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Item Ships From: Bay Area
Nude III
By Charles Eckart
Located in San Francisco, CA
This artwork "Nude III" 1981, is an original etching in sepia on Wove paper by noted American artist Charles Eckart, b.1935. It is hand signed, numbered 10/17 and dated in pencil by ...
Category
21st Century and Contemporary Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching
Surrender of Tahiti to Captain Wallis: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"A Representation of the Surrender of the Island of Otaheite to Capt.n Wallis, by the Supposed Queen of Oberea" is an original 18th century engraving created by Sparrow, from a drawi...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal
By John Webber
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast.
This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Bay Area - Prints and Multiples
Materials
Engraving
Ap-Pa-Noo-Se, A Saukie Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Henry Miller 'Dream of Spring' Signed Artist's Proof Lithograph Print
By Henry Miller
Located in San Rafael, CA
Henry Miller (American, 1891-1980)
Dream of Spring, circa 1966
Color lithograph on wove paper
Signed and titled, annotated 'Artist's Proof' (Aside from the edition of 200)
Image: 14i...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
"Tu B'Shvat'" From the suite "The Seven Festivals"
By David Sharir
Located in San Francisco, CA
This artwork titled "Tu B'Shvat" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand s...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Screen
“Europa and the Bull”
By Alvar Sunol Munoz-Ramos
Located in San Francisco, CA
You have to hand it to the bull. Not just taking Europa with his unassailable power (he is Zeus in disguise, after all) he brings along a retinue for his seduction of the beautiful P...
Category
1980s Modern Bay Area - Prints and Multiples
Materials
Paper, Lithograph
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
The Feast, from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: The Feast, from the suite, les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of image: 4.65 x 9.15 inches
Signature: S...
Category
17th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
By Luigi Mayer
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
Category
Early 19th Century Bay Area - Prints and Multiples
Materials
Engraving
Saw-bill Hummingbirds and Nest: Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages.
There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Tiger Lily
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Tiger Lily" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 96/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist.
Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity.
Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles.
In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide.
Selected Museums
Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum
Brooks Museum of Art, Memphis
The Butler Institute of American Art, Youngstown Dallas Museum of Art
Fine Arts Museums of San Francisco
Frye Art Museum, Seattle
Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh
Hunterian Art Gallery, University of Glasgow
Library of Congress, Washington, DC
The Metropolitan Museum of Art, New York
The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston
The Museum of Modern Art, New York
The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library
Oakland Museum of California
Philadelphia Museum of Art
Phoenix Art Museum
Portland Art Museum, Oregon
Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art
University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum
Selected public collections
ALZA Corporation, Mountain View
ART In Embassies Program, U.S. Department of State
AT&T, New York
Atlantic Richfield, Los Angeles
BankAmerica Corporation, Charlotte
Citigroup, New York
Cleveland Institute of Music
Clorox Company, Oakland
Comerica Bank, Costa Mesa & San Jose
H.J. Heinz Company, Pittsburgh
Illinois Bell Telephone Company, Chicago
IBM, Atlanta, New York, San Francisco
KPMG LLP, Atlanta
Lincoln Center/List Collection, New York
Macy's California, San Francisco
MetLife, New York
The Metropolitan Opera, New York
MGM Mirage Hotel...
Category
Mid-20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
From the suite La Passion
By Georges Rouault
Located in San Francisco, CA
This artwork from the suite "La Passion" 1932, published 1939 is a wood engraving by French artist Georges Rouault, 1871-1958. (Block engraved by Georges Aubert) It is signed and dat...
Category
Early 20th Century Modern Bay Area - Prints and Multiples
Materials
Woodcut
Barn Owl Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition.
This striking framed Gould...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Tah-Chee, Cherokee Chief: 19th C. Folio Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838.
Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
1760s Old Masters Bay Area - Prints and Multiples
Materials
Etching
Sugar Cane Day, Hawaii
By Guy Buffet
Located in San Francisco, CA
This artwork titled "Sugar Cane Day, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 404/425 in ...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
Redwoods Study II - large format observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest
Redwoods Study II ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
The Journey's End II (Hand-printed cyanotype, 18 x 10 inches)
Located in Oakland, CA
Unframed. 2023. Signed on the back. Narrower than "The Journey's End."
This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...
Category
2010s Realist Bay Area - Prints and Multiples
Materials
Photogram
Colossal Statue of Ramses: 19th Century Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a framed 19th century hand-colored lithograph by David Roberts from volume I of his monumental 6 volum...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
To-Ka-Con, A Sioux Chief: Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category
1830s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
Chamomile & Safflower: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Chamemelum Romanum flore simplici (Chamomile), Cincus Sativus (False saffron, Safflower), Chamaemelum Romanum Flore (Roman Chamomile)", depicting flowering Chamomile, Safflower and Roman Chamomile plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There are a few small spots and some irregularity of the lower edge. There is some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.25" high and 17.38" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Early 18th Century Academic Bay Area - Prints and Multiples
Materials
Engraving
Spring Clover II (hand-printed botanical cyanotype, 14 x 24 inches)
Located in Oakland, CA
This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Paper, Archival Paper, Rag Paper, Monotype, Photogram
Thanksgiving
By Pati Bannister
Located in San Francisco, CA
This artwork titled "Thanksgiving" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 587/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.75 x 21 inches, sheet size is 23.75 x 26 inches. It is in excellent condition.
About the artist:
Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.
At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public.
In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...
Category
Late 20th Century Romantic Bay Area - Prints and Multiples
Materials
Lithograph
"Bald Eagle", an Original Audubon Hand-colored First Edition Lithograph
By After John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
At The Park
By Barbara A. Wood
Located in San Francisco, CA
This artwork titled "At The Park" Circa 1980 is an offset lithograph on Wove paper by artist Barbara A. Wood (American) It is signed and numbered 356/875 in pencil by the artist. The...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Offset
Tuko-See-Mathla, A Seminole Chief: A Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape.
This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
L"Ame du Poete (The Soul of the Poet)
By Louis Legrand
Located in San Francisco, CA
This artwork titled "L'Ame du Poete (The Soul of the Poet)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. Signed in the ...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Untitled #1
By Ian Tyson
Located in San Francisco, CA
This artwork "Untitled #1" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 60/75 in pencil by the art...
Category
Late 20th Century Abstract Geometric Bay Area - Prints and Multiples
Materials
Screen
TODAY - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph of a billboard against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs and billboards in landsc...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
$1,140 Sale Price
40% Off
Steet Vendor with Little Girl
By Jean Jansem
Located in San Francisco, CA
Artist: Jean Jansem (French/Armenian, 1920-2013)
Title: Street Vendor with Little Girl
Year: c. 1960
Medium: Color lithograph
Edition: Numbered 144/200 in pencil
Paper: Arches p...
Category
Mid-20th Century Expressionist Bay Area - Prints and Multiples
Materials
Lithograph
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK I...
Category
21st Century and Contemporary Conceptual Bay Area - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Les Cavaliers
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Les Cavaliers" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Wien
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Wa-Na-Ta, Chief of the Sioux: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Composition
By Alberto Magnelli
Located in San Francisco, CA
This artwork titled "Composition" 1967, is an original colors lithograph on Arches paper by renown Italian artist Alberto Magnelli, 1888-1971. It is hand signed and numbered 37/75 in...
Category
Mid-20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Cacti - large format photograph of iconic desert cactus landscape 48" x 72"
By Erik Pawassar
Located in San Francisco, CA
large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations,
an homage to the photo realistic ...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
$3,520 Sale Price
20% Off
A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category
Mid-19th Century Romantic Bay Area - Prints and Multiples
Materials
Engraving
West Germany: Original Hand Colored 17th Century Map by Johannes Janssonius
By Johannes Janssonius
Located in Alamo, CA
An original hand colored copperplate engraved map entitled in Latin "Archiepiscopatus Maghdeburgensis et Anhaltinus Ducatus cum terris adjacentibus", published in Amsterdam in 1640 i...
Category
Mid-17th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
"Le Bonheur Entrevu" Large colors lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Le Bonheur Entrevu" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and number...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Rufino Tamayo 'Deux Tetes' from Mujeres Suite, Limited Edition, Signed Print
By Rufino Tamayo
Located in San Rafael, CA
Rufino Tamayo (Mexican, 1899-1991).
Deux Tetes, from Mujeres Suite (P. 107), 1969.
Lithograph in colors on wove paper
Signed in pencil and numbered 27/150 (there was also an edition...
Category
Late 20th Century Contemporary Bay Area - Prints and Multiples
Materials
Lithograph
The Windmill
By Rembrandt van Rijn
Located in San Francisco, CA
This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...
Category
17th Century Realist Bay Area - Prints and Multiples
Materials
Etching
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Mid-19th Century Romantic Bay Area - Prints and Multiples
Materials
Engraving
"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background.
This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Red-throated Diver Bird Original First Edition Audubon Hand Colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Romare Bearden 1972 Mother and Child Screenprint
By Romare Bearden
Located in San Francisco, CA
Romare Bearden: 1911-1998. Very important and well listed African American artist with auction records over $770,000. He has an auction high over $31,000 for a single print. This imp...
Category
1970s Bay Area - Prints and Multiples
Materials
Screen
Horsemen
By William Gropper
Located in San Francisco, CA
This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches.
An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland.
About the artist:
William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art.
At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair.
By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass.
By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan.
In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art.
Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters.
From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...
Category
Mid-20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
Dendera, Egypt, Dec 7th, 1838: David Roberts' 19th C. Duotone Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
Convertible
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Etching, Intaglio
Fishing Boats in Cap Muroto
Located in San Francisco, CA
This artwork Titled "Fishing Boats in Cap Muroto" c.1950, is an original woodcut on paper by Japanese artist Gihachiro Okuyama, 1907-1981. It is hand signed and inscribed in Japanese...
Category
Mid-20th Century Modern Bay Area - Prints and Multiples
Materials
Woodcut
Maurice Chevalier, Casino de Paris
By Charles Kiffer
Located in San Francisco, CA
This artwork titled "Maurice Chevalier, Casino de Paris" created 1925 is a lithographic poster on paper by French noted artist Charles Kiffer, 1902-1...
Category
Early 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Blue-eyed Cockatoo: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background.
This striking framed Gould...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Religion and Peace
Located in San Francisco, CA
This artwork titled "Religion and Peace" 1995, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Ch...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Screen
Alvar Sunol Pencil Signed Lithograph C.1970s
By Sunol Alvar
Located in San Francisco, CA
Alvar Sunol Pencil Signed Lithograph C.1970s
Three women around a table
Dimensions 21.5" wide x 12.5" high
The frame measures 32.75" wide x...
Category
Mid-20th Century Abstract Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Brown Pelican: An Original Audubon 1st Edition Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Male Whooping Crane: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Aaron and Moses
By Amos Yaskil
Located in San Francisco, CA
This artwork titled "Aaron and Moses" c.1980 is an original color lithograph on paper by Israeli artist Amos Yaskil, b.1935. It is hand signed and inscribed A.P. (Artist Proof) in w...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
19th C. Currier & Ives lithograph "Celebrated Trotting Team Edward & Swiveller"
By Currier & Ives
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category
1880s Bay Area - Prints and Multiples
Materials
Lithograph
Flowering Apple Plant: 18th Century Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Mezzotint
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