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Item Ships From: Bay Area
Winding Path (18 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Photogram
Seascape XVIII Diptych (framed) - abstract monochromatic ocean water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photographs from the artist's Seascape series, a body of works capturing the tactile surfaces and monochrome nature of oceanic waterscapes
SEASCAPE XVIII Di...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment, Plexiglass
Clown Assis, from Cirque de l'Etoile Filante
By Georges Rouault
Located in San Francisco, CA
This artwork "Clown Assis, from Cirque de l'Etoile Filante" 1932, is a wood engraving by French artist Georges Rouault 1871-1958 (Block engraved by Georges Aubert) It is signed in t...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Woodcut
Carousel Animals: A Limited Edition Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...
Category
Late 20th Century Bay Area - Prints and Multiples
Materials
Lithograph
$700 Sale Price
20% Off
Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
"Curvy Brushstrokes" Large etching with aquatint, framed
By Sol LeWitt
Located in San Francisco, CA
This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible.
About the artist:
Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality.
Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman)
Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman)
Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art.
LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
1810s Academic Bay Area - Prints and Multiples
Materials
Engraving
$1,248 Sale Price
36% Off
Michigan Avenue, Chicago.
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Michigan Avenue, Chicago" 1930 is a colors etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed at the lower center in pencil by the artist. The plate ...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
Henry Miller 'Dream of Spring' Signed Artist's Proof Lithograph Print
By Henry Miller
Located in San Rafael, CA
Henry Miller (American, 1891-1980)
Dream of Spring, circa 1966
Color lithograph on wove paper
Signed and titled, annotated 'Artist's Proof' (Aside from the edition of 200)
Image: 14i...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Garden Moments II
Located in San Francisco, CA
Artist: Ellen Gunn (1951- )
Title: Garden Moments II
Medium: Screenprint
Image size: 22 x 26.75 inches
Sheet size: 22 x 26.75 inches
Signature: lower right
Edition: 375 This one: 35...
Category
1990s Impressionist Bay Area - Prints and Multiples
Materials
Paper, Screen
TODAY - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph of a billboard against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs and billboards in landsc...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
$1,140 Sale Price
40% Off
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
"February Bouquet" from 'The Twelve Months of Flowers' series by Robert Furber
By Robert Furber
Located in Alamo, CA
This framed hand-colored engraving entitled "February Bouquet" is from 'The Twelve Months of Flowers' by Henry Furber, published in London in 1730 by Robert Sayer and John King. Each of the twelve hand-colored engravings in the book were produced from paintings by Pieter Casteels (1684-1749) and engraved by Henry Fletcher (1710-1753). The book featured twelve detailed engravings of seasonal plants in bloom in the form of a bouquet. More than 400 different species of flowering plants were included with each plant numbered and accompanied by a list of the corresponding species names. Thirty-five species of flowers are depicted in this engraving in a bouquet sitting in an ornate attractive bowl. A few of the flowers lie loose on a table. The flower species are listed in a table in the lower portion of the plate, along with the month that these flowers are in bloom.
This colorful print is presented in a gold-colored wood frame with a cream-colored double mat with a heather green inner mat. The frame measures 23.5" High, 19" wide and 1.63" deep. There are a few small frame abrasions, but the print is in very good condition.
Robert Furber...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Untitled #1
By Ian Tyson
Located in San Francisco, CA
This artwork "Untitled #1" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 60/75 in pencil by the art...
Category
Late 20th Century Abstract Geometric Bay Area - Prints and Multiples
Materials
Screen
Steet Vendor with Little Girl
By Jean Jansem
Located in San Francisco, CA
Artist: Jean Jansem (French/Armenian, 1920-2013)
Title: Street Vendor with Little Girl
Year: c. 1960
Medium: Color lithograph
Edition: Numbered 144/200 in pencil
Paper: Arches p...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Lise
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Lise" 1991 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 300/300 in pencil by the artist.. The image size is 10.75 x 19.75 inches, framed size is 24,5 x 32.5 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
La Princesse et le Bouffon
By Théo Tobiasse
Located in San Francisco, CA
Artist: Theo Tobiasse (French/Israeli, 1927-2012)
Title: La Princesse et le Bouffon
Year: 1978
Medium: Color lithograph
Edition: Numbered 60/175 in pencil
Paper: Wove
Image siz...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694.
The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge.
An author wrote of her: "The line of Vere, so long renown’d in arms,
Concludes with luster in St. Albans’s charms;
Her conquering eyes have made their race complete,
It rose in valor, and in beauty set."
This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace.
Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category
Late 17th Century Bay Area - Prints and Multiples
Materials
Mezzotint
$2,220 Sale Price
20% Off
Someday
Located in San Francisco, CA
This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed.
About the artist:
Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings.
TEACHING:
Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002.
CYCLES OF WORKS IN ART:
• Biblical, American Indian, Rome 1948-62, Oil Paintings
• Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine
• Archetypal Frescos 1948-55, Mexico, California, Israel
• Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962
• Tapestries of the Zodiac 1961-1963, Spain
• Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967
• Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008
• Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968
• The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971
• Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008
• Barbary Coast Drawings, Full Color and Monochromatic 1967-1994
• The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983
• Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008
• Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008
• Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008
• Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008
• Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008
• Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008
• Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008
• Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008
• The Great Masters of Art Series 1998-2008
• Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008
EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS.
• Museum of Munich 1948
• Museum of Morelia, Michoacan, Mexico 1952
• Hellenic-American Union, Athens, Greece 1961
• Casa de Cultura, Malaga, Spain 1964
• Exposition Internationale d'Art de Mode, Val de Grace, Paris, France
• 20th Anniversaire Paris American Academy 1985
• Gallery International Inc, St Maarten, Netherlands Antilles 1990-93
• National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35'
• Galerie du Carlton, La Croisette, Cannes, France 1964-78
• Galerie des Champs-Elysees, Paris, France 1966-78
• Galeria "M" Copenhagan, Denmark 1967
• Galerie del Cisne, Madrid, Spain
• Upper Grosvenor Galleries, London England 1966-68
• Kunsthandel Monet, Amsterdam Holland 1960-80
• Harrison Galleries, Vancouver BC Canada 1970-2008
• Guild Gallerie Calgary, Canada 1975-98
SELECTED EXHIBITIONS: USA
• University of Southern California 1950
• Palos Verdes Community Galleries, CA 1955
• Cowie Galleries, Los Angeles, CA 1956
• Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959
• Maxwell Galleries, San Francisco, CA 1962-63
• Raymond Burr Galleries Beverly Hills, CA 1961-64
• Gallery 235, Chicago,IL 1967
• Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008)
• Lars Laine Art Galleries, Palm Springs, CA 1969-84
• Two Squares Gallery, Denver, CA 1966-70
• Fisk University Art Museum, Nashville TN 1968
• Lewis Galleries, Omaha Nebraska 1973-2008
• Talberts Galleria Tacoma, WA 1978-2008
• Lyon Art Gallery San Francisco CA 1974-1980
• Owl 57 Galleries Woodmere NY 1979-2008
• Walt Kuhn Galleries, Cape Neddick...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph, Offset
Hecatombe de Toros
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Tuko-See-Mathla, A Seminole Chief: A Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape.
This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
El hilo del escarabajo, The Beetle Thread (A/P)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary Bay Area - Prints and Multiples
Materials
Screen
The Great Hall at Karnak, Luxor, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
$3,500 Sale Price
20% Off
Poker Night at the Club
By Guy Buffet
Located in San Francisco, CA
This artwork titled "Poker Night at the Club" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 240/350 in pen...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
La Tauromaquia, Plate #10
By Francisco Goya
Located in San Francisco, CA
This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category
Early 19th Century Realist Bay Area - Prints and Multiples
Materials
Photogravure
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Mid-19th Century Romantic Bay Area - Prints and Multiples
Materials
Engraving
$540 Sale Price
20% Off
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
1760s Old Masters Bay Area - Prints and Multiples
Materials
Etching
Flowering Eucalyptus III ( 30 x 21.5 inch hand-printed botanical cyanotype)
Located in Oakland, CA
Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
Untitled. Very large original screen print
By Robert Natkin
Located in San Francisco, CA
This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Screen
Robert Natkin Untitled Limited Edition Signed Abstract Print
By Robert Natkin
Located in San Rafael, CA
Robert Natkin (American, 1930-2010)
Untitled, 1978
From the Intimate Lighting series
Color lithograph on wove paper
Signed, dated and numbered in pencil lower left
Edition 47/75
Prin...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Red Jet - iconic vintage private jet plane on desert airport tarmac (48 x 74")
By Frank Schott
Located in San Francisco, CA
large format photograph of glossy cherry red vintage private airplane on airport runway tarmac
Red Jet by Frank Schott
48 x 74 inches (122 x 188cm...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
19th C. Currier & Ives lithograph "Celebrated Trotting Team Edward & Swiveller"
By Currier & Ives
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category
1880s Bay Area - Prints and Multiples
Materials
Lithograph
"Arch of Titus" Large colors etching.
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Arch of Titus" created 1923 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist's estat...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Wallscape VII (Green Door) - abstraction of urban textures and palimpsest colors
By Frank Schott
Located in San Francisco, CA
Large scale photograph of mesmerizing monochromatic emerald surface abstraction, from a series of photographic observances capturing urban textures and color palettes
Wallscape VII (Green Door) by Frank Schott
48 x 60 inches / 122cm x 152cm
signed edition of 7
32 x 40 inches / 81cm x 102cm
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
________________________
About the artist:
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Untitled VII
By Tracey Adams
Located in San Francisco, CA
This artwork "Untitled VII" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed in pencil at the lower right corner by the artist. The image size is 15....
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monotype
"Daughters" Large color original serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Daughters" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 72/...
Category
Late 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Screen
Great North Diver Bird: Original 19th C. 1st Ed. Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Misty Laurel Diptych (Two 23 x 18 inch cyanotypes)
Located in Oakland, CA
This pair of monotypes contain the silhouette of a single branch of the native Californian Bay laurel. Although they look like screen prints or block prints these are cyanotypes, a f...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
$480 Sale Price
20% Off
Hoo-Wan-Ne-Ka, Winnebago Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
A Pair of Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of male and female woodpecker birds entitled "1. Pie Male de la Encenada, 2. Petit Pic des Moluques (Woodpeckers)"...
Category
1760s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Alex Katz 'Vincent' Limited Edition Signed Lithograph Print
By Alex Katz
Located in San Rafael, CA
Alex Katz (born 1927)
Vincent, 1972
From the Prints for Phoenix House portfolio
Chalk lithograph in two gray colors on Arches paper
Signed in pencil and numbered 93/120
Printed by Pa...
Category
1970s Contemporary Bay Area - Prints and Multiples
Materials
Lithograph
To-Ka-Con, A Sioux Chief: Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category
1830s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Once In A Lifetime
By David Najar
Located in San Francisco, CA
This artwork titled "Once In A Lifetime" c. 2000 is a giclee print by noted Israeli artist David Najar, born 1962. It is hand signed and numbered P....
Category
21st Century and Contemporary Surrealist Bay Area - Prints and Multiples
Materials
Giclée
Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category
1640s Academic Bay Area - Prints and Multiples
Materials
Engraving
Richard Serra 'Stop B S' Signed, Limited Edition Print
By Richard Serra
Located in San Rafael, CA
Richard Serra (American, B. 1938)
Stop B S (G. 2024), 2004.
From the portfolio 'Artists Coming Together'
Lithograph on wove paper
Signed in pencil and numbered 127/250 (there were al...
Category
Early 2000s Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Misty Agapanthus 3 ( 24 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
$240 Sale Price
20% Off
Les Cavaliers
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Les Cavaliers" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Eagle or Horned Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right.
This striking framed Gould...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Rufino Tamayo 'Deux Tetes' from Mujeres Suite, Limited Edition, Signed Print
By Rufino Tamayo
Located in San Rafael, CA
Rufino Tamayo (Mexican, 1899-1991).
Deux Tetes, from Mujeres Suite (P. 107), 1969.
Lithograph in colors on wove paper
Signed in pencil and numbered 27/150 (there was also an edition...
Category
Late 20th Century Contemporary Bay Area - Prints and Multiples
Materials
Lithograph
Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Abstract Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Peter Doig 'Lapeyrouse Wall' Limited Edition Signed Etching Print
By Peter Doig
Located in San Rafael, CA
Peter Doig (British, b. 1959).
Lapeyrouse Wall, 2004
Etching and aquatint printed in colors on wove paper
Signed and dated in pencil by the artist
Edition 30/30
Published by the arti...
Category
Early 2000s Contemporary Bay Area - Prints and Multiples
Materials
Etching
Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
Misty Agapanthus Diptych ( Two 24 x 18" cyanotypes)
Located in Oakland, CA
Although these look like screen prints or woodcuts, they are a form of 19th-century photography, cyanotypes. The normal color is dark blue. However, this unique celadon color that ca...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
$400 Sale Price
20% Off
Engraving of a British Fox Hunting Scene "The Pink Of Condition"
By George Wright
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category
Early 1900s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
$860 Sale Price
20% Off
Le-Soldat-Du, An Osage Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Le Soldat-Du-Chene, An Osage Chief", lithographed by J. T. Bowen after a pai...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
Category
Early 18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
La Negra (The Black Woman)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
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