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Item Ships From: Bay Area
Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
Category
1820s Realist Bay Area - Prints and Multiples
Materials
Engraving
Coral Reef - large format photograph of sun reflections on a coral reef
By Erik Pawassar
Located in San Francisco, CA
large format photograph of sun reflections on a coral reef water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
The Songs of Songs of King Salomons
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012)
Title: "The Songs of Songs of King Solomons"
Year: 1975
Medium: Color lithograph
Edition: Numbered LVII/C in pencil
Paper: Jap...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride)
By Henri de Toulouse-Lautrec
Located in Palo Alto, CA
Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is captivating work featuring a woman lounging unaffectedly in a striped ch...
Category
1880s Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694.
The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge.
An author wrote of her: "The line of Vere, so long renown’d in arms,
Concludes with luster in St. Albans’s charms;
Her conquering eyes have made their race complete,
It rose in valor, and in beauty set."
This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace.
Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category
Late 17th Century Bay Area - Prints and Multiples
Materials
Mezzotint
North America: A Framed Hand-colored 19th Century German Map by Adolph Stieler
By Adolf Stieler
Located in Alamo, CA
This framed early 19th century map of North America entitled "Nord-Amerika" is plate No. LIV (No. 46) from Adolph Stieler's Hand-Atlas, published in Gotha, Germany by Justus Perthes ...
Category
1830s Bay Area - Prints and Multiples
Materials
Engraving
Summer Night ( 24 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
Birch tree branches hang illuminated by t pale blue glow against a deep midnight sky. Neither woodcut nor screen print, this is a double-exposure cyanotype. That means different part...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
$240 Sale Price
20% Off
Close Up - large format photograph of conceptual billboard sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. a series of images capturing the unique infi...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Richard Ziemann 'Wetland Grasses' Limited Edition Signed Etching Print
Located in San Rafael, CA
Richard Claude Ziemann (American, b 1932)
'Weland Grasses' 1980
Etching on wove paper
Edition 138/175
Titled in pencil lower left
Signed and dated in pencil lower right
Image (plate)...
Category
1980s Contemporary Bay Area - Prints and Multiples
Materials
Etching
Po-Ca-Hon-Tas: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Po-Ca-Hon-Tas", lithographed by J. T. Bowen after a painting by Charles Bird...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Lagune
Located in San Francisco, CA
This artwork titled "Lagune" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Figure Miroir
Located in San Francisco, CA
This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.194...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Paris, l'Opera
By Urbain Huchet
Located in San Francisco, CA
This artwork titled " Paris, l"Opera c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 163/250 in pen...
Category
Late 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
A Night Dance by Women in Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Night Dance by Women in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyag...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
Stratosphere II - large format photograph of abstract liquid water cloudscapes
By Christian Stoll
Located in San Francisco, CA
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere'
STRA...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category
Early 18th Century Academic Bay Area - Prints and Multiples
Materials
Engraving
Nouvelles En Trois Lignes III
By Roland Topor
Located in San Francisco, CA
Artist: Roland Topor (French, 1938-1997)
Title: Nouvelles En Trois Lignes III
Year: 1975
Medium: Lithograph with pochoir hand coloring
Edition: Inscribed A.P (Artist Proof)
Paper: Wove
Image size: 21 x 15 inches
paper size: 25.5 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Editions Sauret, Paris, Monaco
Condition: Excellent
Description: From the suite"Nouvelles En Trois Lignes"
About the artist.
Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer, filmmaker and actor, known for the surreal nature of his work. He attended the School of Fine Arts in Paris (1955-1964).
He publishes his first drawings in the review « Bizarre », his first short stories appear in the review « Fiction » in 1958. His corrosive humor leads him to collaborate with the satirical newspaper « Hari-Kiri » (1961-1965). « Masochists » his first book is edited by Losfeld in 1961. Totally tragic, absurd and grotesque , the humor he disseminates evokes more the one of Central Europe. All his creations from the beginning till the end remain provocative and bizarre.
He is mainly known as an illustrator and graphic artist and famous for combining surrealism with black humor.
Abram Topor, father of the artist came to settle in Paris in 1930 thanks to a grant from the Warsow Arts Academy. In his young age during the war, he and his family will stay for a while in Savoie trying to escape Nazis.
In 1962 he created the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal. Topor wrote the novel "The Tenant" (1964), which was filmed by Roman Polanski as The Tenant
Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
George Inn, Salisbury
Located in San Francisco, CA
This artwork titled "George Inn, Salisbury" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition.
About the artist:
Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church.
Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891.
His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas. He also published a short series of fully illustrated books in 1923, Old Manor Houses and Old Inns.
His village scenes and rural buildings were executed in chalk, pencil and wash sketching was used for country scenes. Aldin was an enthusiastic sportsman and a Master of Fox Hounds and many of his pictures illustrated hunting.
An early work on a tiger in a zoo was studied from life, but found to be a copyright of the ideas in a photograph by Gambier Bolton.
A popular book by Aldin was Sleeping Partners, a sequence of pastel drawings of his dogs on a couch. It included his Irish Wolfhound Micky and his favorite model, Cracker, a Bull Terrier with a dark patch over one eye.
He also did some work for Cadburys advertising.
Born 28 April 1870. He was educated at Eastbourne College then Solihull Grammar School. Cecil Aldin's father was a keen amateur artist so Cecil started drawing at a very young age. He studied art at the studio of Albert Moore and then the National Art Training School which later became The Royal College of Art. After this he spent a summer with the fine animal painter and teacher, Frank Calderon.
In 1892 he bombarded the illustrated periodicals with his illustrations and thereby started a long association with The Illustrated London News. He was commissioned by The Pall Mall Budget in 1894 to illustrate "The Jungle Book" by Rudyard Kipling. At the invitation of the fine genre painter, Walter Dendy Sadler...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Paris, La Tour Eiffel
By Urbain Huchet
Located in San Francisco, CA
This artwork titled " Paris, La Tour Eiffel" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 180/25...
Category
Late 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
The Fleet of Tahiti displayed for Captain Cook: An Original 18th C. Engraving
By William Hodges
Located in Alamo, CA
"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
Spring Rhododendron I (18 x 12 inch cyanotype painting)
Located in Oakland, CA
This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Mixed Media, Archival Paper, Rag Paper, Monotype, Photogram
Mother and Child
By Neal Doty
Located in San Francisco, CA
Artist: Neal Doty (American, born 1941)
Title: Mother and Child
Year: 1979
Medium: Color serigraph
Edition: Numbered 70/300
Paper: Wove
Size of image: 32.5 x 24 inches
Size of paper:...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Screen
Horses #III
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #III" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand si...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Bending Pine, edition 1 of 10 (hand-printed cyanotype, 24 x 14.5 inches)
Located in Oakland, CA
The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Photogram
Rotterdam, Maashaven
Located in San Francisco, CA
This artwork titled "Rotterdam, Maashaven" 1958, is an original color etching with aquatint by noted Dutch artist Hendrikus Elias Roodenburg, 1895-1987. It is hand signed and titled ...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Aquatint
Topiary III - large format photograph of ornamental shaped tree in urban setting
By Frank Schott
Located in San Francisco, CA
From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
TOPIARY III by Frank Schott
40 x 32 inches (102 x...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Seascape XII -large format photograph of monochrome blue water surface and Cloud
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
"Waterloo Volunteers" From the suite "History of England"
Located in San Francisco, CA
This artwork titled "Waterloo Volunteers" from the suite "History of England" is an original color etching by British artist Graham Clarke, b.1941. ...
Category
Late 20th Century Romantic Bay Area - Prints and Multiples
Materials
Etching
"Centre Noeuds" planche #9
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Bay Area - Prints and Multiples
Materials
Etching
Aspen Study III - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study III by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Four Walking Figures
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Four Walking Figures
Year: c.1980
Medium: Original color lithograph
Edition: Inscribed "Artist Proof" in pencil
Paper: Arches
...
Category
Late 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
The Lion and the Gnat
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: The Lion and the Gnat
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Japan
Image (plate mark) ...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Etching
Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970
By Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...
Category
1970s Modern Bay Area - Prints and Multiples
Materials
Etching
$10,000 Sale Price
28% Off
Frontispiece, from La Nuit, La Faim (The Night, The Hunger), 1960
By Georges Braque
Located in Palo Alto, CA
Georges Braque Frontispiece, from La Nuit, La Faim (The Night, The Hunger), 1960 is an abstract work which takes inspiration from a poem by Georges Riebmont-Dessaignes. Georges Riebm...
Category
Early 1600s Modern Bay Area - Prints and Multiples
Materials
Lithograph
$8,400 Sale Price
30% Off
California Mono - large photograph of infinite monochromatic desert landscape
By Frank Schott
Located in San Francisco, CA
From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on a moody autumn day in the American West
58 x 58 inches ( 147 x 147cm )
signed editi...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
St. Tropez Tulips
Located in San Francisco, CA
Artist: Ellen Gunn (1951- )
Title: St. Tropez Tulips
Medium: Screenprint
Image size: 11 x 14 inches
Sheet size: 18 x 20 inches
Signature: lower right
Editi...
Category
1990s Impressionist Bay Area - Prints and Multiples
Materials
Paper, Screen
Colosseo Quadrato - iconic neoclassical architectural elements in Rome
By Frank Schott
Located in San Francisco, CA
Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture
30 x ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Family in Dusky Bay, New Zealand: Original 18th C. Engraving from Captain Cook
By William Hodges
Located in Alamo, CA
"A Family in Dusk Bay, New Zealand" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second ...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière
By Nicolas de Largillière
Located in Alamo, CA
This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais".
Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building.
This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos.
Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...
Category
Late 17th Century Bay Area - Prints and Multiples
Materials
Engraving
Light through Leaves 2 ( 8 x 8 inch encaustic collage on wood panel)
Located in Oakland, CA
This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...
Category
2010s Minimalist Bay Area - Prints and Multiples
Materials
Birch, Paper, Mixed Media, Encaustic, Panel, Monotype, Photogram
Portugal: A Large 17th Century Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Portugal et des Algarves Divisee en see Archeveches, Eveches et Territoires Par le Sr Sanson" was originally created by Nicholas S...
Category
1690s Bay Area - Prints and Multiples
Materials
Engraving
Mountain Ridge Diptych (Two 12 x 6 inch cyanotypes mounted on panels)
Located in Oakland, CA
These are two miniature 12 x 6 inch hand-printed abstract cyanotypes mounted on wood. They are sealed with a satin finish varnish on the face and all sides.The sides are natural wood...
Category
2010s Minimalist Bay Area - Prints and Multiples
Materials
Birch, Paper, Mixed Media, Panel, Monotype, Photogram
Starling
Located in San Francisco, CA
This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs.
About the artwork:
This artwork required 3 different carved wood blocks and 7 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Woodcut
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Map of the Holy Land "Carte de la Syrie et de l'Egypte" by Pierre Lapie
By Pierre M. Lapie
Located in Alamo, CA
This is an early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat M...
Category
1830s Bay Area - Prints and Multiples
Materials
Engraving
Light through Leaves 1 ( 8 x 8 inch encaustic collage on wood panel)
Located in Oakland, CA
This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...
Category
2010s Minimalist Bay Area - Prints and Multiples
Materials
Birch, Paper, Mixed Media, Panel, Monotype, Photogram, Encaustic
Zen Grass (14" diameter cyanotype mounted on wood panel)
Located in Oakland, CA
This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing.
This monoprint was made using tall grass from my own garden during the ...
Category
2010s Minimalist Bay Area - Prints and Multiples
Materials
Birch, Paper, Mixed Media, Panel, Monotype, Photogram
Flow II - large format photograph of abstract liquid water cloudscapes
By Christian Stoll
Located in San Francisco, CA
large scale photography of mesmerizing muted color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow'
Flow I...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
City 358
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 358
Year: circa 1972
Medium: Serigraph
Sight size: 19.25 x 25.75 inches.
Sheet size: 22.75 x 28.75 inches.
Signa...
Category
1970s Abstract Geometric Bay Area - Prints and Multiples
Materials
Paper, Screen
Nous Voila Pas de Braves., from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Nous Voila Pas de Braves., from the suite les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of paper: 4.85 x 9 inches
...
Category
17th Century Realist Bay Area - Prints and Multiples
Materials
Etching
The Songs of Songs of King Salomons
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012)
Title: "The Songs of Songs of King Solomons"
Year: 1975
Medium: Color lithograph
Edition: Numbered LVII/C in pencil
Paper: Jap...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Venice
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Venice" 1965 is an original color aquatint on Arches paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 42/100 in pencil by the a...
Category
Mid-20th Century Impressionist Bay Area - Prints and Multiples
Materials
Aquatint
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
1810s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Pine View
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "Pine View" 1986 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, numbered 220/350 and titled in pencil by the artist. The image size is 22 x 16 inches, sheet size is 28.5 x 22.75 inches. It is in excellent condition.
About the artist:
Virgil Thrasher...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Screen
Winter Woods, edition 1 of 10 (hand-printed cyanotype, 30 x 18 inches)
Located in Oakland, CA
The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Photogram
$320 Sale Price
20% Off
Hecatombe de Toros
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
By William Hogarth
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving, Etching
Leafs
By Charles Eckart
Located in San Francisco, CA
This artwork "Leafs" c.1980, is an original etching on Wove paper by noted American artist Charles Eckart, b.1935. It is hand signed and inscribed T/P in pencil by the artist. The pl...
Category
21st Century and Contemporary Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching
Red Roses: A Framed 17th C. Hand-colored Botanical Engraving by Basilius Besler
Located in Alamo, CA
"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...
Category
17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
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