shop. It has the most beautiful patina with fai...

Late 19th century, very large earthenware ceramic sculpture platter or charger, of the French Second Empire period, entirely hand painted in Francois Boucher style, the romantic and ...

Giant Leaf, Naturally Dyed Felted Wool Sculpture by Inês Schertel, Brazil Ines Schertel's primary material is sheep's wool. As a practitioner of Slow Design, the artist takes a ho...

This elaborately decorated enameled brass charger or wall hanging is unsigned, but presumed to have originated from India and dating to approximately 1920 and done in an Anglo-Indian...

Antoni Tàpies wool carpet, this work is 1 from an edition of 6 hand made in 1968, by Maolo Millares and Carola Torres (1926-1972), signed in the upper left corer. These were sold thr...

Large wall object by Agnès Debizet with four black dots on a blue and white ceramic disc.

"Torqued Mandala #2" by Paul Wirhun, painted eggshell on wood, 2008. Wirhun is an artist who works with eggshells to create colorful, mosaic-like paintings...

"Home" Abstract Oil and Wax on Canvas Painting by Joaquin Pineiro

Beautiful and complex Drill Painting, "HOW MANY HOLES", by Markus Linnenbrink, American 2003 (signed, titled and dated on verso with gallery label). This is a...

We kindly ask that you read the entire description, as we strive to provide comprehensive technical and historical details to ensure the authenticity of our items. This frame encloses a canvas cutout from an antique oil painting and is particularly unique and distinctive. It was recently crafted by a Florentine Master cabinetmaker whose workshop is located in the most charming and vibrant district of Florence, San Frediano, renowned for its artisan shops that produce entirely handmade works. The Master used carved and shaped wood to replicate the appearance of bamboo, employing a technique known as "faux bamboo." This process involves using durable woods, such as maple or oak, that are intricately carved and then painted to achieve the desired effect. The "faux bamboo" technique has a history that dates back several centuries and gained significant popularity during the 18th and 19th centuries in Europe and America, eras marked by a fascination with exotic and Oriental design influences. This technique was particularly associated with the Chinoiserie style, an artistic movement inspired by Chinese art and aesthetics. At the time, real bamboo furniture...

Woods and leafy hills fading into the mist. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” C...

19th century Louis XVI wall cabinet is a charming diminutive piece that is perfect for cozy niches, bathrooms and water closets! The boldly molded crown combines with the stepped-up ...

Wall plate in relief with 3 dog's heads. Three different dog breeds, three different hunting dogs. The relief is in bronzed eternite, with 4 holes to hang up.

Beautifully framed original artwork, Untitled, ink and gouache on paper, 7" x 10" sheet, by Martin Kline, American 1993 signed and dated on lower corner. Martin Kline’s (b. 1961) ...

Freedom Wall Art, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. Wall art with Greenapple exclusive design p...

Original vintage poster Swiss Schaffhauser Wolle Wool Yarn Knitting 1935 Baby. This is an original 1st printing of this poster by Viktor Rutz Zuric...

We are delighted to offer for sale this lovely pair of original copper plate prints dating to 1719 by Bernard De Montfauucon of Paris. Dom Bernard de Montfaucon, O.S.B. (French: [d? m?~fok?~]; 13 January 1655 – 21 December 1741) was a French Benedictine monk of the Congregation of Saint Maur. He was an astute scholar who founded the discipline of palaeography, as well as being an editor of works of the Fathers of the Church. He is regarded as one of the founders of the modern discipline of archaeology Montfaucon was born on 13 January 1655 in the Castle of Soulatgé, a small village in the southern town of Corbières, then in the ancient Province of Languedoc, now in the modern Department of Aude. Other sources claimed his birth date is in 16 January, the most accepted date. After one year he was moved to the Castle of Roquetaillade, residence of his family. When he was seven, he was sent to Limoux, to the college run by the Fathers of Christian Doctrine Montfaucon served in the French army as a volunteer and participated in the Franco-Dutch War of 1673. He was a captain of grenadiers and made two campaigns under the command of Marshall Turenne, participated in the Battle of Herbsthausen and fell ill in Saverne in Alsace. Because of his infectious illness he made a vow to Our Lady of Marceille to give one hundred livres to her sanctuary in Limoux and to become a monk, if he was able to return to his country as a result of her intervention. After the death of Montfaucon's father at the Château de Roquetaillade, in 1675 he entered the novitiate of the Benedictine monastery of Bream in Toulouse. There he learned several ancient languages: Greek, Hebrew, Chaldean, Syriac, and Coptic. In 1687 Montfaucon was called to the Abbey of Saint-Germain-des-Prés and he started to work on an edition of the works of the Greek Church...

Giant Leaf, Naturally Dyed Felted Wool Sculpture by Inês Schertel, Brazil Ines Schertel's primary material is sheep's wool. As a practitioner of Slow Design, the artist takes a ho...

Framed, signed and dated.

18th C. Portrait of a Lawyer Circle of Jacques Aved French School Oil on Canvas . Circle of Jacques-Andre-Joseph-Camelot Aved Portrait of a lawyer 1702-1766 French school mid-18th c...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely 1747 British Map Showing the Kingdom of Judah on the West Coast of Africa This 1747 Negroland m...

This is a serpentine mirrored wall bracket of large proportions.

Heinrich Germany Villeroy & Boch "Herbst " meaning "Autumn" in German. Vintage Collector decorative porcelain plate “Herbst” - Germany country scene. Made in Germany Collector plate...

Carrara and Marquinia Marble Handmade in Italy As shown 60x40x24 cm This one-of-a-kind design shelf is completely handmade with salvaged marble elements from the production cycle. ...

Unique hand crafted wall art and scultpural piece hand made from Cherry wood and Beech wood by award winning deigner and maker Gareth 'Goldfinch' Brookes. Each unique shape has been ...

Semi-precious stones, brass holder Edition of 5 Set of 18 spheres **We can custom color pallet in the composition** ***Colors and textures may vary due the uniqueness of the stones*...

Two beautiful antique and light friezes in gilded wood: one is cm. 40x16,5 x depth 3. The other one is cm. 36 x 30,5 x depth 3,5. To put where you want. ref. O/8087/2 and 3.

Painting dated 1980 and signed by the Italian designer, inventor and painter Luciano Mattioli (1924-1994,) a very versatile and prolific artist on the Italian and French design scene...

Morning mist on the valleys of Alsace. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” Custom...

From the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's ...

Morning mist on the valleys of Alsace. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x 48” Custom...

We kindly suggest reading the full description, as we aim to provide you with detailed technical and historical information to ensure the authenticity of our items. The frame enclosi...

From the artist: Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting...

Hampton farm nestled in a starry night. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This green wall is inspired by the design logic of the natural world and traditional Japanese zen gardens. The piece is a composition of light grey GFRC and silk foliage; the high-quality silk foliage requires no water system and is maintenance-free. DETAILS The wall is curved and measures 17 ft across, 10 ft tall, and 3 ft deep. Indoor/outdoor use and weather-resistant. MODIFICATIONS Custom size & design available upon request and designed to fit any space. Available in earth, white, light grey, grey, dark grey, and black GFRC The silk plants...

Colourful modern tapestry made with opaque beads, silk thread, and chain stitches. This piece of art is sold singularly or in a set of three. In this artwork, the use of colours is ...