Skip to main content

Bay Area - Prints and Multiples

to
103
50,559
41,425
895
615
1,474
1,141
139
493
610
754
506
411
Overall Height
to
Overall Width
to
527
357
293
148
118
97
80
56
18
13
8
8
3
1
1,005
516
281
273
231
222
190
188
182
172
171
157
146
121
116
95
91
87
72
71
253
318
1,525
675
5
2
4
12
12
31
64
120
90
59
163
199
84
56
52
42
877
607
467
344
336
Item Ships From: Bay Area
Velocity & Vibrancy Fine Art Print - Limited Edition Urban Hummingbird Print
Located in San Francisco, CA
'Velocity & Vibrancy Fine Art Print' is a hummingbird fine art print by contemporary urban artist John Osgoodl. It measures 10 x 8 inches. This piece is part of a limited edition col...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink

Amish Country
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American, b.1933 Title: Amish Country Year: c.1980 Medium: Color etching Image size: 16.5 x 19.5 inches. Framed size: 30.35 x 33 inches Signature: Hand ...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Etching

The Songs of Songs of King Salomons
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

The Songs of Songs of King Salomons
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category

Mid-19th Century Romantic Bay Area - Prints and Multiples

Materials

Engraving

War Dance of the Sauks and Foxes Hand Colored Lithograph C.1837
Located in San Francisco, CA
War Dance Of The Sauks And Foxes Hand Colored Lithograph c.1837 Published by E.C. Biddle, Philadelphia. Beautiful hand colored lithograph from the "History of the Indian Tribes of ...
Category

1830s Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Fearless 01 Fine Art Print - Limited Edition Impressionist Floral Print
Located in San Francisco, CA
'Fearless 01 Fine Art Print' is an impressionist floral print by urban impressionist painter Steve Javiel. It measures 16 x 16 inches in size, with the printed image itself spanning ...
Category

21st Century and Contemporary Impressionist Bay Area - Prints and Multiples

Materials

Archival Ink

Rue Ferou
By Man Ray
Located in San Francisco, CA
This artwork, titled "Rue Ferou," 1974, is an original color lithograph on Arches watermarked paper by American artist Man Ray, 1890-1976. It is hand signed ...
Category

1970s Dada Bay Area - Prints and Multiples

Materials

Lithograph

Seebenstein Castle Courtyard, Austria, large color etching
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Seebenstein Castle, Austria" 1920 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at ...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Horsemen
By William Gropper
Located in San Francisco, CA
This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwor...
Category

Mid-20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

The Time of Reflection Fine Art Print - Limited Edition Contemporary Bird Print
Located in San Francisco, CA
'The Time of Reflection Fine Art Print ' is a contemporary bird fine art print by contemporary urban artist John Osgoodl. It measures 16 x 12 inches in ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink

Thorn-Bill Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Ramphomicron vulcani" (Southern Thorn-Bill Hummingbirds) by John Gould, Pl. 186 from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Southern Thorn-Bill hummingbirds sitting on branches of a flowering plant. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Asia Declineatio: A 17th Century Hand-colored Map of Asia by Justus Danckerts
Located in Alamo, CA
This is a scarce 17th century beautifully hand-colored copperplate engraved map of Asia entitled “Exactissima Asiae Delineatio in Praecipuas Regiones Caerterasque Partes divisa et de...
Category

Late 17th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

Modern Day Icarus Fine Art Print - Limited Edition Man Fine Art Print
By Jeremy Novy
Located in San Francisco, CA
'Modern Day Icarus Fine Art Print' is a limited edition fine art print by street artist Jeremy Novy. It measures 20 x 16 inches in size. This piece is part of a limited edition colle...
Category

21st Century and Contemporary Street Art Bay Area - Prints and Multiples

Materials

Paint, Archival Ink

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category

1770s Old Masters Bay Area - Prints and Multiples

Materials

Etching

City Scene
By Luigi Kasimir
Located in San Francisco, CA
This artwork "City Scene" 1933 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and dated in the plate. The plate mark (image) size is 15.25 x 10.55 inches, framed is 24 x 18.65 inches. It is custom framed in a dark wood frame, with light creme color matting and light brown filet. It is in very good condition, the frame have some scratches. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Flow of Energy Fine Art Print - Limited Edition Floral Landscape Print
Located in San Francisco, CA
'Flow of Energy Fine Art Print' is an impressionist floral print by urban impressionist painter Steve Javiel. It measures 12 x 16 inches. This piece is part of a limited edition coll...
Category

21st Century and Contemporary Impressionist Bay Area - Prints and Multiples

Materials

Archival Ink

Double Happiness Fine Art Print - Limited Edition Koi Fine Art Print
By Jeremy Novy
Located in San Francisco, CA
'Double Happiness Fine Art Print' is a limited edition koi fine art print by street artist Jeremy Novy. It measures 16 x 20 inches in size, with the printed image itself spanning 14 ...
Category

21st Century and Contemporary Street Art Bay Area - Prints and Multiples

Materials

Archival Ink

"Mocking Bird", An Original Audubon Hand-colored Octavo Edition Lithograph
By John James Audubon
Located in Alamo, CA
An original collectible hand-colored octavo edition John James Audubon lithograph entitled "Common Mocking Bird", No. 28, Plate 138, from...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Circle of Life Fine Art Print - Koi Limited Edition Fine Art Print
By Jeremy Novy
Located in San Francisco, CA
'Circle of Life Fine Art Print' is a limited edition koi fine art print by street artist Jeremy Novy. It measures 16 x 20 inches in size, with the printed image itself spanning 14 x ...
Category

21st Century and Contemporary Street Art Bay Area - Prints and Multiples

Materials

Archival Ink

Stay Strong. Wear a Mask! Fine Art Print - Limited Edition Figurative Print
By Jeremy Novy
Located in San Francisco, CA
'Stay Strong. Wear a Mask! Fine Art Print' is a limited edition fine art print by street artist Jeremy Novy. It measures 12 x 16 inches in size. This piece is part of a limited editi...
Category

21st Century and Contemporary Street Art Bay Area - Prints and Multiples

Materials

Archival Ink, Spray Paint

Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category

Mid-19th Century Romantic Bay Area - Prints and Multiples

Materials

Engraving

Wallscape VI ( Il Famoso ) - abstract capture of vintage Italian circus poster
By Frank Schott
Located in San Francisco, CA
Wallscape VI by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes 32 x 40 inches / 81cm x 102cm edition of 25 signed 48...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category

1750s Old Masters Bay Area - Prints and Multiples

Materials

Etching

A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category

Mid-19th Century Romantic Bay Area - Prints and Multiples

Materials

Engraving

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

1820s Old Masters Bay Area - Prints and Multiples

Materials

Etching

A Sail
By Sam Francis
Located in Palo Alto, CA
Sam Francis A Sail, 1969 is an exciting expression of color and movement formatted in a landscape orientation. Emblematic of two of the artist’s most recognized approaches, A Sail, 1...
Category

1960s Modern Bay Area - Prints and Multiples

Materials

Lithograph

Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category

Mid-20th Century American Realist Bay Area - Prints and Multiples

Materials

Drypoint, Etching

Rancho Woodcut Heart, 1982
By Jim Dine
Located in Palo Alto, CA
One of Jim Dine’s most iconic motifs, the romantic Rancho Woodcut Heart work illustrates the story of hope and love through a symbolic image of a large red heart. With the contrast o...
Category

1980s Modern Bay Area - Prints and Multiples

Materials

Woodcut

Three Children
By Zamy Steynovitz
Located in San Francisco, CA
This artwork "Three Children" c.1995 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-2000. It is hand signed and numbered 83/300...
Category

Early 20th Century Impressionist Bay Area - Prints and Multiples

Materials

Screen

Munichau (Austria)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category

Mid-20th Century American Realist Bay Area - Prints and Multiples

Materials

Drypoint, Etching

Midnight Wolf: A Limited Edition Clarence Mills Signed Haida Inuit Print
Located in Alamo, CA
"Midnight Wolf" is a framed signed limited edition abstract inuit native people's work by Northwest Coast Haida artist Clarence Mills. The print depicts a stylized wolf howling at th...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Woodcut

Composition II
By Karel Appel
Located in Palo Alto, CA
Whimsical in nature, the exuberant application of color captures a quality of spontaneity and experimentation. Famous for the "Dupe of Being" in which he strives to combine the tragi...
Category

1970s Modern Bay Area - Prints and Multiples

Materials

Lithograph

Ireland: A Framed 17th Century Hand-colored Map by Jan Jannson
By Johannes Janssonius
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Hibernia Regnum Vulgo Ireland" by Johannes Janssonius's (Jan Jansson), published in Amsterdam in 1640. This highly detailed map depicts the Emerald Isle with an extensive display of towns, roads, mountains, rivers, lakes and county borders, etc. It includes two decorative cartouches on the left. The title cartouche includes the Irish harp and the second, in the upper left, includes a lion wearing a crown on the left, a unicorn on the right and a coat-of-arms in the middle, which includes another Irish harp. A distance scale is seen in the lower right, augmented with two putti. The map is embellished with three sailing ships and a sea monster. Western portions of Scotland and England...
Category

Mid-17th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

Magic Rainbow II, Limited Edition Signed Print
By Yaacov Agam
Located in San Rafael, CA
Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...
Category

Late 20th Century Abstract Geometric Bay Area - Prints and Multiples

Materials

Screen

Wien
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Wien" 1911, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The ...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Schubert's Birthplace, Vienna, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Schubert's Birthplace, Vienna, Austria" c.1925 is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the a...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Winter Landscape 3
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Winter Landscape" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower cente...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Les Essencies de la Terra
By Joan Miró
Located in Palo Alto, CA
This bright and lively work was originally created for a poster showcasing Miró's works at the Galleria del Milione, Milan. Bold colors, lively imagery, and vivid spontaneity are sta...
Category

1960s Modern Bay Area - Prints and Multiples

Materials

Lithograph

"The Wharf" Large original color serigraph
Located in San Francisco, CA
This artwork titled "The Wharf" c.1980 is an original color serigraph by American artist Filastro (Fil) Mottola, 1915-2008. It is hand signed, titled and numbered 19/450 in pencil by...
Category

Late 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Screen

Untitled (Personages Drinking)
Located in San Francisco, CA
This artwork "Untitled (Personages Drinking)" c.2005, is an original serio lithograph (serigraph and lithograph) on paper by renown American figurative expressionist artist Michael Todd White, b.1969. It is signed and numbered 24/350. The artwork (Image) Size is 9.25 x 21 inches, framed size is 19 x 30 inches. Custom framed in a wood veneer and black frame, with fabric matting. It is in excellent condition. About the artist: Michael Todd White (born October 10, 1969, in San Antonio, Texas) is a figurative expressionist painter.[1] He has also been described as an avant-garde expressionist. White was named the official artist for the Grammy Awards by the Recording Academy in 2007. His painting appeared on the ceremony's invitation and program book and served as the official image for the event. His work was featured in the Inspirations of Oz Fine Art Collection, an exhibition commemorating the 70th anniversary of The Wizard of Oz. The collection toured designated cities all over the world including Miami, Los Angeles, Dubai, Japan, London, Toronto and Vienna. In 2010, White was chosen to provide sketches for Coca-Cola Light in Mexico. White's six sketches are depicted on different faces of Coca-Cola Light bottles and cans, each featuring his distinctive box signature. This was the first time that Coke had collaborated with a fine artist to depict artwork for its label. The bottles were released in August 2010.[5] As a result of some of these career achievements White has earned international recognition and a lengthy list of celebrity collectors. White's work hangs in a number of galleries in North America and he is currently one of the best selling artists in the United Kingdom. Some of White's most prominent exhibitions include a show at the Bank of Scotland in Manchester, England and at the unveiling of The World's Largest Todd White Collection, hosted by CNN's Larry King at Pechanga Resort and Casino in Temecula, California. Todd White's work was featured in the opening of Clarendon Fine Art Gallery in Hampstead, London alongside that of leading British contemporary artists Sherree Valentine-Daines and Christian Hook.
Category

21st Century and Contemporary Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Plate 15 from Album 19
By Joan Miró
Located in Palo Alto, CA
Rhythmic serenity emanates from this delightful work. Miro creates a quirky yet sophisticated pattern of decorative and playful spots, irregular yet rep...
Category

1960s Modern Bay Area - Prints and Multiples

Materials

Lithograph

L'enfance d'Ubu (Childhood of Ubu), 1975
By Joan Miró
Located in Palo Alto, CA
L'enfance d'Ubu is one of three illustrated books inspired by the French playwright Alfred Jarry's (1873-1907) plays Ubu Roi, Ubu Cocu, and Ubu Enchaîné. ...
Category

1970s Modern Bay Area - Prints and Multiples

Materials

Lithograph

Salzburg View
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Salzburg View" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate m...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Poster for the film 'Umbracle'
By Joan Miró
Located in Palo Alto, CA
Joan Miró Poster for the film 'Umbracle,' 1973 is a lively work that was originally created as a movie poster for the film Umbracle, an experi...
Category

1970s Modern Bay Area - Prints and Multiples

Materials

Lithograph

Leading the Remuda
Located in San Francisco, CA
This artwork titled "Leading the Remuda" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 58/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Morning Glow - large format photograph of monochromatic water and horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Morning G...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Soaking Up
Located in San Francisco, CA
This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Cityscape
By Josef Eidenberger
Located in San Francisco, CA
This artwork "cityscape" c. 1960 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark (image) size is 1...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Kronborg Slot
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Kronborg Slot" 1919, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17 x 22.75 inches, framed size is 28.75 x 34.85 inches. Custom framed in a distressed style wood and black frame, with fabric matting and dark grey fillet . It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Wien
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

November 1981 III (Jardin du Luxembourg, Paris)
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: November 1981 III (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches Image size: 7.75 x 11.70 inches Framed size: 18.65 x 22.5 inches Signature: Hand signed and titled in pencil by the artist Condition: Excellent Frame: Custom framed in a wooden silver frame frame, with light light grey matting and brownish green fillet. About the artist. Print...
Category

Late 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

Marienburg Castle, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category

Mid-18th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

Rathaus in Vienna
By Josef Eidenberger
Located in San Francisco, CA
This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Heiligen Bluts
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Heiligen Bluts" 1948, is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
Category

Mid-18th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

Read More

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

Welcome (Back) to the Wild, Wonderful World of  Walasse Ting

Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.

Shapero Modern’s Director Tells Us All about 20th-Century Prints

Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.

Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors

The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”

Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art

In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.

Just What Is an Intaglio Print, and What Makes It a Good Investment?

Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.

Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print

Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.

A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects

Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.

Recently Viewed

View All