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Item Ships From: Bay Area
"Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It is signed and dated in the plate as issue. Published by Ambroise Vollard, Paris and printed by Lacouriere, Paris. Referenced and pictured in the artist's catalogue raisonnes by Chapon plate #276, Wofsy plate #273. The plate mark (image) is 11.75 x 8.15 inches, framed size is 20.5 x 17.25 inches. Custom framed in a wooden brownish and gold frame, with fabric matting and black fillet. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The National Gallery of Art.
About the artist:
French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Aquatint
The Artist and Biblical Themes, 1974 (M.722)
By Marc Chagall
Located in Greenwich, CT
The Artist and Biblical Themes (M.722) is a lithograph on japon nacre paper, signed 'Marc Chagall' lower right and numbered VIII/X lower left from the edition of 64 (there were also ...
Category
20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph, Paper
Samson and Delila - from the Suite 10 West Coast Artists
Located in San Francisco, CA
Artist: Felix Ruvolo – American (1912 - 1992)
Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithograph on Arches paper
Size: 30 x 22.5 inches.
Publisher: Collector’s Press, San Francisco
Edition: 75.
Signature: Signed lower right in pencil
Embossed publisher’s chop lower left of the Collector’s Press, San Francisco;
Embossed printer’s chop lower left of Ernest De Soto
Numbered: 39/75 lower right in pencil
Condition: Excellent
This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition.
Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute.
By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.”
His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia.
His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos.
His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus.
His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve
as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there.
Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
"Untitled" from Suite 10 West Coast Artists
By Keith Boyle
Located in San Francisco, CA
Artist: Keith Boyle – American (1930 - 2023)
Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithograph on ivory wove paper
Image size: 18.5 x 18.5 inches
Sheet size: 23.25 x 22.25 inches.
Publisher: Collector’s Press, San Francisco
Edition: 75.
Signature: Signed lower right in pencil
Numbered: 39/75 lower right in pencil
Condition: Good
This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
"Untitled" from Suite 10 West Coast Artists
By Jim Melchert
Located in San Francisco, CA
Artist: Jim Melchert – American (1930 - 2023)
Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithogra...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Untitled - from the Suite 10 West Coast Artists
By Sidney Gordin
Located in San Francisco, CA
Artist: Sidney Gordin – American (1918 - 1996)
Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967
Year: 1967
Medium: Lithograph on Arches paper
Size: 22.5 x 30 inches.
Publisher: Collector’s Press, San Francisco
Printed by: Ernest de Soto, Michael Knigin, and Gordon Kluge
Edition: 75.
Signature: Signed lower left in pencil
Embossed publisher’s chop lower left of the Collector’s Press, San Francisco;
Numbered : 39/75 lower left in pencil
Condition: Excellent
This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...
Category
1960s Abstract Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Why can't you tell
By Robert Rauschenberg
Located in San Francisco, CA
This artwork titled "Why Can't You Tell" from the suite "Nine Prints" is an original screen print with offset lithograph and fabric collage on B.F.K. Rives paper by American artist ...
Category
Late 20th Century Pop Art Bay Area - Prints and Multiples
Materials
Screen
Hammer and Sickle, 1977 (FS.II.162)
By Andy Warhol
Located in Greenwich, CT
Hammer and Sickle (FS.II.162) is a screenprint on paper, 30.12 x 40 inches, siigned 'Andy Warhol' and numbered 12/50 lower left. Framed in a contemporary gold leaf, closed-corner frame.
Category
20th Century Pop Art Bay Area - Prints and Multiples
Materials
Screen, Paper
Blanchefleur, 1972 (Le Decameron, Plate H)
By Salvador Dalí
Located in Greenwich, CT
Blanchefleur from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 Ara...
Category
20th Century Surrealist Bay Area - Prints and Multiples
Materials
Drypoint, Etching
Le Diable en Enfer, 1972 (Le Decameron, Plate C)
By Salvador Dalí
Located in Greenwich, CT
Le Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...
Category
20th Century Surrealist Bay Area - Prints and Multiples
Materials
Drypoint, Etching
Cloud Study IV - large scale photograph of dramatic momochromatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Impressionabilita
By Marino Marini
Located in San Francisco, CA
This artwork titled "Impressionabilita" 1969, is an original color screen print on wove by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 93/125 in pen...
Category
Mid-20th Century Post-Modern Bay Area - Prints and Multiples
Materials
Screen
La Parade
By Michel Delacroix
Located in San Francisco, CA
This artwork titled "La Parade" 1978 is an original lithograph by noted French artist Michel Delacroix, born 1933. It is hand signed and numbered 24/150 in p...
Category
Late 20th Century Bay Area - Prints and Multiples
Materials
Lithograph
Petit Luberon II (Little Luberon II)
By Marcel Mouly
Located in San Francisco, CA
Artist: Marcel Mouly – French (1918 - 2008)
Title: Petit Luberon II (Little Luberon II)
Year: 2003
Medium: Lithograph
Image Size: 27.5 x 19.25 inches
Sheet Size: 30.5 x 22.25 inches
...
Category
Early 2000s Impressionist Bay Area - Prints and Multiples
Materials
Paper, Lithograph
"Curvy Brushstrokes" Large etching with aquatint, framed
By Sol LeWitt
Located in San Francisco, CA
This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible.
About the artist:
Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality.
Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman)
Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman)
Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art.
LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Etching, Aquatint
"Color and Black" Large colors etching with aquatint, framed
By Sol LeWitt
Located in San Francisco, CA
This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition.
About the artist:
Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality.
Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman)
Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman)
Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art.
LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Seascape IV (Homage to Mark Rothko) - large format abstract ocean photograph
By Frank Schott
Located in San Francisco, CA
From a series of large scale abstract photographs of muted color monochromatic water surface color clouds and horizon
SEASCAPE IV by Frank Schott
an homage to Mark Rothko
60" x 48" / 152cm x 122cm
signed edition of 7
75 x 58 inches / 190cm x 147cm
signed edition of 7
archival quality fine art pigment print
limited art edition published by Edition EKTAlux...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Mirror #9 (C.114, Mirror Series), 1972
By Roy Lichtenstein
Located in Greenwich, CT
Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame.
Catalog -
Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114.
About Lichtenstein’s Mirror Series (taken from Corlett):
Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66).
This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...
Category
20th Century Pop Art Bay Area - Prints and Multiples
Materials
Lithograph, Screen
Pour ce Jour, 1968 (Poèmes, #7)
By Marc Chagall
Located in Greenwich, CT
Pour ce jour (For this Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-t...
Category
20th Century Modern Bay Area - Prints and Multiples
Materials
Woodcut, Paper
UNTITLED
By Frank Schott
Located in San Francisco, CA
from a series of works capturing conceptual signs in iconic landscapes
captured with a large format camera to allow epic scale print sizes with incredible image details
CLOUD STUD...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Sign Of The Time - large scale photograph of conceptual motivational billboard
By Frank Schott
Located in San Francisco, CA
Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...
Category
21st Century and Contemporary Conceptual Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Saint Florian Monastery, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Saint Florian Monastery, Austria" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It ...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
American Indian Navajo
By Ozz Franca
Located in San Francisco, CA
This artwork "American Indian, Navajo" is a offset lithograph on paper by noted Brazilan artist Ozz Franca, 1928-1991. The image size is 21 x 14.75 inches, framed size is 31.25 x 27 inches. Custom framed in a wooden brown/grey frame, with lith purple matting. It is in excellent condition.
About the artist:
Born October 2, 1928, França (pronounced FRON-suh) grew up in Sao Paulo, Brazil, and from an early age showed talent as an artist, as well as exceptional prowess as a competitive swimmer. At 14 he won first prize at the annual Spring Salon Art Competition. At 15, he qualified for the Brazilian Olympic Swimming Team. With two amazing talents, França was unsure what he should do with his life. Fate stepped in, and the Olympic Games were canceled the year França was to compete due to the outbreak of World War II. At that point, he decided to devote his life to art.
He held his first one-man show at the age of 18. Following what he would later say was the best advice anyone ever gave him, França came to the U.S, to accept a scholarship in Utah. A year later, he moved to Hollywood and began doing movie illustration for Walt Disney. His projects included Lady and the Tramp and 20,000 Leagues Under the Sea. He moonlighted as a swimmer when movie parts were available.
França painted many subjects, but he is best known for his esoteric images of Native American women. França's art enters the world of fantasy and dreams, where the spiritual meets the sensual. His works, with their floating imagery and airy, muted colors, evoke an aura of mystery. França said he always painted his subjects, which primarily were women, either in profile, looking toward the edge of the painting, or looking over her shoulder, "so that anyone could walk into it."
Joan Lee, print marketing professional, said that Ozz saw the spirituality and quiet dignity of Native American men and women. "there's a romance surrounding Native Americans that people appreciate seeing," said Lee.
Ozz França died in 1991.
Ozz Franca’s work is held in the collections of numerous celebrity, including:
Jacqueline Onassis
Lyndon B. Johnson
Patty Duke
Jerry Lewis
Kim Novak
Burt Lancaster
Gig Young
Tom Bradley
Sammy Davis, Jr.
Ronald Reagan
Red Skelton...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Je sens monter en moi des chants de plaisir (I Feel Songs of Pleasure Rise in Me
By Théo Tobiasse
Located in San Francisco, CA
Artist: Theo Tobiasse (French/Israeli, 1927-2012)
Title: Je Sens monter en moi des chants de plaisir (I Feel Songs of Pleasure Rise in Me)
Year: Circa 1980
Medium: Color lithograp...
Category
1980s Expressionist Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Rocky Mountain Flycatcher: Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Rocky Mountain Flycatcher, Male, Swamp Oak. Quecus Aquatica", No. 12, Plate 6...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Nude at the Fountain (Poèmes Secrets d'Apollinaire), 1967
By Salvador Dalí
Located in Greenwich, CT
Nude at the Fountain– signed and dated ‘Dalí’ lower right and framed in an ornate, gold-tone frame. On japon, unnumbered from the 1967 edition of 235 portfolios.
Originally publishe...
Category
20th Century Surrealist Bay Area - Prints and Multiples
Materials
Engraving, Etching
Pintail
Located in San Francisco, CA
This artwork titled "Pintail" c.1990 is a color lithograph by noted Wild life American artist Christopher Forrest, b.1946. It is hand signed, titled and numbered 86/300 in pencil by the artist. The image size is 17.5 x 22.85 inches, framed size is 27.35 x 32.5 inches. Custom framed in a oak frame, with light brown matting. It is in excellent condition
About the artist:
Born in Trenton, New Jersey, 1946 Interested in art from the age of 7, Christopher Forrest still speaks fondly of a set of colored pencils presented to him then by his parents; At 11, he won his first award for painting and started exhibiting in galleries. Along with his interest in art grew a keen attraction for the outdoors and the wildlife which thrived there. After considering schooling in art, Chris chose to study civil engineering. Upon graduation from Virginia Polytechnic Institute, Chris began a career as a commissioned officer in the United States Army Corps of Engineers. The Army provided Chris the opportunity to observe wildlife from the swamps of Florida to the lakes of Quebec, in addition to Europe and Viet Nam. In 1973, the Army sent Chris to graduate school at North Carolina State University, at this time Chris started to paint wildlife. Chris resigned from the Army in 1978 and took a position as an artist with Evergreen Publishing Co. He has produced more than thirty original graphic editions for Evergreen. His original graphics are handled by some 350 galleries in North America. He is currently General Manager at Evergreen. His work and articles about his work have appeared in numerous wildlife and art publications. Chris strongly believes in wildlife conservation and is a member of many conservationist organizations. His donated prints have raised a great deal of money for Ducks Unlimited, Newjersey, Audubon and Ward Foundations. In 1980 he realized one of his major professional goals. He was elected to membership in the Society of Animal Artists. "Creating a painting or graphic is an exciting adventure and challenge for me. Starting with the observation of the animal in the wilderness, I then approach the painting with the attitude that it will be my finest work." COLLECTIONS National Academy of Science, Washington, D.C. New Jersey State Museum, Trenton, N.J. Ferrum College, Ferrum, Va. Franklin Mint, Franklin Center, Pa. Parsons, Brinkerhoff, Quade & Douglas, consulting Engineers, N.Y.C. Fine Art Corporation of America, N.Y.C. Central Carolina Bank, Raleigh, N.C. Ward Foundation Museum, Salisbury, Md. New Jersey Audubon Society, Rancocas, N.J. I.B.M., Louisville, Ky. American World Airways (Pan Am), Miami, Fla. Baush & Lomb, Rochester, N.Y. Thermos, Norwich, Conn. Metro-Goldwyn Mayer, Ca. Ford Motor Co., Atlanta, Ga. Chemical Bank, N.Y.C. City Bank, N.Y.C. ONE-MAN SHOWS N.J. State Museum, Trenton, N.J. 1979 Palette Gallery, Cary, N.C., 1973,-74,-77,-78,-79 Lambertville House, Lambertvi lie, N.J., 1975-76 Triangle Art, Trenton, N.J., 1975 INVITATIONAL SHOWS Triangle Art Christmas Show, 1975 Golden Door Gallery Wildlife Show, New Hope, Pa., 1976 Ward Foundation Wildlife Art & Carving Exhibition, Salisbury and Ocean City, Md., 1976,-78,-79 Easton Waterfowl Art...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
A Vase of Shared Leaves, botantical on paper, blue
Located in Petaluma, CA
This is an original print using archival inks and archival paper. The printer's plate is one of a kind and is made from Tetrapak which is the inside of a carton. For more informat...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Pigment
Einstein
By Mr. Brainwash
Located in Palo Alto, CA
Mr. Brainwash Einstein, 2023 is a vibrant and stimulating work featuring Albert Einstein, a pillar of history and modern physics, amid the color and cacophony of modern life. Einstei...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Mixed Media, Screen
Portrait d'une fille (Maya), 1965
By (after) Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Portrait d'une fille (Maya), 1965. This exquisite portrait of Pablo Picasso's first daughter, Maya Picasso, exudes a personal, loving charm that only a father could cap...
Category
1960s Modern Bay Area - Prints and Multiples
Materials
Lithograph
Eared Grebe: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Wilson's Plover, 1. Male, 2. Young First Year", No. 97, Plate 482 from Audubon's "Birds of Ameri...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Smith's Lark Bunting: Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Smith's Lark Bunting, Adult Male", No. 98, Plate 487 from Audubon's "Birds of America, lithograp...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Vase, Blue Leaves with Stem, botanical print on paper
Located in Petaluma, CA
This is an original print using archival inks and archival paper. The printer's plate is one of a kind and is made from Tetrapak which is the inside of a carton. For more informati...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Printer's Ink
Le Contis Sharp-tailed Bunting: Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Le Contis Sharp-tailed Bunting, Male", No. 98, Plate 488 from Audubon's "Birds of America, litho...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Bell's Vireo: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Bell's Vireo Male", No. 97, Plate 485 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts an adult male Bell's Vireo bird perched on a branch of a flowering plant facing to the left.
This original hand-colored Bell's Vireo lithograph is in very good condition, other than a few edge chips and irregularity of the left edge where it was previously bound in the publication, all of which will be obscured by a frame mat. The image portion is in excellent condition. The sheet measures 10.25" high by 6.63" wide.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Dust Time, large lithograph
By John Maxon
Located in San Francisco, CA
Artist: John Maxon (American, born 1947)
Title: Dust Time
Year: 1993
Medium: Color lithograph
Edition: Numbered 146/210
Paper: Arches
Image size: 26.5 x 39.75 inches
Paper size: 31.5 x 44 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent, has never been framed
About the artist.
Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings.
Education
San Francisco Art Institute
B.A., Painting, San Jose State University
M.F.A., Painting, University of California, Davis
Stanford University, Palo Alto, California
Cabrillo College, Aptos, California
Selected Solo Exhibitions
2018
Gallery Panza Verde – Antigua Guatemala, Guatemala
2015
Desert Art Collection - Palm Desert California
2015
Galeria Antigua – Antigua, Guatemala
2014
Galeria Panza Verde – Antigua, Guatemala
2008
Linda Durnell Gallery – Los Gatos, California
2006
Linda Durnell Gallery – Los Gatos, California
2005
Robert Allen Fine Art Gallery – Sausalito, California
2004
Ellis West Gallery – Durango, Colorado
2002
Ellis West Gallery – Durango, Colorado
2001
Robert Allen Fine Art Gallery – Sausalito, California
1997
Stanford University Faculty Club – Stanford, California
Selected Group Exhibitions
2018
Chemers Art Gallery – Los Angeles, California
2009, 2010, 2016, 2017 & 2018
Robert Allen Fine Art – Sausalito, California
2017 Christopher Hill Gallery - St Helena, California
2013 / 19
Gallery North - Carmel, California
2015
Desert Art Collection - Palm Desert, California
2014
Paul Scott Gallery - Bend, Oregon
2014
Christopher Hill Gallery Healdsberg, California
2013
Firehouse Art Center - Pleasanton, Ca. 2013
2011 - 2013
Robert Allen Fine Art – Sausalito, California
2010 - 2012
Susan Street Gallery – Solano Beach, California
2010 (Awarded 1st place) and 2012
“Contemporary Landscape Painters of California” – Awarded 1st Place
2011 - 2012
Salisbury Fine Art – Avila Beach, California
2010
Bryant Street Gallery – Palo Alto, California
2009
Museum Art and History – Santa Cruz, California
2008
Cabrillo College – Aptos, California
2006
Christopher Hill Gallery – St. Helena, California
2005
Fort Lewis College – Durango, Colorado
2001
St. Supery Winery & Fine Art Gallery, Napa California
2001
Napa Valley Wine Auction – St. Helena, California
1997
West Coast Painting and Sculpture – Ocean Side, California
1997
Wolk Gallery – St. Helena, California
Selected Museum Collections
Interior Museum, Department of the Interior, Washington D. C.
Santa Cruz County Art Museum – Santa Cruz, California
University of California – Berkeley, California
University of California – Davis, California
Napa Valley Art...
Category
Late 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
American Avocet: An 19th Century Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "American Avocet, Young in First Winter Plumage, Adult in the Distance", No. 71, Plate 353 from A...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
The Texan Turtle Dove: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "The Texan Turtle Dove, Male", No. 100, Plate 496 from Audubon's "Birds of America, lithographed,...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Purple Gallinule: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Alvar Sunol Pencil Signed Lithograph C.1970s
By Sunol Alvar
Located in San Francisco, CA
Alvar Sunol Pencil Signed Lithograph C.1970s
Three women around a table
Dimensions 21.5" wide x 12.5" high
The frame measures 32.75" wide x...
Category
Mid-20th Century Abstract Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
The Illiterate - Blue (M.551)
By Joan Miró
Located in Greenwich, CT
A continuation of the 'Horse Ride' series, The Illiterate (M.551), is a lithograph on paper, with an image size of 33.37 x 23.75 inches, signed Miró lower right and annotated lower l...
Category
20th Century Modern Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Large-billed Guillemot: Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Large-billed Guillemot, Male", No. 95, Plate 472 from Audubon's "Birds of America, lithographed,...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
The Captains Table
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Captains Table" c.1990 is a color offset lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 305/950 in penc...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
American Coot: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
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